and it has no sense in other language

Writing Unique Dialogue

Post was suggested by @silverinkgoldenquill.

Writing dialogue seems to be one of those things that you either love or hate to write. It can be tricky to find the right balance between dialogue that could realistically come out of a person’s mouth and yet still making it readable. That’s one of the first key things to remember when it comes to dialogue: normal people don’t speak in a way that is very appropriate for reading, but you don’t want to make them sound like pretentious robots. Skip the like, uh, um, stuttering, and other parts of casual speech unless it’s appropriate to the character and the situation. Which brings me to the main part of this post.

How do you make dialogue unique for each character?

  • Listen to other people talk. Maybe you weren’t expecting this tip and maybe it sounds odd, but a writer is a people watcher. When you’re talking to your family or friends (or standing in line at the grocery store with a bunch of strangers) try to listen to some of the unique markers of their speech. Do they use a lot of idioms or common phrases? Do they speak quickly and to the point, or do they speak with a lot of detail? Do they stutter? Ramble? Swear? Again, you probably won’t write the dialogue exactly like it sounds out loud but you can pick up some ways that you can make it more realistic and unique.
  • Use dialogue to match and enhance the character. If your character is a professor they could sound more proper, maybe use less contractions and a higher vocabulary. To make it more personal decide if this character is more humble in their education or is unbearably pretentious. A teenager doesn’t usually speak like their parents and the parents don’t speak like the grandparents. An athlete doesn’t usually speak like a lawyer. Keep in mind that this doesn’t necessarily mean that their speech is higher or lower, but they have different nuances that reflect who they are and what they’ve experienced. Make their personalities come across in their dialogue by using sarcasm, making them very factual, vulgar, optimistic, childish or whatever else they are. On that note…
  • Keep in mind the character’s culture and history. (Before we go into this, I want to warn you to be wary of stereotyping). Speech has everything to do with culture. From a broad sense the country the character is from can hugely impact the dialogue, whether that’s because they are speaking in a language other than their first and occasionally make some mistakes and have an accent, or have different vocabulary from others (chips vs fries, zee vs zed). There’s also more local differences like city vs rural, class difference, educational background, upbringing, etc. Just remember not to go overboard. For example, if you’re trying to show the character has an accent DO NOT write everything they say phonetically because it will be incredibly annoying to read so choose carefully when and how to show it.

jock/nerd dnp is all well and good, but i propose other high school tropes for u to chose from:

  • debater dan/science olympiad phil. imagine the arguments. both of them spewing a thousand words a minute, phil trying to reason with dan but dan just trying to win
  • actor dan/techie phil. sawdusty kisses n dan skipping rehearsal in favor of watching phil build stuff, shamelessly admiring phil’s arms when he picks stuff up. phil threatening dan with the welding torch if he doesn’t shut up, but not really minding. also phil knows all of the best places backstage to make out. dan almost misses every cue that performance
  • student council phil/absentee dan. dan’s always skipping class, or hanging out in phil’s classes instead, and phil just rolls his eyes and lectures him but let’s dan come with him. dan’s done this for long enough that he knows the bare minimum of what he needs to do to get a passing grade, and he’s definitely smart enough to keep up with everything despite only attending classes three times a week
  • artist dan/writer phil. dan hates words, hates how they say one thing but mean another, and can’t string together an english or history essay for the life of him. he likes pictures much better, the raw honesty of pencil lines and clay that words seem to miss. phil on the other hand can’t draw a stick figure to save his life, preferring the composition of words over anything else. he helps dan pass seminar with a high b, and dan in turn writes and illustrates a poem for him. it totally doesn’t hang above phil’s desk
  • straight-a dan/bilingual phil: dan gets the highest marks of everyone in all of his classes, a good memory and impossible work ethic carrying him forward more than raw book-smarts. at least until it comes to french. he’s fucking useless at the language, almost failing, and that irks him to no end. phil isn’t very motivated by school because he’s not every good at it but he was raised in a french/english household and he has ap bio and with dan, so it ends with them teaching each other and somehow, school seems to come alive for phil when dan starts helping him with it and french starts making some goddamn sense for dan when phil’s high-pitched giggles and unpatronizing pronunciation corrections are helping him through it 

anonymous asked:

one of your peter drawings got me thinking...his earpiece is actually a hearing aid

How cool would that be tho.,,,,HOW COOL. yondu and the ravagers picking him up and in the mix of everything peter lost his aid- and the ravagers not understanding why he wont listen to them- not understanding why his hands are shaking and moving so frantically….yondu asks him if this is some sorta game of charades before remembering DUH he isnt listening to you- “what! Are you deaf boy?” And practically screams it at him before peter nods exasperated because YES THAT’S EXACTLY IT. and then peter sits and has a good cry and suddenly things make sense to the ravagers now.

i doubt any of them really know sign language before peter teaches them best he can…yondu is the only one really alright at it…the others are too sloppy and have an easier time just talking to him and having him either read their lips or when he’s wearing his hearing aid.

IM NOT SURE THE ACTUAL ORIGIN OF HIS MASK, but i like to imagine yondu steals it from somewhere and gives it to him “so you can understand what im sayin all the time boy” AND PETER IS SO HAPPY BC IT LOOKS SO AWESOME??? he loves it… eventually tho, all the ravagers become pretty decent at signing and they all use it to communicate quickly and subtly on missions.

HIS TEAM THO, omg his team…drax always wonders why he never takes the earpiece off and peter has to go through another explanation as to why and that he doesnt exactly hear as well as others. Rocket obnoxiously asks why he keeps flappin his hands around and making dumb faces whenever he cant think of something to say…gamora argues that he’s expressive and “that’s just how humans are”. Peter rolls his eyes and has to explain asl “sometimes i just talk with my hands…like when you gesture, but uh, with more purpose”- “that’s a language??? Well i guess ive heard weirder…well- you know what i mean” ….so the team sets out to learning sign language (imagine groot only ever signing “i am groot”) and rocket thinks it’s pointless “you always wear the piece anyway, so why we gotta learn a whole other language…” but does it anyway and the dumb smile on peter’s face is totally worth it when rocket insults him one day using asl…

Through the International Liaison Program, NYPD detectives are now stationed in 13 cities around the globe, from Paris to Amman to Sydney. If you’re surprised that New York City would have flatfoots permanently operating on the majority of Earth’s continents, you aren’t alone. When bombs went off in Bali in 2005, Indonesian police were understandably “astonished and irritated that the NYPD showed up.”

But officers of the International Liaison Program are setting up NYPD franchises like Starbucks, all to ask the New York Question. No, not “Which is the real Original Famous Rays?” The other one: “Did New York come up anywhere in this investigation?” And since it’s a city of 8.5 million people from 200 countries speaking over 140 languages, that happens more often than you might think.

Sending a few sworn members overseas for a little proactive collaboration and information-sharing makes good sense, but is typically something a nation would do, not a single city. Shouldn’t federal agencies be taking care of stuff like that? The FBI certainly thinks so; their own involvement in foreign affairs has actually resulted in a bizarre rivalry, with G Men and cops butting heads in a “testosterone rich” turf war. Somewhere in Shanghai, an NYPD officer is arguing with an FBI agent over who has jurisdiction. Imagine how confused the Chinese cops are.

