and everything else in the universe

pretty little liars series finale; a rant

Today I’m going to be talking about the series finale in more eloquent sentences with hopefully less profanity, because everything that I’ve been mumbling about the finale that aired about fourteen hours ago has been garbled nonsense and expletives. 

I realize that this finale has been highly controversial, and it seems, at least in the tumblr universe, that it’s been received more negatively than positively. If you enjoyed the finale, that’s fine. That’s your opinion. I don’t get how anyone could have enjoyed this, but if you want to explain it to me I’ll listen. I’m curious. 

Now, I am going to explain to everyone why I hated the reveal. (If you can’t handle high levels of salinity I suggest you stop reading here.)

Keep reading

Since the earth
itself is a functional aspect of a larger order,
the solar system, in turn an integral member
of the galaxy, what is true for the functioning
of this planet is inalienably affected by and
resonant with the functioning of the larger
systems of which it is a subset.
Put in simpler terms, everything is
resonant with everything else. Within the
total field of resonance, universe, different
levels of order or systemic subsets may be
distinguished. For ourselves these levels of
order may be described in the following
manner, going from the micro- to the macrocosmic:
1) the radiogenetic or atomic/cellular,
the primary formal structures and
systems of matter and life; 2) the subtle,
complex organism comprising the individual
human, structurally no different from
every other human; 3) the total organism
humanity considered as a single multimembered
body, the purposive, self-reflective
membrane of the planet; 4) the planet body
itself, with all of its palpitating concentric
levels from dense hot core to ethereal
magnetic field; 5) the solar system with the
sun at its core, as the heart is to the human
body, or the nucleus to the atom or the cell;
6) the galactic field; with its virtually innumerable
star systems; and finally 7) universe
entire with its equally innumerablegalaxies.
What is important to keep in mind is
that we are defining levels of order, holarchic
systems, each inclusive of or included
by other holarchies.
—  Earth Ascending 

Most of us guessed that Navy would end up betraying everyone by the end of the episode. 

I don’t think most of us expected that having her go from this:

to this:

would be really good for Lapis’ mental health.

And despite certain people’s fears about certain story boarders… this was actually very much in character for her. I think it’s pretty safe to assume that Lapis has always been cynical, even in her pre mirror days. After she escaped she went from cynical to detached and apathetic. Not an unexpected defense mechanism for someone who was trapped in an inanimate object for 6,000 years. But she has made progress. She trusts Steven and Peridot. Enough not only to express her concerns, but to essentially make a confession.

Life on Earth is really confusing. It took me a long time to get use to it. I’m still getting use to it.

Given everything that’s happened to her on Earth, it’s only natural that she’s having a hard time adjusting. But she’s just confessed her biggest insecurity: she knows she’s having a hard time dealing with what she’s been through, while having to get use to to living a normal life on the planet where her greatest traumas happened. Before the rebellion she would have done her job and left for the next planet, Earth having been a distant memory by this time. But now she can never leave. Earth has to become home. 

She wants to move on, but feels guilty about how difficult actually doing that is.

So here comes this I-Insta-Love-All-Things-Earth ruby, who seems freakishly well adjusted from the moment she crashes face first into the planet. Never mind that she was lied to not once, but twice, by the crystal gems. Never mind that she was blasted out into space and abandoned while they stole her ship. All is instantly forgiven and she just wants to be a part of their happy family.

Worse yet? The people Lapis cares most about just buy it. They go right along with it as though Navy’s behavior is perfectly normal. It took time for Lapis to even begin to be okay with the idea of living in Earth and forgiving the crystal gems- she’s still working on it, and it’s painful. She’s worked so hard for every inch of progress she’s made, and here’s someone who’s seemingly able to move on the same day they got to Earth.

I just don’t get it. Why is it so easy for her when it was so hard for me? 

So when the perfectly well adjusted Navy turned out to be a gleeful sociopath  gleefully hell bent on revenge, everything fell into place.

Navy’s sudden but inevitable betrayal was the best thing to happen for Lapis’ mental health to date.

