and it looks kind of stupid

anonymous asked:

I just want to tell you how much I adore your art. Facial expressions, fluidity, fashion, everything. Literally did not just glance at a single one of your drawings, I always take the time to look at them thoroughly. You make me feel bad for studying French for nine years and learning absolutely nothing. Never stop drawing, Kisu, you're amazingly talented. Cheers.

I wish you could have seen my reaction when I read your message because I looked absolutely ridiculous and happy. Your words go straight to my heart. 

This is lovely. 

You’re lovely and I love this message.

You know, sometimes I feel a little down but these kind of messages never fail to put a smile on my face. So thank you.

About the french part, the only reason why I can communicate in french is because I’m french and believe me, we all weep over our language now and then because of how stupid and complicated it is HAHAHA 

Come spend some time with us! There’s nothing better if you want to learn a language (I promise we don’t bite. Unless you want us to.)

Ah shit I wasn’t expecting to get emotional today.

…I have very low confidence in myself, as a writer and as an artist. I am also extremely shy in real life (probably couldn’t tell on here, right?)

I can’t tell you how many times I’ve drawn or written something and wanted to share it, only to back out at the last minute. And when I do share it, I’m scared to even look at it again because I think “No one will like it”.

I have some kind of anxiety that just tells me every day that my stuff just…isn’t good enough. That I’m just wasting my time trying. I think that’s why for the longest time, I just stopped. No drawing, no writing.

Villainous helped get me out of a rut that I’d been in for so long. I was having fun creating characters again, giving them backstories and designing them. Doing stupid little comics just to make people laugh. I never expected anyone to like my stuff. I didn’t expect anyone to draw my characters.

Hell, I never expected Carved Rainbows to actually become a thing.

This is going to sound really sappy but I am super grateful for the last few weeks. I’ve been inspired by so much, art and fanfiction a like. I look forward to checking tumblr every morning, just to see what the new day has brought. And the reactions. I’d be lying if I said I didn’t read the tags when someone reblogs the fics.

Just… thank you, guys. You all are amazing.

Bulletproof Monk

Witnessed in my friend’s campaign.

Friend of mine asked the GM if his friend could join our campaign. Graduated with a bachelors in fine arts and my friend thought he would bring interesting role-play to our games. So all of us start thinking to ourselves “this guys gonna be at Bard” but we were all surprised to find he actually was a Monk.

And not just a monk. The Bob Ross of monks. The nicest yet simultaneously the most terrifying character we’d ever witnessed. This is the story of how he beat the first serious boss of our campaign.

We were pinned behind cover vs a Gunslinger.

Gunslinger: “Come out. Come out. Wherever you are SO I CAN SHOOT YOU!”

Party talks about what to do and Monk is silent.

Then, as we are talking, he yells, “Ok. I’ll come out, but you better make that shot count!”

Monk OOC: “So there’s about 40 ft between me and him right?”

GM: “Yeah, and your speed would let you get there.”

Monk OOC: “Ok, but I deliberately want to walk slow enough so he gets a chance to shoot me.”

GM: “Uh, ok. Sure.”

Monk going towards him slowly: “Show me what you’ve got.”

Gunslinger: “You’re some kind of stupid, boy!” *Shoots*

GM: “That’s a hit. You take.”

Monk OOC: “I use Snatch Arrows.”

GM: “Wait…does that work on bullets?”

-One Rulebook Check later-

GM: “Ok so the rifle goes off and *Monk* reaches up faster than any of you can see and catches the bullet with two fingers. *Gunslinger* turns white as a sheet.”

Monk then proceeds to walk up and take a seat next to the guy, putting an arm around his shoulders while holding the bullet in his other hand.

Monk: “Hey, friend. Looks like you almost lost this. Good thing I grabbed it for you, huh? Why don’t you put the gun down before you lose any more?”

Monk OOC: “In case it’s not clear that’s an intimidate.”

GM: “Ok, roll for me.”

Nat 20

GM: “Of course it is. *Gunslinger* immediately puts his gun down in front of him and actually starts crying.”

Monk patting Gunslinger’s back: “Aw, there, there buddy. You almost got me. Why don’t you come with us now? Hands behind your back please. I’d hate to have to chase you.”

Our Wizard OOC to my friend: “So why did you never tell us your friend was Ace Ventura?”

anonymous asked:

Hey, you're awesome, thanks for existing, basically ^_^ Anyway, I wanted to know if you have any tips on how to write different personalities? My characters (all of them) always end up with the same default personality that I fall back on. Thanks!

Thanks for your question, darling!  I think most of us have struggled with this – after all, we’re conditioned to one way of thinking, feeling, and acting for as long as we live.  That doesn’t necessarily mean we write characters like ourselves, though.  In fact, many of us have a “default character” that’s sassier than we are, sweeter than we are, or in some way different enough from us that we still feel like we’re writing a character.

The problem, then, isn’t that we can’t visualize a different personality than ours.  On the whole, we can.  What we’re missing are the small details that make it feel whole – otherwise, it’s like painting the same room six different colors and trying to pass it off as six different rooms.  Different dominant traits can’t hide the fact that you’re working with one template!

So the question we’re left with: what are the traits we’re missing?  And how can we change them to create a unique and whole personality?


Three Types of Character Traits

There are, as the title suggests, three major categories of personality traits as I see it: fundamental traits, acquired traits, and detrimental traits.  A well-rounded character needs some of each to be three-dimensional and realistic.

Fundamental Traits

The fundamental traits of a person’s character are not as simple as interests and preferences; they are the very base of all decisions and desires.  They are either learned in early life or developed over a long period of time, rooting deeply into the personality.  A few examples of fundamental personality traits include:

