Out of South Africa comes Mary Sibande recognized for her project called, Long Live the Dead Queen.The exhibition revolves around a character named Sophie Ntombikayise, a maid inspired from her personal family history of four generations involved in domestic work.
“Sophie’s eyes are always closed as she dreams and desires things that a maid and her family never had. Sibande created the figure in order to pay tribute to her mother, grandmother and her great-grandmother in a four figure sculpture series. In this, Sibande too becomes the maid, crafting the history of the women in her family.”
“Most often spotted alongside the pier, armed only with a spade, their hands and imagination, the sand-artists spend their days creating marvellous works of art for public admiration in the hopes of a steady stream of donations as this is often their only means of survival. Passers-by sometimes offer extra money so they can be photographed with these works of art, some of which can take up to a week to complete depending on size and detail, only to be destroyed in minutes. So why do their creators make them? Some of these guys are homeless teenagers - sculpting often means they don’t have to go to bed on an empty stomach. For others, the money they make is used to travel to and from home, or to pay for shelter for the night.” (Source)
Artist Statement Tamara has always felt a connection to ‘everyday folk’, the working class, the unseen and unheard, the true warriors of our time. She realized, however, that many people who may have suffered through a similar struggle, did not want to revisit those struggles. With great thought and consideration for her message, she decided to amend her ideas. Inspired, by the golden period of Gustav Klimt and images of royalty from Egypt and West Africa; she decided to turn regular folk into representations of nobility. It seemed, in her view, to be the only way to allow them to be represented and appreciated for who they were intrinsically; kings, queens and warriors, in their own right, who never had a chance to shine, their austere appearance setting the tone for others to judge them. The embellishments with rich fabrics and gold present an opportunity for these people to be seen. The quilted clothing have a double meaning, on one hand representing a sense of distinction, while also allowing for a bit of nostalgia. The birds in the pieces represent a sense of freedom. It was her way of injecting her personal experiences into each painting and remembering her escape and survival from illness and the dialysis machine.
1. Abubakar Adam Ibrahim (The Whispering Trees) Abubakar Adam Ibrahim, born in Jos, Nigeria, writes prose, poetry and drama. His debut collection of short stories The Whispering Trees, published by Paressia, was longlisted for the 2013 Etisalat Prize for African Literature, and the title story shortlisted for the 2013 Caine Prize for African Writing. His was the only story published on the continent to be shortlisted for the Caine Prize that year. He is the arts editor at the Abuja-based Sunday Trust. He was a mentor on the 2013 Writivism programme, facilitated the Abuja Writivism workshop in 2014 and judged the 2014 Writivism Short Story Prize. He also facilitated the Caine Short Story surgery at the 2014 Port Harcourt Book Festival.
2. Chika Unigwe (Night Dancer) Chika Unigwe, born in Enugu, Nigeria, writes fiction in English and Dutch. She was shortlisted for the Caine Prize for African Writing in 2003 and won the BBC Short Story competition and the Commonwealth Short Story competition in 2004. Her debut novel De Feniks, written in Dutch and published in 2005, was shortlisted for the Vrouw en Kultuur debuutprijs prize. It was later published in Nigeria by Farafina Publishers in 2007 as The Phoenix. In 2009, her novel On Black Sisters’ Street was published by Jonathan Cape and won the Nigeria Prize for Literature in 2012.
3. Dilman Dila (A Killing in the Sun) Dilman Dila, born in Tororo, Uganda, writes fiction and makes films. He was longlisted for the Short Story Day Africa prize in 2013 and 2014, shortlisted for the Commonwealth Short Story prize in 2013 for A Killing in the Sun, and nominated for the 2008 Million Writers Awards. He has also been longlisted for the BBC International Radio Playwriting Competition for Toilets are for Something Fishy. His film Felista’s Fables has won and been nominated for various awards, from the Uganda Film Festival awards to the Africa Movie Academy Awards and the Africa Magic Viewers’ Choice Awards. His short story collection A Killing in the Sun was published in 2014 by Black Letter Media. His novella Cranes Crest at Sunset was published by Storymoja in 2013 andThe Terminal Move by Fox and Raven Publishing also in 2013.