5 Realities About The World’s Scariest Police Department

Top 6 Apps for Learning Mandarin Chinese

Last summer, while I was supposed to be studying French intensively, I accidentally started studying Mandarin instead. These things happen! The best thing about Mandarin compared to some other languages I’ve studied (specifically Persian and Korean) is that there are a huge number of resources available to help learners, including a lot of very well-designed apps. After months of obsessively checking the iTunes store for the best apps and trying them out, these are my favorite six (plus a few more worth mentioning). They appear in ascending order from my least favorite to my most favorite.

Worth mentioning: A couple of apps not included on this list but worth mentioning are Pleco and Skritter. 

Pleco is a highly-regarded Chinese dictionary. I have it on my phone and do use it, but I left it off the list because I prefer another (#6 on this list). Since I’m still very much a beginner, a thorough dictionary isn’t quite so important to me right now. However, it seems like every advanced student of Mandarin recommends this app, so I had to include it.

Skritter is another app that’s highly regarded among serious students. I believe it focuses on helping with character recognition and writing. It has a subscription service that is a bit expensive, which is why I’ve never tried it; however, everyone seems to rave about it. If you’re a serious student, you should definitely look into it.

Also, I recommend downloading some Chinese-language apps designed for preschoolers. I found several of them online in the iTunes store, and a lot of them include short stories with simple words, practice with basic characters, etc. Using these apps gives you some immersive listening practice, which is fun. They can be kind of hit and miss, so I recommend downloading all you can find and seeing what you can figure out and what you like. They won’t replace any of the apps below, but they still serve a purpose.

6. WCC Dictionary This is the dictionary I use instead of Pleco. I like it primarily because of its beautiful design (something Pleco doesn’t really have). This app is mainly a dictionary, but it offers a lot more than that. For example, it has a character scanner (so you can look up words you find in books by taking a picture of the character). It also has a “story library” with a few simple books to read (with Pinyin, the characters, an English translation, and the ability to listen to the story being read). Characters are color coded if you use that as a device to help you with tones. It has a flashcard program with pre-created word lists, extensive example sentences, a section on radicals with example words, and stroke order animations. It also offers a “character of the day” and daily “homework” to motivate you to use what you learn. The dictionary itself is free, but there’s a lot of content that you have to pay to unlock, although there’s also a way to buy the content using “coins” that you earn through using the app.

5. Mindsnacks Mandarin A lot of you are already familiar with the Mindsnacks app because it’s offered for a lot of different languages (and a few school subjects like geography). This app uses games to teach Mandarin, mostly focusing on vocabulary (not grammar or sentence construction). It’s a bit limited, but it can be a really fun way to learn. After a while, the games start to feel repetitive and can get boring, but the app also has you move through levels (which allow you to unlock new games) and uses other incentives to keep you playing. The audio is an actual human, too, which is a big benefit since many apps and programs rely on Google Translate robot voices. This is a paid app, which could be a drawback.

4. FluentU This app is the reason I started learning Mandarin in the first place. I tried using it for French, but I felt like my French was too advanced to gain much from it. Even though there were advanced-level videos with vocabulary I didn’t know, FluentU doesn’t do a good job of adapting to your level and guessing which words will give you trouble. That’s perfectly fine for a beginner, though, since every word will probably give you trouble, which is why I used it for Mandarin. I think the makers of FluentU are Chinese speakers, and they seem to have focused more on Mandarin in their app. They have a built-in course you can follow, using videos they made themselves for teaching the language. The videos are pretty good, and you will feel like you’re learning a lot. There are also a lot of other videos if you want to branch out, including some catchy songs and clips from commercials or TV shows. The built-in flashcard system is a good way to review, but there’s no way to adjust their algorithms, so you might end up reviewing the same words way too often. I stopped using the program when I had 400+ words to review every day, and I just couldn’t keep up and continue advancing. This app is also very limited in the free version, and the paid subscription is VERY pricey, in my opinion, especially considering that there are other apps out there that offer more features. All of the videos are on YouTube anyway, so you can still use them to learn as you advance (or if you have a friend who can help you). I recommend this app if you want to pay for one month and use it to study intensively and advance quickly. That’s what I did, and I think it helped me out a lot.

3. ChineseSkill This is the first app that was designed to be a “Duolingo for Mandarin,” and it has a lot of great features. There’s the typical “tree” like in Duolingo, where you advance through different lessons one by one. It teaches character recognition, pronunciation, and grammar. The lessons can be really challenging for a beginner (sometimes too challenging, I thought), but it covers a lot of material. I’m not completely happy with the order in which lessons are taught (for example, there’s a lesson on shapes near the beginning that has you learn words like “triangle,” which seemed unimportant to me). The other drawback is there isn’t an easy way to review what you’ve learned (like on Duolingo when your gold-level lessons start to fade). It’s possible, but not super easy to access. Other interesting features include a tone game, a pinyin chart, a “survival kit” that’s like a travel phrasebook, and practice with stroke order. Also, this app is 100% free, which is amazing! I definitely recommend this app.

2. Social Language This app is really different from the others and is probably the most useful if you believe in speaking a language as soon as possible. I don’t think a lot of English speakers know about it because it seems to be marketed mostly to Chinese speakers. It’s a bit hard to explain, but I’ll try my best: basically, there’s a tree like you have for Duolingo, but the exercises are all to improve your speaking and pronunciation. You work through the lessons, and Chinese-speaking users rate and comment on your recordings. They can even leave voice messages to help you improve. You can do the same for them (in fact, you have to if you want to unlock higher levels). That alone makes the app worth downloading, but even better is that it includes a CHAT FEATURE that makes it very easy to interact with native speakers. You can see the profiles of hundreds of Chinese speakers who are online at any given time of day, and you can send a text or voice message to them and later add them to your friends’ list. What’s more,the ratio of Chinese to English speakers heavily favors English speakers. You will find hundreds of Chinese speakers eager to practice their English, and often you will be one of only a handful of English speakers on the app, meaning you have instant access to a chat partner any time of day or night. Have a question about your homework, something you read, or a phrase you don’t know how to pronounce? Instant, free tutoring is available 24/7 on this app, which is also FREE! I met some really nice people here without the pressure of a more formal language exchange. You can have a casual conversation any time you want, and it’s like text messaging so there’s less pressure if you’re shy about speaking Chinese. The only drawback is the same as with all language exchanges, which is that it’s sometimes difficult to balance the two languages. Also, I had problems with sending voice messages in chat, which can be frustrating. Overall, though, I’d say Social Language is a must-have.

1. HelloChinese This app didn’t exist last summer when I was looking for a Mandarin version of Duolingo, but I discovered it last week and fell in love with it. It actually has fewer features than ChineseSkill, but the pacing seems much better, and it focuses more heavily on pronunciation (though the speech recognition software isn’t perfect and you will sometimes need to skip a speaking question just to keep moving forward). It comes with some good grammar explanations and a really basic flashcard program for review. Honestly, I feel bad for rating it higher than ChineseSkill since ChineseSkill has been around longer and offers a lot more features, but I feel like HelloChinese just makes more sense and is easier to stick with than ChineseSkill. Like ChineseSkill, it’s also 100% free! I consider HelloChinese to be my “core” app for casual study, with the other apps acting as supplements. If you’re a more serious student, HelloChinese might not be your #1 pick, but it’s great for beginners who like the structure of an app like DuoLingo.

