SO, I finally got around to compiling a list of some of my favorite movies that focus on either nymphets, Teacher/Student relationships, or just age gap relationships. Keep in mind that these are all movies I have WATCHED. I am aware there are more movies out there that fall into these categories but I haven’t gotten around to them. If you want to recommend any to me, please send me an ask or message! If you click on the movie title it will direct you to its corresponding IMDb. The movies marked with a “♡” are linked straight to their movie so you can actually watch them. Feel free to dig around for them if it’s not up to your standard. Also some of these movies are on Netflix, Hulu, Amazon Prime Video, or YouTube so please check there first. Lastly, yes some of these are Lifetime or made-for-TV movies. Yes they are cheesy and YES I STILL LOVE THEM.
Anyways, without any further ado, here is a list of movies I recommend for the topics listed above:
Abzurdah (2015) *FOREIGN MOVIE but has English subtitles/ can be found on Netflix right now but subject to change*
i’ve been getting a lot of messages lately (and unsurprisingly, considering how unrepentantly i’ve been reblogging stuff from them) from followers asking me for podcast recommendations - and i love getting those so thank you, guys! - and i thought i’d make a masterpost of what i’ve both a) finished and b) enjoyed since i’ve started bingeing them. and, as an extra added bonus, what has canonical lgbt+ representation (since i know what you guys are into [waggles eyebrows]).
canon lgbt+ is a ✓. this is definitely the first podcast that i’ve fallen in love with as hard as my original gateway podcast: welcome to night vale. it’s so well-written, the characters well-drawn, the premise fascinating - atypicals, or people with some sort of special ability, in therapy - and it’s such a positive story and experience that i can’t help but feel better on days i listen to it. it really believes in humanity and that’s such a wonderful thing in this day and age. plus, the voice acting is killer.
canon lgbt+ is a ✓. i don’t think it’s been officially confirmed that dr. dalias is, at the very least, bisexual (in fact, the official channels seem to be dancing around it, possibly so as not to spoil anything in the upcoming season), though it’s been hinted at plenty in story. especially as i don’t know how else you can explain a supposedly “straight” male character getting called out on repeatedly thinking about a naked man during a group mind-link experience. that aside, it is freaking hilarious. the premise is doctors in space, one formerly drug-addicted doctor helping to stabilize a currently alcoholic one with amazing side characters including nurse jane johns and levi, a hypochondriac alien and deposed prince who seems to have a personal vendetta against wearing pants. it’s well-acted, cleverly written and a freaking joy to listen too. so funny and so smart, i can’t recommend it enough!
canon lgbt+ is a ✓. so much queer representation it’s bananas. this ask the creators got is actually pretty representative of their approach to the show, slyly funny and very gay. our main character is a genderbending queer private investigator who’s lost his heart head over a sweet-smelling thief with a heart of gold and more aliases than jennifer garner, all set against a noir backdrop. oh, and on mars. yeah, you read all of that right. there are a few awesome side stories as well, including a couple of horror ones (that have no effect on the main juno steel story line, so can be skipped - and the creators are VERY GOOD about warning what’s to come in the episode notes), as well as lesbian outlaws and a disabled knight. there’s literally nothing not to love. EXCEPT FOR HOW JUNO STEEL WON’T LET HIMSELF HAVE NICE THINGS.
hey, hi, if you’re into horror, suspense, creepery or demons, this is so very much for you. the premise is that alex reagan, our host, begins a podcast to interview people with interesting professions. she starts out with dr. richard strand, a paranormal investigator whose mission statement is to debunk all things paranormal. he even has an institute that offers a one million dollar prize for proof of the paranormal, which he has never even come close to having to part with. while alex is interviewing him, she comes across a handful of black vhs tapes: the only cases that strand hasn’t been able to definitively solve yet. the technology to disprove these incidents simply hasn’t come far enough, in his opinion. needless to say, she never moves on from dr. strand and the mystery of the black tapes. each episode, alex investigates another of the black tapes and much later on realizes it’s possible that they’re all connected. oh my god, i almost got chills just writing that, it’s so good, it’s so real, because dr. strand is such a good anchor to reality. alex will occasionally lose her skeptic’s perspective; dr. strand does not. and once alex starts experiencing intense insomnia, making you realize your narrator might not be so reliable? things somehow manage to get even murkier. i really, really adored this one. it’s paranormal set in the most normal of normal worlds, only making it that much spookier.
