and a lot larger

feefchan  asked:

Hello ! I hope you're doing good. Anyways I want to ask about how can I make more detailed art ? How can I improve in detailing its been really hard for me. Thank you !

One thing that will help is drawing larger. When you draw small, you’re going to lose a lot of details. 

So if you use traditional methods, use a larger piece of paper and make sure you are filling it up, not drawing tiny in a corner. Buy some sakura micron pens too. .005 is really good for detailed work because it is absolutely tiny.

If you use digital, then make bigger canvases. If you draw small, you can enlarge it when you plan to line or paint. The bigger the image is the easier it will be to draw details because there will be more pixels.}

Always ask if you can push it further. Is it detailed enough? Where can you embellish more? Remember that.

Study artists who have detailed art styles! I’ll share a few of my favorites with you~



Imai Kira

fat bodies tutorial!

ALRIGHT SO my pal @kalreyno wanted help with drawing fat characters and as a fat artist i felt like i could give a bit of helpful insight on that. there’s also been a lot of complaining about “boo hoo fat characters are hard to draw so i can’t include them in my work Ever” goin on lately so if that’s your case then this is for you too!! and also just for anyone who would like help with fat bodies in general, ofc. anyway, let’s get this show on the road!!

let’s start with some common misconceptions. these are the two main attempts at chubby bodies i run into, so i’ll focus on them. 

the Anime Chubby i see everywhere, and it’s just……so wrong in many ways. first of all, there is almost no additional body fat compared to your average thin character - except for where it’s added in “attractive” places (breasts, hips, thighs). the breasts are way too perky, and don’t have the realistic shape fat would give them (though how to draw accurate breasts is another tutorial all on its own lmao). there is still a thigh gap, which usually only happens in very thin people, and bones are still visible on the surface of the skin, which also rarely happens in fat people.

the Michelin Man is better in some ways, but still not that great. it’s a slightly better attempt, but basically all that’s done there is taking a thin character and blowing them up, while giving no thought to fat distribution. the thigh gap is usually still present, and they look a lot more hard than soft - and fat is very soft and pliable.

here’s a chart on how fat usually distributes (if you can’t read my messy writing, “1. next to no fat, 2. moderate amount, 3. most of the fat distribution”). basically, the more muscle an area has, the more prone it is to develop fat, such as the abdomen, thighs, and upper arms. it’s important to note that fat sits on top of muscle, and that it does distribute in different levels, and not evenly across the body as shown in the Michelin Man. 

now, here’s an accurate fat body with all of that kept in mind!! notice how the fat isn’t only kept to aesthetically pleasing areas, and how it sits realistically on the character’s body. their breasts sag a lot more, which happens even in thin people with larger breasts, and the nipples are pointing more downwards than straight out. there is no thigh gap in sight, there are no bones in sight, and most importantly, they have fat rolls, which are very important in drawing a convincing fat character!! as far as i know i’ve never met a single person with no rolls at all, and everyone has them, whether thin or fat - they’re just more prominent and more consistently present in fat people. pay close attention to where they are and how they’re shaped.

here are a couple of drawings showing how fat is affected when sitting vs stretching. as seen in the first, the fat specifically on the stomach is distributed a lot more evenly and stretched out, so it becomes “flatter”. the love handles are still pretty visible, though, as well as the fat on the thighs and arms. the breasts are raised with the shoulders, and the fat on the shoulders and near the neck forms rolls as it’s being pushed together. 

in the second, there is a lot less room for distribution, so the fat is all pushed together. the breasts sag and the stomach forms rolls and spills into the lap. a good analogy for the way fat works is to liken it to a water balloon, and thinking of how its shape would change when resting flat on a surface, hanging off of a ledge, held upright, etc.

here are a few extra tips i find a lot of people miss!

first on the top is the hip/pubic region. the first circle is showing the way the bellybutton is folded in fat people, as opposed to stretched out in thinner people. the second is the stomach fat spilling over onto the pubic region and creating a separation in the two areas, which is something that’s missing in a lot of art. in addition, the pubic mound also gains fat, making it round as seen in the profile drawing i did up there (i’ve heard people refer to it as fupa?). the last in the hip region is the lack of a thigh gap. i can’t stress this enough!!!! if you’re trying to draw a convincing fat character, make sure their thighs are pretty much always touching!! for reference, mine literally don’t separate until my feet are about 2ft from each other.