What is ACTUALLY happening in this scene in the DBS Anime & Manga? + Japanese Translation

So, I’ve been waiting for the Super manga to come out and see how they handle this scene because its counterpart is really controversial in the anime. We know from interviews that Toriyama gives Toei and Toyotaro a general draft, and they fill in the rest, although Toriyama appears to be more involved in the production of the manga with Toyotaro (and working on a comic with someone is a more intimate setting than, say, a massive studio) so I’ve been waiting to see how this plays out. It turns out the dialogue in the manga is different, and I had a buddy of mine who translates Japanese-to-English for the DBZ fandom all the time take a stab at it. Here’s what she sent me:


“Goku literally says that Trunks puts his mouth against Mai’s mouth  (“kuchi to kuchi kuttsukeru” = place mouths together), but his “yoku” is giving me trouble here, because it can either be translated as “nicely/skillfully/well” or “frequent/often”.  To me it seems like Goku is simply refering to it coming off as a natural thing for Trunks to do.

Vegeta then says: “You… don’t know about that?”
Goku: “Mh? About what?”
Vegeta: “(About) that kiss(ing)…”
Goku’s “attarimee daro” can either mean “Well, of course?!” or “It’s a common thing to do, right?!”
Vegeta: (not stating WHO he is talking about) “…aren’t you married?” or possibly even “…they aren’t married?” refering to Trunks and Mai (they are in the panel after all.)
Goku: “Huh? Has that something to do with this?”
Like… I honestly don’t know what the whole point of this conversation is.

Are they completely talking past each other? Is Vegeta an idiot? Maybe Vegeta is like: “Duh, Bakarotto, why you so surprised two people put their mouths against each other?! You damn hick. You don’t know about that?! That’s what they call a kiss.” and Goku: “Yeah, of course I do, because it is a common thing.” I don’t even think this is about the momma-birding and more about Vegeta thinking Goku’s dumb and Vegeta being being uptight or even prude, because he doesn’t wat to continue the conversation, dissmissing it with an “Enough!”.

So, what Western audiences may not know, is that Japanese is a very contextual language, and if two people are having a conversation and assuming they’re referring to the same subject, but they’re not, they may not even realize it and walk away with a complete misunderstanding–it doesn’t help that in Japanese, usually, the context is implied, so if two people aren’t on the same page, misunderstandings can occur often. In the anime AND the manga, the “joke” is that Goku and Vegeta misunderstand each other due to this aspect of the Japanese language.

For the anime, most English and Japanese fans who logically concluded that, even with Goku’s childhood, common sense must prevail, and that the idea that Goku has never kissed Chichi after 20+ years of marriage and fathering two children with her–or that Chichi never even taught him what a kiss was or continued to remain ignorant of it when exposed to TV or public outings, figured that Goku was referring to Trunks momma-birding Mai–while Vegeta thought he was referring to kissing.

In the manga, Goku balks at the idea of not knowing what a “kiss” is, because it’s a very common thing. Like, duh, Vegeta. Interestingly, Vegeta’s option for translation here, since Goku has already stated he knows what kissing is, is to wonder aloud “…Trunks and Mai aren’t married?” which might imply that Vegeta has a more conservative view on kissing, or is wondering aloud about, after seeing his son kiss Mai, if they’re married.

When Goku asks,  Huh? Has that something to do with this?” the most sensible interpretation after what’s just been said, would be that Goku doesn’t see how kissing is something that is necessarily exclusive to marriage, so he wonders why Vegeta would even pose the question.

Before this though, Goku describes the literal description of kissing and with some awe, the manner in which Trunks does it–he hasn’t seen Trunks do it before now (which dismisses the “frequently/often” translation option) so Goku’s probably mentioning the natural manner in which Trunks “puts his lips up against her’s”, and in front of company in such a public and casual display of affection–all of which seems to have surprised Goku. The most logical interpretation of Goku’s response here would probably imply that he just doesn’t kiss Chichi in public or do PDA really, and thus the casual way Trunks “kisses” Mai in front of him and Vegeta strikes him as a culture shock. (which fits with the manga–and in the anime he’s only physically affectionate when they’re 1) alone or 2) around close friends or family)


 ↳ best friends au

pairing: lee jooheon | reader
genre: fluff
word count: 6,312
description: three times (okay, four) you didn’t mean to say you were his girlfriend… and you certainly didn’t mean to like it so much the last time either. 
author’s note: this was an impulse write… thank @wangpuppo. honestly just thank her for most of my on the spot pieces. also, thank this for the inspiration as well! also… also, i dedicate this piece to @hongbombs <3

Originally posted by lostinmonstax

Incident #1:

“For the last time, Jooheon, you can’t just mix up bedroom and bathroom.” You pinch the bridge of your nose, releasing a deep sigh.

He exasperates, eyes going wide by a few centimeters and voice getting increasingly louder, “Why not?! What’s so bad about that?”

You stare him in disbelief before letting go of your suitcase so you can reach over with your free hand that isn’t preoccupied with a carry-on bag just to give him a proper smack on the arm.  

He releases a string of curses and whines that you hear only the half of as a flock of bodies pass between the two of you. As per usual, the airport is still busy as ever with people running all over the place alongside suitcases and other fellow people who might’ve forgotten the exact time of a flight or other notions of the sort. Somewhere in the mix, warbled music and announcements over flights intermingle causing most of the mess.

Traveling in itself is a pain so you can understand the pandemonium.

All things considered, one has to be prepared, well-equipped with their clothing and other toiletries, not to mention making sure they have all the other necessities such as monetary expenses and room and board. There’s a whole new aspect to flying somewhere and situating yourself away from home. And although you’re frustrated with Jooheon over his lack of understanding in the one damn language you’ll both need -English- you can be a little sympathetic with the guy.

Keep reading

Does anyone else feel like the video for Young and Menace is a visual representation of Pete’s life as a child?????

His parents are divorced so the fighting makes sense.

The switch between the animal and human parents seems reminiscent of The Boy With The Thorn In His Side.

By extension the “weird language” in the video makes sense because no one could understand what he was going through when he was growing up, and of course THAT relates to the psych assessment line at the end. Pete has always had an interesting relationship with prescribed pills.

Is the rest of Mania gonna go through Pete’s life or will we get something from the other 3??????

anonymous asked:

Rebecca probably is going to dump another Pearl arc on us to cover pearls backstory. That's the only way "we know the least about her makes any sense"

godddd that’s so unnecessary though why

if you reallyyyy wanna do backstories, then consider:

-how the crystal gems found amethyst (how has it been 4 entire seasons and we still haven’t seen how she joined……)

-actual info about the gem war?? yknow for making such a big deal out of the war they never actually impart any info on it to us other than a lapis backstory that was too vague for my liking (and wasnt really about the war anyways) and centipeedle, but even then there was a language barrier in the way when she was telling her story why do the gems have a gem language and never reference it or try to teach steven or translate it or anything

-fusion backstories!! the first time sugilite was formed, opal was formed, sardonyx, alexandrite, etc., maybe a pre-steven smokey quartz and a rose/garnet fusion? the temple fusion? jfc

the sad part is though, i feel like they are going to scrap that all in favor of “pearl cries for eleven whole minutes for the umpteenth time” at 7:30 est only on cartoon network ™

anonymous asked:

Hey! What are your thoughts on the new Great Wall movie starring Matt Damon?

I find it a bit of an interesting case because I’m all for supporting an International film, Asian director, and a film with a large Asian cast BUT at the end of the day it’s just another movie that perpetuates the WHITE SAVIOR trope which we all know, hate, and are tired of.

