We love this beautiful new piece by Ewelina Dymek. Ewelina’s striking and detailed work is enchanting. Want to see more? Head over to our site - link in bio. @ewelinadmk #skill #technique #illustrate #illustration #portrait #fashion #detail #marble #handdrawn #delicate #new #work #art #striking #enchanting #beauty #campaign #accessories #hair #line #creative #agency #fashionillustration

The thing about Arima is that he’s very much the child soldier all grown up. It’s heavily implied he has something to do with the garden, either coming from it or being its forerunner. He has had no life outside of the CCG. And I’m willing to bet that he’s been part of V for a very long time as well.

I’m honestly, and maybe mistakenly still kind of rooting for him, but not to turn out to secretly be a hero - rather to make a choice that saves Kaneki or that ultimately saves everyone.

Fura calls Arima a “yes man” and I think we’ll be coming back to that. I think for his entire life, Arima has been ordered around by these large powers and performed perfectly for them. Their perfect little soldier, their ideal puppet and tool.

Arima is hyped up as a destroyer and a power to be feared, but in a way, he’s sort of ironically without any agency of his own.

The struggle for agency is actually a pretty central one for Kaneki, and thematically in both Tokyo Ghoul and Tokyo Ghoul RE.

The struggle for self definition despite how the world and greater powers would define you. 

To play your own role despite the role others would have you play. 

It is, in a way, the central struggle of tragedy - the struggle against Fate and the Inevitable.

I think that Arima’s time will come when he finally makes a choice of his own, maybe to stay his hand when he is ordered to kill, or maybe to kill when he is ordered to stay his hand. Since his character is so wrapped up in death, those two possibilities seem most likely. But I think Arima will get one shining moment to say “no,” that will earn him that place on the Joker card.

In this way, he is a clear contrast to Eto, who is defined by agency and defiance - by charting her own course and defying the rules of others.

pictured above:  agency; charting one’s own course; defying the rules of others; also, eyeball licking.

Visiting our #client #Wilhelmina ! The reception desk is #fabulous !! #xo #willy #wilhelminamodels

#NYC #newyork #newyorkcity #agency #modelagency #model #modeling #software #booking #booker #agent #artist #talent #accounting #management #modelmanagement #am #amgr #AgencyMGR #AgencyManager (at Wilhelmina Models)

The semantic consequence of the coloniality of gender is that “colonized woman” is an empty category: no women are colonized; no colonized females are women. Thus, the colonial answer to Sojourner Truth is clearly, “no.” Unlike colonization, the coloniality of gender is still with us; it is what lies at the intersection of gender/class/race as central constructs of the capitalist world system of power. Thinking about the coloniality of gender enables us to think of historical beings only one-sidedly, understood as oppressed. As there are no such beings as colonized women, I suggest that we focus on the beings who resist the coloniality of gender from the “colonial difference.” Such beings are, as I have suggested, only partially understood as oppressed, as constructed through the coloniality of gender. The suggestion is not to search for a non-colonized construction of gender in indigenous organizations of the social. There is no such thing; “gender” does not travel away from colonial modernity. Resistance to the coloniality of gender is thus historically complex.

[…]I [do not] think of resistance as the end or goal of political struggle, but rather as its beginning, its possibility….Resistance is the tension between subjectification (the forming/informing of the subject) and active subjectivity, that minimal sense of agency required for the oppressing resisting relation being an active one, without appeal to the maximal sense of agency of the modern subject.

—  Maria Lugones, “Toward a Decolonial Feminism”
Here's the serious version of my gender post bc no one will let a trans girl have some fun on their blog

“You don’t need to feel trapped being cis, there are other options, it’s ok to b trans and if you want to be trans you certainly can, especially since gender is a harmful social construct created by colonialists in an attempt to categorize people to better fit into a post industrial economy under an authoritarian system of government. Gender oppresses all of us, and if you don’t like the gender labels that others have applied to you, you can break out of them, gender shouldn’t feel like a cage, and if it feels like a cage to you, abandon or change it, you have the right to claim autonomy and agency over your gender and gender expression, don’t let other people tell you that you can’t be trans, or that your transness is invalid, especially if they’re basing that assumption on what they think a trans person should look and act like, it’s not ok for people to use your transness as a weapon against you, what you see your gender as or what you want your gender to be is valid, you have the right to control how you are labeled and how you would like other people to refer to you, gender doesn’t have to be normative, don’t let other ppl stifle you”

Tl;dr: your gender is your own and no one else’s, you have the right to define and label it in the way that you like and/or makes you most comfortable, no one else has the right.

peggy - i have a bold and cunning plan

sexist ssr la bro - listen sweetie, honey, //babydoll//, let me tell you how we do things in la

sousa - okay, we’ll go with your dumb plan instead

sslb - //thank// you. (storms off)

sousa - go do your thing peggy

peggy - thank you

the entire audience - FUCKING FINALLY

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Another great piece of inspiration for the School of Jewellery brochure. Again I found this artist on Pinterest. Her name is Kristina Krogh, she’s set up her multidisciplinary art and design studio in Copenhagen in 2012. ‘Geometrics, aesthetic lines, clean patterns and distinctly different textures are some of the things Kristina love and are strongly represented in her work.’ You can see here the beautiful quality in Kristina’s work. She has a really good eye for shape, composition and scale. You can see in all of her works how she balances everything beautifully. She is now working on an interiors collection for the home. All of the pieces above are available to buy. I will really examine her work before producing more spreads for the SoJ brief because I think I could gain a lot of tips on balance and scale. The overlapping of the textures she uses in perfect too! I’m really in owe of all her work.    

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