Schloss Eggenberg, Planetary Room Built post-1625 by north Italian architect and artist Pietro de Pomis as a residence for imperial governor Hans Ulrich von Eggenberg (1568-1634), Eggenberg Palace (Graz, Austria) was intended as a political statement. The house was designed as a huge allegory, a symbolic representation of the universe, where the erudite client set out his notion of an ideal world in an age of chaos and disintegration.
Crucial for the status of Schloss Eggenberg as a large-scale work of art is a series of 24 state rooms centered on the large Planetary Room. The interiors are Baroque and Rococo, largely unchanged since the 18th century. The most notable feature is a series of over 500 17th-century ceiling paintings, forming a complex pictorial synthesis, eloquent of the early Baroque view of the world.
late 50s, happily married later in life, generally optimistic (but with the occasional deeply dark mood), eager to explore all forms of artistic expression, published 3 fantasy novels as a young man (2 of which were horribly overwritten), introverted with a few close friends but much more out of my shell these days :)
[Statue. Full-length, standing figure of a black youth wearing a crown in the form of a castle; a string of beads, feathers, and a medallion around his neck; a drapery around his loins and back; and leather sandals. His right foot rests on the back of a turtle. This may be an allegory of the continent of Africa.]
‘The Third Dream of Metal Transmutation’by Giovanni Battista Nazari was first published in 1562. An interesting work in the history of alchemy, 'Della Traumutatione Metallica Sogni Tre’, was reissued with some extraordinary allegorical woodcut illustrations by the time of the 3rd Ed. in 1599. HAB have just uploaded scans of the full book.