the bottom right is showing the double chin, which a lot of people are afraid to draw!! fat does distribute itself here too, and there’s nothing wrong with it, so don’t feel like you shouldn’t give fat characters a double chin in your work for fear of it looking like a caricature.

in the bottom middle, it’s showing how fat affects different types of breasts with the presence of more or less breast tissue. 

lastly, at the very right are stretch marks with their usual locations and directions, which i also can’t stress enough!!!!! i sometimes forget to add them honestly, but they’re so important in accurately portraying fat characters, as they literally come from the skin being stretched from fat being gained (and they’re also just rlly neat lookin like why wouldn’t you lmao). some people have less and some people have more, feel free to experiment with them!

the last thing is body types!! there isn’t one single way for a person to be fat, so feel free to experiment with shapes once you’ve learned the basics!! 

so there you have it, a tutorial on how to draw chubs!! now go forth and make some accurate fanart or some rad fat characters, because the world could always use more of both. hmu if you have any questions or concerns, and thanks for reading!!

EDIT: someone pointed out the bad wording in the tutorial. thank you for bringing it to my attention and sorry for offending anybody. i’ve updated the tut, so please reblog this one!

it’s crucial to realise that abuse cannot be reduced to a list of contextless behaviours. abusive actions are abusive, not because of their inherent nature, but because of the place that they take in a larger pattern of control or intimidation. if you try to paint a picture of what an abuser acts like without reference to these larger patterns, you’re inevitably going to describe a lot of the ways in which people who are being abused act–and many abusers know how to take advantage of that.

for example, an abuser may accuse their victim of witholding sex, saying that their victim is strategically denying them sexual access in order to control them. this falls into a larger pattern of the abuser feeling a sense of ownership towards their partner, feeling entitled to sexual access, and resenting their partner for exercising agency over their own body (& overwhelmingly, cases such as this involve a male abuser and a female victim). they may become angry when their partner understandably doesn’t want to have sex with them after they’ve been abusive towards them in other ways.

however, it’s also true that many abusers do strategically use sex as a control tactic, using their victim’s need for intimacy against them and refusing sex specifically as a form of punishment for other perceived slights. and the mere fact that one person is refusing sex with another person cannot tell you which of these, if either, is occurring.

similarly, abusers often use physical intimidation tactics such as stomping about, slamming doors, and breaking objects in order to create fear in their victims (and the expectation that perhaps they’re going to be hurt, whether or not the abuser has been physically violent before), or to punish them for stepping out of line. they’ll later claim that they just “lost it.”

but it’s wholly possible for victims of abuse to slam doors or to break objects out of understandable frustration with the terror to which they’re being subjected. without a reference to the overall dynamics of power in the relationship–whether or not the door was slammed in order to create fear, whether or not the person who broke an object also uses other tactics of manipulation and intimidation, and often whose objects were broken (abusers may claim that they “lose control” of themselves, but they conveniently seem to destroy only things that belong to their partners)–you can’t say that breaking an object = abuse.

& you have to keep in mind the fact that many abusers keep their victims on the defensive by accusing them of using their own manipulative tactics. someone (likely a man) who controls their partner through checking out other people & engaging in affairs may call their partner crazy or jealous or controlling for trying to put a stop to the behaviour–all the while being highly jealous and controlling of their victim, strategically fabricating suspicions about their infidelity in order to take the focus off of their (the abuser’s) behaviour.

or perhaps someone really is jealous–but feelings of jealousy do not automatically equal abuse in the absence of abusive behaviour relating to that jealousy. & you can apply the same concept to things such as crying or showing other signs of emotional upset when confronted with criticism, asking your partner to contribute more around the house, or a great deal of other things that I could name: these could all be manipulation tactics used by an abuser, responses to abuse manifested by victims (which the abusers may then spin around as evidence that they’re the ones being abused), or examples of simple conflicts that arise in nonabusive relationships that can be worked through in a constructive way.

abusers know how to manipulate shallow or inaccurate understandings of how abuse operates to the detriment of their victims, and they benefit from descriptions of abuse that abstract it away from dynamics of power and control. let’s avoid making their jobs easier for them.

anonymous asked:

Are groin attacks on men actually the automatic off-switch we see in movies?


