“Episode 1 of a 10-part TV series made by Dr. Maya Angelou for KQED in 1968 called Blacks, Blues, Black!, which examines the influence of African American culture on modern American society. As Dr. Angelou puts it: “What is Africa to me?” Includes scenes of Dr. Angelou in the studio discussing “positive Africanisms”: children’s games, dance, poetry, religion and the blues. She states: “The preachers and the blues singers are the poets of the black American world.” Also features views on location of children playing street games, of Rev. WR Drummer and Rev. JL Strawther preaching at the Little Zion Baptist Church in San Francisco and of B.B. King performing on-stage and being interviewed by Dr. Angelou. This episode was written by Dr. Angelou and produced by Tony Batten.”
i am beyond ecstatic to post this series written and hosted by Dr. Maya Angelou from 1968. it’s basically an introduction to African American Studies (/African diasporic studies) made for television. ever since i saw the Netflix documentary, “Maya Angelou: And Still I Rise”, i have been obsessed. she’s much more radical than the light she is generally caste in. this is such a gem. i hope you all watch all the episodes.
A spiritual road trip to the sources of African-American culture. Turntable wizardry, mind-blowing artwork and fascinating rituals - the old African gods have taken on new forms since their arrival on North America’s shores.
The core of Amandla’s discussion about cultural appropriation had barely settled on America’s consciousness, much less our subconsciousness before this happened…..
and then swiftly this happened.
This “conversation” between 16 year old Stenberg and the now 18 year old Jenner caused a huge uproar. Immediately Amandla not only was accused of being a race baiter and of being the stereotypical “angry black girl” she also became Andy Cohen’s “jackhole of the day” for her counter of Kylie’s cornrows. Many people were astounded that this situation was all about hair. Anyone should be allowed to wear their hair in any fashion they want. Even the styles that have been traditionally worn by black women and girls for decades. The styles that have been worn traditionally by black women and girls for decades, primarily for function, secondarily for fashion. The styles didn’t seem to be on anyones radar or worthy of praise until Miley,or Iggy, Kendall Jenner started wearing them.
When Amandla Stenberg called out Kylie Jenner’s cultural appropriation many came to her defense. Cries of: shes young (she had allegedly been in a relationship with a now 25 year old man since she was 16), “shes just trying to figure it out” the words of Justin Bieber, and that shes can do whatever she wants flooded the interwebs as the dispute between the girls became the highest trending hashtag.
I agree everyone should be allowed to wear their hair the way they want. A London boy in 2011 shouldn’t have been sent home because his cornrows were believed to be too closely associated with London’s gang culture. White children were also prevented from shaving their heads for fear of its association to skinheads.
7 year old Tiana Parker should not have had to leave school because of her hair in 2013. She had attended her school for a year before her dreadlocks caused an issue.12 year old Vanessa VanDyke should not have been threatened with expulsion for wearing her hair in the natural form that grew out of her head.
A Native American boy, 5 years old, was sent home on his first day of kindergarten because his traditional braids did not meet the required dress code for little boys.
Okay…clearly the issue also lies in the school dress code policies. Policies that seem to make it very difficult for children of color or of other cultures
to wear their hair in anyway that is different from their straight haired counterparts. So no, Amandla’s comment was not a jab at Kylie but instead were the actions of a young woman trying to inform a privileged, young, soon to be adult celebrity with a massive fan base of impresionable individuals, to not be so careless and ignorant to the value that has historically been placed on hair and hairstyles by other cultures. It is possible to appreciate that culture without appropriating it.
After these events I imagine that amandla would have had one last question:
What would America be like if we, as a society, defended the freedom of children of any and all color to be who they are the same way we defend young girls/women, like Kylie Jenner, to do what they want?
Vanessa was featured on the real 11/13/2015 and her Afro still looks amazing.
“I mean, that’s why when someone ask me about violence, I just find it incredible. Because what it means is that the person who’s asking the question has absolutely no idea what black people have gone through….”
Paris Is Burningis a 1990 American documentary film directed by Jennie Livingston. Filmed in the mid-to-late 1980s, it chronicles the ball culture of New York City and the African-American, Latino, gay, and transgender communities involved in it. Many members of the ball culture community consider Paris Is Burning to be an invaluable documentary of the end of the “Golden Age” of New York City drag balls, as well as a thoughtful exploration of race, class, gender, and sexuality in America.
Here’s a fantastic looking trailer for Floyd Norman: An Animated Life, a documentary exploring the life of Disney animator Floyd Norman.
An intimate journey through the celebrated life and career of the
‘Forrest Gump’ of the animation industry: Disney legend Floyd Norman.
Hired as the first African-American at Disney in 1956, Floyd worked on
such classics as SLEEPING BEAUTY and 101 DALMATIANS before being
handpicked by Walt Disney to join the story team on THE JUNGLE BOOK. After Walt Disney’s death in 1966, Norman left Disney to found Vignette
Films, where he developed the original FAT ALBERT TV special and
produced segments for SESAME STREET. He would later work at
Hanna-Barbera on many classic cartoons, including SCOOBY DOO. After
Hanna-Barbera, Floyd’s talents took him to Pixar to work on TOY STORY 2
and MONSTERS INC. On Mr. Norman’s 65th birthday in 2000, Disney HR
forced Floyd to retire. Refusing to leave his “home,” Floyd has
“hijacked” a cubicle at Disney Publishing, unpaid, for the past 16
years, picking up freelance work when he can. At 81 he continues to
have an impact as both an artist and a mentor. Mr. Norman plans to “die
at the drawing board.”
Riccardo Tisci of the house of Givenchy joins forces with Kehinde Wiley while he explores, for the first time, painting portraits of African American women inspired by some of the Louvre’s most iconic masterpieces.
Documentary photo essay following the life and challenges of Black Farmers in California.
Hello everyone. I have started a kickstarter campaign to help out with a project that revolves around Black Farmers in California and need help making this project in this happen. Any help that you can do will be greatly appreciated. If you can’t donate then please share this with as many people as you can. If a person can make $50 Thousand to make a potato salad then I should have no problem reaching my goal in this very important subject. Thank you and I look forward for any help that I can receive.
A short documentary called “Hair” by Will Ellis that profiles 3 people and their hair. It includes a Sikh who’s religion forbids them from cutting their hair, a black woman talking about the culture of hair, and a woman with trichotillomania.