and described this scene

okay, dos2, you need to really work on your continuity, bc if you start your sex scene describing someone’s kiss as “tasting of wine and salt” (weird taste, but whatever), and then 4 sentences later it tastes of “dark, dark earth”, you just make it sound like they munched on dirt in between these kisses.

there were a lot of references in the new video, did you catch them all? let’s take a look.

1. nils sjoberg

remember that time she wrote a song with calvin harris but used a different name? this is that name, on one of the gravestones. after releasing that she had actually written the summer hit “this is what you came for,” calvin harris, among others, threw a fit on twitter - even though it had been agreed that if calvin and taylor broke up, she could express that she had written the song.

2. the out of the woods dress

this blue dress probably looks familiar! it’s the same one she wore in the out of the woods music video, the last music video of the 1989 era. this poses the same frantic question, are we out of the woods yet? as this grave-digging taylor suggests, not yet.

3. here lies 2014 met gala taylor

at first glance, it just looks like the taylor from before laying there, but after pausing it and going back, one realizes that isn’t zombie taylor, rather 2014 met gala taylor. 2014 would have been the start of the 1989 era, and the out of the woods video was the end of it, thus: by the end of 1989 era, she was ready to “bury” it.

4. the dollar bill

if you look just next to taylor’s shoulder, you can see a good ole george washington. one single dollar bill. is this a reference to taylor’s sexual assault trial recently, and the one dollar she won then? most likely, because if you go to other shots of her in the tub that aren’t directly above her, the dollar bill isn’t there, meaning it was edited in later, which would explain how it got there so late in the game. it stands for the simple victories everyone else gets to celebrate, while she does the same things and gets flack for it.

5. et tu brute

a famous line from shakespeare’s julius caeser, “et tu, brute” means “and you, brute?” right as marcus brutus lands the fatal blow in julius caeser’s, his once-friend’s back. this is a metaphor for all the people that taylor thought she could trust, before they turned around and trashed her name.

6. the tea

probably pretty simple to grasp - the tea is hot. alternatively, she, the snake in the video, gets to serve the tea this time around, or, she gets to lay down her side of the story.

7. car crash + paparazzi

did you see what happened here, at face value? taylor was in an expensive vehicle that got in a head-on crash, but everyone just stood back and took pictures, instead of rushing over to help. is this a reference to all the times that everyone stood back, took pictures, and laughed at her when she was beaten down? yes.

8. the grammy

the grammy blends in with the gold of the car and her outfit, so it’s pretty easy to miss, but there it is, in her hand, even though the car crashed. perhaps the future is being predicted?

9. the birdcage + leg tattoo

look closely at taylor’s leg, and you can see what looks to be a snake tattooed there. not to mention, here she is entertaining in a birdcage, which is guarded. she’s trying to have fun in this prison, biting her tongue, being the girl everyone wants, but she longs to be let free.

10. robbing a bank/stream co., blind for love

besides getting major harley quinn vibes, what else do we notice here? taylor swift robbing a vault, which says “stream company.” remember that time that taylor wrote an open letter to apple music and called her money hungry, even though she was taking her music off to benefit poorer artists? yes, we do. this is what she’s referencing here. also, her shirt says “blind for love” which makes sense, because she frequently refers to herself as a hopeless romantic, someone who opens theirselves up for love, even if it means getting hurt.

11. the squad

without explaining anything else, this scene can be described as a crowd of blank faced people, staring at taylor swift, who stands upon a stage looking menacing, and impressing one message upon the crowd: u, squad. it’s reminiscent of all the times people said taylor swift was over, because her friends, fans, or sales were fake or temporary. this is like a visual representation of the comments people made about taylor forcing people to do things for her to create the image she desired.

12. fake friends

and here we have the mannequins of the girls from the prior scene, chopped up. this one is pretty straight forward, these “friends” that taylor thought she had sometimes turned out to be more fickle and “fake” than she thought. also, can we talk about how taylor’s red boots are reminiscent of kinky boots? because yes.

13. the dancers, i heart ts

before taylor enters the room, the dancers are goofing around, but the second she comes in, the jump to attention, and rip off their jackets to reveal shirts that say “i heart ts.” it’s a throwback to when tom hiddleston wore a shirt with the same message on the fourth of july in 2016, and everyone said that she had forced him to wear it. it’s the same thing as before with the squad - the world decided that she had forced all these people to love her, not that they actually did.