So what’s the take away from this? 1) People react differently to trauma. 2) Just because someone seems well adjusted doesn’t mean they are. 3) It’s okay to take a long time to heal from your traumas. It’s okay for it to be a constant work in progress. It’s okay not to be okay. 

And at the end of the day, that realization can almost feel like happiness. 

I’ve seen people saying that Lauren Zuke “snuck Lapidot past the other writers” and “changed Lapis’ character without consulting with the others” and I’m here to bring you Rebecca Sugar herself explaining how everyone is involved in the writing of each episode and how she gets a say in every writing decision.

So no, Lauren Zuke did not “sneak” anything, it was a team decision, like everything else in the SU writer’s room.

Zircon was right. She was right on so many levels.

Everything she said was true.

Rose had apparently​ been a wanted rogue long before the death of Pink Diamond. So how did she get past all of her other soldiers? What, they didn’t notice the wanted criminal walking to their leader?

How come the Sapphires didn’t use their future vision to warn her? Why didn’t her quartz soldiers or Agates try to stop her? It was apparently only her who was there. They all couldn’t beat her?

No chance in hell. The only way Rose could’ve gotten to Pink Diamond was with higher authority.

Diamond-level authority.

And Yellow Diamond knows it. That’s why she stepped in.

Thing #1 you learn as a writers:

You know those lists we all see on how to writer *insert character type here* full of dos and don’ts?

Yeah, forget everything single and replace with a much simpler rule sheet that applies as a universal.

1)No matter the character type, writing people as people above all else is the number one rule. The number one way to avoid stereotypes is to write everyone in a three-dimensional human. 

2)People do stereotypical things because stereotypes are created from exaggerating and generalizing reality. The difference between a stereotype and and a character that does stereotypical things is that for the later those traits do not define them. The stereotypical behavior is just facet of a complex personality.

A good example of this for people from the lower-class or Southern US is Finn on Bones. He has a lot of traits from his place of upbringing like his accent, southerisms, and tastes but isn’t defined by them. He’s still just as smart and well educated as any of his co-workers and people stereotyping him as “dumb white trash” is actually shown to be something he struggles with in an educated environment full of city folk.

Trying to hard to avoid stereotypes completely often results in alien and unrealistic characters that come off as cold and inhuman because they have no particular personality traits people from their real life demographic can relate to. 

As someone from a lower-class area in Southern-Iowa, I relate to Finn because he likes “down-home” things like Country Music and Fishing while still trying his best to be educated and respectable. I relate to that more than i would someone having a generic intern college-kid intern and claiming he’s from a lower-class, American upbringing with no traits that actually show it.

3)Anyone can be a villain, the key just avoiding implying things like a certain minority status are the root of a characters evil. It can be a tricky dance because sometimes cultural things can lead to certain extremes, but for real people it’s often a case of a violent personality type twisting their beliefs around their evil desires to justify it.      

4)No matter what people tell you: Tropes are not bad and in the hands of a skilled writer about anything can be done well. Some of the most beloved media is often built on the back of a well-used cliche.

That’s it, that’s literally the backbone of writing good characters that don’t come off as cardboard cut-outs or paper-thin stereotypes. 

My university did nothing to stand between my undocumented community and the hateful hands of radicalized white men, the AntiFas did. A peaceful protest was not going to cancel that event, just like numerous letters from faculty, staff, Freedom of Speech Movement veterans, and even donors did not cancel the event. Only the destruction of glass, and shooting of fireworks did that. The so called “violence” against private property that the media seems so concerned with stopped white supremacy from organizing itself against my community.
Everything else seemed an act of passive acceptance to the hate speech that was about to take place on our campus.

I get being critical.I really do. You shouldn’t overlook flaws just because you like something.

But tumblr’s idea of being “Critical” is the same thing as tumblr’s idea of everything else; Going way past the point of being reasonable and just devolving into being petty, whiny, nitpicky, egotistical and pretty much being so goddamn rude that even when you make valid points nobody’s gonna listen because you’re an insufferable asshole.

