advice series

anonymous asked:


15. say something positive about your notp


well lets see here…..My list of NOTP’s could go on for miles but I guess its only fitting to do swan queen. Especially now with all this fuss about Lana. 

So Some things I do like about swan queen is how well they can work together .And when something is important enough they put their differences aside .Like how random monsters  just come and stroll into SB and Everyone always looks to them first to get the job done. Like everyone depends on them because they are so good when it comes to using their magic and trying to fight a common enemy. 

I like when they comfort each other and how they give each other advice ! throughout the series there have been tons of moments when they were both upset about things , and they have turned to each other. I REALLY like it tho when one of them gives the other advise that they dont want and they actually learn something  from that person and i just ahhhhh

And I also enjoy those scenes with henry. How he calls them moms and how they coparent with him. I think its cute. 

Writing Series #8: How do you stay invested?

What I hear most often from writers switching from short fiction to novels is: how do you stay invested for the long haul? How do you care about the same story for the time it takes to finish an entire book?

As someone who began with novel writing and never really mastered the art of the short story, I’ve always had the opposite question (how do you keep it to a minimum? how do you condense your ideas into just a few pages). But this doesn’t mean I’ve never had that age old book commitment problem. Even the best stories can drift away from us, and even the most dedicated writers will experience the occasional hiccup in their writing schedule. Too much time away–whether it be a busy schedule, a new child, an illness, or just general lack of inspiration–it can make coming back to the book after a writing drought seem impossible. You sit down in front of your story, see these words so old you hardly remember writing them in the first place, and think, how can I possibly keep going? 

Coming back to an old story can feel a lot like a high school reunion: bumping into people you once knew so well but who have now become strangers, and now you hardly know to strike up a conversation. But just like a reunion, you have two choices: runaway and give up on the relationship for good, or force the smalltalk until you break into something real. If you’re lucky, by the end of the night, you can be laughing and having a great time, saying it’s like things “never changed at all” before you’re through. A book is the same way. 

Just as we bring up “the good ‘ol times” in conversations, it’s important to revisit what made you write the book in the first place. Some things that have helped me have included: 

  • Taking notes of my character’s planned emotional and physical arcs over the course of the book. This way if I lose investment or take too much time away and begin to lose that connection to their emotional state, I can return to my notes and see where I wanted them to be and start to understand their state of mind again and their purpose in my story. 
  • Take notes of your planned plot or, if you’re not a structured planner, some things you hope to happen in the story or directions you might like it to go. This will be your road map later if you get lost along the way. 
  • Make a playlist (or other art form, if you’re a painter, poet, etc.) that reminds you of your story. Listening to these songs later can help you to revisit the mindset you were in while writing and spark that creativity. 
  • Go back and reread some of your older, already written chapters. This can help you to remember what the tone of the story was and how the dialogue was sounding. If you don’t and take a long break in the story, there’s a large chance that your story will end up disjointed with two separate narrative styles and tones that will be jarring for the readers (and yourself as you read it back later). This can also trigger the memory of how it felt to write this story last time and to hopefully help you to continue writing it again. 
  • Practice writing a scene with your character(s) that won’t make it into the book. Jumping right back into the novel can seem daunting at times, so it may help to open a new document and write a random event just for practice on regaining and writing your character. Other useful exercises might include an interview, biography, or sample social media account for your character if applicable. 
  • Just keep writing. Sometimes you have to write something terrible to break through to something good. But don’t worry. The delete button exists for a reason, and the editing process will be a lifesaver down the line. 

To all the writers out there: how do you keep yourself focused and interested during the course of writing a novel? Do you have any tips for maintaining writing momentum?

Feel free to add to this post or submit your own advice to share with your fellow writers at


bernie wolfe + @ao3tagoftheday (2/?)



“ الأشخاص ما هم إلا أشخاص، صحيح؟ عندما تصل إلي أعماقهم تجد انهم دائماََ متشابهين، يحبون شيئا ما، يريدون شيئاََ ما، يخافون شيئاََ ما. التفاصيل مُهمه، لكن التفاصيل لا تنفي حقيقة أن كل شخص ضعيف، إنها فقط تُغيّر الطريقه التي يجب علينا أن نتعامل بها مع هذا الضعف “

Mr. Robot (2015 –)

Starting today, I am running a year long series for students who are going into post secondary education this September. I will be releasing a new post on the 5th of each month, which will be specifically targeted to the phase that a lot of students will be in at the time. This month’s topic is… 

Choosing a University! 