14. the fight for glory

every time you pause this video, you come across a different taylor. squirrel pajamas wanegbt taylor, 2015 bbma’s taylor, 2014 acm’s taylor, wanegbt red tour taylor, 2016 new years rockin’ eve taylor, sparkly guitar fearless tour taylor, bleachella taylor, ballerina shake it off taylor, 2016 vma’s taylor… the list goes on and on. here, you can see them all fighting and clawing, trying to stand on top. it reminds me of “i don’t like your kingdom keys, they once belonged to me,” and the parallels between long live and new romantics in that line alone. all those times, she thought she’d made it to a point in her career where she could be respected as much as other artists in her tier, only to harshly realize she was going to get her name ran through the mud for doing the same thing as everyone else. the fight for glory is steep, and unfair.

15. junior jewels

looks familiar right? not quite! it is the same theme of the shirt, but look closely at the signatures - they’re signatures of actual people this time around. names like ed, selena, este, lena, blake, and ryan, among others, can be seen on her shirt, representing the true friends that stuck with her through her reputation being bashed.

16. “SHUT UP!”

here, all the different versions of taylor are repeating things that the media or other celebrities had said about her, until finally 2009 vma’s taylor repeated the same thing that 2017 taylor said in an instagram post - “i’d very much like to be excluded from this narrative.” the entire time, you can hear camera shutters going off and people chatting, presumably the rest of the world watching as she got torn apart. when vma’s taylor makes this final statement, all the other taylor’s, as well as what sounds to be an entire off-screen crowd, yell “SHUT UP” before the screen goes black. this is a powerful image, and it’s supposed to be. all the times she suffered, and people told her that she was overreacting, faking it, or doing it for publicity. if you feel remorse for seeing young taylor getting yelled at, or sorrow for the taylors falling when she said “because she’s dead,” you’re doing it right. 

nothing in this video was an accident.

if you’re angry at taylor for this video exposing things you said about her, or you’re repeating any of the words the versions of herself said at the end, you’re proving her point. her reputation was destroyed because people made a sport of making fun of her. and now, as taylor said, there will be no explanation, just reputation. 

this podcast was a mistake -griffin probably
  • “No, this is one of those moments where you learn to take care of your shit.”
  • “ It’s a very tense situation" “That’s true. It’s almost like I’ve designed it to be like that.”
  • “Oh, a minus one. Then you die. God, Travis. In trying to discern his fanciness your nose just starts bleeding and you fall over-”
  • “You and the box both drink POSION. And you survive but the box has died.”
  • “There’s a stapler in here- does anyone want the fucking stapler?”
  • “You run up and tear the box open. It explodes. You die.”
  • “I can’t believe you all went with the red shirts, but fine- You’re all wearing different shades of red.”
  • “Now, Griffin, I need you to describe both scenes simultaneously.” “I won’t do that. I’m very very tired.”
  • “So the end of that sentence that you cut off was ‘and so I won’t be putting up with any shit today,’ but the problem is that I already have.”
  • “okay you give them the medicine of not being on fire anymore”
  • “i don’t remember giving you a GUN.”
  • *drops dice* *has a meltdown*
  • the total helpless exhaustion when justin texts him a descriptor of taako’s t-rex transmutation
  • the whole bit about the pillow exoskeleton suit
  • infinite bag of boys
4

Yes it is! And you know it, and he knows it, but no one ever says anything until you both start punching and yelling at each other like goblins with intelligence scores of zero!

6

                      What I hoped he hadn’t noticed in my overreaction to his grip was something else. Before shirking off his arm, I knew I had yielded to his hand and had almost leaned into it, as if to say—Don’t stop. Had he noticed I was ready not just to yield but to mold into his body?

Was this what people meant by butter melting?

“The problem here tho is that Dean wouldn’t do the same for Cas”


yup, sadly, Dean would never prioritize Cas over his own safety/life

Originally posted by literarycasualty

He’d never forget to sleep out of sheer worry for Cas

Originally posted by helpimanspnfan

or defend him from people who bad-mouth him like some grumpy bodyguard-bear

Originally posted by superflarrow

It would never occur to him to call Cas his family

Originally posted by stardustcas

I’ve actually never seen him fight for Cas like the stubborn motherfucker that he usually is while shouting “CAAAAS!” like some tragic disney character

Originally posted by xbooksandtea

Originally posted by pondlifeforme

Really, he could be more supportive of Cas, this profound bond thing is so unbalanced

Originally posted by weallneedcastiel

I had someone ask me via message on where to start in regards to adopting an “unadoptable” dog, and we had a rather pleasant conversation, but I feel like something needs to be said in public on this blog due to my history of having owned such a creature.