They aren’t universal, and you can, in fact, groin strike a woman to similar effect. What a groin strike is actually targeting is the nerve endings in that region of the body, the very same nerve endings that cause humans to experience sexual pleasure. It hurts a whole hell of a lot, it makes you sick to your stomach, and you bowl over to protect yourself. Nailing a woman with a groin strike is more difficult than a man because the area is smaller and it’s more difficult to hit. It can happen though, it’s happened to me in training with a partner.

Anyone with a strong pain tolerance is going to be resistant to groin strikes, just like with anything else. Some people are more sensitive than others. Other people will recover quicker than others. The rarest find won’t feel it at all, and they’re out there.

And, of course, if you’re opponent is wearing a cup then the groin strike goes right out. That’s why you wear cups when you’re sparring, so it doesn’t hurt when you get hit in the groin. So, if they’re armored, you’re out of luck.

It’s a pretty good stunner if you can land it and they’re not prepared for it, but it’s not a finishing move. When you see groin strikes in martial arts or just as self-defense, they’re part of what we call “combinations” which is a series of strikes performed one after the other. You use the groin strike to stun your attacker, and then follow up while they’re distracted by pain.

So, say you want to use a knee strike to the groin. You’ll grab them and strike the groin, then you grab their head and slam it into your knee again. You may hit them several more times after that if they don’t go down, but the groin strike is the opener or secondary to more effective moves that would be difficult to pull off if they weren’t distracted by pain or were… you know, upright.

The general populace often has a hard time grasping the concept of techniques feeding into each other. “I do this, so I can get over there, to do that”.

Groin strikes are conventional wisdom. Enough people have hit boys in the groin and see them bowl over to know that it’s somewhat effective, and enough boys have been hit in the groin to know it hurts.

You know what else hurts?

Your shin.

Getting hit in the shin hurts a whole hell of a lot too. It’s actually easier hit as it’s a much larger target and you don’t need to be nearly as close.

Anywhere on your body where the bone is near to the surface/isn’t protected by muscle, is direct access to your nervous system and works about as well as a groin shot. So, kick ‘em in the shin. Boxing the ears is another good one, you rattle the inner ear and cause them to lose their sense of equilibrium which makes them dizzy and they… stumble. Hit them in the nose. Their eyes will water, their nose will swell, both of which impact their ability to see.

You can, in fact, chain these together too.

Kick them in the shin. Box their ears. As their head comes forward, hit them in the nose or punch them in the throat. Then, if they’re still coming toward you or you’ve grabbed them by the shoulder or the head, knee them in the groin.

There aren’t a lot of one hit wonders when it comes to fighting, and if you did get one then you’re damn lucky. There is no 100%, no sure shot, no total shut down, no universal technique that will give you perfect accuracy on every human you will ever meet.

The problem with groin strikes in movies is that they’re actually a joke about manhood and dominance. Sometimes, it’s used intentionally and, sometimes, it’s not, but it doesn’t go much further than, “ha, ha, she hit him in the peen” and he goes down because the big, tough guy was really weak after all. It’s become that “Tough Girl Move” and is supposed to convey she’s tough, and brave, and everything that comes with a poorly thought out action girl.

In the movies, the groin shot is about dominance and asserting superiority. Whether it’s a woman doing it to a man, or a man doing it to another man (but it’s usually a woman), that’s what it’s normally about. It’s just a co-opting of the Alpha Male Bullshit Package for an Empowering Moment. It’s telling that these moments revolve entirely around the physical embodiment of manhood, because it’s often treated as the only weakness a man possesses. Given the groin shot is often paired with the threat of sexual assault, you can see all threads weaving themselves together for the underlying themes. The man is brought down by his *ahem* desires, the woman flees, and the scene is still all about sex.

So, you know, fun.