canon lgbt+ is a ✓. okay, well, if you’ve ever watched black books? this is kind of like black books, aka one of my all-time favorite shows. rudyard funn is just as incapable and universally disliked as bernard black, which was all well and good when the village of piffling vale (which is very nearly a town, you know!) only had one funeral home to choose from. unfortunately, that’s not the case anymore. eric chapman has moved his funeral home right across the street and stolen all the business from rudyard, his embalmer (cum part-owner) and twin sister, antigone, and georgie, their assistant. to add insult to injury, he’s charming and universally adored by everyone except those at funn funerals. very british, very ridiculous, and very funny! WE GET THE BODY IN THE COFFIN IN THE GROUND ON TIME. (well, like that one time they did. [coughs])
canon lgbt+ is a ✓. i listened to this one pretty slowly, for me. it’s very much plot over character, at least in my opinion. which is fair since there’s quite a lot of plot and set dressing to establish. we’re following (dr.) sally grissom, a scientist from the twenty-first century who accidentally creates time travel and ends up stuck back in the 1940s. think a bombs and eisenhower. it was always interesting, and the paradoxes created by the time travel experiments they kept doing were fascinating (i love time travel stuff because of the paradoxes it creates) but i didn’t get really ravenous for it until season two, which is when i really felt it picked up speed. you’ve got anthony stuck in a literal CAGE - a “blackroom” bubble set outside of time, sally trying to garden (oh god), a gang consisting of a veteran, a (former) widow and time doubles trying to bring down ODAR (the company sally used to work for, and that anthony still does) and esther sliding down the ladder of morally unsound one determined rung at a time and it makes for a REALLY grabbing audio drama, eh?
canon lgbt+ is a ✓. i’m already in love with violet liu, all right? she’s a science officer on starship iris–well, what was starship iris. when we first join violet, every single one of her crew mates has just died in an explosion on the pod they were traveling off ship with and the starship iris is in its last throes as well. luckily(?) a passing ship comes along with a plan to get her to safety. this has a real illuminae vibe to it (which is an amazing book btw) and all the characters are already so freaking likable. it’s only on episode two and already shaping up to be a favorite!
canon lgbt+ is a ✓. if there’s a more heart-warming podcast out there, then i haven’t run across it yet. first of all, julian koster’s voice is so vulnerable and soft that i would use myself and everyone i know and also puppies as a shield against everything terrible in the universe for him. second, the rest of the cast - leticia especially - is just as freaking talented. the premise is that julian is the janitor at a radio show that broadcasts from the top of the eiffel tower and has strange and impossible acts every night, from tale-telling crickets to singing saws to the orkestral, a bird that can play every orchestral instrument (except that it refuses to play the viola, because reasons). it’s fun and cute and breaks your heart with happiness regularly and often!
canon lgbt+ is a ✓. this is a horror podcast about a truck driver who is looking for her missing wife. jasika nicole has to have one of my favorite voices around and having it be so heavily dependent on that makes me ridiculously happy. throw in the story-telling of joseph fink, the depth and cohesiveness of his writing, and there is nothing not to love here.
canon lgbt+ is a ✓. this is really sufficiently creepy considering it’s not often overtly creepy. this is set up as a series of relaxation tapes, which progressively get more and more interested in helping the listener break out of the facility in which she’s being kept. super chilling at times, because the voice is so calm and the action so dangerous.
canon lgbt+ is a ✓. okay, well, what more can be said about this at this point? if you’re not listening to it, you’re wrong. why wouldn’t you want to visit a town that can’t be visited and where every conspiracy theory is real and a part of everyday life? yeah, everyone knows about the vague yet menacing government agency, steve carlsberg, you’re not hitting on anything new there. there’s a dog park that doesn’t allow dogs, angels that are never to be identified as angels, mountains that aren’t real, a glow cloud that–ALL HAIL and a love story so complete and perfect that it can and will utterly steal your breath at times. go, listen, inhale.
Your myth retellings are gorgeous. Would you tell another please? Maybe something with Hermes?
Pandora is made from
earth, shaped by the hands of Hephaestus and made in the image of his beloved
wife. Aphrodite gifts her with grace and charisma. Athena teaches her to weave
and bestows cleverness upon her.
She stands in front of
Hermes, and the god frowns and touches her with a single fingertip on her chin,
moving her head one way than the other. “They’ll eat you alive,” he says, and
she doesn’t understand.
She tilts her head to the
side and smiles a vacant smile. All of the cleverness in the world will do her
no good without any context. “We are the same,” she says, pressing a hand to
Hermes’s chest. She is made from earth and has the skin to mach. He is a
celestial god, and his skin is the same rich shade of brown.
He did not ask to be born
any more than his mother asked to bare him. His creation, just like hers, is at
the whims of Zeus. All for some little lost fire, all because Prometheus wanted
his people to be warm, and, well, he is the god of the thieves after all –
So he gifts her with
deceit, with selfishness, with cunning. Her smile leaves her face all at once
as she’s filled with self-awareness. “He’ll be angry with you,” she says, “I am
not what you were supposed to make.”
