Tonight I worked on fixing the scene in Midnight. I really want to have the emotional tone down before I try to go into the next bit. And I thought it would be easier to pick through the scene and make the minor edits right now, while it’s all fresh in my head. I think i was probably right.
So, a bit about this excerpt. One of the things I’ve really loved as I’ve written the second half of FANA is the way Jenny’s relationship with both the Doctor and Rose has developed. In the Doctor’s Daughter section, she asks Rose what their relationship is, and Rose offers the closest approximation–she’s Jenny’s step-mum. Later, they talk about how they’ll present themselves to strangers, and when they’re in 1926, they claim Rose is Jenny’s mum, just to simplify things.
But it’s the time in the Library’s computer that actually triggers a permanent shift in their relationship. That’s when Rose realises she’s just as upset as the Doctor is about Jenny being gone, and Jenny realises that Rose and the Doctor are both her family. She calls Rose Mum involuntarily for the first time when they’re reunited, and it sticks.
And yes, she’s Jenny Tyler. Because as you know, in this ‘verse, when the Doctor has to take a last name, he takes Rose’s. So when Jenny asked what her family name would be, Rose offered hers.
Jenny and Dona didn’t leave Rose’s comfortable room in the infirmary. Seeing her so still and silent was wrong. Not that her mum talked the way her dad did, but her mind was always active, always buzzing with thought and emotion and laughter. Sitting beside her, knowing she was there and yet not feeling anything but the barest telepathic response from her… it wasn’t right.
And if it felt wrong to her, how would it feel to her dad? Jenny’s stomach clenched at the thought of telling him that Rose was.. And what if she didn’t come back?
Jenny whimpered, and Donna reached over and took her hand. “It’s all right to be scared, Jenny.”
“Yeah, I know.” Jenny wiped away the tears from the corners of her eyes. “It’s just… They’re the Doctor and Rose Tyler, or Dad and Mum. If Mum doesn’t wake up, it’ll just be Dad, and I can’t…”
“You listen to me, Jenny Tyler,” Donna said sternly, and Jenny finally looked away from Rose to meet her friend’s gaze. “You’re forgetting two very important things. First of all, this is Rose we’re talking about here. She’s tough—really tough. I can’t imagine a measly telepathic attack could really stop her.”
“What’s the other thing, Donna?” Jenny begged. Because not even Rose was invincible, and they both knew it.
Donna smiled softly. “They’re the Doctor and Rose Tyler, like you said. If Rose can’t heal herself, there is no way your dad will let her go. As long as there’s the tiniest chance that she’ll wake up again, he will scour the universe, looking for a way to bring her back.”
everyone has that one character in a show they watch where during every ep they’re usually just waiting for that specific character’s scenes to come on and enjoy everything about them from the way they talk to the way they walk and smile whenever that person comes onscreen. a scene without that character in it feels like it’s just missing something and in your eyes they’re the best thing about the show and you don’t want anything bad to happen to them ever
Hello, old friend, and here we are. You and me, on the last page. By the time you read these words, Rory and I will be long gone. So know that we lived well, and were very happy. And above all else, know that we will love you, always. Sometimes I do worry about you, though. I think once we’re gone, ‘you won’t be coming back here for a while, and you might be alone, which you should never be. Don’t be alone, Doctor. And do one more thing for me. There’s a little girl waiting in a garden. She’s going to wait a long while, so she’s going to need a lot of hope. Go to her. Tell her a story. Tell her that if she’s patient, the days are coming that she’ll never forget. Tell her she’ll go to sea and fight pirates. She’ll fall in love with a man who’ll wait two-thousand years to keep her safe. Tell her she’ll give hope to the greatest painter who ever lived and save a whale in outer space. Tell her this is the story of Amelia Pond. And this is how it ends.
● Logan for once shown kind if shitty at fighting
● R-16 rating was used properly
● Patrick Stewart needed makeup to look old
● “I’m not fucking a box of avocados”
● Glasses Logan
● This murder child is murderous
● Feet claws
● All the nurses caring for the mutant children
● Family road trip (bonus: death everywhere)
● The dinner scene where everybody is smiling
●Laura smiles too because Logan is
●X-24 being a fucking monster, but never was to the point it became annoying
● Laura being bilingual
● Mutant kids being precious and messing with
● That scene in the woods where Wolverine is Wolverine which includes
●Logan shooting the scientist guy because he couldn’t give less of a shit
● Laura turning the cross into an X
Before anything else, this is not my first ‘last letter’ to you and I don’t know if this will be the last— I hope, though.
When I think of you, I think of all things beautiful and magical. Like how the world seems so quiet from above. Or how the city lights seems to dance at night. I think of the lovely yellow lamp post on the street. Or how I see the chaotic traffic from your window. When I think of you, I hear those sentences you said. It was almost like a movie line and the whole time was a movie scene. I can’t spot anything ugly about what we had, except the fact that I don’t know if we really had something.