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Here’s an example of a funny little thing called forced perspective. I don’t know why people always assume that wolfdogs are enormous by default (I had one guy ask if Ivar would be “about 200 pounds” when he was full-grown?) and I’ve noticed a lot of “viral” wolfdog photos showing off animals that look larger than life on account of this photographic technique. 

In the first shot, Ivar looks HUGE on account of his closer proximity to the camera. Whereas the second photo shows him prettymuch on par with Amanda, the human subject. Objects closer to the camera always appear larger than objects in the background, and either by design, or by accident, a photographer can therefore “lie with the lens” to make things, like wolfdogs, seem enormous when they’re actually normal size. 

Describing Siblings

Anonymous asked: “Do you have any tips for writing about the main characters siblings? My main character has 7 brothers, which contributes to her strong family ties. However I’m struggling to describe their personalities. I don’t want to I don’t want to under-develop their personalities but I don’t want to bore the reader or waste too much time on them, especially because only 2 of her brother’s have major roles in the story.”

I love this question. I spend so much time thinking about this just in my own life. Most families I know only really have four siblings, but really when there’s four or more, you have to get creative with descriptions. 

Siblings, just by their nature, will know how each of them is different from the other - you get a lot of “the smart one,” “the pretty one,”  “the funny one.” This is a much bigger thing I think in large families. In some, you might have easy stereotypes to set them apart from each other - “the artist,” “the brain,” “the social butterfly,” and “the athlete.”  

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This is Earth, our amazing home. The only planet in the solar system with the ability to harbor life (that we know of).

This is the distance between our awesome planet and the moon. 

Doesn’t look that far does it? How about if I told you that you could fit EVERY planet in our solar system neatly in that distance. 

Speaking of the other planets in our solar system, this is them & this is where our amazing planet resides.

The moon’s our cute little companion. This is the United States compared to it.

The planets in the solar system are so cool. This is what North America looks like in comparison to Jupiter. 

Speaking of Jupiter and the moon, this is what it would look like if Jupiter was in the place of the moon. (The white dot is our moon). 

Earth compared to Saturn (well 6 Earths…)

Ever wonder about what Earth would look like if it had rings like Saturn? Well wonder no more.. 

Amazing right? Want to see something cooler? Here is the Earth compared to our Sun. 

Here’s what we look like from the moon

And from Mars

From Saturn 

From Neptune…

Here is what the Sun looks like from Mars

Remember what Carl Sagan said? There are more stars in space than grains of sand on every beach in the Earth. 

That’s a lot right? That only means there are stars way larger than our this one for example: 

And there are stars bigger than that….

Stars are huge, but the galaxy is even bigger. If you shrunk the Sun down to the size of a white blood cell, the Milky Way Galaxy would be the size of the United States. 

This is where the Earth is in our huge galaxy 

You know all the stars we see in the sky? These are the ones we only ever see (this isn’t our galaxy but its very similar)

The Milky Way is so big that the last time the Earth was in this exact position in the galaxy, the dinosaurs were here

Even though our galaxy is huge, there are galaxies that are even bigger…

This picture from Hubble shows thousands of thousands of thousands of galaxies that each have their own stars with their own planets…

Here is one of the galaxies in that picture. It is 10 BILLION light years away. When we look at it, we are looking 10 BILLION YEARS BACK IN TIME

And just to keep this in mind, this is a very small portion of the sky that was believed to be empty…

Everything is relative. 

Next time you’re stressed out or worried about something, stop and take a step back. Look up at the sky and think about all of the things that are out there. All the stars being born, the stars dying, galaxies colliding. 

We live in such an amazing universe, and we are only an extremely tiny part of it. 

