adam-westbrook

vimeo

A well made - and absolutely terrifying - short film raising awareness about webcam hackers. 

Watch right to the end - I guarantee you’ll head straight to your firewall settings!

vimeo

Leonardo DaVinci Was A Loser

This intriguing statement is made in some of the most inspiring videos I’ve ever seen. Adam Westbrook is the creator of Delve, and the videos produced there. Through Delve, Westbrook has made an inspiring video series called “The Long Game” which proposes that genius isn’t born, it’s crafted over years of hard work. Westbrook cleverly spotlights several amazing artists and inventors, leaders of the world, who started out as losers, but worked their way into greatness over the course of several years, dubbed “the difficult years.”

The videos point out that during this time of several difficult, lonely years, artists and geniuses the world around made themselves who we know them as today. But that didn’t come about by accident or by divine intervention, and it isn’t written about because during the difficult years nothing noteworthy is produced by these artists. This is a period of learning and growing.

This is a place we’re all in throughout our lives, but most importantly, it’s where I am right now. It’s difficult, depressing, upsetting and a lot of the time makes me want to give up. But the fact is, this is normal, and it’s worth working through it to where I want to be, making myself who I want to be. And along with that, I can’t not do it. Like many of you, animation is my passion, so if I’m not good enough to be an excellent draftsman and animator yet, then I will eventually, because I have to. 

I wanted to encourage you all to do the same. Some of us have achieved some things already, but we’re still growing. We always will be. If you’re not where you want to be with your craft, know you are not alone; it is normal and it is worth it to keep going.

(Part 2 of “The Long Game”)

- Christopher

vimeo

The Causes and Effects That Led to World War I

100 summers ago the countries of Europe collapsed quickly into war: it was sudden but also strangely inevitable. Countless books have been written since about the causes of The Great War, but in this video essay, delve.tv offers an alternative history. By tracing the story backwards in time, they stumble upon a very unexpected cause and discover that sometimes the most harmless of things can have terrible consequences.

Story Design & Direction: Adam Westbrook
Additional Photography: Brett Walsh
Animation: Adam Westbrook

vine

My Invisible Girlfriend by Esa Fungtastic on Vine

Vine is a great platform for pure visual storytelling - and this is a prime example.

A clever, funny and original story conveyed in just six seconds. How? Through the juxtaposition of images.

Each shot alone does not convey the idea of an invisible girlfriend, it is their particular combination and juxtaposition that generates the story.

Six seconds is a long time if you understand the essential nature of the medium.

What’s interesting is that these Vine power users have probably never been taught montage. They have figured it out by experimenting with the tools they have. A whole new generation of storytellers who instinctively ‘get’ juxtaposition without going to Film School. 

adamwestbrook.wordpress.com
10 common video storytelling mistakes (and how to avoid them)

Five years after Youtube’s birth there’s probably not a newsroom in the land that isn’t trying to do video journalism in some way or another.

I say ‘trying’ because, as you’ll probably have seen, the vast amount of online video produced just doesn’t cut it. It’s long, boring, technically poor – and amateurish. This is a big shame because online video – done well – has the power to be an art form, to touch people, to make them understand something, to make them care.

Why I'm quitting Facebook

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So I’ve decided to give up Facebook in 2012.

After 6 fun years of liking, poking, and checking out my friends’ hot sisters, I feel like it’s time to hang up the big blue F once and for all.

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I put up the message today and got some nice supportive likes. A few good friends even sent me messages to check I was OK. Most people are asking why, so I thought I’d put down my reasons here. I’m not saying I’m right or wrong: these are just my reasons.

1. The supermarket theory

I’ve tumbled this one before, and it’s been playing on my mind more and more in the last year. What does Facebook sell? It sells us, and I’m don’t think I’m happy with my identity, personality and social life being a product.

It’s hardly black and white though. When I talked about this with some journalists in Barcelona over Tapas recently they argued that it’s the same with newspapers and all media content: the product is us, the audience, and the mass media sell access to us to advertisers. 

Everyone has their own views on this. I don’t think Zuckerburg is evil or anything - quite the opposite.

2. The algorithm

Because Facebook wants to maximise its deliveries to external websites (in other words, how many hits to websites come from Facebook) experts believe it prioritises people in your feed who post links to articles, Youtube videos and the like.