  • Upbringing – The word choice here is conscious, as upbringing encompasses many different aspects of a person’s development.  Consider who raised them, and with what morals and practices they were raised to adulthood.  Consider their influences, both familial, social, and in media; consider the relationships that were normalized during their development, as well as the living conditions (financially, emotionally, environmentally, etc.).  The people, places, emotions, and conflicts made common during a person’s developmental period are essential to their personality in adulthood.  This is why psychologists often draw present-day problems back to a person’s childhood memories – because those formative years can subconsciously dictate so much of a person’s future!
  • Values – These may not coincide with the values a person is raised to hold, but upbringing certainly has an influence on this. A person’s values will direct the course of their life through every decision, large and small.  You don’t need to outline everything your character believes is important – every moral and every law they agree/disagree with. But those values which stand above others will give your character purpose.  A few of my favorite examples are: Jane from Jane the Virgin (whose initial storyline is heavily based on her religion and desire for a beautiful love story, as well as her childhood influences who inspired these values) and Han Solo from Star Wars (whose character development rested upon his values shifting from money and gratification to more honorable things).
  • Beliefs – Different from values, beliefs are a more general set of guidelines for how a person believes things are supposed to be.  Beliefs can also be a source of great conflict, as a character tries to stay aligned with their beliefs despite other values or desires.  These beliefs can be established systems, like religion or politics; they can also include more personal belief systems, like nihilism or veganism.  A characters beliefs, like their values, can change over the course of the story – but even if a character is questioning one system of belief, like religion or pacifism, they should have other belief systems in place to govern some of their activity.
  • Reputation – A lot of human activity, whether consciously or not, is dictated by how others perceive them (or how they believe others perceive them).  There are two types of reputation: personal and passing.  For instance, a woman named Sally who gains a personal reputation of sleeping around will behave in reaction to this reputation – either sleeping around because everyone already expects it of her, or specifically not hooking up because she wants to shake this reputation, or developing a thicker skin to deal with the rumors until it passes.  A man named Billy who, because of his tattoos, bears a passing reputation as an intimidating man will either try to soften his demeanor with strangers, own up to the image, or at least learn to expect judgment from strangers as a consequence.
  • Self-Image – Also relevant to a person’s behavior is the way they perceive themselves, which can often have little to do with their reputation.  A lot of self-image is based on definitive moments or phases in the past.  For instance: for several years after I started wearing contacts and cutting my hair, I still saw myself, in dreams at night, with long hair and glasses.  One of my friends, similarly, could not seem to notice when boys would flirt with her during sophomore year – because she still saw herself as an awkward middle schooler with braces, and not as the charming cheerleader with the great smile.
    Inversely, self-image can be inflated, causing character to behave as though they are funnier, smarter, or more prepared than they truly are (see: the rest of my sophomore acquaintances).  This can be an overlooked character flaw opportunity – or flawportunity…

Originally posted by alliefallie


Acquired Traits

Now we move on to the acquired traits of personality, which are the ones you’re more likely to find on a character sheet or a list of “10 Questions for Character Development”, alongside a million other things like their zodiac sign and their spirit animal.  But the traits I’m about to outline are a little more relevant to a character’s behavior, and more importantly, how to make this behavior unique from other characters’ behavior.  The following traits will be learned by your characters throughout their life (and their story), and are more likely to shift and grow with time:

  • Interests – I know, I had to reach deep down into my soul to think of this one.  But it’s true!  Interests, both in childhood/adolescence and in adulthood, are an important part of a character’s personality and lifestyle.  Childhood interests both reveal something about the character (for instance: my nephew loves trains, Legos, and building, suggesting a future interest in construction or engineering) and create values that can last for a lifetime.  Current interests affect career choice, social circles, and daily activity for everyone.  Forgotten or rejected interests can be the source of pet peeves, fears, or bad memories. There’s a reason I’ll never play with Polly Pockets again, and it 100% has to do with bloody fingertips and a purse that wouldn’t open.
  • Sense of Humor – This can be a little hard to define, understandably.  If you were to ask me what my sense of humor is, I’d probably start with a few stupid memes, pass by Drake & Josh on the way, and somehow wind up telling you bad puns or quoting Chelsea Peretti’s standup comedy. A person’s sense of humor can be complex and contradictory!  Sometimes we just laugh at stuff because someone said it in a funny way.  But anyway, to help you boil this down to something useful: take a look at a few kinds of comedy and relate it to your character’s maturity level.  Do they laugh when someone lets out a toot?  Are they the kind of person to mutter, “That’s what she said,” or simply try not to laugh when something sounds dirty?  Can puns make them crack a smile?  Do they like political humor?  Do cat videos kill them?  Is their humor particularly dark?  Can the mere sound of someone else laughing make them laugh?  Figure out where your character’s sense of humor is, and you’ll feel closer to them already.
  • Pet Peeves – For every interest a person may have, and everything that makes them laugh, there’s something else that can piss them off, large- or small-scale.  Are they finnicky about their living space and neatness? Do they require a lot of privacy? Do certain sounds or behaviors drive them crazy?  What qualities are intolerable in a romantic interest for them? What kind of comments or beliefs make them roll their eyes?  If you need help, just try imagining their worst enemy – someone whose every word or action elicits the best eye-rolls and sarcastic remarks and even a middle finger or two – and ask yourself, what about this person makes them that mortal enemy?  What behaviors or standards make them despicable to your character?  That’s all it takes.
  • Skills – Everybody has them, and they’re not just something we’re born with.  Skills can be natural talent, sure, but they’re also cultivated from time, values, and interests.  What is your character okay at?  What are they good at?  What are they fantastic at?  Maybe they can cook.  Maybe they have a beautiful eye for colors.  Maybe they have an inherent sense of right and wrong that others admire. Maybe they’re super-athletic or incredibly patient or sharp as a tack or sweet as a cupcake.  Maybe they know how to juggle, or maybe they’re secretly the most likely of all their friends to survive a zombie apocalypse.  Where do they shine?  What would make someone look at them and think, “Wow, I wish I were them right now”?
  • Desires – A good way to “separate” one character from the next is to define what it is they want, and then use every other detail to dictate how they pursue that goal.  Every real person has a desire, whether they’ve defined it or not – whether it’s something huge, like fame or a family of five with triplet girls and a beach house on an island, or something small, like good grades for the semester.  These desires can cause a person to revise their values or forsake their morals; and these desires can conflict with other people’s desires, influencing how people interact with each other.  Remember that every character is living their own story, even if it’s not the story you’re telling.
  • Communication Style – A majorly overlooked character trait in pop fiction is unique communication styles.  Having every character feel comfortable arguing, or bursting out with the words, “I love you,” is unrealistic.  Having every character feel paralyzed at the idea of confronting a bully or being honest to their spouse is also unrealistic.  There should be a healthy mix of communicators in a group of characters. Some people are too softspoken to mouth off at their racist lab partner.  Some people wouldn’t see their girlfriend kissing another guy and just walk away without saying something.  Some people just don’t react to conflict by raising their voice; some people enjoy sharing their opinions or giving the correct answer in class.  Boldness, social skills, and emotional health all have a part to play in how people communicate their thoughts – so keep this in mind to create a more realistic, consistent character.
  • Emotional Expression – Along the same lines but not the same, emotional expression is more focal on feelings than thoughts.  If you’ve ever heard of the fight-or-flight response, the different types of anger, the stages of grief, or the five love languages, then you’re aware of different “classifications” of emotional expression and management.  Read up on some of those things, and think about how your character handles emotions like happiness, sadness, fear, anger, loneliness, paranoia, and so forth.