Matt Damon seems oblivious to why his role in the film is controversial but at least he stated that he is willing to listen and is open to understanding why it’s being perceived that way. He’s not denying it like Scarlett Johansson who claims that she would never take a role from a PoC yet does it for ~feminism~

This film is director Zhang Yimou (who stands by his film), this is his first American/English speaking film. I believe that in order to appeal to the Western and Asian market, it was believed that if they cast 3 Western actors in the film (Matt Damon, Pedro Pascal, and Willem Defoe), it would appeal to the Western audience. His interview with Entertainment Weekly makes it clear that he knew that if he was gonna make a Hollywood movie… he was gonna have to make a Hollywood movie… 

“First and foremost, this is an English-language film, and a Hollywood blockbuster. It was already very clear in the script phase. This is a Hollywood monster movie and needs to be made in that style. I don’t want to change that approach, and there’s no need to do that. What I really want is to bring Chinese color and cultural background to the worldwide audience through a film language that they are familiar with.”

So I get it. I get why Matt Damon stars in this film. I don’t understand why he has to play the lead though. Wouldn’t it make sense if he played a secondary character? The other two Western actors in the film play secondary roles in the film. I don’t think Matt Damon’s role should be the lead. Why does the white man have to save China? He’s only the lead because… you know it… I know it… Hollywood is racist. Even though the cast is predominately Asian, do you really think it would’ve gotten made without Matt Damon starring in it? No. 

But it is dope that Zhang Yimou wanted to make a film he believed was authentic to Chinese culture and he gave Asian actors an opportunity to work in the Western market but the problem is that ultimately, he sold out in doing so. 

Also while I’m at it, I’m just gonna rant about how racist the American marketing of this film is! This is the US poster for the film!!! How embarrassing??? Who thought this was a good idea??? Just Matt Damon??? And then it spits a few facts about The Great Wall of China… smh…

It’s like The Sapphires movie poster controversy but they don’t even show a single PoC on the American promo art I’ve seen for this film!!!!

Now look at the Chinese marketing for this film! Even the Western actors got their own individual character posters (not pictured but they did!!!). The American market does not value the Asian actors in the film because they’re “unknown” in America. It’s insulting because these are International stars too! Just because they’re not white or on Game of Thrones doesn’t mean they don’t have name recognition. I mean the film stars Lu Han, a C-Pop/K-Pop star who was apart of one of the biggest boy bands in the world! Andy Lau has made a name for himself in the Chinese film industry and where is his top billing on the American poster?! The American market FAILED to showcase these actors in their promo art and reduce them to unimportant characters regardless of how big or small their roles are in their OWN trailer which is absolutely disappointing. 

How I plan on shutting down ableist remarks in the future
  • <p> <b><p></b> <b>Someone:</b> Your autism can't be that bad! I didn't notice it!<p/><b>Me:</b> The fact that I am able to pass as neurotypical does not mean that I am. You only don't see that I'm autistic because I was struggling my entire life as an undiagnosed autistic person to fit in as good as I can. Because my quality of life depends on it. I was bullied enough to know that I have to choose between either being myself and mentally tortured for it by others unaccepting of any autistic trait or acting out of my natural way of behavior. The fact that people invalidate me as an autistic individual after THEY have forced me to not be noticeably autistic is just a further manifestation of the emotional manipulation and ableism directed towards autistic people. The fact that I am not noticeably autistic is nothing but a protective mechanism that I devote a lot of energy to. Telling me that I need to present more autistic in order to actually be autistic is nothing but further abuse and a way to deny help that autistic people like myself are in need of. The fact that I'm not noticeably autistic doesn't "lessen" the fact that I'm autistic, just as well as the fact that I'm cis-het-passing doesn't make me cis-het.<p/><b>Someone:</b> You must be pretty high function!!<p/><b>Me:</b> Functioning labels are nothing but a result of our capitalistic society which is evaluating the worth of people in general and even more of disabled people based upon how much and well they contribute to society. The only difference between me and a person deemed as "low functioning" is that the struggles I face as an autistic individual are on different levels that do not have an impact on factors valued by our capitalistic society. I am able to take care of myself around 60-70%, I was able to finish school and now I'm visiting university, which will lead to me later on taking a job and thus contributing my energy to our society in a way that everyone else profits from, besides me. Because as an autistic individual, I struggle with these things a lot even though I'm able to do them. "Low functioning" autistic people are oftentimes not able to contribute to society in a way that provides monetary resources for others and the state and if they are, then they aren't able to take on jobs that would further maximize that gain. By slapping functioning labels on autistic people, you are either ignoring their struggles (high functioning) or their talents (low functioning) based solely on contributing to our capitalistic society in a socially appropriate way.<p/><b>Someone:</b> You don't look autistic!<p/><b>Me:</b> Based on studies conducted on Caucasian boys, psychologist actually discovered general facial characteristics for autistic people which I match, even though I am not male. Furthermore, these studies are highly ethnocentric, they don't offer the same resources for other ethnic backgrounds as well as they don't collect data on non amab people. Additionally, invalidating someone based on their looks is totally useless and doesn't even make any sense. You can't see if someone has depression, borderline or even cancer if they didn't start any treatment yet. So why should you be able to say if someone looks autistic or not? How do you even think that diagnosis works? You enter your therapist office and they immediately diagnose you as autistic because of how you look???<p/></p><p/></p>

12x11 “Regarding Dean”

On the “Alice in Wonderland” & “Alice Through the Looking Glass” in “Regarding Dean”

”…cause all the King’s horses and all the King’s men, couldn’t put him back together again…”

-The “Humpty Dumpty” Riddle

I talked about this topic a little bit yesterday already in this post, but was too tired to expand and talk more about all of the references to Lewis Carroll’s “Alice in Wonderland” as well as “Alice Through the Looking Glass” that were inserted in this week’s episode. It was in 10x05 “Fan Fiction” that Maeve, the stage manager described the moment when Calliope started influencing their play with the words “we’re past the looking glass, people” and it couldn’t be a more fitting and more impoortant line in relation to 12x11 “Regarding Dean”, because as much as the 200th episode was about a fictional story and with it it’s characters becoming real, so one major theme of this week’s episode also dealt with the question of reality. And the uncertainty of reality, perception and truth aren’t just topics extremely heavily tackled in Lewis Carroll’s stories, these things also play a heavy and important role in our current reality/society where we are met with “alternative facts” and “fake news” every single day and which it seems Supernatural even if only very slightly is making a comment on. But don’t worry, this is all I am going to allude to here in relation to RL.

What excited and still excites me about this week’s episode is how cleverly and detailed it worked with “Alice in Wonderland” and “Alice Through the Looking Glass” references all throughout the episode. And I refuse to believe all of these are accidental - especially when taking into account how the show made a great effort in making known that Sam and Dean work in Arkansas, which is described as the “Carroll County” (see the 4th gif)

Lewis Carroll, the creator of these stories, in scientific discussion is analyzed as someone who used these stories not only as an homage to childhood, childhood innocence and the sadness about the inevitability of growing up, but he is also understood to have been a writer who tackled a whole lot of philosophical questions on semantics, language and logic in his works. In literature his two probably most famous stories surrounding Alice are described as “non-sense literature”, but if you dig deep you can find a whole lot of sense in it and also a great deal of thoughts about aspects of identity building. And that: growing up and identity shaping have been integral parts of Supernatural during these past few seasons.

Down the Rabbit Hole

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One-Shot: Gibberish. (Ghost Speak)

Warning: Cursing.