Logan is a Western, and it Changes Everything

Logan makes every other superhero film in the past fifteen years look like a cheap parlor trick. For two hours and twenty one minutes, it locks you in and makes you watch a movie that doesn’t work the way it’s supposed to. It’s uncomfortable and messy and it doesn’t satisfy. Wolverine’s claws are uneven and his kills are ugly. People die with no last words, no proper sendoff and no closure. Logan provokes visceral reactions time and again, not because it’s violent, but because it’s painful, and everything else now looks plastic by comparison.

From the top, let me say I hope this doesn’t come across as some edgy rant arguing for more gore and profanity in superhero films. That’s not my point. I should also confess that I have no experience with the X-Men comics, or with comics at all for that matter. I’m not arguing that The Avengers would have been better with a few more fucks given. All I’m saying is that Logan changes things, and the rest of the genre needs to take notice and adapt.

I expect words like “raw” and “gritty” will be thrown around a lot in discussing Logan. I’m hesitant to use that vernacular because it’s the same language people use to describe The Dark Knight, and the two really aren’t that comparable. They both step outside the box of contemporary comic book movies, but where The Dark Knight is a thriller, Logan is a western, and therein lies the difference that makes Hugh Jackman’s final outing so important.

In the modern Hollywood superhero archetype, the greater message to the audience is apparent to the characters. Superman is a symbol of justice and goodness, and he understands that just as well as we do. In The Dark Knight, Batman represents the basic human struggle between morality and chaos that thematically pervades throughout the whole film. Both forces are at work in Bruce Wayne, and The Joker and Two Face bring that inner conflict into the spotlight. And Batman gets this. He understands he’s a symbol in some broader thematic picture.

In a western, Batman doesn’t get it. We get it, and therefore we have certain expectations about how Batman is supposed to act and how the plot is supposed to go. Batman doesn’t see the deeper significance of his circumstances, so his actions don’t match our expectations. He doesn’t stop to consider what he’s supposed to do in a narrative sense.

The Dark Knight is clean. Maybe that’s controversial, but it shouldn’t be. Yes, Rachel dies. Yes, Harvey Dent succumbs to The Joker’s twisted social experiment, and yes, Batman takes the fall when he shouldn’t have to. But that all makes sense. It fulfills the thematic ends we anticipated when we bought our tickets. We understand what Batman and Joker represent, and we’d be shocked if the movie ended happy. In the end, we get what we paid for. It’s clean. It satisfies.

Logan does not satisfy. It isn’t clean because no part of it understands the rules it’s supposed to follow. Professor X insists on being crass, pathetic and generally wrong about everything, despite our presumption that he’s meant to be kind, strong and wise. Characters die in the middle of fights, dazed and confused with no forewarning, no tidy arc or epiphany and no greater thematic significance. And when they’re buried, Logan offers no words to explain why. It doesn’t resolve the major plot points revealed in the film’s third act. It refuses to give us the explanations we demand. Hell, the whole crux of the plot is that Wolverine’s powers have stopped functioning properly. He doesn’t work the way he’s supposed to.

I also expect Logan will see a lot of comparisons to last year’s Deadpool. After all, the two films mark the first two consecutive steps in Fox’s ongoing experiment in R-rated superhero movies. The difference is that Deadpool puts a filter on the established tropes of the genre, while Logan takes a filter off.

At no point while watching Ryan Reynolds bloodily slice up extras and spout crude one-liners did I see Deadpool as some new norm. It doesn’t feel natural, it feels off. In a good way mind you, but off nonetheless.  Logan, on the other hand, makes everything else feel off. Suddenly, every prior film Fox, DC and Disney have ever put out in the genre looks fake. Where’s the ugliness? Where’s the pain? I’m not asking Chris Hemsworth to start decapitating people in Thor: Ragnarok, but looking back now I can’t help notice all the lines, all the actions, all the moments that felt stiff and unnatural. The Marvel Cinematic Universe has always been primed and focus-tested, there’s no revelation there. The Hollywood blood was visibly coursing right beneath the skin, and everyone accepted it. But now Logan has cut an adamantium gash and the Hollywood is spilling out, impossible to ignore anymore.