Detrimental Traits

While acquired traits are certainly more enjoyable to brainstorm during the creation process, detrimental traits are as important – or even more important – to the character’s wholeness as well as their role in the story.  Not only do these negative or limiting traits make your character realistic, relatable, and conflicted – they create a need for other characters and their strengths to move the plot forward.  A few examples of detrimental traits include:

  • Flaws – Character flaws are probably the first thing that came to your mind while reading this, but they’re the essence of the category.  Flaws in a character’s personality, morality, or behavior can be a source of character development; they set an individual on their own path and provide a unique motivation for them.  Having Character A struggle with sobriety while Character B learns to be a more patient mother can do a lot to separate their stories and personalities from each other.  Even if certain flaws don’t reach a point of growth, they create a third aspect to personality and force us, as writers, to be more creative with how our characters get from Point A to Point B, and what they screw up along the way.
  • Fears – Everyone has fears, whether we’re conscious of them or not – and I’m not talking about phobias or “things that give you shivers”.  Just like everyone has a primary motivation throughout life (romance, family, success, meaning, peace of mind, etc.), everyone has a fear behind that motivation (loneliness, failure, emptiness, anxiety).  We all have something we don’t want to happen places we never want to be and things we never want to do.  We’ve all been in situations that mildly bothered others but wildly affected us at the same time.  For me, it’s a lack of autonomy, or in any way being forced to do something or be somewhere against my will.
    What does this mean for me?  It means that when other people have nightmares about being chased by an axe murderer, I have nightmares about being kidnapped and locked up.  It means that I’m continually aware of my “escape plan” if something goes wrong in my living situation, and I’m hypersensitive to someone telling me, “You have to do this.”  It means I struggle to follow rules and usually don’t get along with authority figures because I have to assert my independence to them.  It’s irrational and continual and doesn’t just affect me in one situation; it subconsciously directs my steps if I let it.  That’s how real, guttural fears work. Phobias are only skin deep, and they don’t make you feel any closer to the character.

Originally posted by giantmonster

  • Secrets – Even goody two-shoes Amber from the swim team, with her blonde blonde hair and her good good grades, has a secret.  Everybody does, even if it’s not a purposeful, “I have a deep, dark secret,” sort of secret. We have things we don’t tell people, just because they’re embarrassing, or painful, or too deep to get into, or they don’t paint us in a good light.  While the secrets themselves tell a lot about a person, so do the reasons a person keeps a secret.  Hiding something out of shame suggests a person is prideful, or critical of themselves, or holds themselves to a higher standard than they hold others.  Hiding something painful suggests that the person struggles to handle sadness or regret, or that they feel uncomfortable showing raw emotion in front of loved ones. And so on and so forth.
  • Conflict – Whether internal, interpersonal, legal, moral, societal, or what have you, conflict will limit your character’s actions at every turn.  A story is nothing without conflict driving the plot in different directions and causing your character to rethink both their plans and their lifestyle.  Without Katniss’s moral conflict over killing other tributes, The Hunger Games would be the story of a girl who entered an arena, killed a lot of people, and lived the rest of her life rich and comfortable.  If Luke Skywalker didn’t have interpersonal conflict with Darth Vader, Star Wars would be the war-story of a guy who joined a rebellion and then… yeah.
  • Health – Physical, mental, and emotional health is a huge limiting factor for characters that often goes untouched, but it’s valuable nonetheless.  Not everyone has a clean bill of health and can jump off trains without pulling a muscle, go through a traumatic life experience without any hint of depression or anxiety, or watch a loved one die in gunfire and shove right on without emotional repercussions. Consider creating a character who’s not perfect – who isn’t perfectly in-shape or abled, or neurotypical or stable day-to-day, or completely clean and clear of residual heartache, unhealthy relationships, or bad emotional habits.  Don’t define them by these traits, of course – but don’t feel that you can’t write a character with health issues without writing a “sick character.”

So this post got ridiculously long, but I hope it works as a reference for you when creating unique characters.  Remember that you don’t need to outline all of this information to create an individual, realistic character.  These are just some relevant ideas to get you started!  It’s up to you, as the writer, to decide what’s necessary and what’s excessive for your creative process.

Still, I hope a majority of this is helpful to you!  If you have any more questions, be sure to send them in and we’ll get back to you :)  Good luck!

- Mod Joanna ♥️


If you need advice on general writing or fanfiction, you should maybe ask us!

SNK Characters as. . . SPONGEBOB QUOTES

Eren Jaeger

“Goodbye everyone, I’ll remember you all in therapy!”

Mikasa Ackerman

“Once upon a time, there was an ugly barnacle. He was so ugly that everyone died. The end.”

Armin Arlert

“Knowledge cannot replace friendship. I’d rather be an idiot than lose you.”

Jean Kirstein

“A five letter word for happiness… money.”

Marco Bodt

“Am I a pretty girl?”

Annie Leonnhardt

“Can I be excused for the rest of my life?”

Reiner Braun

“Fine, I guess you’re gonna miss the… Panty Raid.”

Bertholdt Hoover

“ANNIE’S A GIRL!?”

Ymir

“Take it easy it’s just a drawing.”

Krista Lenz/Historia Reiss

“Ymir, go away! Can’t you see I’m trying to forget you?”

Sasha Blouse

CHOCOLATE

Connie Springer

“East? I thought you said wheast.”

Erwin Smith

“Remember, licking doorknobs is illegal on other planets.”

Levi Ackerman

“Hey pal. You just blow in from stupid town?”

Hanji Zoe

“Look at all the hip, young people eating sal…ads.”

Mike Zacharias

“Do you smell it? That smell. A kind of smelly smell. The smelly smell that smells… Smelly.”


((At work need shit to do))

@thunderboltsortofapenny said: No no let’s do this! Why would steve need to be fake married. Or why would bucky need to be fake married to Steve. We need a reason. #Viper do the thing #It’ll be fun!

So I did the thing, and it’s stupid and terrible, but here, have it:


Bucky’s an EMT. Normal guy, just living his life, trying to help where he can. And then one day, all of a sudden, the aliens are invading NYC, and Bucky’s out there helping, right in the middle of the danger zone because of course he is.

There’s a fight going on, and a bunch of freaks in weird suits seem to be fighting the aliens, but Bucky doesn’t have much time to focus on anything other than all the people in dire need of medical attention. He does what he can to help, grabs the first metal bar he can find and fights only the aliens getting in his way, and works himself to exhaustion. Then there’s a blast, and it sends a man flying right into the wall next to him.

“Hey, you okay?” Bucky asks, rushing to help him, and though Bucky could’ve sworn the blow was hard enough to crush anyone’s ribs, he’s surprised to see the man–who must’ve been on his way to a costume party–stand up practically unscathed.

He’s got broad shoulders and a strong jaw and eyes of the prettiest shade of blue Bucky’s ever seen, and even with his face covered in soot and grime and blood, Bucky’s heart skips a beat.

For a few seconds the man seems a bit disoriented, then he finally registers Bucky’s presence. “What are you doing here?? Get out of the streets!”