Ethical shelters and rescues do not label dogs unadoptable for no reason, in nearly all cases. There is something about the dog that will determine it being an extremely poor fit for 99% of homes that would be interested, and typically that 1% would need to make tremendous amounts of sacrifice in order to successfully own them. As nice as it sounds- wanting to give a dog everyone else has given up on a home- ethical rescues and shelters have a responsibility to take care of ALL of the dogs in their care and to not endanger those they adopt to or the general public with their adoptions. Taking in unadoptable dogs and keeping them until that 1% person shows up takes vast amounts of money away from perfectly adoptable dogs and ends up killing the friendly, healthy, young dogs that are deemed “more likely to be adopted”. Don’t believe me?

Someone I know from dobermantalk stopped fostering for her rescue when they took in 2 heartworm positive senior beagles to foster from a high kill shelter and left the young healthy beagle that had been surrendered with the older pair. The “adoptable” dog never got a foster. He also never got adopted. When his time was up, he was euthanized. The older pair did not survive their heartworm treatment. Three dogs died because of a focus on unadoptable dogs. Who does that help?

About five years ago, a woman took in two seriously dog aggressive presa canarios to foster. What was left of her body was found several days after the fact- she had been torn to pieces. It was hard for the authorities to determine if the presas had done the deed or if her personal dogs, one “pit bull” bbm and one frenchie, had contributed, but they guessed that the presas, two intact males known for engaging in serious fights with other dogs, had begun to fight and redirected on her when she tried to break them up. Due to their size, they would have overwhelmed her quickly, especially if the other two dogs joined in the frenzy. From there it’s hard to tell what bites were inflicted post-mortum, when the dogs ran out of food and turned to the only available source of meat, and what bites caused her death. Reports from those who found her described the scene as a bloodbath. All four dogs were euthanized. Who does that help?

A small breed puppy mill rescue dog I personally knew, deemed unadoptable for her extreme fear issues, was taken in by a well meaning family member. In a very short amount of time, this family member had been bitten multiple times for offenses as minor as walking by the dog while she was sleeping. Eventually, the dog slipped her harness after spooking due to a loud noise, ran into the road, and was killed instantly by a car. Obliterated. In front of her owner. Who does that help?

Skoll was a dog that had been failed by everyone in his short life. He’d come from known abuse and had clear abandonment issues. He had terrible health and his fear of people and his learned behavior of biting to make the scary things go away were ingrained into him long before he came to me. I gave him a chance anyway, I couldn’t sit by and watch a young dog be killed for something that wasn’t his fault. He mauled me without provocation and I euthanized him two months into our time together. He should have been euthanized on take in- he had a long, long list of documented bites well before he ever came to me, though I didn’t know it at the time. Who does that help?

Instead of focusing on these unadoptable dogs, there is a better solution. If you want to feel like you’re making a difference, find an ethical rescue or shelter and foster! Transport! Volunteer your photography skills! Learn their temperament and health testing process and volunteer there too! Make goods to sell at fundraisers and auctions! Organize a community donation pool! There are so many things you can do for dogs in need that aren’t things that, more often than not, end up with the dog dying anyway. But wanting to adopt a dog labeled, for good reason, unadoptable? Especially if you are not experienced in intense or extreme issues, temperament or health wise, in dogs? You are asking for a lot of heartbreak.

Adopt the adoptable dogs. Accept that we cannot save every unwanted dog. Accept that not every unwanted dog SHOULD be saved. It’s not the dogs’ faults, but neither is it the public’s for not being able to deal with these sorts of issues.

5

She wears strength and darkness equally well,
the girl has always been half goddess, half hell.

All About Writing Fight Scenes

@galaxies-are-my-ink asked,

“Do you have any advice on writing fight scenes? The type of scene I’m writing is mostly hand to hand combat between two experts. I’m definitely not an expert so when I try to write it, the scene ends up sounding repetitive and dull.”

Fore note: This post is coauthored by myself and one of my amazing critique partners, Barik S. Smith, who both writes fantastic fight scenes and teaches mixed martial arts, various artistic martial arts, and weapons classes.

I (Bryn) will tell you a secret: I trained MMA for seven years, and when I write authentic hand to hand fight scenes, they sound dull too. 