Hugh Jackman’s Wolverine holds a pedigree as old as the contemporary superhero film. Tobey Maguire’s masked debut in Spiderman made such a huge splash upon release in 2002 that lots of people forget it was preceded two years by the original X-Men. Long before Robert Downey Jr. became an idol for American children, Hugh Jackman and Wolverine laid the early groundwork that would become modern comic book blockbusters as we know them. The X-Men franchise built the foundation for the genre’s multibillion-dollar card tower, and in one breath James Mangold blew the whole thing down and showed us all what a façade it was.

Up until now, superhero flicks have been Hollywood’s Top 40 pop hits. Sure Batman might switch into a minor key and Deadpool slapped a parental advisory label on the cover, but they still played on the same stations. Logan composes in a whole different time signature. It’s new and different and feels unnatural, and it can’t be ignored.

author: lostcap  /  poems used: x . x . x . x . x . x . x . x . x . x . x . x . x . x . x . x 
* do not remove this credit , thank you.

❛ what a modern fucking tragedy you turned out to be. ❜
❛ what do you think the stars wish for then? ❜
❛ maybe i could have loved you in any life but ours. ❜
❛ i used to ache for a hurricane, an earthquake. ❜
❛ i found a catalyst for disaster in you. ❜
❛ is this what happens when the poem ends? ❜
❛ i found religion in betrayal. ❜
❛ things like us only exist in dreams. ❜
❛ you can’t give your storms to someone else. ❜
❛ nothing lasts forever, not even the rain. ❜
❛ it’s okay to fear. ❜
❛ don’t claw out your own throat while waiting for someone else to scream. ❜
❛ you are memories and moments. ❜
❛ in some other universe you’re asleep. ❜
❛ everyone leaves. let them. ❜
❛ you are not a ghost.  ❜
❛ you can’t haunt those that forget you. ❜
❛ everything ends and it’s okay. ❜
❛ my heart kept beating, out of sync with yours. ❜
❛ maybe i get to have a reason for the ache you left in my chest. ❜
❛ you exist still. ❜
❛ we can’t remember how to be alive. ❜
❛ the heavens burn for you and i. ❜
❛ every star is another story, every night a different sky. ❜
❛ we end to begin again. ❜
❛ beyond every somewhere, we exist. ❜
❛ the gods lie as often as men. ❜
❛ i sit not upon a throne of bone. ❜
❛ my kingdom wasn’t chosen. ❜
❛ the dead of mine do not speak. ❜
❛ history will write that you were the bravest of them all. ❜
❛ all stars must burn. ❜
❛ the greatest things must end. ❜
❛ hell is just another place i guess i’ll go to keep you warm. ❜
❛ if the monster always dies at the end of the book, why am i still alive? ❜
❛ gods don’t care about what might have been. ❜
❛ men shall fall and gods be forgotten. ❜
❛ you will be remembered eternally. ❜

transcript of the speech i gave at Vassar’s black baccalaureate service

Good afternoon ladies and gentlemen, honored guests, and the Vassar class of 2017.
Just saying that aloud made me feel old. Class of 2017? Most of y'all were born after dark-skinned Aunt Viv left the Fresh Prince of Bel-Air. That’s wild.

I want to first thank you for allowing me to be a part of such a special moment in your lives. I am honored, privileged, and a bit in disbelief that you asked me of all people to give this address. I try not to have feelings, and I’m going to do my best not to cry today, but no promises.

I’m here to stand in the gap between you and your parents and guardians and any other elders in your lives that you stopped listening to because you thought they were wack and out of touch. I remember being in your shoes not TOO long ago, and it is my fervent prayer that something that I say here today will help you avoid some of the mess I went through.
To be honest I’m a little nervous, but I figured there was no way could this be worse than when Betsy DeVos went down to Bethune-Cookman, so let’s get started.

As you transition to life after Vassar the changes will be both inevitable and swift, so I’d like to begin by giving you some well-intentioned advice and warning you about the continued process of becoming an adult.