“I was–” Bucky starts, and is cut off by an explosion right above their heads and a bunch of debris raining down on them, and a hand shoving him aside.

When he comes to, which is a surprise in itself, the dust has started to clear, and the man who’s clearly saved his life is carrying him as if he weighed nothing, concern in those beautiful eyes and a big, warm hand pressed tenderly against Bucky’s neck, checking for a pulse.

He locks eyes with Bucky and sighs in relief, the hint of a smile on his plush lips, but the hand remains where it is. “Hi,” he says. “You all right?”

“Y-yeah… Thank you,” Bucky replies, but he doesn’t move to free himself of the man’s arms. His stomach is doing something weird, and the man surely has other people to rescue, but for a few seconds they both just stay there, shell-shocked and staring at each other like the world around them has stopped.

Then something blows up nearby, and the spell is broken.

Carefully, the man helps him to his feet, makes sure Bucky’s in one piece, and then says, “Find shelter, okay? Stay inside.”

Bucky’s not planning to, but he can’t find it in him to tell that to this incredible man, so he slowly licks his lips and nods. Before turning around to leave, the man offers him a small, shy smile.

- - - - -

During the next few weeks after the Chitauri attack on NYC, every single piece of footage of the Avengers fighting against the aliens and helping civilians goes viral. Phone videos, security cameras, blurry pics.

The most popular, by far, is a snapshot of Captain America carrying a guy, who can be seen fighting aliens and helping people in other videos, bridal style, thumb caressing his jaw, and both looking like lovestruck teenagers.

Bucky can’t go to the grocery store or even do his job without being stalked by the paparazzi or Cap’s groupies or just random people wanting to know what his Avenger name is, and for how long he’s been dating Captain America.

- - - - -

“You’ve ruined my life!!” Bucky tells him, because of course, of course Captain America would pick Bucky’s park for his morning run. Of course Bucky’d slip on wet leaves on the pavement precisely this morning, and of fucking course Captain America would just happen to be around to catch him at just the right time. Bucky’s seeing red.

“I’m sorry,” Captain America says, and it’s extremely unfair just how genuine and how much like a kicked puppy he looks.

Christ, Bucky wants to punch him.

- - - - -

Steve’s been living in PR hell.

He’s spent the past weeks “saving” girls and boys alike from getting hit by a bicycle, or fainting, or a fuckton of equally stupid shit.

The second anyone spots Captain America, there’ll suddenly be some kind of dangerous situation going down, and someone hoping Cap will carry them bridal style to safety and maybe fall head over heels in love with them in the process.

Steve is tired and done and ready to get back in the ice for another few decades, and shares Pepper’s worries that someone might actually put themself in real danger soon.

“We should handle this before it gets worse,” Nat says. And Steve agrees, of course, but he just doesn’t know how.

“Just marry the guy,” Clint suggests.

Steve almost chokes to death on his own spit.

“WHAT?”

Clint shrugs. “Why not? Half the world already thinks you’re dating…”

“Clint, he hates me…”

“Only cause people keep pestering him about this. If you two get married it’ll be a circus, but then it’ll blow over. He can’t even do his job right now, right? So you pay the guy for the trouble, yadda yadda, then when this is over you two get a quick divorce, and that’s it. Problem solved.”

For two minutes, no one else opens their mouth. Then:

“He’s got a point…”

“Tony, no,” Steve whines.

“You saw the footage, how he was helping those civilians… If you have to marry someone, he’s not a bad candidate,” Nat says, and then smirks. “Plus, he’s cute.”

Steve already knows he’s lost this battle, but that doesn’t help him feel any better about this. Yes, he’s cute. Yes, he’s a brave and kind and smart guy. Yes, Steve could very easily pretend to be married to him for a while and yes it’d help them both. None of that’s the problem.

The problem is that he kind of really likes the guy.

The problem is that the guy hates him.

This is a really, really bad idea.

madamateur  asked:

..... like can you explain me bat's back legs??? Are they actually backwards?

Simplified answer: yes. Look at the bat below- the bottoms of her feet are facing forwards and her knees pointing backwards.

Longer answer: Compared to other mammals, the legs of bats are rotated 90-180 degrees in the hip socket at rest (depending on the species). However, all bats hold their legs out from their body facing backwards while flying, because their legs are a crucial component of their wing.

They also use the membrane between their legs to scoop up bugs. This would be impossible if their knees bent in the other direction.

Below are a couple of bat embryos which do a good job of demonstrating how whack their legs are (try to imitate this pose, if you dare).

To really see how stupid their pelvises and legs have become, just look at a bat skeleton…

…and compare it to the skeleton of an animal that makes sense, like a shrew.

Some species of bats can pull their legs up alongside their body to crawl, in kind of a frog-pose, though because of their pelvis shape they can’t pull them far enough underneath their body to lift their stomachs off the ground, and are forced to walk using an awkward sideways shuffle, or if their legs are extra pathetic, a sort of breaststroke using their wings to push off the ground.

Vampire bats are among the only bats to have evolved an upright walk, with their feet pointing backwards.

New Zealand short-tailed bats are the other expert walkers, though they evolved a completely different gait than the vampire bat, with their feet positioned more sideways like awkward little ducks.

In summary, bat legs are Goofy As Fuck and I adore them.

That's Not So Different

@lovelylangst, I saw your idea that Voltron is hit by a spell by Haggar that makes them all revert to their original languages and I loved it so much I made a fic out of it.
I don’t know if you like your ideas being written out, so if you don’t, tell me and I’ll take it down.
Also, I kinda changed the idea a bit, so basically Pidge is perceptive and Allura is an oblivious bastard.

I don’t usually write ff alright.

Word count - 2000+

Pidge stumbled out of her lion, her bayard clasped to her chest, wheezing. Her voicebox felt like it had been clapped in hot iron, and black lightning sparked painfully from her armour where Haggar’s spell had struck Voltron. It had lanced all the way through the metal, and Pidge had heard Hunk whimper in pain.

Keith was sliding down Red’s leg. Some of his armour was shattered - no doubt from the hit - and his helmet was off. Sweat stuck to his forehead. His violet eyes were wide, and full of fear. He didn’t seem to want to look at her.

Hunk and Lance were nowhere to be seen - hiding out still in their lions, probably, like a mouse from a cat’s claws. Shiro eased himself out of his lion’s mouth. His helmet was off, too, but he looked unhurt. Voltron hadn’t won - but they’d escaped. For now, they were safe.

“Shiro! Pidge!” Allura came sprinting up to the hangar, her silvery hair flying behind her - she hadn’t bothered to tie it up. Coran was running behind her. “Lance!”

“He’s… He’s still in his lion, Coran,” stammered Pidge. “Oh, God, that was a hit… I feel all weak.”

“It must have been the komar,” deduced Coran, his hands a flurry at the scanner. “That spell Haggar devised. Do you feel like you’re going to pass out? Are you hurt?”

