all of the ings

The Japanese voice work for RWBY is so good. It makes me happy that they’re getting such solid performances over there considering how big the show has gotten in Japan

Following an ask that was answered privately...

Mun doesn’t mind at all if their stuff is used for RP-ing, or tagged as ‘kin’ ‘me’ etc! They’re not entirely Up With The Cool Kids and don’t really understand the kin-thing (plz be patient) but if it makes you happy, you do you.

anonymous asked:

Puns? I got puns. I got pick-up lines too. This may be cheesy, but I think you're grate. If you were a pastry, you'd be a cinnamon roll. I Cayennen't stop thinking about you. You must be a hot bun, cause you've been /cross/ing my mind all day. Did the Archies write a song about you? Cause, sugar, sugar, you are my candy girl. Do you like rock and roll? Cause I wanna pour some sugar on you. Is your dad Professor Utonium? Cause you're clearly made from sugar, spice and everything nice. 1/2

> 2/2 I heard you like Chat Noir, and must I say, you’re the chat’s meow. Don’t worry Purrincess, I’ll always be here to save you. - Knight in Sterling Armor Anon
[Dull thunk as my head hits my schoolbag]
IM IN *PUBLIC* HOW AM I MEANT TO REACT TO THIS WITHOUT LOOKING LIKE IVE LOST IT?
THE JUNIORS THINK US YEAR 12S ARE CRAZY ENOUGH THEY DONT NEED ME SCREAMING
AAAAAAAAAAA

2

Day and Night

“when in distress, draw a dude in a dress” is what i always say

and man a lot of you have been mentioning me on this post and the first time i saw it i fell in love but before drawing yuuri in that dress i had to find something for viktor and lo and behold i found this on my dash

  • Person A: Hello-
  • Person B: It's me.
  • Person A: Hey-!
  • Person B: I just met you, and this is crazy, but-
  • Person A: STOP!
  • Person B: WAIT A MINUTE!
  • Person C (from across the room): FILL MY CUP, PUT SOME LIQUOR IN IT!
Things only in Hetalia

• An entire religion based on a character.

• Hetaoni and Dreamtalia.

• Gutters and Danish Slaughterhouse

• 23.5

• Being able to trigger an entire fandom at the mention of Davey, Pineapples, and Jeanne D'arc

• 5 minute episodes, 4 seasons.

• Russia’s hands.

• 2p Hetalia

• The elusive 3p Hetalia

• Fucking micronations

• Direct 3rd wall breaking like in the office

• Gay Countries™

• Every Hetalian suddenly knows how to perfectly cook pasta

• Vocaloids made for the characters in Hetalia; Hetaloids

• All Hetalians know at least bits and pieces of several other languages OTHER than Japanese like other weeaboos; Examples include German, any Nordic language, French, Italian, and Spanish (All of which I can say bits and pieces of)

• Ace-ing history class

• Asking your history teacher what Prussia is, and where Liechtenstein is, and if Sealand is considered a country

• Everyone can voice act well or do at least one good or great impression of a character

• Being able to name more countries off the top of your head than anyone else

• Dark Lord Hima

• Studio Dean Animation

2

Jongdae speaking Japanese and giving a smile that could literally replace the sun (´。• ᵕ •。`)