I know there are a lot of posts out there telling people what to include in their spreadsheets and documents. I thought I would make a post sharing what I think are the most important factors to consider, versus which ones are overrated. This is purely based on my own experiences and the experiences of my friends, so everything in it might not apply equally to everyone. (Sorry this post is going to be long as hell).

Most Important Factors

These are the things that I believe are so important that they can make or break your decision to go to a school. 

  1. Major: To me, this is the most important thing you should consider when choosing a school. If they don’t offer your prospective major, you should think really hard about going there. It may feel like you are settling for a major you don’t want before you even start, which is a shitty feeling. Also, because a lot of people change their minds about what they want to major in, it may be wise to make sure there are two or three faculties the school offers that interest you. 
  2. Financial aid: This one is definitely second on my list because it can kind of make the decision for you. If your dream school is way out of your budget and doesn’t have a good financial aid package, you may want to start looking elsewhere. 
  3. Location: Being close to family and friends is way underrated when you are going into first year. A lot of people think that because you are entering post-secondary, its time to completely grow up and leave your family and hometown behind. But this can backfire! If you are really close to your family and friends at home, love where you live, etc. location can be a big factor. 
  4. First year retention rate. This is the one statistic that I think can show a lot about a school. If a lot of people transfer out after first year, it can be a bit of a red flag.
  5. The type of people and atmosphere. This might seem not as important, but knowing the type of school that you are going to be in is crucial to understanding if you will fit in there in the future. I suggest looking into whether or not it is a party school, if it is fiercely academic and very competitive, whether it is a diverse school with international students, whether students tend to have part-time jobs. These kind of things can give you a sense of whether or not you will fit in. 

Semi-Important Things 

These are the things that I think can help you make a decision, but shouldn’t be the basis of one. Think of these as added bonuses. 

  1. Extra-curriculars. Unless you are deeply devoted to a certain sport or club and intend to pursue it throughout uni and into adulthood, the specific of extracurriculars offered probably doesn’t need to make or break your decision. As long as a school has a wide variety of clubs, teams, and other opportunities, you will likely find something to join. 
  2. Things to do in the area. Unless you are heading out into an unpopulated area, there will be things to do wherever you go. Most cities that are big enough to have a university will also have some shopping, a movie theater, a few bars, and some restaurants. A lot of students don’t have time or money in first year to be going out every single night anyways. 
  3. Where you can get a job. Like above… if it is a university town, there will be part time jobs available. Even if you can’t transfer from your current job or your dream job isn’t available in the town, you can likely find some source of income. 
  4. Prestige. A lot of people fall into the trap of looking at rankings of the best schools in the country or the world. These can be a good indicator of if a school or program is well-liked and well-funded, but they can also get into your head. If you are in love with a school and it doesn’t have a top ranking, that doesn’t mean it isn’t a good school or you won’t be able to get a job. Try to take rankings with a grain of salt. 
  5. Average class size. This is one stat that is hard to deal with because typically, class sizes get smaller as you get older. First year classes will be bigger than the average listed and fourth year ones will be smaller.
  6. Quality of the dorms. I have to be real here: most dorms are shitty. Also, at a lot of schools there are two or three luxurious buildings and twice as many dumps. You only have to live there for a year! Don’t let ugly looking dorms push you away or let super fancy dorms pull you in. 

Overrated Importance

These are factors that I think should be tagged on as bonuses at the end of your decision, not factors that are included in making it. 

  1. The look of the campus. I go to a university with one of the most beautiful campuses that I have ever stepped foot on. But the truth is, it doesn’t affect how you learn or how good your life is. I don’t wake up in the morning and gaze at the historic buildings and the fall foliage. Once you have lived there for a month, the allure of a stunning campus can wear off. 
  2. Where your significant other is going. If you and your partner happen to choose the same school, that’s great! However, if you choose a school specifically because they are going there, it might end in disaster. I have friends who made this choice and their relationships ended within weeks of getting to school. You don’t want to have regrets because you made a choice based off of someone besides yourself! 
  3. The admission rate. If you meet the requirements for admission, don’t stress out about being accepted. I remember looking at my school’s admission rate of 41% and being so stressed, despite the fact that I had grades well above the requirements and extra-curriculars and awards on top of that. Don’t let it stress you! 
  4. Where your parents went. This is similar to the significant other issue listed above. Going to your parents alma mater can be amazing, but if you don’t already like the school, don’t let that be a persuading factor. 
  5. Whether or not the people on campus are attractive. I have seen so many articles saying that if you take a campus tour and don’t see any super hot people, you should reconsider. This makes no sense??? There is no way that you will go to a school and not see a single person that you find attractive. Like… no. 
  6. How good the professors are. If you read bad reviews about certain profs or really good reviews about others, don’t let that sway you. You might not even end up ever having that prof. You could get that prof and have an experience completely different than the reviews. If there is overwhelming evidence that the entire staff is horrible, maybe consider that. But when it comes to just a few profs you read about online… try to let it go. 