Pidge shook her head, shakily. “No,” she muttered. “I’m f-fine. Just shaken.”

“Keith? Shiro?” asked Allura. Her eyes were wide. “Are you hurt?”

Keith shook his head. Shiro opened his mouth to say something, but Keith, swift as a whip, stuck his hand over Shiro’s jaw. Shiro glared at him, and pulled his arm away.

“Shiro -”

There was something different about Keith’s voice.

It seemed more accented, sounding a little like Shiro’s when he mumbled to himself in Japanese. Keith didn’t seem eager to say much. He had deactivated his bayard, and was staring at it like he’d lost purpose. Pidge felt a rush of fear, down to her toes. Something was different, and if Keith was acting on it, then something was not only different, it was wrong.

“Kīsu, sore o yame nasai -”

Shiro clamped a hand over his mouth.

Pidge glanced at him, curiously. “Shiro?”

Shiro’s eyes had gone terrified. His cheeks were pale as chalk.

“Shiro?!” Allura sounded scared, her hands tugging at her hair in apprehension. “What’s happened? What was that?”

“Japanese,” Pidge said, exchanging a look with Keith. “Shiro, are you okay? You look -”

She wanted to say like death, but she felt like it might be considered a bit too rude and out of place, seeing as they had just nearly died anyway. Shiro looked like he was going to throw up. Keith, standing beside Shiro, put his arm on Shiro’s shoulder, and led him away without a word.

“What’s going on?” spluttered Coran. He was tapping at the blue lion’s leg with his communicator. “The lions are running, but Hunk’s been knocked out and Lance just won’t leave his! What’s wrong?”

“I think,” said Pidge slowly, “that something is different.”

Slav came running in, just as the blue lion’s jaw opened. The noodle alien paused, his eyes round.

“Oh, so you survived,” he said. “The probability of that was highly unlikely. Are you sure you’re alive?”

“Yes, Slav,” muttered Pidge. “Go do something else now.”

Slav didn’t move. He twisted a whisker like tendril around his mouth with his top pair of arms, like the way Coran did.

Footsteps tapped behind her, and Pidge looked back.

Lance limped towards them, taking off his shattered helmet. One eye was bruised and puffy. His knee trembled under his body weight.

“Lance!” Pidge ran up to him, but before she reached him, he collapsed, smudging blood on the floor. Allura gasped, and ran to join Pidge beside him.

Lance’s body was battered with bruises. His eyes were closed, one swollen with blood and purple. His armour was a mess, but at least he was breathing.

“Is he okay?” Allura whispered.

“I think so,” Pidge confirmed. She took off her glasses and pressed the lens to Lance’s bruise to test the severity. While she did that, Coran helped a very dazed Hunk out of his lion. He looked confused, but unhurt. Better than Lance and Shiro, at least.

“Why was Shiro speaking Japanese?” Allura asked, in an offhand voice. Pidge looked up.

“Native language,” she shrugged. “People tend to switch to their native language when they’re shocked.”

“Really?” Allura sounded interested. “What’s yours?”

“Sarcasm.”

Allura sighed. “English, right?”

“Yeah,” Pidge admitted, looking a little guilty.

-

“How’s Lance?” Pidge asked.

Coran was standing by the healing pod, twisting his moustache. He started when Pidge spoke.

“Pidge! Oh, you scared me!” He wiped his forehead. “He’s alright. He wasn’t badly injured. An hour more, and he should be raring to go!”

“Right, thanks.”

Coran eyed her.

“How is Shiro?”

Pidge sighed. “Still in shock. Babbling to Keith in Japanese. Clear to God Keith doesn’t understand a word of it.”

“Oh, really?” Coran looked interested. “Had Keith spoken yet?”

“No…” Pidge suddenly realised where Coran was coming from, and a jolt of horror shook her. “No, Coran. That doesn’t happen to us. Besides, neither Keith nor Lance have spoken, and they have English as their first language.”

“Not Keith,” said Coran. “His family - ignoring the Galra side - come from Korea. They moved to Texas before he was born.”

“Fine, Lance then.”

Coran glanced at her, before saying, in a controlled voice:

“Druid magic is capable of many things, Pidge.”

Pidge shrugged.

“It’s different, certainly.”

-

“So, you’re saying…” Allura tapped her nails on the table. Around her, sat Pidge, Coran, and Slav.

“Yes, princess,” said Coran, not needing the question to be finished. “Earthlings have many languages. It’s totally possible.”

“That’s true,” admitted Slav. He fiddled with his fingers, his beaklike mouth quivering.

“Admittedly,” Allura said, “you could be right. But then why is Lance not speaking? He speaks English, doesn’t he?”

“Yes, princess,” said Pidge. “That, I don’t get. He’s biracial, Cuban-American… Maybe he speaks Spanish.”

Allura snorted. “Trying to get attention, more like.”

“Hey!” Pidge retorted. “Lance isn’t like that! Don’t go like that! When he’s breaking like that, it’s dangerous!”

“Pidge, he’s like that every day!” Allura complained. She looked away from Pidge’s angry face into Coran’s concerned one. “So, I chase down Lance, and then we wait for the magic to wear off?”

“If it wears off.”

Pidge glared at Slav. “You know, for someone who’s always complaining about the odds, your pessimism doesn’t exactly help.”

“It doesn’t?”

Pidge fought the urge to throw Slav out the airlock.

“Princess, your idea of ‘chasing down Lance’ doesn’t seem to work in my mind,” Coran fretted. “He’s earned some rest.”

“Which he has now had!”

Coran sighed.

“Y'know, Princess,” Pidge said, trying to relieve some tension, “maybe I should just go get Lance.”

“No,” said Allura, standing up, and brushing her hair behind her in a determined fashion. “He won’t take it seriously if you deliver it. I will.”

And before anyone could say anything, Allura left, shutting the door behind her.

-

“Lance?”

Her fingers stung underneath the icy feel of the doorframe. The sky-blue light swept over the stooped figure hiding in the corner. Cloaked in an olive jacket.

“Lance?” Allura stepped cautiously forward, before gasping, and taking a few hesitant steps back.

Lance was crying.

The blue paladin sat hunched, her forehead on his knees and his tan hands wrapped over his face. Tears glittered on his hands like liquid diamond, rasping unintelligible words to the floor.

“Lance!” Allura said, for the third time, but now her voice filled with panic. She didn’t know why - Lance had always irritated her, even after he had stopped his stupid flirting game - but the Lance in front of her looked like the last kind of person to flirt with a princess. What she could see of the gleam of his blue eyes he was raw with sadness.

“Oh, my god,” Allura whispered. Lance didn’t look up - had he even heard her?