When I think of you, I think of your face in the morning. I think of how tight you held my hand when you thought I was asleep. I think of how you let me lean on your shoulder when the world got too much to handle. I think of your eyes and your smile or the way you frown on me everytime you think I’m annoying. I think of those horror films we failed to finish because you’re just too scared but you were acting like you’re not. It was a short time with you, but it was enough to give me memories I will remember for the rest of my life.
When I think of you, I think of the night you assured me that everything will be fine. When the stars showed up to entertain us but ending up being ashame on how you shine brighter than them. I think of those awkward elevator kisses and how you remove my eye glasses everytime I will accidentally fall asleep. God knows how I grieved for those moments when you decided to exclude me in your life completely. Like we never happened at all.
But never once I hated you for breaking my heart. How could I? You gave me the best memories I can keep in a short period of time. And for that, thank you. In another universe, or lifetime, I hope if we meet, I’ll finally be enough for you. But if not, I hope you’ll find someone that will satisfy you.
When I think of you, I think of that nice brilliant man that have the courage and dedication. I will think of how I knew you’ll go far in life.
This is my last letter to you—
Or maybe just another letter again.
OK, so like, here’s the thing. Fuck this scene but also FUCK, THIS SCENE! Because like THIS IS WHAT FIGHTS LOOK LIKE?
Like we all know what Killian’s struggling with THE SMOL DUMB ASSHOLE WHO I LOVE. And this was possibly the WORST WAY to handle this but here we are and like EVERYTHING ABOUT THIS SLAYS ME IN THE BEST WAY? I AM A SUCKER FOR WELL WRITTEN ANGST OK?
LOOK AT HER BODY LANGUAGE THO. THE STEPS BACK, THE RAISED HANDS. LIKE, AT THIS POINT SHE’S FEELING BETRAYED AF AND CONCERNED ABOUT HOW HE MIGHT NOT TRUST HER WITH HIS PAIN BUT ALSO, BECAUSE THIS IS EMMA SWAN, SHE’S NOT ABLE TO SORT OF ANALYSE IT?
SHE IMMEDIATELY GOES WALLS UP EMMA SWAN. CALLING HIM ‘HOOK’ AND NOT MEETING HIS EYES. LIKE THIS IS ABOUT PROTECTING HERSELF FOR HER WHERE SHE BELIEVES THAT HE’S HIDING THINGS FROM HER AND THAT HE DOESN’T TRUST HER.
WHEREAS HE’S JUST STUCK ON SORT OF, I DID THIS HORRIBLE THING IN THE PAST AND EVERYONE WILL HATE ME.
AND REMEMBER HOW SHE’S THINKING HOW HE COULD HIDE THIS FROM HER AND SO SHE ASKS HIM.
AND HE IS SO ON THE WRONG PAGE. LIKE BOTH THEIR CONCERNS ARE SO FUCKING VALID BASED ON THEIR OWN PERSONAL STORIES AND PERSONALITIES BUT THEY’RE NOT CONVEYING THEM CORRECTLY BECAUSE EMOTIONAL AND FUCK IF THAT ISN’T EVERY FIGHT I HAVE EVER HAD.
AND SHE’S LIKE I DON’T FUCKING CARE ABOUT THAT AND SHE’S TRYING TO TELL HIM HOW HE’S HURT HER BUT INSTEAD OF SAYING THAT NOW SHE ASKS HIM ABOUT WHY HE WOULD BURN AWAY HIS MEMORIES RIGHT?
AND THEY’RE STILL ON DIFFERENT PAGES ABOUT THIS OMG UGH THIS IS GREAT OK SO
AND HERE’S WHERE IT HURTS ME SO MUCH BECAUSE KILLIAN’S THINKING THAT THIS IS ABOUT HIS PAST SINS AND REPENTANCE AND HIM BEING A VILLAIN, HE THINKS OF IT AS A SOLITARY THING? LIKE THE WHOLE SITUATION SHOULD BE HIS TO DEAL WITH BECAUSE IT’S HIS PAST? HIS MISTAKES? WHY SHOULD EMMA HAVE TO DEAL WITH THEM?
