although to be fair

I just.. want to hug Harry and wish him good luck. I hope he’s excited and not too nervous! Or the good kind of nervous. He’s definitely going to put himself out there, emphasis on himself. That must be a little bit scary, for anyone. He’s beautiful though, his mind is beautiful, his soul is beautiful and whatever he’s going to bring out into the world will be beautiful. So good luck Harry, *hugs*, but I know it will be okay, and I hope you do too.

more rock news

Trucks frolic next to an uninterested excavator.

[x]

A party of excavators refresh themselves at a watering hole.

[x]

An excavator snaps up a large boulder in its powerful jaws.

[x]

Another excavator finds a rock underwater, but it puts up a fight.

[x]

Tourists view excavators up close during a controversial boat tour through their habitat.

[x]

Helicopters hide their extra rocks (the clumps of white) in hillside crevices, safely out of reach of the ground vehicles roaming nearby.

[x]

This team of experts is examining truck leavings for clues to their behaviour.

[x]

A helicopter carries away a person, likely mistaking them for a rock. Luckily, as is usual in these cases, they were later recovered unharmed… although a fair distance away from where they started.

[x]

the jedi council: and remember the code disapproves of any type of attachment, do not get attached to the clones

anakin skywalker and plo koon, stuffing entire clone companies into their pockets while looking mace windu dead in the eyes: yeah no problem, we totally understand

exchanges (m)

Summary: In which Jeon Jungkook is that friendly neighborhood superhero, you’re the face in the hallway that saved his high school career, and he can’t ever seem to get a grip around you. Even when he makes you scream after a fated accident—not for the reason you may be thinking; get the thought out of your head! 
Pairing: Jungkook | Reader 
Genre: Fluff/Smut; Spiderman AU 
Word Count: 14,838
Author’s Note: Honestly though, it was only a matter of time before I got around to writing a story like this. I am obsessed with Spiderman, so this might just be the foundational guideline for many future Jungkook Spiderman AU drabbles to come in the future. 

The story was also heavily inspired by this photo that made me cry for seven days and seven nights. +photo credit !!!!!!!

.

(the present)

If Jeon Jungkook is against anything in his life, it’s one’s ability to exaggerate certain situations or problems to make those things seem much bigger than they probably were. Well, actually, take that back. It’s not that he’s against it per say, it’s just that his peer’s daily struggles of pop quizzes and missing the morning bus aren’t exactly headliner news—especially in comparison to what he has to go through.

Jeon Jungkook is against exaggeration, probably because he can’t get away with it himself. It’s not that he doesn’t like to exchange his fair share of embellished stories or fabricated events weaved into true experiences, it’s that he can’t afford to do so. Sharing stories of his nightly routines and dashing superhero adventures may seem great, but only if he could manage the burden of a personal life and a masked life intertwining.

As an 18-year-old boy, he can probably say it’s safe to assume that he cannot. Manage the overwhelming, opposite pressure both of his lives take him, that is. It’s difficult enough being a college freshman, a tiny fish in an ocean of whales and sharks, but throw in his late night Spiderman facade would be too much of a tale to share with other people and peers who probably ask too many questions and know too much about him. He’s never liked the exposure that comes with being in the spotlight, and he can’t hide behind his mask if people knew who he was.

Oh. Right. Speaking of his Spiderman facade, that’s who is he. Haven’t heard of him? You know, the dashing hero of Seoul, red and blue spandex attire with a web shooter, fine tuned senses and amazingly quick reflexes? The boy who swings around the city, volunteering for trouble and always coming out right on top? The boy who constantly maintains that casual, slightly amused tone throughout a majority of his rescues?

Yeah, well, that’s Jungkook.

Keep reading

anonymous asked:

hey, can you break down the differences between the adventure zone and critical role for me? i haven't listened to either and now i'm curious

Oh gosh, okay. They’re delightful but… very different approaches to the same general idea (broadcasting a D&D game), and I think the fans of one show tend to have a sort of skewed impression of the other show, so here’s my thinking.