Keep reading

on loving the human

i. they will not appreciate all your gifts, will akin them to a cat bringing dead mice to their feet. this is fine. everything else you give, they will find gorgeous. if you are vain enough, give them something of yours to wear. if you are rash enough, give them something of yours to wear. they will find it beautiful and every Other will know you’ve claimed that one. be sure no one else, such as Not-Cat or even the crows, have done the same yet. a human, no matter their talents, would be worth such a war. you must remember this, if you see them keeping feathers-blacker-than-night in their hair/pockets/pouches. you might be able to fool them from another Fair, but, if the birds have gotten to them, there is no return. best to pick another that can catch your attention. any of them would start pleased with that.

ii. to appear human while first wooing them is best. you will need two ears, two eyes, a nose with (only!) two nostrils, 32 teeth, 206 bones, and about 640 muscles that do not slide or slip or slush. both halves of your (singular) face must react together, but not mechanically, robotically, stiffly, or in any manner similar to plastic or silicon. one side of your mouth must not be higher or lower than the other unless it is a facial expression, of a half-smile or frown. your eyes must not be too close together, or too far apart, your ears must be even, the spacing of your nose-to-eyes-to-ears-to-forehead must all be within a certain ratio. if you must, watch a good artist space faces to see the estimate. but you must not be too perfect, either: your teeth not too straight or too white, your nails not too clean or pristinely cut or without variation, your skin not too blemish-free. you need some faults in order to appear human. you must maintain solid form at all times. still, it’s likely they’ll know, regardless. at least, they’ll probably appreciate the effort. (remember, being seen without protection is even more telling. keep sugar and pewter/tin/aluminum with you at all times; these will look enough like salt and iron. it is also advisable you carry ‘offerings,’ even if you never leave them anywhere. creamer cups are most popular.)

Keep reading

yes, i think the zoo logic works as a metaphor for homeworld. steven is kind of the “rose” of the episode - the first one to question “but what if i don’t want to listen to the voices?”.

Originally posted by centipeetle-dee

of course, nobody gets him. the voices provide for us! they do everything to make us happy, as long as we listen! you should want to listen to the voices!

but that doesn’t work when what you want isn’t what the voices want. the voices are trying, yes, but people are not the same. not every gem wants to fulfill their purpose, unlike what the diamonds might think.

and that’s good! that ties into a huge theme of the whole show: safety and consistency vs change and freedom. 

having one, defined purpose can be reassuring for some - as long as you do that, you’re gonna be safe. nothing will ever change, others will provide for you and you’ll always know what you’re supposed to do. nothing will ever hurt or be scary. everything is safe and predictable.

Originally posted by doafhat

others don’t want that. they want to take risks and see what else life has to offer. abandoning your “purpose” means cutting ties with that safety net, and in the crystal gems’ case, you might even have to fight for freedom. 

this will scare the old society - what if others follow suit, and the whole system falls apart because nobody will follow orders or do their job? 

suddenly, you have a gem war on your hands. 

Iz Explains Stuff So You Don’t Have to: The Nightwing Debacle.

Hey guys! As promised, here’s a write up of what’s currently making waves in the DC/comic fandom today. Given that this subject somewhat related to the Hydra-cap nonsense, I thought it should be something I cover as well, just to sorta give non-comics fans/DC comics readers who might see this and want some context.

1. Who is Nightwing?

You guys know Robin, Batman’s sidekick who they almost always leave out of movies? This is the first (yes there’s more than one, but that’s a topic for another day) and possibly most iconic one to pop-culture. Named Richard “Dick” Grayson, Dick is the son of the flying Grayson’s , two circus acrobats who died due to mob interference during a show (he also has Romani heritage (which the comics often ignore) This will be important later). Bruce took Dick in and the rest is well history.

Dick probably has the most screen time over any Robin in film/tv adaptations, including Teen Titans, Young Justice, The Lego Batman movie, the original Adam West series, and Batman Forever. He’s arguably the best known Robin to non-comic’s readers.

Because time does pass in comics occasionally, Dick grew up and after a series of events that have been retconned so many times it’s not worth getting into, ditched the Robin mantle. He would later take up the title of Nightwing.

2. Why the name Nightwing?

Dick is a HUGE fan of Superman (no really, Superman is pretty much his uncle) and after he ditched the Robin title, Superman and him had a talk where Superman told him of two legendary kryptonian heroes Nightwing and Flamebird. Inspired by the story, Dick would take on the name of the former (the latter name has a much more varied history).