It means my feed is full of the people who talk the most, not the ones I’m most interested in. While on Facebook I’ve regularly posted funny videos and links, so no doubt I repeatedly bother the feeds of people who I haven’t spoken to in years. I’m sure they’ll be glad to be rid of me. 

3. The experiment

After 6 years on Facebook (I joined as a student back in early 2006) I’m really curious to see what will happen when I leave. With all my friends, current and old on there, what will I miss out on? Its big use is organising events - so will I stop getting invited to houseparties and nights out? 

4. The television theory

About two years ago I drastically cut back on the amount of television I watch. These days there is perhaps one or two shows a week I watch regularly and a few shows I get online. But in total it must be about 3 hours a week - a lot less than the 28 hours a week the average Brit consumes.

The result? I got my life back. I’ve had time to write more, work more, read more and think more. I’m hoping quitting Facebook will do the same.

5. The time

And so the real reason I’m giving up Facebook is time. It’s just too much of a distraction and I’m not strong enough to not check it, at least 3 or 4 times a day. It doesn’t suck up that much time in real terms, but it’s the mental distraction that’s most disruptive.

I want to do big things in 2012 so it’s time to bring out the A-game and that means focus and hard work. I hope quitting Facebook will make a difference.

You might say, well why not quit Twitter as well? And LinkedIn while you’re at it? Well, both of those are still important to me professionally. Facebook has always been a place for just people I know in real life. In the future I might maintain a Facebook page, but again it’ll be for work reasons.

So that’s it. It’s been a blast, honest is has. :)

  • If you were hoping to connect with me on Facebook - it’s probably best to follow me on Twitter instead. @AdamWestbrook
vimeo

All of history’s greatest figures achieved success in almost exactly the same way. But rather than celebrating this part of the creative process we ignore it.

This missing chapter in the story of success reveals the secret to doing meaningful work. But in the modern world, full of distraction, do we have what it takes to do great things?

The second in a two-part series about creativity.

Part One: Why Leonardo daVinci was no genius (and what means for the rest of us)

vimeo

The Long Game Part 1: Why Leonardo DaVinci was no genius (Adam Westbrook)

Do you ever have that feeling that everyone else is more successful than you? If you think that’s bad - try being Leonardo Da Vinci.

Make sure to check out part 2 and 3, too!

vimeo

The Long Game Part 3: Painting in the Dark

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would you still continue making your art if no one saw it?

fastcompany.com
The four year career

More of people are saying goodbye to the convention of a job for life, instead moving from field to field every few years.  Nice piece by Fast Company

“Shorter job tenure is associated with a new era of insecurity, volatility, and risk. It’s part of the same employment picture as the increase in part-time, freelance, and contract work; mass layoffs and buyouts; and "creative destruction” within industries.“

vimeo

Adam Westbrook publicizes his top media predictions for 2011(and looks at his past performance from 2010). 

Painting in the Dark

Painting in the Dark

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  “La Vigne Rouge”- The Only Painting Sold in Van Gogh’s Lifetime I came across an interesting little film, Painting in the Dark:The Struggle For Art in a World Obsessed With Popularity, from video essayist Adam Westbrook that speaks about the life and struggles of Vincent Van Gogh. While already a well documented tale, one with which many of us are very well acquainted, Westbrook uses Van Gogh’s…

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youtube

Here’s a new video essay I’ve been working on this summer, published by Fusion.

It explores the idea of the Universal Basic Income, a future where the government pays citizens just for being alive, regardless of whether they have a job.

And it touches on the nature of work and the meaning it brings into our lives. 

The purpose of technique is to free the unconscious. If you follow the rules ploddingly, they will allow your unconscious to be free. That’s true creativity. If not, you will be fettered by your conscious mind. Because the conscious mind always wants to be liked and wants to be interesting. The conscious mind is going to suggest the obvious, the cliché, because these things offer the security of having succeeded in the past. Only the mind that has been taken off itself and put on a task is allowed true creativity.
—  David Mamet - On Directing Film 
thisiscolossal.com
Painting in the Dark: The Struggle for Art in a World Obsessed With Popularity
In the age of social media and the oversaturation of information, seeking recognition as an artist or designer can at times be a difficult, self-defeating effort. Creative individuals understandably have high expectations for the reception of their work, and hope for a public response that correla