IN HIS MIND, EMMA’S STILL ON THE OTHER SIDE SORT OF? LIKE SHE WOULD JUDGE HIM OR LEAVE HIM FOR WHAT HE’S DONE? AND THAT’S WRONG AND EMMA TELLS HIM SO BUT FUCK I UNDERSTAND WHY HE SOULD HAVE TROUBLE BELIEVING IT POOR KILLIAN SELF LOATHING JONES THAT HE IS
NOW SHE TELLS HIM RIGHT, THAT YOU KNOW THEM BUT THEY’RE STILL NOT ON THE SAME FUCKING PAGE BUT SHE’S GETTING MADDER AND MADDER THAT HE’S NOT UNDERSTANDING HOW HE’S HURT HER BY NOT COMING TO HER
AND HE’S LIKE THINKING THAT SHE HATES HIM FOR WHAT HE DID AND THAT THIS IS STILL ABOUT HIS PAST AND HIM NOT BEING ABLE TO FORGIVE HIMSELF WHICH HE STILL THINKS IS A SOLITARY PUNISHMENT FOR HIM TO BEAR. THIS IS SO FUCKED BUT LIKE IN MY EXPERIENCE MOST FIGHTS HAPPEN LIKE THIS? IN THE MIDST OF EMOTION AND ANGER AND NOT BEING ABLE TO COMMUNICATE BECAUSE OF THOSE THINGS?
AND THEN SHE’S HIT HER BOILING POINT AND SHE IS LIKE YOU LEAN ON ME!
HOOK SHE CALLS HIM UGH AND I DIED WHILE ALSO CHEERING FOR HER BECAUSE YES BUTTHEAD, YOU LEAN ON HER.
BUT SEE KILLIAN JONES HAS WALLS OK? WALLS AF. AND I FEEL LIKE WE HAVE HANDLED SO MANY OF EMMA’S DEMONS. HER FEARS OF BETRAYAL AND ABANDONMENT SO MUCH, THAT WE SOMETIMES MISS THE FACT THAT KILLIAN DOESN’T REALLY LEAN ON ANYONE BECAUSE HE’S ALWAYS THOUGHT THAT THIS BURDEN OF HIS PAST WAS HIS TO BEAR BECAUSE IT WAS ALL HIS FAULT AND
WHO WOULD EVER WANT TO BEAR THOSE BURDENS WITH HIM? THIS RINGS SO TRUE FOR ME? EMMA’S NOT THE ONLY ONE WITH WALLS YK? LIKE HE’S ALWAYS BEEN SO OPEN WITH HIS FEELINGS FOR HER BUT HE’S ALWAYS STRUGGLED WITH THOSE FEELINGS ABOUT DESERVING HER AND I AM JUST SO SAD RN
LIKE EMMA’S REACTION IS ALSO SO TYPICAL OF HER AND HER OWN WALLA WHERE HER IMMEDIATE REACTION IS TO TAKE A STEP BACK BECAUSE SHE FEELS INCREDIBLY SAD ABOUT THIS WHOLE THING. AND IT’S NOT THAT SHE WANTS TO BREAK UP WITH HIM SO MUCH AS SHE WANTS TO SEE IF HE WILL FIGURE IT OUT AND COME BACK. SHE’S NOT JUDGING HIM OR PASSING A SENTENCE, SHE’S GIVING HIM A CHANCE TO FIGURE HIMSELF OUT LIKE SHE DID IN THE UNDERWORLD BUT FAR LESS ARTICULATELY.
BUT THERE’S ANOTHER COMMUNICATION THING HERE BECAUSE KILLIAN FUCKING JONES IS LIKE FUCK MY WORST FEARS HAVE COME TRUE
HE HAS BEEN IMAGINING THIS NIGHTMARE FOR SO LONG NOW THAT ONCE IT HAPPENS, HE CANNOT THINK THAT SHE MIGHT WANT HIM BACK
HE CANNOT THINK OF THE SENSIBLE MATURE THING BECAUSE THE NIGHTMARE THAT LIVED IN HIS HEAD AND HAD BECOME REALITY THEREFORE ALL THINGS THAT HE HAD THOUGHT ABOUT HIMSELF NOT DESERVING HER MUST BE TRUE RIGHT?
WHICH IS WHY HE GOES TO THE FUCKING NAUTILUS LIKE THE FUCK YOU IDIOT.
THIS IS GREAT AND I LOVED IT.
it just felt real you know? like half finished sentences and tangents that go off to weird places and hyperbole and extrapolation. people do this shit when they fight and because it felt so real, I am so fucking hurt ugh kill me dead.
i don’t know if someone already pointed this out but this scene ya know the one where Keith is about to be killed by a robot man thing and i quote is ‘WINNING”
comes across lance in an air lock about to be sucked into space no pun intended lol DESPITE THE FACT THAT HE’S IN A DEATH MATCH AGAINST A RAGING ROBOT I LIKE HOW HE STILL MAKES AND ATTEMPT TO ASK LANCE HOW HE GOT IN THERE? DESPITE ALMOST BEING KILLED
because yea we all stop and chat with our “FRIENDS” ( ͡° ͜ʖ ͡°) DURING A DEATH MATCH AND HAVE TEA because what could be more important
The Vampire Diaries is ending tonight and it’s
bittersweet. I can remember watching the pilot episode back in 2009 and
becoming fascinated with these incredibly complex characters originating from
LJ Smith’s arguably best work. From those first few scenes I knew I would be
It was the first show that I fell in love
with. It was the first show that had me searching for all possible spoilers and
theories about what would happen in future episodes. It was the first show that
after every episode had me anxiously waiting days on end for the next episode
or god forbid season. It was the first show where it felt so effortless to
It had an amazing run throughout its first
three seasons and that’s how I wish I could remember the show. The show with
plot twists, darkness, twisted morality, epic storylines, an amazing
soundtrack, and enthralling villains. I adored that show.