Just the basics, to begin with: The Adventure Zone started running in late 2014, and it’s an audio-only podcast in which the McElroy brothers and their dad start a brand-new D&D campaign from scratch. Critical Role started running in early 2015, and it’s a video podcast in which a bunch of best-friend voice actors started filming the D&D campaign they’d already been playing for years at home with the same characters. TAZ is (generally) prerecorded and lightly edited down, CR is 100% live. Both have a lot of howlingly funny and surprisingly touching moments, both get a lot more intense the more you get into them, and both are good shows that are a Good Time, especially when they make you feel things you didn’t sign up for. The main canon of TAZ is currently 56 one-hour-long episodes, with new episodes every two weeks, and CR is currently 85 four-hour-long episodes, with new episodes every week. Most of the reason for CR’s absurd length comes down to (a) three times as many players, and (b) no editing.

The DMs both put a ton of work into the world, but they also have very different approaches. Griffin (TAZ) is DMing for the first time, while Matt (CR) has talked about how DMing D&D games for the past 20 years is what got him interested in acting in the first place. The world of TAZ is much more of a sci-fi/fantasy hybrid, while CR sticks more to traditional fantasy.

TAZ plays fast and loose with the rules, which can be both a delight and a frustration for storytelling reasons—for instance, until the latest arc both spell slots and HP were not really tracked, which means (a) Griffin has had to come up with incredibly creative ways of introducing risk and limitations to the game, and (b) those incredibly creative ways can start to get pretty damn brutal. The mechanics of the game feel like an imposition on the story, most of the time—it’s rare that you get a dice roll that makes a huge difference to the plot (but when you do, as in the most recent episode, it’s pretty darn cool). As a result, the biggest spanner in the works of Griffin’s plans tends to be in the form of out-of-the-box thinking from his players, which they excel at; I think there is a tendency to railroad the plot as a result, but it’s a good story and it’s well worth a little bit of elbowing to keep everyone on track. Magical items also play a huge role, with viewers of the show submitting awesome new trinkets for the heroes of the story to use/abuse/completely forget about.

Because CR tilts more towards the rulebook (although Matt gets more than his fair share of shit for homebrewing and letting things slide and defaulting to the Rule of Cool), chance plays a much bigger role in the story. Matt’s simultaneously battling some incredibly creative players and dice that seem determined to roll as dramatically as possible. Entire subplots have been wiped out by a strategic roll, and in order to be able to adapt to that on the fly, Matt has to be hyper-prepared and have a lot of possible branching points. It’s absurdly open-world, especially now that the characters have the ability to travel instantly through different planes of existence, and Matt keeps pace with a story that feels more character-led than DM-led; railroading is practically nonexistent, which means you get incredible plot developments and super-deep characterization… but it also sometimes leads to long circular conversations trying to figure out what to do next. Because the players are all actors, there’s also a lot more that’s just straight-up improv theater: it’s not unusual (especially lately) to go for verrrry long stretches of riveting conversation without anybody rolling dice (I can think of a moment where Matt could’ve just had everyone fail a charisma saving throw against an NPC but instead just straight-up charmed them all in real life with words).

I’ll put it this way: CR is a basketball pickup game between friends who’ve been playing together so long that they kind of have their own home rules going and stick to them. TAZ is out there playing fuckin’ Calvinball. Both are great fun, but if you go into one expecting the other you’re in for a bad time.

Both shows have a lot of great NPCs, although Critical Role’s format gives them a lot more time and depth to shine (there are episodes where an NPC will have as much or more “screen time” than some of the player characters). Both shows have LGBT representation among player characters and NPCs alike that, while not perfect, is generally improving as the show goes on. For me personally, one of the more frustrating things about going from CR to TAZ was going from three female player characters and a metric fuckton of extremely deep characterization for all the female NPCs to no female player characters and many great and memorable female NPCs who nevertheless don’t get too much screentime or development just because of the the structure of the show.

TAZ is pretty shaky throughout the first arc (Griffin’s fighting a bit of an uphill battle getting everyone to sit down and actually play the game, which is funny in and of itself), but things slowly start to come together and the real potential of the show becomes clear once they break the heck out of the 5e Starter Set. I think the “Murder on the Rockport Limited” arc is what started to pull me in, and it’s not until the latest arc that I’m starting to get the character development I really crave in that show. Critical Role also takes a little while to find its footing, and to me the Briarwood arc (starting around episode 24) is where the mood of the show starts to solidify, with episode 40 and beyond really pushing from “this is cool, I’m enjoying how these interpretations of fantasy tropes are sometimes kinda unusual and off-the-wall!” to “how is this the most honest and genuine character development I’ve ever seen in media what the heck is happening here”.