I know this isn’t an exhaustive list of everything there is to consider, but these were just the thoughts that came to my mind based on own experience. As always, different things work for different people. 

Writing Series #7: Am I Copying?

We all know that plagiarism is wrong. If you’ve written at all, you’ll have it engrained in your head that copying is theft and stealing creative works is one of the worst things you could do in the writing world (no matter how much we wish we could have written that one book, you know, the really really good one). But what about accidental copying?

Every writer I’ve ever met has at some point said to me, “I really like this story, but I think it’s already been done” or “I just finished my book and found out there was one published last year that’s the exact same thing” or “I started reading this book, and I think I accidentally stole its plot.” I know I’ve been there, staring at my favorite books and wondering if I was just a bit too influenced by them, if our plots are a bit too similar, if our writing styles mesh too well. 

But then we have the well-repeated Mark Twain quote: “There is no such thing as a new idea. It is impossible. We simply take a lot of old ideas and put them into a sort of mental kaleidoscope. We give them a turn and they make new and curious combinations. We keep on turning and making new combinations indefinitely; but they are the same old pieces of colored glass that have been in use through all the ages.” And this just might be the most important quote a writer–or any artist–can ever see. 

Plagiarism is stealing fully formed concepts (or words, or sentences, or pages). Plagiarism is taking the full design. Plagiarism is writing a story about an orphan boy in glasses with a lightning bolt on his head who goes to a wizarding school and defeats the evil wizard who killed his parents with the aid of his redheaded best friend. Plagiarism is not writing a story about a wizard. It’s not even writing about a wizaring school. Harry Potter doesn’t own wizarding schools anymore than it owns orphans. Yes, it has been done before. Yes, it can be done again. 

General concepts are not owned. Magic, teenagers with terminal illness, vampires, werewolves, “quirky love stories”–all these things can be done again. Just make sure there’s a reason for it, make sure that your version is different than the last one, that you’ve “turned the kaleidoscope” so to speak, and are giving to the world a story that only you could write: a brand new take on what’s been done again and again and again. 

And this is a question we should  be asking ourselves no matter what: is what I’m writing important? Is it a story that needs to be told, and one that only I can tell? It doesn’t have to be earth shattering, doesn’t have to be an instant classic. Important can just mean “it will make the right people smile at the right time” or it can mean giving representation to a lifestyle that isn’t often seen. It can mean different things to different people, but it should mean something to you. When you’re off trying to sell this story, agents are going to ask just that: why are you the author to make this story a reality? Why could you and only you write this story? 

But by all means, be inspired by what you read and watch. Media is meant to be absorbed and used, to be a springboard into new media. 

To all the writers out there: how do you determine the uniqueness of your story? How are you influenced by the stories you read and how do the play into what you write? 

Feel free to add to this post or submit your own advice to share with your fellow writers at

For @kkkkkelsy who asked;

Hello!☺️ It’s so nice to visit your studyblr. I think your studyblr and notes are so awesome. 😍 And I wonder how to take notes with color pens. Because my notes are always too colorful to review but if I only write in black, I can’t find the key point easily.

Hey! Oh god yes, sometimes I’ll be so engrossed with annotating or highlighting with different colours that when I step back to review my notes, it looks as if someone’s vomited a rainbow over my page.

