The threat is real, people. Get to the phones. If you live in a state with a Republican senator, call them TODAY and ask them to vote NO on the Graham-Cassidy Act, their latest attack on the ACA and Medicaid.
They only need to flip 1 vote by the end of September to pass this horrible version of Trumpcare. The threat is very real.
(202) 224-3121 is the Capitol Switchboard. If you have friends in Arizona, Alaska, Maine, Colorado, Virginia, West Virginia, Kentucky, please ask them to call too.
one of my favorite things about Iida is that he is the serious rich kid with strong morals and such
but he’s not… stuck up about it?
like, yes. he was introduced to the audience as this really super serious person who seemed a little bit too uptight
but in reality….
he’s not like that at all?
Uraraka wants to become a hero to get rich. that’s a perfectly logical reason to become a hero, because, to Iida, wanting to create a better financial situation for yourself is completely understandable and a reasonable reason to become a hero. (and that was before he found out it was for her parents)
he’s not all “How DARE you ruin the sanctity of heroism with your selfishness!” or some bullshit
nah, when Uraraka worries that her reasons aren’t as noble as his or Izuku’s, he’s just. “Why would we think less of you for wanting to make your life a little easier? That’s perfectly admirable.” and then he gets so incredibly supportive for Uraraka when he finds out it’s for her parents
yes, he’s super serious about respecting UA and class studies. and he’s a very passionate person overall. but sometimes, he just seems so… laid back? or very casual about certain things? like it just seems so obvious to him that thinking any other way just doesn’t occur to him
like in the above scene, where he just calmly says that becoming a hero to make your life more comfortable is admirable in it’s own way
or when Izuku manages to catch All Might’s attention? Iida smiles and says, “Well, it just makes sense, given their similar powers.” no jealousy to be found. just pure and simple logic and happiness for his friend.
it’s just that simple
or when Izuku is getting stressed about his internship and Miro and learning about All Might’s predicted fate, he simply just offers his support as a friend. he doesn’t try to pry into Izuku’s business, but he offers himself as someone who’ll listen if Izuku needs to talk at all.
he echos back the same words Izuku gave him when he was going through turmoil over his brother’s injuries, because he knows how important it is now to rely on your friends for support
and on a similar vein, when Tsuyu gets upset in regards to what she said to the class about going to rescue Bakugou, he tries to comfort her in his own way, by calling her by her preferred name of “Tsuyu” (her first name, only reserve for friends) instead of the more formal way of calling her by “Asui” (her last name) that he’s used to.
He does it in his own way of course, calling her “Tsuyu-chan-kun” because calling someone so casually by their first name with “-chan” is new to him, so he adds “-kun” at the end to make it a little more polite/formal, but he knows she prefers being called by her first name by the members of the class.
so he keeps calling her that. it’s not just a one-time deal, he continues to call her “Tsuyu-chan-kun,” even tho she’s not there to hear it, because he knows she prefers it and appreciates it. even if he grew up with very strict manners, he does this because he’s her friend and wants to respect her wishes
Iida is just… such a sweetheart. he just always focuses on logic of a situation and is so genuine and passionate in everything he does
it’s almost as if he’s incapable of thinking of others as having bad intentions?? the exceptions being, well, Villains, and when he thinks Izuku may be trying to sabotage Uraraka during their UA entrance exam. and that’s only because he started out with a bad impression of Izuku (as shown in the above image).
when Hatsume tricks him into becoming her advertising buddy during the exam, he has absolutely no inkling that she might be planning something. he just genuinely thinks that she’s being a fair sportsman in giving her opponent similar gear that she has to level the playing field.
ulterior motives don’t factor into his decision at all, he just believes in her passion until he’s proven wrong and the trick is revealed
it’s a little naive, but he just has so much trust in his fellow classmates??
and he just??
Iida feels so awful when Todoroki and Izuku come to save him, because this is his problem, his mess, his vendetta, and yet they’re the ones paying the price for his mistakes.
and he can’t even get angry at Stain here for telling him off, because he was right. Iida wasn’t acting like a real hero. he was acting in revenge. and it was one of the biggest mistakes of his life, and whenever he refers back to this moment, he always words it like “When I was a fool, when I lost my way, when I went rogue”
basically, anything short of just “When I was acting like a huge fucking idiot”
and even after it’s all over, he’s able to take a step back from his personal feelings and recognize that, while Stain was extremist and he hurt Tensei for inexcusable reasons, there were things about him that people would find admirable.
and again, he recognizes that Stain wasn’t wrong about him. he was acting in selfishness, and not how a hero should.
and that’s why, when he sees Todoroki and Izuku making the same mistake he did, he just can’t stand it.
that was the biggest mistake of his life and he can’t stand seeing his friends make the same mistake he did, seeing them go rogue, seeing them ignore the rules and laws and put their justice above all else. he can’t stand it.
it reminds him too much of himself back then.
he can’t stand seeing the people he cares about making the same exact mistake he did, especially when they were the ones who helped him when he lost his way before.
and at the same time, he can’t stand the idea of them becoming hurt because of it. they were hurt before because of what he did, and seeing Izuku so injured in the hospital, he projected the image of his brother onto Izuku.
he can’t stand the idea of his friends becoming seriously injured to the point of no return because of their foolish decisions. he just can’t do it.
he can’t stand the idea of seeing the people he cares about being hurt again.
(what if their hero careers end before they even start because of this?)
Iida is just…. such a sweetheart. he cares so much. he doesn’t want them to be hurt because of dumb mistakes, because he’s been through that already. he knows the consequences. his arm is suffering from the injuries from it, still.
REMINDER: TONY DID NOT ORDER VISION TO SHOOT DOWN SAM
This past week my dash has been filled with people talking about Tony ordering Vision to shoot down Sam. This is completely incorrect. TONY HAD ABSOLUTELY NOTHING TO DO WITH IT.
Rhodey told Vision to target Sam’s thruster so that he wouldn’t be able to keep flying but he’d still be able to safely glide to the ground with the wings. Sam dodged it like a badass and Rhodey got hit because Vision was “distracted” and took a bad shot that would leave Rhodey in the line of fire if the shot didn’t hit Sam.
From the time they took to the air and started chasing the Quinjet, Tony did not even speak a single word in this scene until after Rhodey was hit. He certainly wasn’t giving orders to shoot Sam out of the sky.
There’s another way of reading Anne of Green Gables, and that’s to assume that the true central character is not Anne, but Marilla Cuthbert. Anne herself doesn’t really change throughout the book. She grows taller, her hair turns from ‘carrots’ to 'a handsome auburn’, her clothes get much prettier, due to the spirit of clothes competition she awakens in Marilla, she talks less, though more thoughtfully, but that’s about it. As she herself says, she’s still the same girl inside. Similarly, Matthew remains Matthew, and Anne’s best chum Diana is equally static. Only Marilla unfolds into something unimaginable to us at the beginning of the book. Her growing love for Anne, and her growing ability to express that love - not Anne’s duckling-to-swan act - is the real magic transformation. Anne is the catalyst who allows the crisp, rigid Marilla to finally express her long-buried softer human emotions. At the beginning of the book, it’s Anne who does all the crying; by the end of it, much of this task has been transferred to Marilla. As Mrs Rachel Lynde says, 'Marilla Cuthbert has got mellow. That’s what.’