Imagine a convo like this during the Orion Pax arc...
  • Orion: You... used Dark Energon? How?
  • Megatron: I... inserted it directly into my own spark, then I--
  • Orion: Hold on. Wait.
  • Orion (to Soundwave): Did he really...?
  • Soundwave: *nods*
  • Orion: Oh Primus, Creator of all, what THE FRAG were you thinking?!?
  • Megatron: *scoff* You don't think I could have handled the power?
  • Orion: YOU COULD HAVE DIED! I don't give a scrap heap about whether you could control it or not. Megatron, you placed the very essence of death and destruction into your spark chamber!
  • Orion: And what would have happened then? If you had ceased to function?
  • Orion: You constantly belittle Starscream's command-- publicly. It's clear to everyone who follows you-- and possibly our enemy-- that you don't want Starscream to lead! You waste his time and talents with the promise of leadership opportunities...
  • Megatron: *growls* I promise NOTHING.
  • Orion: ...Even when he performs his duties amicably and efficiently, you give him no reward. What message does that send to your troops?
  • Megatron: His reward is his life! The fact that I allow that traitorous mech to even function on my ship... he should be grateful.
  • Orion: ...So you don't actually trust him, or LIKE HIM enough to be a true heir to the Decepticons.
  • Megatron: No. I do not trust him.
  • Orion: Alright, then what about Soundwave?
  • Soundwave: *stops his work and quietly excuses himself. Nope, not doing this today.*
  • -- DOORS CLOSE --
  • Megatron: What about Soundwave? You know him too, he has been here since the beginning.
  • Orion: He may have been here the longest but he is not meant for as large a role as leader... and he knows it too.
  • Megatron: Soundwave is my most loyal. I trust him completely. The only reason I don't have him as my second is so that we can BOTH keep an optic on Starscream. Get to your POINT, Orion!
  • Orion: MY POINT IS THAT YOU DON'T THINK!
  • Orion: You disappeared for 3 years, leaving Starscream to care for and coordinate your armies.
  • Orion: He does a fine job continuing your expansion whether you like it or not, and even takes out a member of the primary Autobot squadron.
  • Orion: Energon production is not up significantly, but it's not down either-- likely the best anyone could have done in times like these.
  • Orion: But then you return, beating and tossing him this way and that, barely even acknowledging his work!
  • Orion: Your troops see this, and any respect Starscream has garnered during his time commanding has gone out the window.
  • Orion: And you MUST know this, somewhere in your processor. And I know you are also aware that Soundwave could not have filled your pedes in your absence, otherwise you would have specified as such.
  • Orion: But then what do you do? YOU STAB YOUR SPARK WITH A DARK ENERGY EVEN THOUGH YOU CANNOT COMPREHEND IT'S EFFECTS!
  • Orion: If you had died, Starscream could not resume his command after you laid waste to everyone's opinion of him. Soundwave could not have taken over because he simply could not handle it.
  • Orion: There would be a power vacuum. Any and all strong Decepticons within a few stellar cycles journey from here would compete for dominance, dividing your forces. The message would be lost... your armies, scattered.
  • Orion: The Autobots... would WIN.
  • Megatron: ....
  • Megatron: *gets up to loom over Orion/Optimus*
  • Megatron: You seem to have a lot to say for someone who has essentially been in stasis for millions of vorns.
  • Orion: *huff* All I'm saying is that you aren't using your intellect and prospective reasoning! You keep acting on your first instinct instead of thinking things through. What happened to the strategist? The gladiator with a plan?
  • Megatron: ...
  • Orion: ... talk to me. What is it about the Autobots that make you lose your focus?
  • Megatron: ...
  • Megatron: *knocks hand away* We will discuss this later, Orion.
  • Orion: ... do you even know what it's doing to your spark now? I doubt you can fully purge Dark Energon, as energy can neither be created nor destroyed.
  • Orion: *reaches out* Please... as your friend, I am asking you to seek medical attention... if only so we can better understand what must happen now.
  • Megatron: ...
  • Megatron: ... I have things I must attend to.
  • -- DOORS CLOSE --
2

those eyes (and eyelashes) should be made illegal tbh

So let’s talk about Sasha’s climactic scene

And why the Attack on Titan anime adaptation once again proves itself to be incredible. 

Sasha reading her bow and telling the kid to keep going is an amazing moment in the manga already–Isa deserves all the credit here. In the og flashback, Sasha refuses to abandon her principles just because outsiders are in trouble, she refuses to help them; a perhaps egocentric, but also human point of view-we tend to prioritize us and those closest to us over strangers. Then, in the current time, Sasha tells the kid to run bc she’ll certainly find kind and helpful people ahead; and stays herself behind to fight; she fights knowing that proper victory cannot be achieved, to save a random stranger; a kid, further emphasising that Sasha herself has grown into a great person and abandoned that egocentric child she once was.