Here are my three tips to avoid looking like your page has been destroyed;

1. Create a legend

  • Useful for 
    • Note taking
    • Annotating articles/notebooks/journal articles/ cases ○
    • Language Study 
    • Speed reading large chunks of text 
  • Method 
    • Assign a label to each colour
    • Each colour will correspond to a category of information
    • This will help you find all the key points related to a particular topic
    • (So if you write in black, you can write all your keywords/ definitions in colour)
  • Examples
    • Here: yellow=section, blue = grammar structure, orange = particle, pink = new vocabulary, green = things I already know. 
    • Here green = legal issue , yellow = legal principle, blue= argument, pink = application to facts

2. Limit the colours you use

  • Useful for 
    • Review sheets
    • Chapters/ large topics
  • Method 
    • Pick 2-3 colours for each chapter 
    • Write all the sub points in the other colour / black or blue pen
    • When you change chapter, change to different set of colours.
    • The key is to limit the colours you use per page, thus making it easier to read
    • Useful for exam revision - in theory, the headings are used as memory prompts
  • Example
    •  Here: three branches of government, three different colour schemes for each one

3. Colour each section or heading in a completely different colour

  • Useful for 
    • Comparing /Contrasting perspectives 
    • Timelines
    • Essay plans 
  • Method 
    • Colour each paragraph/chunk of notes/ section in a completely different colour 
    • Each viewpoint has a different colour 
    • Each time period has a different colour 
  • Examples 

Which one should I use?

The method I choose will depend on the subject, the type of content, and what I’m going to do with those notes (e.g. use them as revision, exam notes, or use them to write an essay). I will also combine two methods.

Why bother colour coding?

It may prompt your memory. When you have 200+ pages of notes for exams, its easier to locate key points. It makes it easier to organise and plan an essay.

What if I don’t have colourful pens?

Don’t fret! Got a pen and a pencil? Alternate between the two. Underline key points. Write keywords, headings etc in UPPERCASE and associated points in lower case. Experiment with different handwriting styles and sizes.

This is all nice and well, but I type my notes!

So do I! The heading options, customising my keyboard, shortcuts and the ToC have been my bffl throughout law school. Seriously.

Other tips I have found useful: 

In the end, its not the sheer number of colours you use but the ease of access that’s important.

If you have any questions about this feel free to ask here!

Hope this helps!

- fuckstudy.

*the notes supplied are for demonstrational purposes only. TL;DR these notes are old as fuck, there will be errors, and are used for example purposes only

For all those law, pre-law, “I’m doing one law class this semester send help" students? 

This one’s for you. 


  • Speed Reading 
  • Predominantly case law driven areas (c.f. textbook guided) 
  • Common Law Jurisdiction (though easily applicable to Civil Law)
  • Anyone who is staring down the barrel of a fuckton of reading

Masterposts are posted every other Monday (asia pacific)/ Sunday (everywhere else). See previous masterposts here. Feel free to request topics here.

Next topic: getting through readings



Ask yourself - What the fuck do I need this case for? 

  • Legal Principle: The case establishes the authoritative principle in the area 
  • Facts: The case illustrates the factual application of a legal principle/ example of unique application/ distinguishable
  • Precedent/ Historic: important in development of legal principle. 
  • Specific Judge: majority vs. dissent, subsequent interpretation + application 

 What does the headnote say? 

  •  Headnotes work like handy summaries to guide you through the cesspool of text 
  • Usually will include: Legal Principle, Key Facts, Split (see below), Paragraph Numbers/ Page Numbers to key passages 
  • + (when you’re in a rush and cbf sometimes the headnote is enough to give you a sense of what was decided in the case!) 

What is the ratio? 

Yeah this sounds like a fucking legal studies 101, but seriously look for the ratio. There’s nothing worse than getting to the final page and finding out that you were reading the dissenting judgment when you didn’t need to! 

  • Start with the headnote. The headnote will tell you who agreed with who, and on what legal question. Remember a judge in the majority may choose to dissent on one aspect of the judgment yet agree on others. Same with dissenting judges. 
  • Compare. May be useful to compare and contrast the dissent with the majority (esp. if the dissent has been commented on in later cases)  

Scan through the judgment 

  • Headings: Look for specific headings (if any! We all know of some judges who are allergic to headings) 
  • Start from the conclusion/ end of the judgment
  •  Use the paragraphs in the headnote
  • Ctrl+F is your best friend 

Writing Case Notes 

  • Keywords, summarise, judges (spelt correctly!) 
  • Its rare that you’ll need to copy and paste a direct quote (or lord forbid a paragraph) into your exam notes. 
  • Organise by element
  • Remember - what was the purpose of reading this case?!?! What did it illustrate? Why should I include it in my notes? 

Ok…what else?

Keep reading

MP100 Valentines Week: Day 6- Comfort

((Previous day)) ((Next day))

I had wayyy more planned for this prompt, but my mind moves at a mile a minute and it’s really hard for me to focus sometimes! So, here’s Reigen giving Seri some advice about taking a break, I guess!