“Gods have short
memories,” he says, and doesn’t bother to hide the contempt in his voice. “Do
not worry about me, gifted child. You have larger problems than my fate.”
He has turned her from
something pure into – something more like him. Her face darkens even further as
her perfectly crafted mind slots all the pieces together, and he can’t help but
find her lovely. It’s how she was made, after all. “I can’t stop it, can I?
Whatever they’re planning for me to do?”
“No,” Hermes says, “but
now you might be able to survive it.”
“Will I want to?” she
asks, and he doesn’t answer. She doesn’t expect him too.
She hides from everyone,
lives in a cave at the edge of the city. The gods had called her the first
woman, but that’s not true, she can see.
There are women. They
smile and laugh have work roughened hands. She aches to join them, but she has
the beauty of a goddess. They will know. If she joins them, they will know she
is not of them, and it will set into motion whatever trap Zeus has planned.
She is not human, not in
the same way, molded from clay by a god’s hands. But she is of humans, and not eager to bestow upon
them the harm she’s destined to bring them. She bathes in streams where only
nymphs reside, steals into the city in the cloak of night and pilfers from the
“When they said they sent
my brother a wife,” a low, amused voice says too close behind her one night, “I
had not expected a begger.”
She whirls around, hard
bread clenched tight in front of her, an incredibly inefficient shield. Her
breath catches in her throat when she sees him, dark and tall and eyes like the
night sky. He looks like Hermes. Like her. “Who are you?” she demands. They’re
in an alley corner, and of her gifts flight is not among them. She’ll have to
fight him to get away.
She’s not afraid of him.
Maybe another mortal would be, cornered in the middle of the night by a man she
doesn’t know. But she’s no normal mortal woman, and besides – he has something
comforting about him, like the hearthfire attended by Hestia. Something warm.
“I am Prometheus,” says
the man, and no wonder he reminds her of fire. “What do they call you?”
“You are meant to be in
the deepest pits of Hades’s realm,” she snaps, and shifts her grip on the stale
bread so that she can throw it at him. He’s the whole reason she’s here to
begin with, him and his thievery.
He shrugs and walks
closer to her, watching her like one would watch a wild animal. Good. Here, in
this dark alley where no one would find a cooling body until morning, it is he
that should be afraid. “Gods forget,” he says, “and Hades had grown cold in his
place beneath the earth.”
She pauses, considers. “You
stole fire for Hades?”
“No,” he corrects, “I
stole fire for the people. But Hades benefited as well. Enough that he was
willing to forget the terms of my
“What do you want?” she
asks for the second time. “Why are you here?”
He stops, too close to
her, “The question is why are you
She steps into his space
now, following him as he backs away from her, “I am here because of you,
fire-stealer, because gods may forget but they do not forgive, and I am the
punishment they have unleashed upon the world.”
“What a punishment you
are,” he says, looking at her lips, and she forgets to hate him only long
enough to kiss him.
Hermes watches her,
watches them. He doesn’t know Zeus’s plan, if this is part of it or not, but he
watches her, and he worries. He thinks it is, he can see Aphrodite’s magic
clinging to Pandora, but he doesn’t know why.
He would go to his
mother, but she’s always difficult to find, Gaea preferring to live in streams
and rivers rather than face the man she bore a son for. But his mother’s
father, on the other hand, is always in the same place.
greets, touching lightly down onto the earth, “How are you?”
“How am I always, boy?”
Atlas grunts out, legs and arms straining as he holds up the sky above the
Hermes lips quirk up the
corners. Some days, he thinks he’s more Atlas’s grandson than he’s Zeus’s son. “I
need some advice, Grandfather.”
Atlas raises an eyebrow, “I’m
So Hermes tells him
everything, from beginning to end, because he can’t figure out what his father’s
plan is, but Atlas might. He’s known the man for longer, at least.
Atlas nods, slow, and
says, “A bride of gods, a gifted child. I can think of only one reason to
create such a child.” Hermes waits. Atlas sighs and says, “There is a jar,
within Olympus, that becomes sealed when it leaves the realm of the gods. After
that, only a being neither mortal nor celestial may open it.”
“What are they planning
to put inside?” Hermes demands, heart spiking. What are they planning to unleash
upon the unsuspecting earth?
His grandfather smirks, “It
doesn’t matter. What matters is this – what are you going to put inside?”
I’m replaying Fallout4 and added the mod that lets you take a companion + Dogmeat at the same time. And I’ve run into some dialogue that makes it seem like that was meant to be how the companion mechanics worked in the first place?
Dogmeat got hurt and Piper asked “Hey Blue, is Dogmeat gonna be okay?”. So I quickly gave him a stimpack, got a ‘Piper liked that’ notification, and then Piper says “See? All better, boy.”
Then I got a bit emotional about my wife and dog and why was this mechanic removed from the original game we are missing out