3. Okay, so what’s the big deal besides the Robin thing?

To compress a lot of history into a paragraph, Nightwing is the one DC hero that like almost every other DC hero trusts and likes. Most of the Justice League has known Dick since he was a little kid and trust him implicitly for both his general good nature and reputation of being like, a really fucking good guy. Like a really good guy. A good enough guy that when Batman was told to let his own world die to let a better more “ideal” world survive, he asked if Richard Grayson was in it to make his choice on if it actually was a better world. (Dick was not in this world, which made Batman hard pass on that shit. Really. This is a thing that happened.)

Dick has also led multiple successful superhero teams, worked on the league himself, and donned the Batman title for awhile.

4. Okay, got it. So what’s going on?

Today DC announced a new six issue limited series in an elseworld (which is a world that takes place outside of canon. Think an AU.) This is the summary:

NIGHTWING: THE NEW ORDER is the story of a future world without “weapons”—where superpowers have been eliminated and outlawed. The man responsible? None other than Dick Grayson, a.k.a. Nightwing, now leader of a government task force called the Crusaders who are charged with hunting the remaining Supers. But when events transpire which turn the Crusaders’ aim toward Grayson’s own family, the former Boy Wonder must turn against the very system he helped create, with help from the very people he’s been hunting for years—the last metahumans of the DC Universe.

5. OH NO IS THIS HYDRA CAP ALL OVER AGAIN?

Yes and no. So far, it’s safe to say that this series does echo Hydra Cap in a paragon for good and justice becoming the figurehead of a fascist regime. However, everything else is kind of more murky.

For one, this series is an elseworld, which means unlike Hydra Cap, it doesn’t take place in the regular DC universe. This is not the fate of the Dick Grayson we know and love, nor is it him; it’s a version of him in a different universe. It’s also a limited run, so we got an enddate on this sucker off the bat.

Second, this is more general fascism instead of nazi brand fascism. The first cover echoes other fascist/oppressive regimes but it applies to multiple besides the Nazi party. In the DC universe, metahumans aren’t coded as a minority group (though smaller subsets are, like the Superfamily being coded Jewish), so it’s more sci-fi than an allegory for real life oppression (though if depending on the details of this event, that remains to be seen. The writer took to Twitter to state there is absolutely no genocide here in this book but the first few pages imply otherwise and long story short, I’m not convinced). The group Dick works with is also entirely new and unlike Hydra has no link in history to the Nazi party, making the claim that they’re a general “evil fascist villain” hold water.

Third, unlike Hydra Cap, this book is branded as Dick learning the error of his choices rather than a long saga to try to convince us he has a point. I doubt we’ll see the same extent of “we should feel bad for Dick oppressing all these people” that we see in Hydra cap. However, this also remains to be seen. Long story short, it’s never gonna try to get us to root for the bad guy.

6. So it’s fine?

Now I wouldn’t say that. Making an iconic character a fascist is still something to side eye, and a lot of my above caveats can change if the story itself decides to make those connections (i.e if there are prison camps for example). It’s also important to note, that making a Romani character a fascist, and one under the label of “crusader” is in terrible taste, considering the Romani people’s history with both.

The writer is also someone I don’t have a ton of faith in when it comes to nuance. (though to his credit, he is assuring and validating concerns on twitter rather than laughing us all off as SJWs).

What I’m saying is that it’s gonna be hard to figure out exactly this is going to play out until I see the first issue. I think the storyline and the advertising is something we should be critical of, but a lot still depends on how the book approaches it. This isn’t to say you should “give it a chance” only that we might want to hold off from saying DC is promoting fascism until we see if they’re gonna take this from a “feel bad for Dick angle, not all fascists are bad” or a “Dick fucked up hard” angle. We can just say this storyline is at the very least insensitive given current events and Dick’s ethnic roots.

Plus, Dick turning on Superman is just weird, and the preview pages are not helping my concerns.

So be critical of the concept but be careful not to declare what the narrative is trying to say until we know what the narrative is.

7. And if it does come out to be “feel bad for Dick, not all fascists, narrative supports the fascist regime for just wanting the best for us” angle?