She heard footsteps behind her, and saw Pidge and Keith. Both of them looked stricken. Keith had his hands over his mouth as he hurried to Lance’s side. His eyes gleamed, and he looked horrified.

Pidge stood, her hands on her bayard. She looked angrily triumphant, accusing eyes on Allura, hissing, “I told you! I swear to god I warned you!”

“I - I…” Allura didn’t have the words. She bit her lip, shaken.

Keith was whispering words in Korean, his hands in Lance’s, trying to make him look at him, wiping at Lance’s tears with the hem of his cropped jacket. Allura caught a few words off the side.

“Ulji mal-ajuseyo. Jagiya, ulji ma.” He kissed Lance’s tear-streaked cheek and wrapped his arms around him.

Allura froze. Only speaking one language. Keith’s words were worthless when Lance didn’t know what they meant.

Lance’s eyes glowed a sharp, water blue through the darkness, fixed intently on Allura. He looked more angry than sad now. Suddenly, Allura felt a chill in her blood that had nothing to do with the cold castle.

“No tienes idea,” he spat. “¿Por qué me subestimas? Quiero que mires más allá de tus propias esperanzas por una vez.”

Only one language.

Oh, God.

She had never been more wrong about someone.

Pidge had gasped a little at Lance’s words, but Keith didn’t move. He kissed Lance, on the lips this time. Tears shuddered down his face.

Allura took off running, not wanting to see anyone. She knew Lance’s tears came from more than just pain, of not having anyone understand him. The way he looked at her… It was her fault. All her fault.

When she reached her own room, she cried almost as much as she had seen Lance doing.

-

Pidge sat at Lance’s side.

She hadn’t known something for sure. Guesses weren’t good enough. She cursed herself.

Not knowing something certainly - that was different. Pidge didn’t like different things.

-

“Where is he?”

Pidge looked wary about telling Allura… Anything… About Lance’s position. He looked pretty broken from their encounter from yesterday.

“In his room,” Pidge said eventually. “Keith is with him.”

Allura nodded mutely.

“This is your fault, you know,” she said accusingly.

Allura sighed. “I know. I’ve never been more wrong about something.”

Pidge turned her head to the blueprints on her lap, and didn’t say anything.

“I was wrong,” Allura repeated. “I didn’t listen to you. Not to Keith when he said that Lance needed more recognition. He nearly died for Coran… God, if Coran had died..” Her eyes drifted off into space, but she made them stoic and rigid again.

“I don’t know a thing about Lance,” said Allura. “I didn’t pay enough attention to him - not even so I knew he loved Keith and Keith loved him back, not so I knew he cried like that… I was wrong. You were right. He didn’t speak because he couldn’t. But when Keith and the others didn’t try, I didn’t care, and Lance could easily have been unable to speak as much as the others. But no, I was stupid. I thought he was flunking. I was wrong. You were right, he was bilingual. Spanish is his main language. Worst of all, he couldn’t tell me… But would I have listened?”

Pidge didn’t stop Allura, idly listening to her words whilst tapping on the electronics.

“I was wrong,” she repeated. “You were right. It’s always you who’s right.”

Pidge blinked. Then she smiled, cocky.

“Me, always right?” she asked. “Yeah, that’s not different. That’s not different at all.”

Broken Heart

Originally posted by jeffatkinsimagines

The music was blaring loudly from the large speakers in the gym, lights flickering back and forth between different colors of the spectrum, the smell of punch lingered in the air mixed with alcohol that some students had managed to sneak in.

(Y/N) sat on the bleachers with her head down, looking at her short and shiny black heels that were beginning to make her feet ache. Reaching down, she took them off and wiggled her toes for a moment before sighed and leaning back against the bleacher behind her.

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8

“WELP! Can’t let Tai ever hear about this. God, I’d never hear the end of it.”

This week in “Sean over analyzes a single look from Qrow” theater… Seriously hope this isn’t becoming a vice or something. But I do look forward to seeing what kind of relationship Qrow and Tai had as students. Friends/Rivals? Hopefully.

Also RIP Tyrian’s stupid god damned face.

5

Little Kacchan lost in the mall.

This was stuck in my head so I figured best way to get rid of it was to draw it.
Spoiler from chapters 78+.

Yes I know, I should stop…

BONUS:

“This way.”
“…”

It’s time to go look for “Kacchan”! Weeee!

EDIT : I didn’t expect that much popularity on this stupid chapter summary so I decided to “upgrade” it! xd

And once again, Ochako’s only interaction with Shouto was to make him float. Just what kind of relationship is this?! ‘ ^’

(s)he

This is that fic I was talking about the other day, the one I wasn’t sure I wanted to post. I ended up writing TWO similar but distinct fics (different POV, different ending) based on the premise of this fic because I just kept tinkering with it, so this is the second version. The first one… idk, maybe I’ll toss it or maybe I’ll post it later for the curious among you.  ¯\_(ツ)_/¯

Sterek high school AU, G, 1.7k words

Stiles thinks Scott is joking at first, mostly because he’s laughing so hard he can barely get the words out. “There’s a guy backstage asking for you by name. He’s got flowers.”

Stiles rolls his eyes and goes back to wiping the lipstick off his mouth. After four performances, he can get in and out of the dress and the wig in no time flat. He can even walk in heels without too much wobbling. But the lipstick? Bane of his existence. It still takes him a good five minutes of careful wiping and rubbing with petroleum jelly, and even then his mouth always has this odd orangish-coral tinge by the time he goes home for the night. By that point he’s usually too frustrated by the whole thing to even begin to bother with cleaning off the mascara.

Thank god this is closing night, and in a minute they can all go out for tacos and Stiles can set to work forgetting about lipstick for the rest of forever.

Scott’s still hovering at the door, anticipatory. “I think he likes you. Like, like-likes.”

“Ha ha,” Stiles says flatly. He tilts his head to the left and then to the right in front of the mirror, angling his face up into the lights. “Do you think I got it all?”

Scott gives him a careless glance. “Yeah, sure. Looks fine. But no, seriously, the girl who sells the tickets told me he’s shown up to every single performance.”

Scott isn’t joking. He’s laughing at Stiles (and okay, if their positions were reversed, Stiles would totally be laughing at Scott, too), but he isn’t joking. Fuck. Not even Stiles’ dad has come to every performance. 

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I’M VERY TIRED

AND NOBODY ELSE THREW THEMSELVES AT THE TUM BOMB SO ANYWAY I’M DRINKING FOREVER 





Victor is pretty drunk - not like, climb on top of a castle and yell he’s Yuri’s future, so take that, Yuri’s imaginary past lovers!!!!!! drunk, but drunk enough to lose what vague idea of personal space he has. He’s cuddled up to Yuri’s lap with his nose shoved under Yuri’s shirt. He’s kind of humming, although he might just be talking to himself in Russian. It kind of tickles, the feeling of his lips moving and his voice buzzing against Yuri’s skin. It must look stupid, but everybody is just giving fondly amused looks to them.