The problem with fight scenes in books is that trying to describe each punch and kick and movement (especially if it’s the only thing you’re describing) creates a fight that feels like it’s in slow motion. 

I write…

Lowering her center of gravity, she held her right hand tight to her face and threw a jab towards his chin. He shifted his weight, ducking under her punch. His hair brushed against her fist, and he stepped forward, launching a shovel hook into her exposed side.

But your brain can only read so fast. In real life that series of events would take an instant, but I needed a full eight seconds to read and comprehend it, which gave it an inherent lethargic feel. 

So, we have two primary problems:

  1. How do we describe this fight in a way the reader can understand and keep track of? 
  2. How do we maintain a fast paced, interesting fight once we’ve broken down the fight far enough for readers to understand it? 

(We will get back to these, I promise.) But for now, let’s look at…

Different types of “fight scenes:”

Keep reading

anonymous asked:

do you have tips on comic compostions and angling/framing of scenes beacuse holy fudge what the actual hell your mob comic is An Expirience

hhhhhhhhhhhhhhhhhhhhOOOOOOOOOOOO BO Y AIGHT

I’m gonna take this ask as a chance to masterpost about this comic.

Since there wasn’t a set time limit for this comic, I went all ham for it, which means there’s a lot of thought about angles/framing n shit in this sumbitch. (keep in mind i’m still learning this craft myself as i go along so FEEL FREE TO IMPROVE WHEREVER)

I’ll go in depth about it but all of my tips can be summed up with : 

go for the emotion of the scene.

Everything I do, I do to try and heighten the feeling in a scene. Everything I’m about to describe were all choices to try and maximize the emotional impressions.

Angles 

First off, everything in this comic (with the exception of panels 7-9 on page 4) is from Mob’s POV. Everything is built from there. keep in mind goin forward -

We start with Mob terrified of being spotted, of running into anyone. So I strained the perspective to make it feel too close for comfort, despite how far away his other limbs are. I also used the angle to emphasize the “spotlight”, pushing Mob into further discomfort, like he’s being watched anyways.

Mob fears he just murdered someone ? At his lowest moment in this comic? This is where the camera looks down on Mob the most.

Time for shock and awe that the man’s alive ! So Reigen is angled UP, building his Bigness in Mob’s eyes. Most subsequent shots repeat this, keeping us grounded in Mob’s perspective.

Here, Mob is literally on his knees asking for answers. So I pushed for an angle to make him seem really tiny. I wanted him to look as small as he feels.

In the next few pages, the angles basically level out (and I’ll talk more about why in other sections***) until

Mob has just touched back. This was a direct action on his part, so just as I’d built Reigen with that tilt up, it’s Mob’s turn to share that space.

Once Mob fears for the lives of the police, we shift back to high angles. Using a high angle to make a character seem small isn’t groundbreaking but it’s something to chew anyways.

This is less about the angle and more about how cramped everything is. Mob feels backed into a corner unless he can get Reigen to relent. So the tightness and how Reigen looms reflects this.

And here, I mirrored the very first panel. Once again we have a shot of Mob’s back, walking into the light of a streetlamp. But this angle is gentle in comparison, even if slightly off center. We can see where the light comes from so it ceases to feel less like an omnipotent threat and more mundane. Perhaps even hopeful.

Paneling 

I’m sorry to say I feel this is one of my weak points as a creator. I’d like to improve here the most. Most of my panels can be summed up with ‘slant = energized’, ‘straight = stable’. BUT. I did take a few liberties here and it’s good to point them out.

Broken glass to heighten the ouch on Mob’s part.

Salt man don’t give a fuck. he IS the panel. //adds to the energy of this moment

This break from the panels is meant to make Mob hitting Reigen a more immediate threat.

Same with Reigen reaching around it here. He’s still in danger of being shreddy shreddy at this point.

Sometimes a panel will bleed off, to give a more ‘open space’ feel. I like to use it in subtle “oh” moments. That’s the best I could describe it.

annnnnd nothin like a casual reminder on the edges of panels about what would happen should the police show up.

Staging/Body Language

Once Reigen shows up, he dominates the frame, even in shots where mob is closer to the audience. Again, this is all to emphasize how Big Reigen seems to a scared Mobbu.

Mob pushes himself to corners, Reigen’s given the bulk of the space. 

He stands taller than mob and makes the frame uneven.

Even his hand feels huge in comparison.