Summary: Daniel James Fenton, the freak of Casper High; Everyone talked behind the teens back, they, as in the whole shool and occasionally staff always rumored that sometimes, he wrote (and occasionally spoke) complete gibberish, he couldn’t even write a full paragraph without messing it up and making it impossible to read! (An experienced Lancer would complain) “He’s an odd one at that.”; One would say if he had the courage “It’s freaky”, another would jeer at how stupid Fenton seemed, “He’s probably semi-retarded.” That person would historically assume. But, that’s not the case.

From a certain freaks quoting: “ghost language just won’t give me a break.. Will it?”


It was slow Wednesday, birds chirped, crows cawed, and teachers gave ridiculously long lectures..

“Daniel Fenton.” A slow boring voice called, it was of course, Mr. Lancer, standing expectantly in front of the class, tapping a toe. ‘Oh boy’, a raven haired teen labeled freak reluctantly forced his attention onto the bald, tire bellied, and underly paid teacher; He hated being on the spotlight. And now not being able to go to the bathroom for more than five minutes to escape the classrooms gaze: What was to come, was inevitable.

Gingerly the meek, shy boy got up as slow as possible; not that it was helping the situation at hand. He could see it in his peers eyes just rudely asking him, ‘How long will you getting up take?’ There was a clear distinction of impatience, so they began talking to one another in whispers, resulting to Lancer’s disapproving sigh. The baggy clothed boy, inching towards the front swallowed the building fear that gurgled inside his throat.

“Mr. Fenton, hurry up, please.” The pot bellied teacher scolded, an underlying tone of irritation laced his words. And of course, no one in the whole entire room could blame the clear annoyance in his voice.

While everyone waited expectantly, and thank god- still talking amongst eachother, a few yawns and scratches began to sound from the forever waiting crowd, mostly those who were friendless in this particular class; all in all they seemed calm, bored, whatever names that could possibly describe dying from complete bored-ism, not that that was a word.

As successfully halving their tired eyes, the nervous teen called upon was having an internal panic attack, ‘I can’t do this, I’m gonna make a joke out of myself..’ Danny thought misrably, ‘I wrote it wrong.’ He referred to the oncoming presentation he was to read off of lined paper in front of the whole class.

“Hurry Fento-nail! I can’t sit here all day!” A blonde jock loudly said just as Danny passed the bully, people laughed, for the most part because the blonde was popular. Which irked Danny to his very core.

Clenching and unclenching a fist, the raven haired teen ignored the stupid comment and refocused on the situation, ‘I can’t speak..- I’ll mess up-’ The minor continued to whine in his head, finally at his destination, the boy timidly took the lined paper from the teachers hold still buying some time.. “Good luck.” Mr. Lancer reassured hopelessly; snickers followed after the comment.

Mr. Lancer returning to his desk, clasped his hands together mannerly, a ridiculously broad posture showing his 'professionalism’ as a teacher. Raising a brow, the teacher sighed at the sight he took in unimpressed, Mr. Fenton that was. Slowly looking down at his paper Danny studied the text trying to make sense out of it. It was- again, written in the wrong language. 'Well shit. How do you expect me to read this?’

Nimbly holding the paper, he squinted once more blinking a few times, the letters disassembling and re piecing back to the known language required for the class. Now he saw nothing other than English- it still wasn’t in fact, Mr. Lancer and everyone else saw the gibberish he has written, thinking Daniel Fenton A) has the worst handwriting in the planet, B) he was extremely bad at English. C) He was dumb and or retarded. Or even D) All of the above. As said, everyone talked about it behind his back, anyone who knew about his, 'Gibberish’ handwriting said something along the lines of 'freak’, 'dumbass’, 'retard’, 'loser’, 'different’… Yeah, you get the idea.

;He feels loved. (Note the sarcasm)..

'This should be easy.’ Danny perked his thoughts misrably, his extraordinary baby blue eyes hovering over the paper’s fine writing; It was a beautiful Essay, but sadly Mr. Lancer would probably never know that. Clearing his throat he concentrated, reading the 'English’. “ahm-” he got a feel for his voice to help return his first language, looking around the classroom to see bored faces. But it was to no avail.

“Lҽ αႦɾα ɱσɾɱҽɳƚσɱ ʅαƈ Ⴆσɾϝɾαҽ, ƚҽαʅʅҽ ƈɾσʂɳҽɱσʂ E ραҽ ʅҽ ԃσɳɱαƈɾҽɱႦα Lҽ Eʂʂαყ. Eαɳɠʅҽȥ ɳα ʂρԋҽƈϝ, ɱҽɾɱσɳƚҽɳ Zαԋƈ Sσɾɾҽρ ƈαʂƈαԃҽɱɳ ρɾҽ αʅԃαɳια E ƈσϝɱҽƈαԋ.–”

Laughs bursted out of the classes loud mouths, “Mr. Fenton, you’re reading Gibberish again.” The teacher interrupted with an irked monotone, once again rubbing a temple with one hand formally sitting behind his desk. Danny not quite catching the sentence, looking towards the pot bellied English teacher, and asked, “Exȥҽƚσ ΛЖ?” (Excuse me?) Giggles were echoing around the room. Not understanding what was so funny he rose a high brow lowering the other, an offended look took place on the teens baffled face.

“Mr. Fenton, this is not a joke, now will you read the paper in English, not Gibberish.” The teacher stated, sounding very annoyed; and obviously, he believed Danny was a troublemaker, a misleaded student and child. This he thought proved it. He had so much potential, it’s like he threw it all away without a care, now he sees a slacker, a non enthusiast..

“E ʂρԋҽƈϝ Eαɳɠʅҽȥ ϝιƚσ!” (I’m speaking English fine!) Danny said defensively sounding panicked, and rather stupidly, waving his arms to express how freaked he was. Assuming that’s what the teacher said, deciphering each word and what it could mean by the teacher’s sentence. He tried to keep together, 'It’s happening again.. Isn’t it.’ He face palmed mentally. Again, he wasn’t able to hear english, and accidently traded his regular first language to speak ghost, 'must’ve switched languages.’ he theorized ready to bang his head against his far away, empty desk.

“Mr. Fenton! Please, read in English. Now.” Danny furrowed his brows and looked more intently at the teacher, glancing between his paper and the annoyed nose pinching adult. “Wα-?” He slurred utterly confused at this point, 'this shouldn’t be happening..’. He caught on, Laughs and snickers erupted from the classroom again, they couldn’t hold the momentary stifling any longer. The raven haired boy wanted to hide, he was embarrassed, his hands sweated as his stomach flipped; he was dreadfully uncomfortable. Only one face showed sympathy, namingly Valerie and just maybe Mr.Lancer as he sighed.

Trying his luck to speak again he asked metaphorically crossing his fingers, “Ⴆσɾσɠɳαɾ ʅαƈ E.. Lҽ Eʂʂαყ..?” (Did I mess up.. on the Essay?) Another rain of laughter let out. This was the worse- not completely the worst, but it was still pretty bad. That left a sad looking Fenton.

“Did I, mess, up, on, the, assignment? Fear me.” A robotic voice sounded after the boy’s sentence.. Not good. The boy looked towards the classroom.

“Zʂԋα HαƙXɾҽɳȥσ?” (What the hell?) He mumbled baffled by the sudden noise of some-kind of siri. Everyone stopped including Danny, to turn heads towards the doorway. “What, the, hell? Fear me.” the foreign voice mimicked; this was bad news, it was even worse when two familiar figures stood at the door, a beeping tool in the man’s hand “It’s in here, I’m getting an extremely high amount of ecto-signature on the entity.”