Then go crazy guys. Though even if it does go that way, it still won’t be as Hydra cap. Because at least it’s still only a elseworld.  Which is like the worst consolation prize ever.

I think I will only accept a lion shuffle if it’s literally everyone ends up with a different lion.

Like, oops, Allura was actually TOTALLY FUCKING WRONG about EVERYONE because she had literally just met them 20 minutes ago.

Black - Lance (sure okay why not let’s give it a shot I’m down to clown, develops leadership qualities, this is reminding me of the pirate captain from Stardust for some reason, ‘the heart of the team’, Will listen to everyone and make the right call (eventually))

Yellow - Keith (Really works with his impulsiveness tbh?, The yellow lion makes him slow down and think b/c he can’t just bolt in, Will pull back and make everyone think twice, Sees the Big Picture better than everyone else on the team, No your family/Allura are not more important than the rest of the entire universe guys)

Green - Hunk (nosy, interested in learning, wants to touch EVERYTHING, will steal and read your diary and go through your files, crazy smart and eager to question)

Red - Pidge (I’m gunna BREAK INTO THE GG and SIT AT YOUR COMPUTER AND READ YOUR FILES then SCREAM AT YOU, openly impulsive and quick to temper, often takes the bullheaded approach, Will do her own thing regardless of what others think)

Blue - Shiro (The one that keeps the group together and calm, Moral support and there to listen, Will encourage you and make you feel like you can do anything)

Theory on the Future Fate of the Blue Lion

 First off, if you haven’t seen the new reboot of Voltron or listened to the SDCC Voltron panel, let me warn you that this post will contain some spoilers so stop reading right now and go watch Voltron. 

Ready? Okay, here we go.

Now I know that ever since season one of Voltron has ended, the growing fandom of Voltron has been producing A LOT of theories of what season two will bring us. And the trailer for season two has only doubled the hype for the upcoming season and for the fan theories. 

The two theories that seem to dominate the Voltron tag are definitely the theory that Keith is either a Galra/Human hybrid or Galra/Altrean hybrid (seriously this theory has pretty much taken control over all Voltron art and fanfiction in the last few weeks) and the second theory is that Shiro will either by killed off like his forgotten 80′s Norwegian brother Sven (rest in peace dear Holgersson) or be captured for long period of time allowing Keith or Allura to take over the Black Lion. (Though this theory begs the question that is Keith has to lead Voltron and pilot the Black Lion to do so does that mean Lance will take over the Red and Allura pilot the Blue? Will Keith have to give Lance his precious red jacket? Will Lance grow a 80′s mullet too? This theory brings up so many questions)

Both these theories are awesome and have pumped up a lot of great material from the fandom so far and will probably continue to do so until season two comes around later this year.

However, there’s been a theory mulling around in my head for a while now and so far, I haven’t really seen any other fan pick up on it. And since I have no one to discuss this with, I’m going to lay it all out right here for you Voltron fandom!

As the title of this post suggest, this theory revolves around the Blue Lion which automatically means a lot of it is going to deal with this guy:


 Why so scared? Not every Voltron theory is filled with angst and- oh fuck, nevermind.

Yes, while the most fandom are biting their nails over the fates of poor alien Keith and the possible death/capture/brainwashing of Tadashi- oh nevermind that’s Sven- I mean Shiro- I’m sitting in my isolated corner of outlandish theories mentally preparing myself over the possible horrendous fate that could possibly await our favorite Blue Paladin.

But “Why?” you, anonymous tumblr user, will ask.What solid clue can be found in season one that could possibly hint that anything bad could happen to Lance and the Blue Lion in the coming seasons?

Well, simple. It all begins with this lines right here:

                 Foreshadowing or too much Film Theorists? Probably the former                                 but who cares, I’m finishing this post.

Even when I first watched the series the first time around, this line always stuck out to me. I know it’s supposed to lead to a snappy argument with Keith to lighten the area on the serious mood of the scene, but it still felt a bit odd.

