adele fashion


Donyale Luna photographed by Jack Garofalo, April 1968.

Donyale Luna became the first black woman to appear on the cover of a major fashion magazine. A sketch of her appeared on the cover of Harper’s Bazaar in January 1965 and the following year she graced the cover of British Vogue. Her Vogue cover came just months after her move to London. Legendary mannequin-maker Adel Rootstein, who had created a Twiggy mannequin the year before, made one of her in 1967. Luna’s was the first well-known, if not the first, mannequin of a black woman. She would later move to Italy and marry photographer Luigi Cazzaniga. They had a daughter named Dream. But her fast rise also introduced her to LSD and heroin. She died of a heroin overdose in 1979 at the age of 33.

Details on Coco’s tattoos that I sketched a little while back. Listen, Coco Adel is kind of a really unashamedly tacky/over the top person.

Left side: Roses and thorns, “Beautiful” on her forearm. 
Right side: Bullets and barbed wire, “Deadly” on her forearm. 

Also seen here, Fox’s tongue piercing and Yatsuhashi working on his acoustic work. 

Marchesa Luisa Casati in a Jacques Douchet lace dress, Photo by Reutlinger, 1905.

John Galliano for Christian Dior, Haute Couture, Spring Summer Collection, 1998.

Models: Eva Herzigova, Eugenia Silva. 

Tribute to Marchesa Luisa Casati.

Opera Garnier, Paris.

Liza MinnelliA Matter of Time, 1976.

Costumes by Andretta Ferrero.

Characters based on Marchesa Luisa Casati.

A Matter of Time is a 1976 American-Italian musical fantasy film starring Liza Minnelli and Ingrid Bergman, directed by Vincente Minnelli. The screenplay by John Gay is based on the novel The Film of Memory by Maurice Druon. The fictional story is based loosely on the real life exploits of the infamous Italian eccentric, the Marchesa Casati, whom Druon knew during her declining years in London while he was stationed there during World War II. The film marked the first screen appearance for Isabella Rossellini, the last for Charles Boyer, and it proved to be Vincente Minnelli’s final project.