Great, it was not his parents- but the G.I.W, 'Dear God.’ Danny thought, he couldn’t speak anymore, or else they’d find him quicker. Sealing lips shut he tried to act normal. Keyword, 'tried’, 'Don’t avoid contact too much. Don’t stare to much.. Don’t glance to much. Don’t freak, tense, blink too much! Wait no, I can blink some.. right? Wait- no I’m not taking any risks.’ He rambled in his head, muscles stiff, well stiffer since he was already reading his 'Gibberish’ in front of the whole class to humiliate himself, he gave a tight smile and faced the two hunters of which appeared at the classroom doorway.

“It’s this way?” K. a G.I.W agent walked closer to whatever was setting off the tracker; Namingly: Danny. “What?” He pondered standing right in front of the boy, the tracking devices beeper off its honker sounded annoyingly, 'shit.’ was all the innocent blue eyed boy could process at the moment.

The agent then circled him like a shark, two times, “Speak.” K. commanded to the boy. This was a tactic to see if he was a Ghostly entity, or being overshadowed, it was unlikely; but sometimes overshadowing didn’t have to change color of the eyes to that ghostly green to be positive; The boy felt like he was under a microscope, he didn’t like it at all.

“Speak, now.” Agent O. then ordered, both agents towering over the poor boy. Mr. Lancer to the rescue asked interrupting their rude demanding, “Gentlemen, may you please tell me why it is so important to interrupt my class?” He toned defensive, he didn’t have all day ya’ know.

“Sir. There is a powerful entity, 7.2 on the spectral scale, that is by far extremely lethal. And it is right here.” Agent K. spat venomously towards the boy, appointing a glare with the other agent O.. “Now speak.” He hissed in the boy’s face, Danny cringed, eyes watering for keeping them open too long 'Didn’t I say not to do that.’ he reminded himself. The words now registering clearly he trembled slightly.

“I-I Uhh.. Okay?” Danny said, heart beating wildly, 'dear god please tell me I said it in English!’ he could swear the classroom heard the rapid beat in his chest- which actually wasn’t fast at all. (Cause he’s kinda dead.)

He averted his gaze aslight, until agent K. deeply, and affirmatively spoke, “Nevermind, sorry for the misunderstanding. Our technology has been bugged lately, there must be a glitch in the system again.” Giving a curt nod, K. began to walk away outside of the classroom, O. eyeing the boy instead gave a grunt and smoothly said, “I’ll keep an eye on you.” with that the boy shuddered watching the agent follow after his partner.

Sighing Mr. Lancer said, “Mr. Fenton, go back to your seat.” giving up on the boy. With a shy nod the raven teen walked back towards his desk, 'Last second coincidence much?’–

“Oomph-” the boy fell on the ground roughly, laughs bursted out again in the room, a certain blonde pointing at the raven haired victim of which was lying on the ground, 'I love my life..’ Danny mumbled giving up on himself too.

A/N: I’m not the best at fics but.. Thanks really for reading. :)

narudad AU/headcanon

okay let’s quickly do the short version: naruto is traveling and exploring the world instead of being a hokage, the girl on the left is her daughter, the mother is a royalty from like the other side of the world and she’s not in the position to look after a daughter; the girl on the right (adopted daughter) is only quarter-blood uchiha but is able to use the sharingan, well, not fully yet but yeah. after a fuckton of wandering around naruto finally goes home for reasons and he’s bringin his girls yay

longer version under cut because i went frickin wild with it (it’s like, almost a fanfic tbh)

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corosays  asked:

hello! I'm really glad to find your blog because it helps me a lot to get through many things for my future project! I also wanna know if you maybe can help me, bcs the world of my project is just like our own Earth, but there are monsters and people who can control elements like air, fire, etc. I'm still confused on how to make the world seems realistic and relatable to the readers, I wonder if you can help me? and I'm not a native English speaker, sorry if there is any mistake. thank you!

Hello, love!  Your English is great 👍  And thank you for following!

That sounds like a really cool universe :)  I strongly relate to your struggle with relatability – I tend to make my worlds complex and a bit inaccessible to readers.  And that’s the kind of problem that, when you look at it as a whole, feels pretty overwhelming.  That’s why I break it down into three different areas…

The Three C’s of Relatable Stories

In general, there are three big parts of your story that you’ll need your characters to understand and, on some level, relate to.  While your fictional universe should be unique and different from our real world – especially the more removed it is from real-life science and society – there should be a few common threads that your readers can see and think, “Oh, that’s just like real life!”  Examine your story in the following three areas:

1. Culture

This is the topic I’ll discuss most, so I put it first.  Your story’s culture is, for some readers (including myself), one of the most immersive and exciting aspects of your fictional universe.  Everything that creates your society – architecture, art, history, education, food, fashion, sports, politics, religion, medicine, community, major moral beliefs and conflicts – will shape how your readers experience your story.  Interesting fictional culture also promotes fanfiction, cosplay, and strong fandom ties that enable you to write sequels/spin-offs (J.K. Rowling is living off how strong her fictional culture was).

Because we want our cultures to be so unique and entertaining, though, many writers make the mistake of creating cultures too exotic or fantastical to reach readers.  But there are certain “human” parts of culture that reappear no matter what universe you’re in, so make sure your story has at least a few of the following:

  • Games.  Even wild animals, who have nothing to do with our society, play games with each other in real life – so unless fun and games are strictly outlawed in your universe, you should probably have some.  Games aren’t necessarily going to mirror ours; after all, we have board games, card games, video games, arcade games, sports games, drinking games, and games that don’t require supplies (guessing games, tag, hide-and-seek, charades, I-Spy etc.).  Different games are more appropriate for different ages – some are associated with certain genders, certain events, or certain environments.  Develop some of your own games, and maybe use some that mimic real games (with different names, of course).
  • Food.  Food isn’t just something we eat – it’s a culture.  Food culture = answering questions like:

Where do people of [lower/middle/upper] classes eat?

What sort of events are tied to food? (e.g. Thanksgiving, harvest festivals, etc.)

Are there special foods or meals for special occasions?

What do children eat in schools?

How difficult is it to get organic ingredients?

What is weight culture like?  In other words, are people viewed as more healthy when they eat more/less?  What figure is considered normal or attractive?  Do people diet?

  • Sports.  No matter where you live on planet earth, there’s generally some kind of sports culture – some sports are more dominant in some places than others (think about the U.S.’s relationship to soccer vs. everywhere else).  Some cultures use sports as a social activity for their kids, while others cultivate serious sports practice from childhood.  Certain sports are environmentally more relevant to certain places (which is why Canadians are so damn good at the winter Olympics).  Some sports are more violent than others – and each one has certain values: strength, speed, stamina, reflexes, agility, artistry, precision, rhythm, teamwork, or strategy.  Assess your fictional region’s values and develop sports culture that mirror said values.
  • Politics.  Every type of government comes with its own benefits, challenges, and conflicts.  Issues of allocating funds, handling corruption, checks and balances, legal rulings, outdated laws, controversial leaders, foreign relations, taxes, inequality, nature conservation, church vs. state, overpopulation – many of these problems will likely exist in your universe, in some form or another.  Pick and choose what political conflicts you’ll share with readers, and think about how they relate to and reflect in your fictional society.
  • Theology.  Decide on the majority worldview/s (theism, deism, naturalism, nihilism, pantheism, new age, post-modernism, etc. – although these worldviews shouldn’t be mentioned by name in your work) of your universe.  Read about these worldviews and how they shape society’s morals, legal system, government, interpersonal relationships, parenting, and environmentalism.  Create characters who align with the majority, and characters who contrast with the majority – thus creating conflicts that are very familiar to us.  This doesn’t mean your story has to become a religious or political commentary, of course!  But these belief systems have effects on every aspect of life, including life-or-death situations, romantic entanglements, and day-to-day affairs like work, money, and school.