I don’t really want to get into how the show
turned into something I eventually had to give up on. But to ignore that part
would be a lie. It’s no secret that due to range of different reasons the show
started shifting into something that wasn’t as captivating to me as it once
was. It is what it is.
Regardless, there are some shows that
impact your life even past its end and I know The Vampire Diaries is going to
be one of those shows. Even if tonight’s episode doesn’t turn out the way I
envisioned or hoped it would doesn’t change the fact that The Vampire Diaries
will always be a salvation of some kind to me.
To the fandom (Stelena, Klaroline and Bamon
fans in particular) thank you so much. I know it’s been crazy for these past
eight seasons and so much awful crap has happened but your perseverance,
creativity and undying hope for the show has always kept me interested. I pray we
get an ending worthy of our passion.
Thank you to Paul Wesley, Nina Dobrev, Ian
Somerhalder, Kat Graham, Candice King, Michael Trevino, Zach Roerig, Steven R.
McQueen, Matt Davis, Joseph Morgan, Michael Malarkey, Sara Canning, Kayla Ewell
and all other actors and actresses involved for bringing some of my favourite
characters to life. Thank you to Kevin Williamson, Julie Plec (even through the
many disagreements) and the crew for creating and developing this beautifully compelling
In retrospect, Critical Role is pretty much all of my favorite things in one package, so it’s no surprise I got into it the way I did. Like, here’s a story that’s entirely based on a rejection of the grimdark fantasy tropes, that’s about hope in terrible times and love and rebellion and the family you make for yourself, that’s about well-meaning fuck-ups finding strength in each other and doing amazing things. It’s got the hilarious behind-the-scenes cast stuff built into the structure of the show. It’s got three female leads with deep and varied and complex motivations who’re allowed to be angry or upset or happy without getting punished by the narrative. It doesn’t give in for long to the temptation of lazy storytelling or characterization; assumptions get flipped on a regular basis. The most important-to-the-story and fan-adored recurring NPCs are a gay sorcerer, a bisexual wizard, and her paladin girlfriend. And the fanbase volunteers to do amazing stuff like calculate running statistics throughout the show or transcribe whole dang episodes just to make the show deeper and more accessible and more fun for a wider audience.
It’s not perfect, but it’s improving steadily, and there are 265 hours of just straight-up gameplay to watch, with another four hours or so every single week. It’s absurd. What a cool thing that exists.
Okay, but what I love most about this scene is how Victor’s reaction has only one interpretation. It is unambiguous and agreed upon by 99.9% of the fandom.
Victor doesn’t say anything in the scene but just by his expression, his blush and his gaspwe all understand what is happening within him.
Because the only thing that he can be experiencing at that moment is love. Whether it is infatuation or attraction or a crush or just an incredible awareness of Yuuri’s cuteness, there is love involved.
And literally nothing else makes sense here.
Some people can deny many things in this show but this one scene, this emotion that appears in Victor’s face is real and undeniable.
That’s what I love most about that scene. It shows something so profound and true in under five seconds and it is clear to the viewer without any additional explanations.
And that is not only beautiful. That shows mastery in the art of direction.
“We all have one thing in common - we want to be loved for who we are. We need to celebrate our differences. For instance, I’m gay. I’m not bragging about it but I’ve always been afraid to say it and I’m not anymore. I want this place to be a safe space where everyone feels free to be themselves. Welcome to Degrassi.”
“He’s completely divided. As I recall, in the first scene of Season 5 when they bury Sigurd, Ivar is weeping and saying it wasn’t his fault, that Sigurd had pushed him, that he loved him, he was his brother. He didn’t know why he did it. He had just made him angry. And I think you’ll find that all the way through the history of Ivar is that he does terrible things and then he feels awful afterwards. He regrets doing these things. He can’t help himself. It makes him an astonishingly interesting character to write. He doesn’t think about the consequences. He does what he does and then he thinks about the consequences.”
––Michael Hirst on Ivar killing Sigurd.
“It’s a major, major scene… he would be the absolute weapon if he could control his anger, and that’s something he will struggle with, even in season five. He hates it, because he lost control .. Despite all the experience he has gained, he has become more of a man, definitely, but still struggles with that little kid inside of him that is just so angry, so hurt.”