Then I began to wonder if it might foreshadow to something coming later in the series. Many of the writers of the new Voltron reboot have written stuff for The Last Airbender and Legend of Korra- both series that have been known to plan ahead and leave foreshadowing to future events in small ways so I wouldn’t put it past the team of Voltron to do the same.

So, the question is, will Lance’s mind because fused with a giant ship in the future? Perhaps with with one…..

     Yeah, stop smiling Blue, this theory doesn’t really end well for you.

Of course, since Blue technically already has her own sentiment mind, this couldn’t work unless something were to happen to the Blue Lion that would make her lose the Quintessence, the life form, that allows her to be more than a plain machine….

….Something along the lines of Zarkon destroying one of the lions as a last ditch effort to prevent Voltron from ever being used against him. 

Because damn it if he can’t have his Voltron action figure than nobody should get the Voltron action figure.

But seriously, wouldn’t this be the best plan all together if everything else fails?Why waste all the time and resources trying to steal the lions when he can just destroy one of them and prevent the so-called ultimate weapon from being used against him in the first place? He was doing an okay job of conquering the universe without the Voltron for the last 10,000 years. 

But why the Blue Lion you of little faith ask? If that’s his last ditch plan, then he could destroy any of them to make it work.

Well you’re right- there is no solid evidence to support the idea that it would be the Blue Lion could be destroyed or permanently damaged if these theory plays out. 

But from a writer’s standpoint, if any of the Lions’ were to be killed or damaged, the one that would hit most with the audience probably be Blue.

Look at it this way- who was the lion that the main characters, and we as an audience first met?

                                             Love at first sight.

That’s right. It was Blue. And by all accords, she is the lion that we spend the most time with solo on screen. We get to see more of her personality and grow attached to her at the same time as the main characters to. She is the Lion we, as an audience, have the most emotional attachment to. If anything were to happen to the lions, it would hit the hardest if it happened to Blue. 

And you can bet that the writers did that on purpose.

              How dare they make me feel emotions for this giant robot cat.

So Zarkon destroys Blue to make forming Voltron impossible. Maybe he absorbs her quintessence to make himself more powerful just as he did with that one planet. So her mechanical body may still be somewhat intact, but her lifeform that makes her a living being is gone. She is a lifeless shell. But of course, Lance, her pilot, would share the same Quintessence as Blue. What if, as the ultimate sacrifice, Lance will give up his own Quintessence, his very life force, and fuse with the Blue Lion, thus in a way, becoming the Blue Lion himself?

                                        Oh look Blue! We’re a match!

But, you argue, could this be possible? Making an AI out of memories like with Alfor and the Castle Ship is one thing, but Lance literally becoming the next Blue Lion? Impossible! Nay! Nay!

Don’t worry, I’d be “naying” in disbelief with all of you if I hadn’t realized that we’ve been watching organic beings becoming sentient warships (aka the Robeasts) throughout the entire first season. Haggar and druids have doing this since the very beginning. For example:

This guy

became this asshole

And Haggar’s weird pet lizard

became a digimon I’m pretty sure

Based on this evidence, I’m pretty sure the Lions of Voltron probably all used to be actual organic beings at one point in time before becoming literal weapons to protect the universe.  Haggar and her druids probably rediscovered this same magic to create their own Voltron Lion wannabes.

But if this theory comes true and Lance does sacrifice himself to become the next Blue Lion, then the question is, who would be the next Blue Paladin?

The answer of course, for those who have watched the original series is….

                                Literally fuck anyone who just said Sven. 

Yes Princess Allura. Who else? Blue is literally one of the key colors that represents her in the series. And I don’t think it is just a coincidence that out of all the paladins it was Lance that Allura first saw when she woke up from her 10,000 year long sleep.

I’m going to ride you one day…And not in the way you’re thinking about, pervert.

You would think that the writers would have had Allura fall into Keith’s arms (who was her love interest in the past series) or maybe Shiro’s (since there seems to be some hinting of romance between them), but no, she falls into Lance’s arms, thus already starting the connection between future pilot and lion.

So there you have it folks! I’ve just tossed in my theory for what might happen in the future of the series. Of course, this is all just plain, fun speculation! And whether you agree with it or not, I’d love to hear what you think about it!