2. Characters

Arguably the most important aspect of relatability, your characters are the driving force of empathy and comfort for your readers.  Although your characters will have some level of difference from real people (especially if your genre is fantasy/supernatural), there are a few common things that your characters should more than likely have:

  • Desires.  Everyone everywhere has desires, both attainable and unattainable, that drive them through every action.  There are large-scale desires – dream colleges, dream jobs, dream power, dream relationships – and small-scale desires – to help someone through a hard time, to make money, to eat right, to be a patient person – and even unknown desires – answers, fulfillment, guidance, the “right thing”, passion – all of which will exist in each character simultaneously.  Decide what your character wants, and you’ve already got multiple platforms for relatability.
  • Weaknesses.  Where there are desires, there are weaknesses that get in the way of those desires – and that’s usually the best way to find them.  What gets in the way of what they want?  Look at the Seven Deadly Sins; look at your own flaws, and the flaws that annoy you the most in others, and the flaws you don’t mind in others.  If your character, for example, wants to become famous on Broadway… what makes it a challenge?  Does she have social anxiety?  Is she impatient?  Does she struggle with her responsibilities?  Does she struggle with internalized discrimination?  What makes her dream personally, circumstantially, or socially unattainable?
  • Self-image.  So they’ve got their desires, and the weaknesses that keep them from those desires, so the real question is: how do they see themselves?  Do they focus on their failures or their successes?  Do they see their dreams as attainable or impossible?  Do they make steps to better themselves or do they feel comfortable with who they are now?  Do they absorb other people’s opinions of them, or reject those opinions?  Self-image is almost more relevant to a character’s story than their actual image, because this directs a lot of how they behave, how they struggle, and most importantly, how they narrate their own story.
  • Sins.  Bad habits, conscious choices, past sins – the sins they don’t even know are sins – these things are the ultimate stuff of relatability.  When someone reads your book and sees a character who shares their struggles, they won’t put the book down.  Don’t be afraid to let your character do bad things.  Don’t try to make them lovable angelic cinnamon rolls who do no harm.  Let them do things that make your readers cringe because damn it, she’s yelling at the people she loves again – stop pushing them away!  This will keep readers involved and allow them to feel your character’s failures as if they were their own.
  • Humor.  Everybody’s got a sense of humor – even those dumbass middle school boys who joke about sexual experiences they’ve never had.  Everyone has their own type of humor based on the kind of people they live with and the TV shows they watch and the experiences they’ve had.  Writing humor, however, can feel less natural – because there’s this pressure to make everybody laugh.  Don’t worry about that.  Just give your characters their own senses of humor, and someone will find it relatable.
  • Love.  Even villains have love to give.  Every person, and therefore every character – from every background and every trauma and every bad relationship and bad childhood – has love in their heart, as cheesy as that sounds.  They have love they want to give to people (sometimes a particular person) and love they want to receive, and different methods of expressing their love (see: The Five Love Languages) to others.  They have love for themselves, too, and conditions on which they’ll treat themselves with love.  Determine their potential for loving themselves, for loving others – both platonically and romantically – and for unconditional love.  Then allow this to grow over the course of the story, and you’ll have a character arc everyone can appreciate.

3. Conflict

Here is a post I’ve written discussing 4/5 of the main types of conflict, which are:

  • Man vs. Man
  • Man vs. Nature
  • Man vs. Society
  • Man vs. Self
  • Man vs. Technology/Supernatural

The reason these categories of conflict are so popular is because they’re the same conflicts we face in day-to-day life.  The fight over territory with your roommate = Man vs. Man.  Trying to find your car in the rain = Man vs. Nature.  Making the same New Year’s resolution for the third year in a row = Man vs. Self.  So identify these conflicts in your story, both large-scale and small-scale.  Both are important, but the personal conflicts – the ones that most affect your characters, like their resolutions or their roommate, or the killer beast that’s trying to eat them or the A.I. that’s taken control of their spaceship – will give your story stakes that, on their basest level, your readers will understand.

That’s my only real advice for you, since this is something I also struggle to manage – but I hope some of this makes sense for you and your story.  If you have any further questions, hit me up and I’ll try to get back to you way sooner.  Good luck!

If you need advice on general writing or fanfiction, you should maybe ask me!

An In-Depth Explanation + Discussion of Morty Smith’s (Rick and Morty) Canon “Disability” - ADHD and Autism

In the popular Adult Swim cartoon, Rick and Morty, it is clearly and distinctly said that Morty Smith, the second half of the show’s two main characters, has a (context: learning) disability!

I ended up making a GIFset of evidence from throughout the shows current two season run supporting this statement, and bringing forth the speculation that said disability(s) is both ADHD and Autism!

I’ve gotten many question, comments, and criticism in the short time that the post has been up and have decided to answer them all here!

I’ll be explaining my post in-depth, GIF by GIF, with the episodes and context included, as well as citations to relevant articles/etc. to back them up/explain the symptoms (as well as ones not shown in the original post). 

It is rather long, so using “Ctrl + F” (Windows) or “Command + F” (Mac) to find the specific symptom/explanation you’re looking for is advised!

Explanation is under the cut!

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Horoscopes by Gil Hizon - Week of May 14 - 20, 2017

Maybe it’s Maybelline. Or not.

TAURUS (April 20 – May 20)

So I don’t know if you’ve noticed, but bitches have been walking all over you these past few weeks. And I’m unsure as to why you haven’t done anything about this shit. Are you trying to figurr out how much you can withstand, as a test of your strength and endurance? Gurl, there are other ways to do that without compromising your dignity. Save it for CrossFit, queen.

GEMINI (May 21 – June 21)

You can’t hide the fact that you’re feeling left out, GEM. As conniving as yo ass iz, bitches can sense despair from your maneuveral language and facial scrunchies. But just because hos are moving forward with their own thangs it don’t mean that you’re being unproductive. Everyone has a different journey on this earth. Focus on your own lane, queen!

CANCER (June 22 – July 22)

When the bitches of Shady Pines start coming for yo ass, you will not get a fair warning. Getting sucked into their cyclone of shade can happen real fast, but if you focus hard enough, you’ll find fleeting pockets of escape which you can take advantage of. Don’t be fooled by the impact of the fuckery these queens are capable of. They’re more bark than bite.

LEO (July 23 – August 22)

A moment of jubilation will not last long once you get into the trenches of your so-called reward. As a new world opens up, you’ll be quick to figure out the new shitshows that come with it. This is all part of the game of life, and the one thing you can take solace from is that a lot of hos have it much worse. Take the time to feel blessed, but be ready to roll up them sleeves, gurl!

VIRGO (August 23 – September 22)

It seems like the more bitches you add to your equation, the slower your progress goes. Normally, I’d frown upon your “why do I always have to do errvything” attitude, but this week, you are really gonna have to step in and do that shit yoself. No one is to be trusted with details, because hos be trippin on the mechanics of certain tasks. It’ll take a lot out of you, but in the end, it’ll all be worth it.

LIBRA (September 23 – October 22)

Bitch, this week, you’re gonna feel the collective brunt of demanding bitches who have had it with your procrastinatory bullshit. I feel bad for all the yelling you’re about to put up with, but at some point, you’re gonna have to look in the mirror and ask yourself if your ways of doing shit are effective enough to take you through to the next round. If not, then you gotta evolve, queen.