Yuri’s kind of drunk too, so it’s okay. He strokes Victor’s head, under Yuri’s shirt.

Victor croons quietly.

“What?” says Yuri.

“Tum,” says Victor, pulling his head out of Yuri’s shirt for a second. “Tummy tum tummmmm, you have a tuummmmmm.”

For a split second Yuri wonders if Victor is making fun of him. It’s true that he’s put on a little weight during the off season, but he hadn’t thought it was that bad. Not as bad as after Vicchan died, at least. His heart gives an unpleasant thump.

Then Victor nuzzles in with the happiest sigh he’s ever heard, like a poodle settling down in the middle of the bed and leaving you six inches to do your best in, and kisses his stomach. He gives it ten or twelve little butterfly kisses, like he can’t help himself. “Yuri’s so sweet like this,” he says. “Yuri’s so beautiful.”

Yuri blushes, but he curls his hand around the tender curve of Victor’s skull. This is ridiculous. He loves Victor so much it feels like his heart is going to burst out of his chest. He’s so happy.

“You’re very weird,” he tells the lump of Victor’s head. “I can’t believe I’m going to marry you.”

Victor says, just loud enough for Yuri to hear, but quiet enough so that Yuri wonders if he knows he’s saying it out loud: “I can’t believe it either.”

8

Top 10 One Tree Hill relationships (as voted by my followers) #8 - Brooke and Nathan

“The thing is, the two of us have been down very similar roads. I mean, we were in the same cliques first. We both felt the same pressures, same expectations. Our parents were like children, and we both grew into kind of bad versions of ourselves way too fast. So I think you know I get it. They never really gave us a chance, did they - our parents? They didn’t know how. Look, the thing is, you made your dream happen, all right? And even though I didn’t quite get there, when it was taken away from me,I dealt with it alone. That was stupid, selfish and wrong. So if your mom tries to take your dream away from you and you feel that same pain I did I’ve sort of been there, okay? I’m gonna be kind of pissed off if you don’t come talk to me about it. Anyway, thank you for coming today. It means a lot. I know you didn’t know Quentin but it doesn’t surprise me that you’re thinking about other people when all this stuff is going on with you. That’s not bad for a girl who never had a chance.”

Peek-a-Monk

I’m the Ranger in a party of newbies with an experienced DM.
The other day, our Rogue tried to pick a fight with a monk. We told him it wasn’t a good idea, but he’s quite stupid (he has low intelligence). Anyway, the monk sucker punched him, almost killing him.

Rogue: *teletransports behind a tree*
DM: The monk already figured out what kind of man your are, and shouts loudly “MARCO!”
Party: …oh, shit
DM: Roll Intelligence.
Rogue: *rolls 3* Dammit… POLO!!!!!
Party: FUCK.
Sorceress: WAIT, I scream “polo” too! *rolls 16*
Paladin: Me too! *rolls 13*
Ranger (Me):Oh, fuck you. I scream too. *rolls 7*
DM: The ranger softly says “polo”, but all the screaming was enough to confuse the monk. He thinks you are all stupid, but he stops looking for the monk.

Little Witch (Part 1)

Pairings: It’ll be a Peter x reader

word count: 1730

Requested:  Hey can you write one where the avengers go to recruit a girl they heard about? She lives in the deep woods and uses magic. When they find her they weren’t expecting someone so young since she’s only like 14-15. They start having second thoughts but she shows them that she can handle herself. She also wants revenge cause hydra killed her family trying to get to her.

A/N: I made the reader a little older and i hope it’s not a problem. I really liked the request and i have a big idea how to continue this. I hope you like it and if so let me know in order to post a Part 2 and maybe more ;) Enjoy (and sorry for the mistakes)

Originally posted by merlinemryspendragon


It was Saturday and everyone in the Avenger tower was finally able to relax. The whole week represented a lot of missions, hours of training and a serious lack of sleep. Today had to be their day off. Nat was trying to find an interesting film on the TV but for now with no luck. Steve was in his room immersed in his thought for the present again. Tony, as always, was doing something in his laboratory with Bruce but this time they weren’t eager to make a progress so fast, so they were mostly telling each other jokes rather than work. Clint and Vision, unusually, were cooking whatever they could think of while Peter, Wanda and Thor were ready to become tasters. Everything was going fine until a familiar and detestable sound reached their ears.

“Good morning, Avengers.”, said Colson, “How are you in this sunny and beautiful day?”

“Oh, hey Son of Col! We are perfect.”, Thor answered with a bright smile on his face.

Now everyone was in the living room looking at the man in a black suit showing on the huge TV.

“If you have to tell us something good then go on, if not…better fuck yourself.”

“Well, I’m glad to see you too, Romanoff.”, the man looked with a smile at the red-head and then turned again to the whole gang, “Okay, I will go to the main part. Three days ago something extraordinary happened in woods north of Minnesota.”, bellow him appeared some photos, “As you see, some of the trees are burnt but definitely not from a fire, and this one.”, a photo showing something like spikes coming from the ground became in view.

“What the hell is this?”, Peter exclaimed, “How is that even possible?”

“That’s what you have to find out.”

“What?! No!”, Tony said angrily. “No! Not going to happen! We have a day off, Colson!”

“I know you do, but it’s important. Given the fact it’s like 7km away from a Hydra base, it may be someone used for an experiment. And we need only three or four of you to go and check.”, the man announced.

“I’m in!”, Wanda said with no hesitations.

“Count me, too”, Clint raised his hand to show that he’s ready.

“And me.”

“Peter, you are not going.”, Tony declared.

“Why not? We only have to check what’s going on, that’s all.”

“He is right Tony, and I will go, too.”, Steve stated and the four of them received the needed information.

“I’m sick of Mr. Stark treating me like a kid.”, Peter breathed out as he and the other three avengers were getting in the helicopter.

“But you are a kid, Pete.”, Steve sat down and put his belt on. The others followed his actions and soon they were high above the ground.

“That’s not what I mean. I may be a kid as I am that young but I can look after myself. I can do things just like you guys. I want and I can become a hero. It seems he…he doesn’t want me to be one.”

“You know that’s not true.”, Wanda tried to calm the boy down, “He is just afraid. You and either I are new in all of this, but he, Steve and Clint are deep in this dangerous world and know what it costs to be a hero.”

“Wanda is right, boy. I share Stark’s thoughts but not completely. If you want to be a hero, you must know that you risk the lives of your beloved ones – family, friends, girlfriends… We all have experienced the feeling of losing someone; we just don’t want you to go through this at that young age.”, Clint said while checking his arrows.

“But don’t worry, we’ll be beside your back.”, Steve patted Peter’s shoulder and till the end of the flight nobody spoke.

