advance communication

Mercury Signs

Mercury in Aries: You never slow down and you want to jump to conclusions; Your mind is quick as lightning and you have a direct and energetic way of expressing yourself. Although you may be impatient, competitive, irritable and often having difficulty concentrating, you are never boring or tasteless (when people know you). You are ready to dictate your law if necessary. You express yourself in an authoritarian way, and people generally know what you are thinking. (If Mercury is in your twelfth house, you will try to conceal your opinions, but generally without success)

Mercury in Taurus: You are thoughtful, conservative and remarkably sensible. You study the facts, construct carefully an argument, and present it diplomatically. After that, it is very unlikely that you will change your mind. Having made a reasoned decision with the necessary time, you see no reason to change your opinion. You tend to be inflexible, and it’s hard to talk to you, partly because it’s not easy for you to open up new ideas.

Mercury in Gemini: You are intelligent, curious, insightful, playful and playful, expeditious and incredibly clear. Your intellectual speed and intellectual agility are extraordinary. Your mind readily embraces, and you can talk like a mill. But you can also bow to the wind. You are far too adaptable, and you can reason on anything.

Mercury in Cancer: Sensitive and understanding, you are intuitive, thoughtful and available to listen. You can communicate with compassion, and you can absorb information so easily that it seems from time to time that you are a soothsayer. You have an astounding memory. But your moods sometimes flood your discernment and you tend to take your desires for realities.

Mercury in Leo: Theatrical, full of dignity and ambitious, you think creatively, express yourself in a colorful way and you have confidence in your opinions (less so Sun in Cancer). You never lose sight of the whole situation. You are persuasive, eloquent, and your thinking process is organized. You can also be dogmatic and bragging, but unreservedly in your enthusiasm - as often happens with positions of planets in Leo, your heat controls your tendency to brag and prevail over it.

Mercury in Virgo: You are intelligent, subtle, persistent, knowledgeable, astute, analytical and purposeful. Nothing escapes you, and especially not the logical inconsistencies. Idealist who secretly deplores the discrepancy between the state in which things are and the state in which they ought to be, you may be fussy, and exercise the profession of criticism, or of attorney. But you are also a brilliant thinker and a leading talker. Be confident: you have a fine mind.

Mercury in Libra: With your rational thinking and elegant speech, you are looking for a balanced perspective and intuitively understand that the best solution is usually the simplest. Prudent, discreet and endowed with a strong aesthetic sense, you are charming, objective and diplomatic. The opinions of those you respect are of interest to you. But in the secrecy of your mind, your thoughts oscillate from one position to another, you are prey to uncertainty and you will take time to arrive at a reasoned decision.

Mercury in Scorpio: You possess a penetrating and resourceful mind, which is constantly probing the underside of the surface. You never take anything for cash, so you often suffer from suspicion and even paranoia. But you are also analytical, sagacious, able to find all kinds of information. This is an excellent position for a detective, researcher or therapist. Mas it can be dangerous because it also confers a biting spirit and tendency to use words as a weapon.

Mercury in Sagittarius: You have a research intellect and a broad breadth of mind. Reflecting on the big questions, as you love to do, inspires you and gives you greatness in your philosophy of life. You like to speak well, and you are distracting and wise. But you can also be dogmatic, hypocritical and weak when you get into the details, and direct to the point of lacking tact. Your sense of humor saves you.

Mercury in Capricorn: Methodical, realistic and organized, you are a systematic thinker. You do your homework ; You concentrate; You act as an adult. Although you may be conventional, rigid and pessimistic, you try to be impartial and cautious to draw your conclusions, even if this means that you must overcome your prejudices. Thinker applied, you are responsible enough to make sure of what you advance, and you communicate clearly and thoughtfully.