So yeah. TAZ isn’t total chaos with no plot or effort put into it, CR isn’t a humorless wasteland of mathematical minutiae and rigid formulaic approaches. Both shows are great fun, both are IMO in an upswing and getting better and better as they go along, and I heartily recommend them both if you know what you’re getting into. Have fun!

although it was a shitshow, I don’t think it’s fair to compare Pokemon Go Fest to Dashcon and Fyre Festival. both Dashcon and Fyre were complete scams, taking people’s money and leaving them with nothing / almost nothing.

niantic pulled a bunch of dumb moves, and there’s no excuse for their lack of planning. but they’ve actually acknowledged they fucked up, are offering everyone refunds and giving them $100 in free coins. they’re down $2,400,000 in damage control. and they’re still trying to give everyone who attended a chance to get the rare pokemon they were promised, as well as a free lugia.

so while they’re a bunch of dipshits, it wasn’t a scam. it was just very badly planned.

Skyline {VII}

Originally posted by tom-cinnamonroll-holland

Warnings: Language, panic attack

Pairing: Peter Parker x reader

Word count: 3.1k

A/N: Guys!!!! This is the last part of Skyline.  Like, for real this time.  I’m so sad to see it end, but I’m also so happy that it’s had such success, and I can’t thank you guys enough for that.  You are all so so wonderful, and you have all my love.  As usual, I want to give a shout out to Zoe and Jen for reading my drafts and helping me edit and brainstorm, as well as encouraging me to write.  As for all of you, I hope you’ll forgive me for all the angst that I’ve hit you guys with (remember when Skyline was self-indulgent fluff lmao), and I really hope this makes up for it a bit.  In other news, tonight is the Spidereyhes Sleepover!!!!!!!!  All the info on the sleepover can be found here, as well as info about the livestream, which will start at 7pm PST.  I’ll post the link on here!! Zoe, Jen, and I will be discussing all kinds of things, answering questions, and talking about Skyline, so be sure to drop by!!! Also, if you have any questions about Skyline or anything else that you want answered, send it in!!!! It’s not too late yall.  Again, thank you so much, and I hope you’ve enjoyed Skyline as much as I’ve enjoyed writing it.

skyline: a mixtape

{masterlist}

{part i} {part ii} {part iii} {part iv} {part v}

Sitting up in your bed, you stared at the window, not sure of how to react to seeing Spider-Man’s masked face through the glass.  Throwing back your covers, you quietly walked over to the window, grabbing a hoodie that Peter had lent you as you passed your desk.  Sliding the glass panel up, you climbed out onto the metal fire escape, slipping on and zipping up Peter’s hoodie to protect you from the cold.

The superhero stood where he had first stood, the night he saved your life and blew up Vizzini’s all those months ago.  And there, to his right, were the flower pots that he had tripped over the first time he came back for you.  Those stairs were where you would sit and draw while he watched your fingers fly across the page, amazed at the pictures you created.  Behind him was the railing that you would lean against as you looked at the Queens skyline together.  This fire escape was your entire relationship condensed, the one location where you were allowed to be with each other.  If you used your imagination, you could almost see every single night playing out in front of your eyes.  Spider-Man, with a bendy straw underneath his mask.  Spider-Man, attempting to draw you in the moonlight.  Spider-Man, his hand on your waist and the other in your hair. Spider-Man.

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  • Clint: Hey Tony this wine isn't really cold can you get a new bottle?
  • Tony: ...What.
  • Steve: Don't be wasteful, Clint. Just put some ice in it.
  • Tony: What.
  • Bucky: You're not supposed to put ice in it!
  • Tony: *hopeful*
  • Bucky: You're supposed to put in frozen grapes.
  • Tony: *grabs bottle of wine* You don't deserve this. *leaves*
  • Thor: *arriving with steaks he'd grilled* Where's Tony?
  • Sam: He told us we didn't deserve the wine and left with it.
  • Thor: ...Why.
  • Clint: I just asked him to grab a cold bottle of wine!
  • Natasha: *nearly chucks bowl of salad* YOU DON'T DRINK RED WINE CHILLED YOU IDIOTS.