Credit- pictures from: Buzzfeed on Facebook

the whole “let me hit my head to see if it triggers any memories” thing will never not be funny to me (although a bit worrisome)

okay but like, i am so excited to see their new place….i hope phil gets his garden, dan gets his new piano and big room, they get a backyard with sunshine, and the place has air conditioning, and they make friends with their neighbors and have plenty of space for a dog, better storage areas (multiple levels??), a new larger gaming room with lots of new places for phil’s houseplants, a big kitchen where they could bake together & have cabinet doors that automatically close for phil, and no glass doors so they won’t bang around anymore, a high coffee table for their long bodies, and just a place they both love that feels like home for the next several years of their lives

New Jersey town to pay Muslim group $3.25 million after allegedly changing law to deny mosque permit

  • The town of Bernards Township, New Jersey, will pay $3.25 million to the Islamic Society of Basking Ridge to settle a lawsuit over the denial of a permit to build a mosque, the U.S. Department of Justice announced.
  • The DOJ filed the lawsuit in November, alleging that the town discriminated against the group’s members because they are Muslim.
  • “Federal law protects people of all religious communities from discrimination and unlawful obstacles when they seek to build a place of worship,” said Acting Assistant Attorney General Tom Wheeler of the DOJ’s Civil Rights Division.
  • The Islamic Society applied to build the mosque in April 2012, on a 4.3-acre lot it had purchased the previous year. 
  • But the town denied the group’s permit after four years of hearings — and after allegedly changing its zoning laws to only allow construction of houses of worship in residential neighborhoods on lots six acres or larger, according to reports. Read more (5/31/17)

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What are some things that you seem to always include in your stories? This could be an interesting thread. It’ll help you see the things that are unique to your writing

I’ll start.

  • I live by the hills in real life so I constantly write about hills and mountains
  • I love trees and write about forests or magical trees or such often
  • Grew up in the Bay Area so I wrote about fog a lot
  • Rivers and lakes. Not the ocean so much…
  • There and Back Again/Into the Wild tales where the main characters adventure into far lands and return home afterwards changed.
  • Anything to do with flying in open air; steampunk sky ships, dragon-riding, etc
  • Swords as main weapons; or times when guns and swords are still used together
  • Sideshadowing: showing that the world of the story is a lot larger than the plot of the story itself
    • Idle dialogue of things happening in the world that aren’t touched on in the story; heroes of other stories (this is the real reason I have over two dozen novels, short stories, and series in queue)
  • The un-glorification of war and murder
    • I write a lot of war stories that show the graphic and extremely dark and miserable side of these things; losing loved ones, genocide, rape, famine, pestilence, PTSD. I really hate stories that glorify war and have a bunch of mindless killing. When people die or kill in my story, that weight is always shown hanging in the air.
  • Fellowship of the Ring casts:  several characters with different histories and relationships with one another, and a multitude of personalities that often clash at some point
  • The Princess Saves Herself/Dame in Distress: My favourite stories are ones with girl main characters that take care of their own problems; slay their own dragons. If there’s a male love interest involved, he usually tries to help and ends up getting himself in trouble, leaving her to kick dragon’s ass AND save male character’s ass.
  • Characters battling anxiety and depression

I think I’m actually gonna tag some people to get started. You can tag people if you want, or ignore this, or just do it without being tagged.

@pepsiryan @diatuckerwrites @iamwez20 @megiddojones @koalamuffins @kaylapocalypse @miricastor @mxmythy @ivegotstoriestotell @jxshamar @scripturient-manipulator


long ago, back when i thought i had self restraint and impulse control, i stumbled upon an old ask from gav-bot innocently asking id i’d consider a gem-stuck au… 

jk, this was just a very fun way to exercise drawing different body-shapes and silhouettes. ask about fusions if you’d like, i’ve already got a bunch sketched out! (& info for everyone down below since i had so much time to world build while working on everyone and i’d like to get it out somewhere :3c)

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bpdontcare  asked:

Is it true that white tigers are not naturally occurring, and instead a product of massive inbreeding and abuse?

Sort of yes and sort of no. I’ve actually been working on a really big piece about all the myths surrounding white tigers, because there’s a lot of misinformation out there, but since it’s taking me forever to actually publish it I’ll give you a quick rundown here (gosh it’s such a hardship, not like this is one of my favorite recent things to study or anything lol). 