Mercury in Aquarius: Fed with ideas, you possess an inventive spirit, often brilliant. Turning to progress, human and happy when you commit to a cause, you express yourself in a unique way and you have flashes of inspiration that often bring you an excellent understanding of things. You can completely pack yourself up for a social problem or for an abstract theory. But you can also attach yourself to an idea to the point of becoming inflexible, and deny that facts - or people - hinder you.

Mercury in Pisces: Any planet in Pisces brings the triumph of feelings on the facts. You react instinctively to people and situations, often making the right decision without knowing why. You understand how people work. And you adapt easily to changing circumstances. Your mind is receptive, subtle, compassionate and imaginative, but logic is not your forte. On the other hand, you have easy access to your intuition, which is a river of impressions and instincts that flows just below your conscious thoughts.

neptune in the signs

neptune usually spends 14 years in each sign as part of it’s cycle. as the planet of idealism, illusion, creativity, escapism and spirituality, it tends to represent the cultural ideals of the time.

the aries generation: neptune was in aries from 1861 to 1875 and as such traditionally ariean traits like freedom and independence were in focus. serfdom was abolished in russia in 1861 and the emancipation proclamation of 1863 abolished slavery in the united states.

the taurus generation: neptune was in taurus from 1875 to 1889. this placement idealises security and material possessions and coincides with the so called “gilded age” in the united states. during this time, economic growth was rapid and many famously extravagant homes were built in areas like newport.

the gemini generation: neptune was in gemini from 1889 to 1902, and this generation particularly idealised intellect and communication. in the united kingdom, the “souls” group dominated intellectual life and in france this period encompasses much of the belle époque, during which writers like émile zola and colette first came to prominence. also, this period includes the beginning of the jewish golden age in hungary.

the cancer generation: neptune was in cancer from 1902 to 1916 and during this time the home and family life was idealised. the temperance movement and groups like the anti saloon league gained attention in the united states. the emergence of “new liberalism” in the united kingdom also saw the establishment of the foundational welfare state.

the leo generation: neptune was in leo from 1916 to 1929. the idealisation of youth, glamour and artistic expression can be seen in this period. the flapper subculture famously boomed in the united states and the growing film industry led to the creation of hollywood culture. in paris, many young expatriate authors published daring novels and created a scene where free expression was valued. 

the virgo generation: neptune was in virgo from 1929 to 1943. this placement idealises work, positive work ethics and education. many countries experienced a growth in labour forces and unionisation in this period and the “common man” was idealised in film, particularly in the work of directors like frank capra.

the libra generation: neptune was in libra from 1943 to 1957 and as such marriage and relationships were particularly idealised at this time. much of the post war period in culture was famously characterised by a focus on relationships and the “baby boom” is indicative of this placement.

the scorpio generation: neptune was in scorpio from 1957 to 1970, a period in which the idealisation of sex and transformation is particularly evident. in the united states, the sexual revolution began and psychedelic drugs and rock were tools of personal transformation. politically, protest movements in various countries show the desire for governmental transformation.

the sagittarius generation: neptune was in sagittarius from 1970 to 1985. in this period, the search for spiritual and philosophical meaning was idealised as well as different belief systems. eastern religions grew in popularity across the world and the televangelist phenomenon began. the 1970s are often known as the “me decade” due to the cultural focus on spiritual growth.

the capricorn generation: neptune was in capricorn from 1985 to 1998 and success and business were particularly idealised at this time. globalisation occurred at an increasingly fast pace and a distinct business culture developed, aided by technological advances.

the aquarius generation: neptune was in aquarius from 1998 to 2012. in this period, free thinking and inventiveness were idealised. the development of smart phones and the growth of the internet allowed for the development of new ideas. the emergence of social networks resulted in greater connectivity and understanding.

the pisces generation: neptune has been in pisces since 2012 and will be until 2026. during this time, compassion, spirituality and sensitivity will emerge as ideals. this can already be seen in the advances of the LGBTQ+ community and the growth of social activism.