A comprehensive list of people who should have won Eurovision Song Contest 2017 (feel free to add):

  • Måns Zelmerlöw
  • funky gorilla suit guy
  • Bulgaria
  • man running the vote-counting desk
  • Sweden’s background dancers
  • Lee Lin Chin
  • ABBA
  • Italy
  • random Australian guy flashing his arse
  • BULGARIA
  • that one dude playing sax for Moldova
  • Isaiah Firebrace’s eyebrows
  • Azerbaijan’s Horse-man
  • literally any other country?

People who should not have won Eurovision Song Contest 2017:

  • Portugal and the boring Ballad™

anonymous asked:

Could you possibly do a mafia!daddy!phil × pastel!little!Dan ? ?? Cause that hc is freaking grEAT (possibly some smut?)

Prompt: dan wearing those cute velvet shorts you see on Instagram and phil can’t keep his hands off of him. (mafia!daddy!phil and whiny!little!dan?)

Oral fixation pastel Dan is all I beg you for

can i pleeease have some more little dan with oral fixation??? 

Here y’all go. Plus dirty talk, exhibitionism, and cockslut!dan. If you have trouble getting past the cut on mobile, open in your browser.

Being the son of the boss always has it perks, but when your father is the boss of the mafia, the fringe benefits are almost endless. It certainly isn’t the most relatable circumstance, but Phil Lester is acutely aware of the privilege his heritage brings. His family has never had any financial issues, and, although it may not be the most honest money, it made for a very comfortable childhood. Growing up, Phil never had to worry about being bullied in school – even though he was a fairly strange, quirky kid that would usually attract that kind of negative energy in the cesspool of teenage hormones that is high school, everyone was well aware of who his father was and what he could do, so he was left well alone. Now that he’s older, his blood keeps on giving in the form of a large house in London and connections with almost every business in a ten kilometre radius. That’s not to say Phil has had an easy life, but his problems are quite disparate from the average persons’. He may be rich with a notorious last name that opens back doors, but he does live with the constant knowledge that he may be shot dead at any moment, so he supposes it all evens out.

He works as part of the family, of course. That’s how the mob operates and, although he’s had his fair share of morality crises, he enjoys it. He’s not the eldest son, so, as long as nothing happens to Martyn, he isn’t expected to take over when his father – willingly, or otherwise – steps down, but he is still in control of some aspects of it. He supposes he’s a capo, in a way, being able to give orders to soldiers to do the bidding that’s sometimes his own, and sometimes passed down to him from his father. Most of the members he ranks above are considerably older than him, considering he’s only twenty-five, and he can tell from the hard look in their eyes when he gives orders that they’re not exactly thrilled about that. It doesn’t really matter, though, because to go against Phil is to go against the boss and, unless they’re actively looking to be killed, that’s not a very bright idea.

Phil’s seen a lot of shit since being inducted into the business at twenty. Before that, his father always kept things vague and the gory details hidden, probably more on Phil’s mothers’ wishes than his own, but the reality of what being in the mafia involves couldn’t be sugar-coated for him forever. He’s seen theft, assault, battery, and a fair share of murder. It’s not what Phil would call ideal, but it comes with the kill-or-be-killed lifestyle. He’s pretty much desensitised to the horror of it all by this point, but there is one incident that affected him above any other; it was also the chain of events that led to him meeting Dan.

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youtube

everyone’s out here uploading their fan art for ethan @crankgameplays and pictures with him and i wanted to do something to show him how much he matters to me… so i wrote him a song.

i did my best to make it NOT creepy and i think i did pretty darn well! although to be fair, I am studying songwriting in university and I AM technically a professional musician.

ethan, i really really hope you see this and i hope you know how important you are to ME and to countless other people.

blue haired boy, i adore you <3

6

It got…weird.

Although, to be totally fair I’m pretty sure anyone with half a brain cell knew. Jan told me no one ever said anything because they were all trying to respect my privacy. Whatever privacy a billionaire, genius, playboy, philanthropist has anyway.

2

You lied to me again Cartoon Network.