White tigers did absolutely occur naturally for a very long time in at least one specific area of India and possibly a much larger area of Asia - there are lots of references to pale cats in old texts. They were common enough that it seems reasonable to assume that the white coloration isn’t super detrimental to camouflage and hunting success. It is a color morph that requires a double-recessive gene to express, which means it’s not common and that when it shows up frequently it’s likely the result of inbreeding (even in a natural setting, this can occur when environmental boundaries or other factors lead to reduced numbers of available mates). Unfortunately, it was also a big thing for rulers in India to go hunt the white cats as a status symbol, so a lot of them were killed - and because they weren’t around to mate and be guaranteed to pass the gene on, white cats became less and less common. Mohan, the really famous founder cat brought into captivity, was one of the last ones ever seen in the wild. 

Most of the white cats in captivity now do have a lot of inbreeding in their history, because there wasn’t a lot of awareness of how detrimental line-breeding can be and it was the fastest way to produce more white cats (you can get them in one generation, instead of the 2-3 required each time you outcrossed to a cat that isn’t a carrier for it at all). Mohan’s cubs were super inbred for about four generations, at which point they had to stop breeding them to each other and outcross because the cats were actually losing fertility and cub mortality was really high. (Those are both signs of inbreeding depression - you either can’t get pregnant or the babies all die). The same thing happened with a lot of the other founder lines - and there were more founder animals than just Mohan, white showed up in supposedly unrelated captive tigers at least twice - and eventually the different lineages were crossed with each other.

As far as I can tell, most white tigers alive today are not recently inbred very badly. They do have a lot of history of inbreeding upline, which comes with it’s own genetic baggage, but they’re not directly inbred. I can’t speak to direct numbers on that yet, but I really hope to; I’ve been tracing pedigrees and running coefficient of inbreeding calculations on all the different generations and lineages but I’m having a really hard time getting accurate pedigree data on animals born after 1996. (That’s not surprising, people who breed tigers in the modern era outside of AZA - so anyone breeding white cats - are super super not interested in talking to outsiders about the choices they’re making). What I can say is that the worst of the inbreeding was actually in the 60s and 70s and that by the time my data runs out around the mid-90s there was a whole lot more outcrossing going on. That means they were reducing the potential an animal to be homozygous at a given gene by descent (and therefore reducing the likelihood of accumulating detrimental recessive mutations) but not necessarily reducing genetic issues accumulated from ancestral inbreeding. 

A lot of the messaging around white tigers is very misleading and not based in scientific fact - it’s been warped from both the zoo side and the sanctuary side in accordance with whatever message they’re pushing. I’ve spent like the last year working on parsing out what’s true and finding sources for the stuff that’s unclear. They’re not super healthy animals, especially the ones with more recent inbreeding issues, but Kenny the “down syndrome” tiger (not actually down’s syndrome and that messaging has lead to all sorts of awful ablist messaging) is not the norm. The most frequent thing I know occurs in white tigers in terms of “deformity” is abnormal skull morphology compared to non-white tigers. There may be other health issues - it’s very likely - but I can’t actually trace them back to being definitely related to the specific ancestral inbreeding, or the double recessive gene. It’s a big of a vague area because a lot of the tigers that white cats were outcrossed with originally had potential for inbreeding and other health issues at the time - this was before we really knew much about that, or put welfare and potential for genetic issues ahead of profit - and so there’s a lot of questions about if the current white tigers tend to have health issues because they’re being bred from genetically unhealthy lines in general or if they’re more at risk because of the specific inbreeding for the white color in their history. The older white cats, especially like 4th generation from the founder cats - those were animals that were much more obviously unhealthy specifically because of the direct line-breeding. 

If it’s a topic folk are interested in, I can see about pushing the white tiger myths article to the front of my to-do list. 

Skyhold Sleeping Arrangements

This is incomplete! Please add to this by messaging me, commenting, or reblogging.


It’s interesting that the hole in Cullen’s ceiling never gets fixed. According to World of Thedas, Cullen is claustrophobic as a result of the trauma he experienced when he was younger. I think it was probably hard to convince him to sleep inside at all - he probably wanted to stay in a tent with the rest of his men. At least with the hole in the ceiling he gets constant fresh air and a view of the sky. Plus it’s not right over his bed so, you know, he won’t get rained or snowed on all the time.