We need an understanding of levels

Folks out there act like there isn’t any intermediate and advanced witchcraft content available to them. Even 20 years ago most of what is easily available now was not at your finger tips. Because of all this availability it seems like people don’t realize what is basic, intermediate or advanced. Spoilt with everything available, they wonder what advanced even is. Everything listed down here can be found online, in distance classes, and in books that are for sale at modest cost:

The basics are knowing the major neopagan holidays, how to cast a circle, cleanse, ground, shield and follow spell and ritual instructions for simple goals like attracting prosperity, inspiration and a little luck. Easy to follow and clear cut ethics. The instructions for learning visualization. You can start elsewhere than neopagan but there will be similar basic practices, and there are hundreds of books of the same basic content and lots of sites and blogs too.

Intermediate material is setting up a daily practice, getting good with a divination method, getting very familiar with herbal, tree, stone or animal lore, writing your own spells and rituals using correspondences and standard patterns, some study of myth and folklore. Thoughtful understanding of gray area ethics and honor. A lot of self exploration and strengthening. Instructions for out of body experience.

Advance material will be communicating with various spirits and/or deities. The specialization in the arts of a particular path or role like priesthood, tool making, bardic storytelling, writing your own grimoire or copying your tradition’s book of shadows. Initiation into that path and optionally coven practice. Confidence in astral travel. More specific and targeted spell craft and ritual based upon your compiled experiences and those shared with you by teachers and peers. Ecstatic practices during ritual and spell work. Deep self knowledge, facing difficult demons and shadows and acting in full accordance with your own ethical compass.

Post advanced: learning the specialities of more paths perhaps becoming a leader, teacher, warrior, writer, or mystic in your tradition. Learning more depth and self knowledge through teaching or leading or even through deeper life dedication. It is not every person who has gone through the levels duty to teach, it takes extra talents outside of the craft like writing ability, pedagogy, and even the luxury of time and space to provide for others.

It all comes down to your own personal level of dedication and amount effort you can or will put in how far you can go. And one can have a very meaningful and impactful practice at any level dependent only upon satisfying their own drive for self knowledge and wisdom and truth of the spirit world, deities and/or nature. Everyone’s advanced path will look different though intro paths can be fairly similar, they all are unique too.

Can I get a bit of help

I’m doing a project for class where we have to convince the class why we should get the 28th off for a specific holiday instead of taking our final.

Holiday in question? Superhero Day.

Now, if you’d be so kind and reblog this if you’d rather celebrate superhero day instead of take your finals that’d be amazing~

Originally posted by wakandaentertainment



Can we just talk about how perfect Community’s 6x04 “Queer Studies and Advanced Waxing” is?

Like there’s so much to it, from Chang’s concern that he was only cast as Miyagi because he’s asian, to Abed (canonically recognized as having ASD) having intense empathy for the baby birds (with the wonderfully tragic subtle parallel of his mother having left him when he was young).

But the best part was the amazing discussion of sexuality and it’s complexities.

Dean Pelton has always been assumed as somewhat queer. He is very attracted to Jeff and he often dresses in drag. But sexuality is so much more complicated than just liking boys or girls. There are more than two genders, more than monogamy, more than monosexuality, more than physical attraction, etc etc. And while any kind of positive LGBTQIA representation is awesome, it’s usually something like what the school board tries to do in the episode. They want the Dean to be a neatly packaged, cardboard cut out of the gay white cis male. But that denies so much of who he is and also reduces him to a symbol of how not homophobic they are rather than a complete person.

I cannot get over how well Frankie sums up how problematic this is

“When a person becomes symbolic, they gain symbolic power at the price of independent power.”

Omg. I am obsessed with how perfect that line is. Frankie Dart is my hero. Plus, she subtly comes out to Jeff and the Dean as queer like it ain’t no thing. New fave characacter. 

