My ship for next season is the Stark Sisters™ banding together to collectively kick Jon’s ass while Bran pulls receipts when he shows up to Winterfell with Its not Delivery it’s DiGiornos for the disrespect he did to the North, his bannermen, and Robb’s memory
Bran giving Arya that dagger is SUPER fucking significant, cause nobody believes for a fucking second that Bran doesn’t know exactly what Littlefinger has done or is up to, but him giving that dagger to Arya, the deadliest (by body count) of the siblings, is a catalyst for her to kill Littlefinger with it. Bran’s a sneaky lil fuck, shows NO EMOTION, but goes “Ye, gonna end this shit with the same weapon that started it”. Now if you don’t think that is the tightest, most poetic shit in this fucking series, then you can get the fuck outta here.
Also, Sansa watching Arya fight and be like “jfc she wasn’t kidding wtf” I’M FUCKING LIVING RN
When Jon told Sansa in front of everybody that the North is hers, everyone is jumping too “Well, that shut her up real quick” as if she’s greedy and wanted the North. When obviously, it shut her up because Jon just validated her, she said last episode “Would that be so terrible?” when he asked if he was to follow her advice to be smarter, you can literally see the awe and appreciation mixed in with shock in her face. She’s so used to be looked over because she’s a girl, and Westerosi society is male dominated, but here she was validated for the first time in FOREVER as being a Stark, NOT a Bolton, NOT a Lannister, NOT a pawn, but and honest to gods Stark who deserved every bit on respect the name has drawn for centuries in a line of Kings and Wardens. Jon was named King of the North, but he still recognizes that Sansa is a Stark and that her rightful place will always be Winterfell, and her power will always be the North.
“We’re all just songs in the end. If we are lucky.”
I’ve been thinking a lot about this quote and it just kind of struck me, properly and truly struck me. So many of these characters will become songs. The things they did, the battles they all fought will forever be immortalised. Daenerys, Jon, Jaime, Brienne, Arya, Sansa, Tyrion, Cersei, Asha, Stannis and so many more will all be made into songs and remembered. GRRM’s story almost acts as the prequel to the songs. The origin stories even. This series is the humanity behind the songs. It’s what we get when we strip away the fancy words and look to the bone of the tales.
Characters like Sansa or Bran and Arya, they won’t just fade into obscurity or become another name in the family line. They’ll be remembered. Already we’re seeing songs about them creeping in. There are tales about the huge pack of wolves, led by Nymeria, her own. There are songs about how Sansa turned into a wolf and killed the king and flew out of Kingslanding.
I know it seems hard to associate songs with the abuse and pain all these characters faced but that is exactly the point! Time and history will glorify them, forgetting all the hurt they once endured. The songs won’t remember how Jon struggled with his identity and not belonging but rather on the man who rose from the dead and helped to defeat the Others.
It won’t see Bran the Broken boy or Brienne as someone to be mocked. It will remember that Bran became a godlike figure and ruled over Winterfell for centuries onwards. It will remember Brienne as one of the greatest knights to exist, perhaps it will even forget the reason behind her title, the Beauty.
It won’t think to remember how Daenerys was abused by her own brother and was desperate for a home but rather the woman who did what no other person was able to do, bring dragons back. It’ll focus on how she broke the chains of slavery despite her lineage and past suggesting otherwise. It will remember her as the most beautiful woman and Aegon the Conqueror himself.
It won’t see Arya, a girl forced to give up her identity, plagued by her own fears and insecurity but rather a girl who led a whole army of wolves and avenged her family. It’ll see a twelve-year-old who conquered the world.
Sansa, the girl who was forced to watch her father die and was forced into marriages, abused, sexually assaulted, she won’t be that anymore. She’ll be the girl who slayed a giant. The girl who escaped and killed a king and then helped to rebuild Winterfell and perhaps, even became a Queen. She’ll be a leader and a bringer of peace and a great lady in a song.
Despite what Sansa may think, what we all may think.The songs do exist, they just have to be earned. All the songs are based on somethings. They have to be and all these characters that we’ve just seen develop and grow are what the songs in the future will be based off. They’re the human within the song. The heart beneath the happy veneer.