***That is, until Reigen has a better perception of what’s going on.

Then his actions and staging reflect this.

Reigen kneels down, trying to make himself smaller both to Mob, and in the frame.

The staging reflects Reigen’s attempts to get on even ground, literally and metaphorically.

Mob’s still pushing himself into corners, but now Reigen has actively surrendered some of the space.

Still just, trying to get some of Mob’s perspective.

And from this point onwards, Reigen and Mob share the space/frame more evenly. 

Even in shots where Reigen’s kinda large, he no longer seems so imposing.

Mob still looks up to him but we no longer have such dramatic shots tilting him up and having him hog the focus of the panel.

And we save the closest-closeup, both in staging and in how close our characters physically feel for last. Because bonding and shit.

Coloring

Decided to make the use of color sort of uncomfortable. Hinted at in edges but not really a presence of their own. Hard to tell what the color of anything is because it’s all nonsense in ur peripherals.

Until we get to humans. But this color seems more invasive, and doesn’t really touch mob in a positive way.

Till we get to these splash of color, messy and kinda unorganized but it’s exactly what Mob needs to bring some order.

From here we get a muted color wash, there but still slightly dulled.

The first hint we get of the saturation to come is centered around the touch.

We slowly fade into full blown saturation once Mob reaches back.

Fanfic bonus

The name meanings of Jun and Tetsuo, since this is the street where they live and why not ahaha.

There’s a lot of bird imagery in ABoT so I

“Kid, it’s like lifting a feather.”

And even tho Reig gets a cool halo from the streetlights n shit

We all know who the real angel is

Other fun shit

Mob’s outfit is based on Sakurai’s outfit when he was orphaned as a child.

I literally put the streetlight directly behind the hand in this shot because I lack subtlety and love it.

There are 2 times where I cut out a bit of (frankly beautiful) wordage in order to show things better visually. Both times happen when Mob’s stopped paying attention.

First with Reigen’s words just becoming a flood of nonsense pretty sounds.

The second when Mob’s thinking about the possibility of his barrier being gone.

also here u guys can have some behind the scenes shenanigans

Today marks what is absolutely the strangest significant event of my life.

A show that I haven’t watched in three years is ending.

Characters I know more from fandom than TV won’t be getting anymore screentime.

For all intents and purposes, nothing is really changing.

(Except that I won’t be frustrated anymore, hearing about shaky plotlines.)

…But today still feels significant.

Teen Wolf is ending, guys.

i keep seeing posts on here about how uma and harry aren’t relevant because harry flirts with everyone and while i’ve seen a couple posts defending them as a ship…. i just wanna tell you why you’re wrong… with gif evidence. sit back, y’all.

as i said before, the first “evidence” is that harry flirts with everyone but the problem is that y’all are confusing his tantalizing tactics with “flirting” because of thomas’ natural sex appeal. don’t believe me? here’s some examples of harry looking at various characters that aren’t uma.

let’s start with mal because people mainly use this one from what i’ve seen. and while the chemistry is there between them, i think that’s fair to say that its because DOVE AND THOMAS ARE A COUPLE and very obviously had something there during filming.

here we have harry right before telling mal that he could hurt her… a tantalizing tactic because he wants to KILL her:

and here we have his reaction after it didn’t quite go as planned where he genuinely looks annoyed as hell:

and since i know someone will bring up him blowing a kiss to mal… that’s after successfully pissing her and the rest of the vks off… like come ON. he had a successful reaction to his tantalizing yet AGAIN.

and after mal, you’ve got jay and ben.. which, okay. in theory they could be nice ships, but i also need you to think about the fact that he’s literally tantalizing them in every scene he shares with them. when harry is seen with ben he either is torturing him on the plank, fighting him on the ship, or ‘goochie goochie goo’ing him before uma steps in to intervene.. plus the whole “how’s it feel to be a king now” bit where he’s trying to get a reaction from him. and as for jay… again, you only see them fighting on the ship and then the scene in the alley where he’s LITERALLY trying to piss jay off. that’s what he wants. here’s some gif evidence of both:

tantalizing:

and after having a satisfying reaction:

tantalizing:

and after successfully pissing jay off:

now… *inhales deeply* his reactions with uma. let’s get to the good shit.