But most importantly is the vagueness of the Dean’s metaphor. Personally, I took the never ending handkerchief metaphor to mean his sexuality is complex and constantly evolving, while still having some things in common with being straight up gay. Both handkerchiefs and rabbits can be pulled from a hat. But the rabbit is pulled out once and done so it is much simpler, while the handkerchief progresses over time (hence “never ending” handkerchief). Additionally, the rabbit out of a hat is a magic show trope; it is the example non-magicians use as what a magician does (like how heterosexuals only think of queer people as simply gay). Whereas the handkerchief trick, while there is sometimes of an awareness of it, isn’t really as commonly thought about or represented. There’s even a ton of variety within how the handkerchief trick is performed; it doesn’t even have to be out of a hat but can be from a sleeve, mouth, pocket, or behind an audience member’s ear. I think I’m letting this metaphor run away with me, but you get the idea.

I also like that they don’t say what else the Dean is. Because, as Frankie said, your sexuality “is nobody’s business.” The Dean is simply himself. 

Sexuality and gender is a spectrum that extends in a multitude of directions, not just gay or straight. And when we stop having to label and understand something in order to accept it, then we will have truly made progress.

original writing

so… i’ve decided to swim in the ocean and most likely drown. and by that i mean i’ve decided to write a book. and by that i mean i’ve decided to swim in the ocean and most likely be eaten by a shark. 


here’s the thing. i plan on having a lot of diversity, but i want to probably write everything and I DO NOT UNDER ANY CIRCUMSTANCES want to be offensive or misrepresent anyone or fall into hurtful stereotypes. 

that’s where you guys come in or people that you know come in. i need your help. i do plan on doing research, but i also want to talk to some people. 

my characters:

bisexual guy

note: no slutty bisexual trope i swear on my own grave that will surely be an early one because this book… just may kill me. 

pansexual guy

note: i want to be able to make a clear difference between bisexual and pansexual because they are NOT the same thing. 

asexual girl 

note: i am staying far away from the disgusting “soulless monsters” trope. this character is honestly one of my top three favorites and i want to do her so much justice. 

sapphic girls 

note: i plan on having a f/f ship, which will actually be the main ship friends-to-lovers trope, since you guys are so underrepresented in YA and god i don’t want to mess up, but i still want to try.

black muslim girl 

note: tell me if this makes sense depending on the context of my book, thanks.

asian girl

note: i want to do so much research on this because ‘asian’ is a pretty big category and i know its easily to be offensive and misrepresent but i don’t want that to stop me from writing

this story is going to be a greek mythology inspired story (as long as i don’t get eaten by a shark and drop it). i don’t want to explain everything because its still in the very early drafts and it’s a bunch of rough ideas and scraps. 

the main plot is ascension and self-discovery (unless i drown and this story drowns with me). even if its still greek myth its my world and i want to make all of these work as well as i can. 

please message me or send me links or anything that you think will help me write these characters as best i can without being offensive. thank you for reading and for helping.

I don’t want to make this long and I’ve debated about whether or not I wanted to post anything, but I feel it necessary to those of you that follow to say a little something.

Due to some personal stuff going on in my life, I’ve had to take a severe step back from certain projects and things related to this website and fandom. I still love Mass Effect and I don’t plan on leaving anytime soon, but I may have to take a short hiatus or two while I get things in my life sorted. Clearly, I hope you’ll all stick around during those times of absence, but I understand if you don’t. DME has been posting daily since late October 2015, so I think that taking some time off isn’t necessarily a BAD thing overall, anyway.

Even in the midst of what’s going on, I do want to say that scheduling my queue and seeing all the Mass Effect content that this community continues to produce is a wonderful and happy distraction for me. Things in my life are drastically different than they were just a month ago so having this place to dive into to take my mind off of things is really nice.

I’ve had some spectacular folks supporting me behind the scenes (a few tumblr peeps on top of some very special real life peeps). There are those of you who are helping me without even knowing it by making me smile and allowing me see that there are still beautiful and wonderful things going on out in the world.