Two hours later the group was finally at the mentioned place. There was no place for the helicopter to land so the heroes had to get down with the help of a rope.

“So…which direction should we go?”, Clint questioned as he, the last one, got on the hard ground.

“North.”, Steve looked at his compass to make sure he was right and then led the gang towards the destination.

“Why would somebody stay so deep In the woods?”, Peter decided to break the silence.

“I don’t think they are just staying there, Pete.”

“They are hiding.”, Wanda respond back.

“Why do you think so?”

“Colson said that there is a Hydra base in the distance…I think whoever managed to escape, is now terrified and…and angry.”

“How can you be so sure? Hydra probably sent out somebody to see if he can cooperate and serve them.”, the way Steve retorted back showed he had no good feeling towards the organization.

“Because I can feel it!”

“What do you mean?”, Peter was so confused given the fact he was new and didn’t have much information about the Hydra thing and Wanda’s powers.

“Sometimes I can either get in your head or memories, or feel your emotions.”

Steve was about to say something back as his anger has somehow unlocked but Clint was the one to stop them from a fight.

“Guys! We have a work to do and right now it’s in front of us.”, Hawkeye showed the previously seen spikes, which were like 10 meters away from them, “Can you solve your problems when we are back in the base, and I am away from your childish behavior?”

Wanda and Steve looked a little ashamed while Peter was still standing there with a stupid expression on his face while trying to figure the things out. While going to the strange and kind of a scary place the gang saw some burnt trees, others had a burnt hand mark on them, others were still up but their leaves were dry. As they were becoming closer a change in the temperature was felt.

“It wasn’t that hot minutes before. I’m sweating in this costume and now my body is itching like crazy.”, Parker announced as he began scratching.

“It’s coming from the inside.”

The spikes coming from the ground were making something like a dome. The sharp sides were touching at the top, while at the bottom they were forming a circle. This ‘structure’ was definitely made for some sort of protection.

“Maybe the person is inside this thing.”

“I will try to break it. Step back.”, Wanda commanded and then, using her magic, she broke one of the spikes. As she did so, another one grew but not upwards. Instead the spike with its sharp side directed at her body was about to kill her if it wasn’t Steve to save her.  They both fell on the ground while the others two tried to save themselves from the other deadly formations that suddenly appeared from the ground.  

“What the hell was that?!”, Clint exclaimed as he tried to catch his breath.

“I don’t know but we better find a way to…”, Peter was interrupted from Wanda’s scream to watch out. But his spider senses had already informed him about a danger. He jumped and used his webs to get on a high tree.  From up there he managed to notice the small aperture.

“I can get there and I will. Don’t try to stop me, we are losing time. When I get there you will attack and try to ruin this shield. Got it?”, the young boy notified the others through his micro earphone, “Let’s have some fun.”, Peter put his mask on and jumped from the tree. He landed just a meter away from the wanted place but as soon as his foots touched the spikes others began appearing. With his fastness he got in the hole seconds before getting seriously injured.

Although he has done it before, this time Peter made his superhero landing on his ass.

“Shit, that hurts.”, he cursed out but as soon as he did he was thrown against the strong wall made from the spikes.

“Tell me who the hell you are or I’ll kill you.”, a sweet, yet dry voice reached his ears. He looked up and saw a girl around his age standing defensive opposite him with a rage written on her face.

“I’m Pet-, shit! No, I’m Spiderman and I-”, but the boy was interrupted by being sent to the ‘wall’ again.

“You are lying! If Hydra is sending you, which I am sure about, you are gonna die in agony. They’ll finally see what I am capable of! That’s what they want, isn’t it?”, the girl screamed and clenched fists. Peter, who was thrown again, managed to see what she was doing and how she was capable of whisking him wherever she wanted. The guy soon realized she was a witch just like Wanda.

“I have no idea what you are talking about. We are here to help you”, as soon as those words were spoken, the girl was ready to make that boy shut up by repeating her previous actions but Peter was faster. He sent webs towards her hands, sticking them on one of the spikes. She tried to escape but with in vain. Peter used this opportunity to scan the girl. She was his height, with a (y/h/t) (y/h/c) hair, (y/e/c) now full with anger. Her clothes were dirty and scattered, her face slightly sunken maybe due to the lack of food.  

Suddenly the whole structure was hit and a part of it ruined down. The girl used this as an opportunity to go away and this time she managed. She began running but the boy shoot web at her and stopped her. The witch fell on the ground and looked at the four people standing meters away.

“I’ll kill you!”, she screamed and sent a stone towards the group. Wanda was the one to create a shield with her magic and protect her friends. The girl’s eyes widen as she saw that somebody had powers just as her.

“Stop attacking us and just listen!”, Wanda spoken calmly.

“We are here to help you, don’t need to be afraid.”, a man with a soft voice gave his hand to help her stand. The girl looked up and was met by a dirty blonde hair and kind blue eyes.

“C-captain America?”

Part 2 

Punk (Chap. 11)

Originally posted by coporolight

Summary: You’re head over heels for your best friend Bucky and hate the nickname he gave you as it doesn’t exactly scream romance.

Word count: ~2500

Warnings: Language, mission/war related violence and gore, shooting, battle related injuries/casualties/mayhem

A/N:  My sincere apologies for how long this has taken.  I’ve been dealing with some personal things and, quite frankly, it took away all desire to write.  I hope you like this chapter, the photo with the shield later on in the story is actually the inspiration for the entire series.  So you can get inspiration from anywhere :)  I want to thank everyone who stuck around waiting and who has been so helpful and kind to me.  Also, I’m very excited to continue writing more chapters!  Thank you for your continued patience.

As always, feedback is always appreciated.  Please let me know how the ‘action’ plays out as I am always looking for ways to improve my storytelling.  Thanks!



Your face fell in horror, but you seemed to be the only one moving, the rest of the world seemed to be stuck in some sort of time lapse.  Bucky was still just crouching there, holding the boy, with that stupid, beautiful smile still plastered to his face, not yet seeing the danger, not yet registering your alarm.

No no no no no no NO!  Your mind was screaming the words as you tore your gaze away from the scene.  The man was getting closer.  NO!

You bolted forward, shoving the woman into the alley screaming for Bucky to run, ripping your vocal chords in the process. Your legs felt like they were trudging through molasses, like some force was pulling you back, weighing you down. And each step on the pavement felt like an elephant stomp making the ground shake.  But it was as if you weren’t moving any closer.  But you had to.  You had to.   Because what was about to happen could. not. happen.

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Who is that I hear in the loo?

Why, it’s Molly Pr-OH MY.

Well, you certainly have been letting your hair down this summer. I can hardly see you!

But Molly, isn’t Arthur Weasley due to arrive for a visit any minute now?

You’ll be wanting to do something about that hair. 

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