4. Emmanuel Sigauke (Mukoma’s Marriage and other stories) Emmanuel Sigauke, born in Zimbabwe writes fiction and poetry. He teaches English at Cosumnes River College and Creative Writing at University of Carlifornia Davis. His work has appeared in Horizon, The Pedestal, NR Review, African Writing Online, StoryTime, Tsotso, The Rattle Review, and Arts Initiates, among others. He edits Tule Review, Cosumnes River Journal, and Poetry Now and founded Munyori Literary Journal. Mukoma’s Marriage and other stories, published in 2014, is his first collection of short stories.
6. Melissa Kiguwa (Reveries of Longing) Melissa Kiguwa describes herself as “an artist, a daughter, and a radical feminist.” Her debut collection of poetry, Reveries of Longing, was published in 2014 by African Perspectives. She was long-listed for the 2014 Writivism Short story prize for the story The Wound of Shrinking. She now studies at the London School of Economics.
5. Jennifer Nansubuga Makumbi (Kintu) Jennifer Makumbi, born in Uganda is a novelist and short story writer. She won the inaugural Kwani? Manuscript prize in 2013. Kwani Trust went on to publish the novel Kintu in 2014. In the same year, she won the Commonwealth short story prize with Let us Tell This Story Properly. Her other short fiction has been published by African Writing Online, Granta, Moss Side Stories, among others. She studied at Manchester Metropolitan University and Lancaster University for her Masters and Doctoral degrees respectively.
9. Zukiswa Wanner (London Cape Town Joburg) Zukiswa Wanner, born in Zambia to a South African father and a Zimbabwean mother, is a writer. Her debut novel, The Madams, was shortlisted for the K. Sello Duiker Award in 2007. It was followed by Behind Every Successful Man, published by Kwela in 2008, Men of the South, also by the same publisher in 2010. Men of the South was shortlisted for the 2011 Commonwealth Writers Prize. Her latest novel, London Cape Town Joburg, was published by Kwela in 2014. She was named one of the Hay Festival’s Africa39 authors. She sits on the Writivism Board of Trustees and started the ReadSA initiative to encourage South Africans to read African books.
7. Novuyo Rosa Tshuma (Shadows) Novuyo Rosa Tshuma, born in Zimbabwe, is a fiction writer. Her debut novella and collection of short stories was published by Kwela in 2013. Her stories have appeared in various publications, including the 2010 Caine Prize Anthology and African Roar. She won the 2009 Yvonne Vera Award and the Herman Charles Bosman Prize for English Fiction with Shadows. She is currently a Maytag Fellow at the MFA Creative Writing Programme at the University of Iowa and one of the 39 writers named by the Hay Festival as potential influences on future African Literature.
8. Yewande Omotoso (Bom Boy) Yewande Omotoso, born in Barbados to a Nigerian father and a West Indian mother, is a writer and an architect. Her debut novel Bom Boy, published in 2011 by Modjaji Books, won the 2012 South African Literary Award for First-Time Published Author, was shortlisted for the 2012 Sunday Times Fiction Prize in South Africa as well as the M-Net Literary Awards 2012, and was the runner-up for the 2013 Etisalat Prize for Literature. (source)
Abdul Ndadi is an animator from Ghana and a graduate from the School of Visual Arts, NY class of 2013. He’s created an animation film entitled Orisha’s Journey (2014) which will be shown at the Hiroshima International Animation Festival in Japan (21st August 2014 - 25th August 2014).
Orisha’s Journey is a fantasy tale of a girl’s journey through the spirit world (‘Orisha’ denotes a spirit in Nigerian Yoruba cosmology), who must learn about the importance of remembering one’s roots. The film, set in a mysterious walking forest, explores the power of a child’s imagination and the deep meanings and manifestations of Africa.
The film is based on African folklore. I want to show another side to Africa besides safaris, so I explore different aspects of different countries around Africa in order to give the viewer a pan-African experience. It’s important to me that Africans feel that no matter where they’re from, they’re part of my film. In the West, there is not a lot of exposure to real Africans — most people only go as far as The Lion King. I want to take people farther, to create a deeper meaning. There is a word in Ghanaian: “Sankofa” – it means to return that which was lost. It is a symbol for not forgetting your roots and learning from the past. It is said that a tree without roots cannot stand. -Abdul Ndadi