I’m almost positive that this is Cassandra’s little room. There’s only a bedroll, but it’s above the armoury, there’s a stack of books on the little table, and there’s a one-handed sword lying on the bench.


This is the smaller of the two bedrooms above the garden. It just has a Dorian vibe to it, and it’s fairly close to his alcove in the library where he spends most of his time. There are lots of books lying around haphazardly.


The larger and more stately of the two bedrooms above the garden, this is also the one closest to Vivienne’s usual spot on the upper balcony. It’s very well kept and has expensive decorations.


Solas is accustomed to sleeping in strange places after his many years of experience as a fade walker. Maybe he sleeps up on the scaffolding for some privacy? Or just curls up on the couch?


Ah, Blackwall. A true man’s man. Here we’ve got some pallets with furs spread across them, and some hay bales for a pillow. This is in the stable loft.


Fairly obvious, Sera sleeps in her tavern room.


Does Cole sleep? Has this ever been established??

Iron Bull

The Iron Bull’s room is pretty funny. There’s an axe stuck to the base of the bed, a bottle of wine under the pillow, a pie under the bed, and tons more food and booze scattered around.

Leliana - That’s classified, probably

Josephine - No idea

Varric - ???

[Haven] - [Skyhold]


anonymous asked:

What if galrans with tails are female? What if female galrans have deeper voices. Antok was a lady!

ANON!!  Do you realize what you’ve done?!

You’ve solved the riddle some of the finest meta minds in our fandom have been puzzling over (cough @radioactivesupersonic )

Seriously though, how much do I LOVE this idea? 

I love this idea.

Originally posted by pizzasplash

Yes.  Because it turns all the speculation right on its head and honestly, how many times in nature is the female of a species the larger one?  Like lots!  Why wouldn’t it be that way for the Galra? 

Plus I just love the idea of super SUPER buff Galra women with the ability to sling their guys under their arms and carry them off the battlefield when necessary. 

I vote this idea.  Let Antok be the first Galra female we’ve seen and then give me more purple warrior women.

Magnetic [Part 1 / 2]

Based on “Shape of You” by Ed Sheeran.

Pairing: Bucky x Reader

Warnings: Explicit Language, Unprotected Sex, Use of Alcohol, Strong Sexual Reference and Suggestive Themes. 

Word Count: 5.3k+

A/N: I am completely enamored with this song and I had to sink my teeth into the prompt idea so enjoy lovelies! x. T

SoHo, New York City  |  9:57 PM

.     .     .

The soft golden glow from the lights overhead illuminated the area in a warm, alluring haze that cast everyone in shadows in just the right places. The gloss of the oak bar top shimmered in that light, making the perspiration that touched the wood from your sweating glass glisten brilliantly and you were entranced in watching a drop form. Lost in thought and staring at the cocktail in your fingers, you were unaware of the three men that entered the bar.

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How To Engage Your Players

I’ve been thinking about how lately how to engage players at the table when running a campaign as it’s a problem I’ve definitely had in the past. I don’t believe in the whole, in-game punishment concept, so here are some ideas on how to solve that problem and keep things fun.

Give Your PC Purpose!/Involve Them Into the Story

A lot of times in larger groups, certain PCs tend to grab more of the spotlight than others. This leaves other players feeling left out or unimportant. So the best way may be to simply give them more involvement in the story in a unique or dramatic way. Feeling important or vital to the narrative can really boost engagement. Suddenly after saving the Queen of a foreign kingdom, your Fighter is now an honorary knight of the kingdom and gain a small militia that will assist you in battle whenever you call upon them for aid. Or perhaps your party has been captured by band of powerful thieves, but rather than killing you all outright, they strike a deal with your Rogue to steal a highly dangerous magical item. Another option could be a PC gains some magical ability or object that empowers them, but makes them highly sought after by others.

“My Character Sucks”

Related to the ideas above, sometimes the problem isn’t just getting more involved in the story, but that they have issues with their PC. Perhaps their character isn’t useful or powerful enough. Good fixes for this, magic items. Giving players magic items, not even necessarily Rare or Legendary items can help make them feel more powerful or useful, as long as they don’t have a huge advantage over the other players this may work just fine. Or perhaps your player is running a class that feels relatively weak. The Beast Master archetype for Ranger in 5th edition is honestly quite lacking in many ways. My personal fix for this was giving the Ranger more feats from the Hunter archetype (or possibly making their companion creature stronger/more flexible to use in combat).