In the beginning, I started this place as an homage to this series that helped me through a VERY difficult mental time in my life and I know I will continue to look to it to help me through this as well.

If Shepard can do it, so can I.

Thank you all.
Much ❤
~ Marina / Dustie


So, in the “Not Today” MV, in this close up shot of Jungkook’s eye, you can CLEARLY see that’s he’s watching himself kill the other members.

Now, we all know the theories from the “Spring Day” MV involving the short story, “The Ones Who Walk Away From Omelas” by Ursula K. Le Guin. If you’re not familiar with this concept, here is a short summary of the story via Wikipedia:

“The only chronological element of the work is that it begins by describing the first day of summer in Omelas, a shimmering city of unbelievable happiness and delight. In Omelas, the summer solstice is celebrated with a glorious festival and a race featuring children on horseback. The vibrant festival atmosphere, however, seems to be an everyday characteristic of the blissful community, whose citizens, though limited in their advanced technology to communal (rather than private) resources, are still intelligent, sophisticated, and cultured. Omelas has no kings, soldiers, priests, or slaves. The specific socio-politico-economic setup of the community is not mentioned, but the narrator merely explains that the reader cannot be sure of every particular.

Self-admittedly, the narrator reflects that “Omelas sounds in my words like a city in a fairy tale, long ago and far away, once upon a time. Perhaps it would be best if you imagined it as your own fancy bids, assuming it will rise to the occasion, for certainly I cannot suit you all.”[7] The narrator even suggests that, if necessary, the reader may include an orgy in their mental picture of Omelas.

Everything about Omelas is so abundantly pleasing that the narrator decides the reader is not yet truly convinced of its existence and so elaborates upon one final element of the city: its one atrocity. The city’s constant state of serenity and splendor requires that a single unfortunate child be kept in perpetual filth, darkness, and misery.

Once citizens are old enough to know the truth, most, though initially shocked and disgusted, ultimately acquiesce with that one injustice which secures the happiness of the rest of the city. However, a few citizens, young and old, silently walk away from the city, and no one knows where they go. The story ends with ‘The place they go towards is a place even less imaginable to most of us than the city of happiness. I cannot describe it at all. It is possible it does not exist. But they seem to know where they are going, the ones who walk away from Omelas.’”

With that being said, I have seen a couple of sources on Twitter saying that maybe Jungkook shot the others to prevent them from escaping their “Omelas” (or an ideological way of thinking perpetuated by a mass of persons such as a culture). Though this poses an interesting viewpoint and question, I don’t believe Jungkook shot the others to prevent them from leaving. Rather, I believe that Jungkook killed the others in order to save them from that ideological way of thinking.

I think he shot them because the only way to leave “Omelas” (or a Utopian society that controls your thoughts) is through a death to that old self and old, community imposed beliefs. Whether it be an actual death or simply a metaphorical death, an offering almost, is up to the reader/viewer.

Now, the next part of this theory is that after killing the other members, Jungkook then joins them through suicide as we see him here in the “Spring Day” MV looking lost:

and then quickly becoming relieved once he joins the others in their walk away from their cultures’ perceived norms and ideology:

I think that Jungkook’s killing of the others is almost sacrificial in the idea of him maybe being the last one to get out? (He may be willing to stay behind and take all the pain like the child lost in the darkness of Omelas)

That concludes this part of my theory.. Stay tuned for more!

Thoughts on Judgement?

In light of the weird tarot dream I had last night, and because it’s been showing up quite a bit for me lately, would anyone care to enlighten me with some of their thoughts on the Judgement card?

It’s one of those I’ve always struggled with a bit, and though I recently had something of an epiphany about it, I feel it would be helpful to get some additional perspectives.

So, if you can spare a minute, and it’s not a bother, and you want to, I’d love to hear a few of your thoughts/feelings/experiences of/with this card.