SCORPIO (October 23 – November 21)

When it comes to the day-to-day realities of your job, you really do have a system, gurl, even though to the rest of us, you look like a flailing drag queen with a wonky eyelash. I think it would help us understand you better if you just offered an explanation to your methods. This way, we’ll know if your actions are normal, or a cry for help.

SAGITTARIUS (November 22 – December 21)

For the hundredth time: There is a HUGE disconnect between your pure intentions and the delivery of your words. To summarize: You a blunt bitch. And that shit has got to stop. I know you’re not into spending time sugar coating your opinions, but can’t you at least fucking try? Practice makes perfect, darling, and the more you are conscious of how your comments affect others, the more you’ll make an effort in mitigating its possible negative effects. Don’t make us put a muzzle on you.

CAPRICORN (December 22 – January 19)

The shoulder pads are back, which means that you’re bitchier and nastier than ever. This week, as you ascend to the top of your career food chain, no bitch is sacred. No obstacle is unsurmountable, and anyone who tries to get in your way will get annihilated. But henny, someone up top is watching your every goddamned move. Think about that while you rip Patty (from acquisitions) a new asshole.

AQUARIUS (January 20 – February 18)

Gurl, I know that to you, it feels like you’re doing a great job playing catch up with your responsibilities and obligations, but to other bitches, you’re not doing enough. It’s okay to ignore what people are expecting of yo ass, but if you’ve made a promise to certain queens, fulfilling that shit will strengthen their respect for you. And it’s not like you have to go above and beyond. To these hos, the minimum requirement is all they need.

PISCES (February 19 – March 20)

As we watch you sail through the sky, riding your gay-ass unicorn, we’re thinking to ourselves that we have lost you to an alternate reality. But, whatever your journey may end up being like, know in your heart that even if you come back busted, we’ll still be here to take you in and fix yo ass. It’s the least we can do for all the shit you’ve done for us.

ARIES (March 21 – April 19)

Whatever your doubts may be about a certain situation, know that there are bitches around you who will have your back, no matter what. Voicing your wants and desires has never been more important than now, because all your best hos are listening. But if all that’ll come out of your mouth are whining and complaining, these queens will turn on you so fast your head will spin. So be wise about how you utilize your gurls.

(DISCLAIMER for all entries: This is all a shitshow!)

For more Horoscopes By Gil Hizon, click here, gurl!

Many people have been asking me, “Why are you a Nationalist?” Let’s Find out...

What makes us Nationalists is the idea that our country and her people are more important than just selling it out for money or profit for globalism. Nationalism itself as the definition says:   

Nationalism is a complex, multidimensional concept involving a shared communal identification with one’s nation. It is a political ideology oriented towards gaining and maintaining self-governance, or full sovereignty, over a territory of historical significance to the group (such as its homeland). Nationalism therefore holds that a nation should govern itself, free from unwanted outside interference, and is linked to the concept of self-determination. Nationalism is further oriented towards developing and maintaining a national identity based on shared characteristics such as culture, language, race, religion, political goals and/or a belief in a common ancestry.[1][2] Nationalism therefore seeks to preserve the nation’s culture. It often also involves a sense of pride in the nation’s achievements, and is closely linked to the concept of patriotism. In these terms, nationalism can be positive or negative.

So what makes myself a Nationalist in Particular? For the sake of my country, family, and its inheritance to the country and her people. Nationalism however has nothing to do with hatred towards other countries, like Canada, Germany, Britain, France, Mexico, Russia, everyone one of those countries would have a strong sense of Nationalism and Patriotism, that is what makes us Nationalists for the sake of our own people and national sovereignty and independence.

Sure the Nazis where nationalists as well during WWII, but don’t forget that FDR, Churchill, and Stalin were also Nationalists during the time of War.

We as Nationalists have a desire to fight for the interests of our sovereign nation and for its people in that Nation rather than global or one world interests which could lead to globalist tyranny. The bad thing about globalism is that the idea is that every country should open its borders to all nations rather than defending it, like a house being left open wide for strangers to come.

There is nothing wrong at all to be a Nationalist, it’s just someone like Hitler or Stalin could end up using it the wrong way just for world domination or globalist interest which could lead to destruction upon other nations. My point is to acknowledge that nationalism is not as bad as it seems to be, but globalism is a bad thing in particular, just as bad as Communism, Fascism, or Nazism, or any forms of tyrannical regimes.

I as an American Nationalist would fight for the interests of and for the American people and put my own country first and defend our borders rather than fight for another country’s civil wars like in Syria. I will also want to put my countrymen first as well because our forefathers fought and died to preserve this land from globalist affairs, same with my great grandfathers, grandfathers, and our fathers, and any other generations who would love to defend this country as much as I do. That is what makes myself a Nationalist, and I am proud to be one, just as I am proud to be An American!

That’s all I wanted to say. In other words…

Semper Fi!

Originally posted by usahellyeah


Urban Magic Youtubers AU - Amy - Researcher at Miskatonic University 

“I spent the past six years studying the language of a race of beings that live on the other side of time and space and now I’m here in New York where the people make even less sense.” 

Among the current researchers in at University is a former-student named Amy Nelson. A studious young lady who has been described by her peers as “squirrely.” Visiting scholars are often unimpressed by their first impressions of her; Wide eyed, caffeine-infused, and most likely wearing “street clothes” rather than the conservative suits expected of most university staff. But, after spending hours being captivated by her discussions, they find themselves pleasantly surprised and many ask if they may use her as a reference in their next thesis paper.  

She has an uncanny knack for knowing things before it would even seem possible for her to know them. Skeptics attribute this to a latent arcane ability, but Amy herself says she’s simply good at reading people and situations. Indeed, when students presented her with a blank 3000 piece puzzle, she had it completed in a little over two hours.

Her latest assignment is in New York, looking into the recent surge in supernatural activity with freelance investigator, Mark Fischbach, starting with the case of the recently revived “stone-warrior”…

(So Amy is the human heroine of the group, but her years of studying forbidden tomes has granted her greater insight into the world and people around her and her quick wit and knowledge of the supernatural gets her into and out of all kinds of trouble. I liked the idea of Amy loving Lovecraftian old ones because they are the closest things to aliens you can get without being a stereotypical alien.) 

trippingonsound  asked:

I know you didn't ask for questions but I was wondering, how do you know when you've written something good enough for your podcast/where do you go to get inspiration?

i rely a lot on other people to help me determine whether or not something is publish/performance-ready. for night vale and within the wires, i have co-writers to help with writing/editing. having another person to look over your work not only helps quality, but it also helps confidence in what you’re doing. for playwriting, you really have to be collaborative. theater is not a solo endeavor. so there are lots of opportunities to run things by others, to hear words in actors’ mouths, to see how it works physically.

but the final decision on determining if something is good enough to run with really is a gut thing. if you read a lot, watch a lot, take in a lot of other art, you will get a sense of what is good, and what you like. it takes a lot of time to reach that level of self-awareness, and the feelings are never 100% (at least not for me). but if you set deadlines and make promises, you can at least ensure that you will put something out there, however imperfect (and believe me - all art is imperfect).

as far as inspirations, it varies. my tastes lean toward beautiful and complex language, so poetry has always been a big inspiration. theater as well. seeing live theater & dance helps me understand how humans interact in realistic-yet-fictional ways.