“My Character Sucks Part II”

Now if your player is losing interest simply because they don’t LIKE their character, there are two choices they can make. 1.) Have them roll a new character and retire the old one. It’s simple, and gives them a chance to try out a new class and have some fun. But this isn’t always great for narrative purposes and can be a lot more work for YOU. Or quite possible this just won’t solve the issue. So that leaves you with the other choice. 2.) Make the character dynamic. Characters can become boring because they are static, they refuse to change and grow stale. This is often why characters in novels are dynamic characters, they need to change to feel real and remain interesting. Or maybe the character is just a huge asshole. Either way, evolving their character gives them a chance to grow and evolve their character in an exciting way. This could also be something they can work out with you as the DM (which should be less work than writing in a new party member)

One Special Moment/Everybody Gets to be a Star!

I often try to make sure each player has at least one special moment per session (although I’m not always the greatest at it..). As I mentioned above, some players may take a larger control over the narrative or action. Making sure each player has a specific moment crafted for them or their character can be challenging but very rewarding.

Active Engagement

This one seems like an easy one but a DM has to keep track of a LOT of things. I believe your players should be your number one priority. Whenever you see a player seems to be feeling left out or receding into the background, try engaging them by asking their character questions either as the DM or even as an NPC. How does their PC feel about the current situation? What are they doing while the party gets hammered in the tavern? Do they notice something the others don’t? Roll Perception.

Active Engagement (Among Players)

To add onto the idea above, ask your more active players to encourage roleplay and decision making between each other, especially when another player seems to be left out. This can help immensely. Creating strong ties between PCs too can help create a unique and fun dynamic that is not only interesting for the story but can also keep everyone involved.

Removing Cell Phones & Other Distractions

Most everyone keeps their cell phones on hand, so texting, snapchatting, tweeting, etc. can be pretty distracting. Obviously all of these can be used correctly and politely, but I’m sure we’ve all seen players who take this over the top. I had a player who spent nearly an entire session playing an app game, barely looking up except to do something ridiculous or hazardous to the party simply because THEY were “bored.” Taking away one person’s phone is pretty controlling and could even be embarrassing for your friend. So instead, offer that everyone put their phone’s in a bucket when you start playing to keep everyone totally involved in the game. Your own phone as well if you don’t use it for the game. Only times you’re allowed to take them out is when you take a break or need to look something up. (Oh and emergencies too, of course. And ordering pizza)

Discourage Out of Game Discussion

It can difficult to immerse yourself in the game if everyone keeps interrupting the game to talk about their plans for the weekend or a funny picture they saw on Twitter that everyone NEEDS to see. If this is a problem for your players, make sure to include an appropriate amount of breaks while having a session.

Talk To Your Players

If all of the above don’t seem to be working, the best option may be just to simply talk to them. Outside of the game, ask your player(s) what’s preventing them from engaging or involving themselves with the game. There are an infinite number of reasons why, a direct conversation can help bring these reasons to light and give you a chance to work on them. Meet your players half-way. You may want to talk to them directly right away or give them a few sessions to see if the issue resolves itself.

What If None of That Works?

Chances are, maybe this just isn’t the right campaign for your player. Worst case scenario, they just aren’t interested in D&D. This isn’t necessarily a reflection on your DM'ing abilities. It all comes down to personal taste.

Also keep in mind not every player enjoys the game in the same ways. Some players are engaged with the story, but just prefer taking a backseat and watching the others, participating when they feel. This isn’t bad, as long as someone is helping drive the story. I also have tons of players who like to doodle while playing but still remain heavily active and engaged in the campaign. Even cell phone use isn’t a problem for me, especially during combat. In the end, it all comes down the individual. Make sure you get to know your players and what works for them and what doesn’t!

This is all just personal opinion so feel free to add your own ideas by reblogging and adding ideas!