when we first see uma and harry, they’re in the chip shop and the first thing that happens is her bringing the plate of food and slamming it down… and that’s where he goes to eat and she pushes his arm up and allows her to do as she pleases without becoming angry. whereas when mal touched him in the hair salon, he had a fit of rage and knocked everything off the counter. carrying on from that same scene, he watches as uma becomes angry and yells at the tv and decides to join in right after her even though no one else does until they’re instructed to.

and then again we have the moment a few moments later when uma is talking about how mal betrayed them and… i’m sorry…. his lip biting, y’all.

then we have some scenes that weren’t in the movie, but were in the music video in which harry…. who is insanely protective of his hook, allows uma to use it. check this out.

now there’s about a million other scenes, so i’m not gonna describe every single one of them, but i’m gonna say this and then leave you with the rest of the evidence i’ve got at hand.

uma tells him to do something and he does it without hesitation. he doesn’t second guess her, he doesn’t ask why.. he just acts. apart from the times he made the comment about “never being allowed to have any fun” and then the “you said i could hook him” but i don’t see that as an argument. she puts him in his place and he ALLOWS her to. uma was also the only character in the movie who could calm harry down or stop him from his crazy ass outbursts. the scene in the chip shop where gil called uma shrimpy and uma put her hand on harry’s arm as if to tell him that it’s fine? iconic. AS SEEN HERE:

“harry. we get it. chill.” iconic. “give it a rest, harry! give it rest!” ICONIC.

carrying on.

(peep that grin after she shoves him)

this post has become incredibly long and if you’ve made it this far… congratulations, but HARRY AND UMA ARE IMPORTANT AND RELEVANT AND I WON’T HEAR ANYMORE ABOUT IT.

oh, and also. don’t even get me started on how he takes his hat off, kneels to be eye to eye, and then says her name with the utmost respect and adoration. if you didn’t ship them after this then… who even are you?

gif credits: (x) (x) (x) (x) (x) (x)

“It” 2017 Deleted Scene

So I was looking up some facts about the new “It” movie and found out about a deleted scene that I truly hope is in the sequel or in the deleted scenes once the movie comes out on DVD

Bill Skarsgard describes the scene as terrifying, taking place some time in the 1600’s before Pennywise claimed the identity of Pennywise. He says that he wasn’t even the clown, he looked very much like himself in the scene and it gives backstory to where “it” came from.

Here is a excerpt from the script of the deleted scene. Pennywise is approaching a woman named Abigail, bargaining for her to give him her infant. If she fights him, he will kill her and her whole family, but if she gives him her infant, he will take only the baby and leave her and her family alone.

I think this scene would be amazing and beautifully horrifying. Would love to see the style of this scene and how Skarsgard would play a newly awakened being who is taking in and adjusting to humanity, observing and camouflaging himself as one of them, learning what the humans of the age he has awakened in fear most.

What do you guys think of this scene? Think it should have been left in the movie or want to see it in the sequel?

bzfd.it
Live Updates: 22 People Treated In Hospital After An IED Was Detonated On A London Tube Train
Police are treating the rush hour explosion as a terrorist incident.
By Matthew Champion, BuzzFeed News

What We Know So Far:

  • An explosion on a tube train at Parsons Green station in west London at 8:20am – the middle of the morning rush hour – has been declared a terrorist incident.
  • Police have confirmed the “detonation of an improvised explosive device” took place. It does not appear to have fully detonated, however. No-one has been arrested in connection with the incident.
  • At least 22 people are being treated in hospital following the incident, but no-one is thought to be in a serious or life-threatening condition. Police said most victims were suffering from “flash burns”.
  • Commuters described scenes of panic as passengers were caught up in the crush to leave the station.
  • Prime minister Theresa May has said her thoughts are with those injured and the emergency services responding, while London mayor Sadiq Khan urged Londoners to be vigilant. Both are attending a Cobra emergency meeting this afternoon.
  • US president Donald Trump appeared to claim on Twitter that the “loser terrorist” behind the attack was “in the sights of Scotland Yard”, but police in London have not disclosed this information publicly. A Met police spokesperson told BuzzFeed News the president’s tweets were “unhelpful”.

This is a developing story. Check back for details and updates.

[...] and spanked Handsome Jack out of existence
Rhys
[...] and spanked Handsome Jack out of existence

“Yeah, but I’m… me. You know? I’ve survived the innards of Pandora, brought down an intergalactic corporate juggernaut and spanked Handsome Jack out of existence, heh heh! You gotta admit, I’ve got a pretty impressive resume.”

10

A reminder

Four months ago, we were graced with the masterpiece that was
Double Black episode