It’s great stuff, but the animated execution of it made me realize just how good it actually is.

In the yumikuri flashback the S1 version of counterattack mankind starts…its positive a track expressing a sense of optimism and peace, it suits the “ordinary moments” she thinks about. Then, we cut back to present time. A newer arrangement of the track, led by faint strings with hints of an organ in the background–there’s a distant but growing intensity in there. 

As Sasha talks to the kid, most of it is shot from the kid’s perspective, so we get to look up to Sasha–she’s seen as the grown up here, perfectly fitting the above characterization. In the meantime, the music grows ever stronger-the organ is very present, and drums are added too. The buildup to the sequence is thus heavily emphasized. Also, listen carefully to Kobayshi Yuu (who’s performance here I loved). There’s definitely exasperation in her voice–they’ve been running for some time and are chased by a titan, not to mention that she’s afraid. Yet, you can still find a lot of tenderness in there–the kid is supposed to feel safe and secure, despite everything going on, and it just makes you love Sasha even more.

Let’s get to the real meat

I LOOOOVE this scene. Sasha spinning on her feet to stop and get into position looks really cool…but its’ the following take that I adore the most

The spin kills her entire momentum…she stands still and ready, and the camera lingers on her. But the kid didn’t do any spin, kid’s still going, not slowing down. Sasha however wants kid to keep going, seems to use her spin as a way to propel kid forward. And the moment her arm is separated from kid, the camera moves on as well–doing so, Sasha’s staying-behind-to-fight is visually translated and further emphasized without the viewer consciously realizing it. I have a hard time describing it, but there’s an incredibly powerful sense of organic dynamism in there that just sells the scene. It’s excellent visual storytelling, not only of the situation, but also of Sasha’s character–she’s strong and altruistic now, and she’ll fight against all odds to save the kid in need. Yuu’s performance here is perfect as well–there’s now definitive desperation to be heard, alongside remaining hints of kindness but also a certain intensity. Sasha is afraid–she has no equipment to protect herself, she has no weapons to eliminate the threat, but in spite of that, she still sends the kid away, she still stays behind, she still stands in the way of the titan. 

And THAT shows just how brave she is–Sasha overcomes her weaknesses, she fights against all odds, she dedicates her heart–and that is what the anime manages to portray so masterfully here.

And of course, that is what the best shot of the episode does.

We get an incredibly gorgeous wide shot…starting off once again from below, keeping both the titan and Sasha in frame, reminding us of the threat ahead of her, but in one amazing panning zoom, we fly all the way to a closeup filled with nothing but fierceness. The visual alone is amazing in its own regard, but the sound is what truly rounds it up. Counterattack Mankind A reaches its climax, going all out on instruments, cue-ing the all-so-familiar melody in an immensely epic arrangement worthy of the scene it accompanies. Kobayashi Yuu 100% sells it too–her first “now-go” is still a bit feeble and unsure as mentioned above, the 2nd “run” already stronger but there are still hints of fear….and then, with the musical cue behind, after getting a full frontal close-up–the all out “get runnin’!”, filled with nothing but raw energy and determination–Sasha’s abandoned all fear and is in all out character-climax-badass mode. Her shout echoes through the woods, the kid is literally hit by a shockwave and finally starts running (sidenote–her eyes were dark and lifeless throughout the ep, but only after that do they lighten up, adding once more weight to Sasha’s moment). And of course, Sasha’s accent arc comes to full circle in the same frame as well, as she yells the command out in her native dialect she’s tried to hide for so long. Pretty much everything that could’ve come full circle did–in terms of writing, performance, sound and visuals.

It’s an amazing sequence deserving of ludicrous praise for the creative staff–they’ve proven once more that Attack on Titan is a work of art. The manga is already without a doubt amazing–most of the points above stem from it after all-but the anime is so ridiculously good at presenting I sometimes can’t believe it with my own two eyes.

In case you couldn’t tell, I fucking loved this sequence and I’m gonna yell about Sasha all week long.