abby would like this


Anon ask: Your blog is honestly so cool! I love the way you write and think! I was wondering if you could do a “dating Abby Griffin would include” or something like that? It’d be amazing, but either way, you rock !

Warning:  I swear I think / mention of sex

(A/N): Thanks for your beautiful words anon :3 here’s your request , I hope I got it right

Masterlist / Prompt List / Fandom List / Ask me anything!

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Headcanon that Holtzmann have a lot of fun toying with dress codes to mess with snobbish people at formal events. 


Until Death Do Us Part

anonymous asked:

At the end of tfc book three when Neil walks into the locker room grinning just after seeing Riko murdered... How do the foxes react when they find out why he was smiling?

Wow. Gonna have to pull out my books and reread that scene again. I don’t usually do prompts (is this a prompt? I’ve never actually gotten one so well, yeah…) but hopefully this is okay?

Also, apologies, this kinda turned into the foxes’ reactions to Riko’s death.

Andrew finds out on the way to the hotel. The adrenaline from the game and the win and the short questioning by the police finally dissipates and the bus is quiet except for a few murmurs for directions exchanged between Wymack and Abby. They are slumped in the back seat together, Andrew and Neil. The seats in front of them empty. Neil is still in a good mood and Andrew could feel it rolling off him in waves. Eye contact, a raised eyebrow, and Neil says, “Riko is dead.” And Andrew smiles for the second time since coming off the drugs.

Renee finds out when she gets a text message in the middle of the night. The small vibration and the light of her phone screen somehow doesn’t wake Allison. It is from Jean. He’s dead, is all it says and Renee knows instantly who. She shoots off a quick text in reply and sets her phone aside. The darkness presses in when the screen turns off. Renee is no longer someone who believes in murder and violence, but a small part of her that she tries her best to ignore is viciously pleased.

Kevin finds out next. Of course he does when the next day every exy related website is changed to black and red in honor of Riko’s passing. Kevin’s not dumb. He’s knows what really happened. And as he figures out the how and the when because the why is a no brainer, he remembers Neil’s smile that was a little too sharp around the edges, the easy way “Life” came out with a hint of breathlessness. It clicks and then the distraction of the mystery is gone and the grief hits like an exy ball to the chest with no padding on.

Allison finds out when she’s checking Facebook in the morning. Some girl from some social circle related to her parents posted a picture with Riko with some obnoxious caption on how he was gone too soon. Unfriend. Block. Allison doesn’t care. She goes on an unfriending spree as thoughts of Seth drift through her mind.

Nicky finds out in a similar way as Allison does. While Allison has Facebook, Nicky has Twitter. He follows the tag used for the Foxes upset, #TheKingHasFallen. The night before it was filled with taunts and jabs at both the Ravens and Foxes, but in the morning it is paired with a new hashtag. Increasingly mixed in with the exy results is #RIPRiko. It doesn’t take long for Nicky to google the news. “Holy shit,” quietly slips out of his mouth and because the news is too big and too extreme it bubbles up his throat and comes out again but louder. “Holy shit.” Aaron is still sleeping like the world didn’t just get turned on its head. Nicky launches a pillow at him and sends a text to the foxes’ group chat.

Aaron finds out when Nicky throws a pillow at him and besides grumbling and adding the pillow to his collection he doesn’t really care.

Dan and Matt find out at the same time. They are the first ones down for the continental breakfast the hotel provides. The news is on in the background talking about an upcoming storm. When Dan is making coffee and Matt is piling more eggs onto his plate, the news moves on to sports and like every good exy player, their attention is grabbed when news on Riko Moriyama comes on. The coffee overflows, the egg spoon drops, and that’s the moment Neil stumbles bleary-eyed out of the elevator. He takes one look at the screen with an action shot of Riko from last night’s game and the sides of his mouth twitch into a cold smile and then back into a neutral line of indifference. It is not missed by Dan or Matt. He nods a greeting, grabs two chocolate frosted donuts, and a carton of milk, and disappears back into the elevator.

“Did he just…?” Matt begins.

“Smile? Yeah.” Dan finishes a little bewildered. She picks up some napkins to mop up the coffee. She doesn’t really understand the complexities of the mess between Neil and the Moriyamas but the ease in which Neil moved across the room is similar to how he was after he came back to them from Boston. And that is enough for Dan.

Matt bends down to grab the spoon he dropped. He scans the area for a worker and puts on an apologetic smile when he hands over the dirty spoon. His eyes flint over to the elevator like the doors were going to open and Neil would come out again. They remain closed with the digital number above the door changing and finally stopping to the floor most of the foxes were on. A chill runs down Matt’s spine when he remembers the smile on Neil’s face. It’s so different from the happy upturn of lips that they sometimes startle out of him or even the fake “I’m fine” grins. The smile was something dark, sinister, vicious and weirdly enough it was also relieved. And that last emotion is what makes Matt shrug and move on to the bacon.


Wymack gets a call from the police around 3 am, just as he is finally settling down for the night. He holds in a sigh as his listens to the officer and starts the coffee machine provided in the hotel room. He thinks of the obligatory condolences card he would have to send that he knows none of his players (except maybe Renee) would sign.

 Abby gets a text message from Wymack moments after he gets off the phone.

Related: Jean’s Reaction

Potter's Hair

Draco: You know what I hate most about
about Potter?
Pansy: What?
Draco: His stupid hair. His stupid, lame,
awesome hair. It’s so stupid and
Pansy: …
Pansy: Okay, uh…You know what I hate
most about Potter?
Draco: What?
Pansy: How he’s always like “Ohh I just
wanna be super famous and heroic. I
care about people.” He’s so lame.
Draco: He’s so lame and awesome.
Pansy: …Draco…
Pansy: Why do you keep saying he’s
awesome? We hate him.
Draco: Shut up, Pansy. I know what I’m

a compassion exercise

If you’re mad at Abby for breaking the chamber when her child is about to go inside, then picture this:

Octavia is with the lab team, she sees someone about to inject Emori, and she takes the syringe and injects herself instead. (As she’s done before on the show, more than once.) Then Octavia turns to the group and says “We’re testing it on me.” Because Octavia has her morality​ lines and this is far, far past it. Everyone looks at each other. No one knows what to say. It’s done. Octavia will be tested.

Now picture Bellamy standing right there beside the lab equipment, the needles, the sterile inhuman brutality of Becca’s wealthy delusions. Picture his eyes going between the gas chamber and his sister. Between the dials and the the tubes and the girl who he held in his hands as a helpless infant. The person he’s loved longer and harder than anyone on Earth, the person he helped learn to read and sing and tell stories and walk.

What would Bellamy do it if was the child he raised?

He’d break the fucking chamber.

So hold that in your mind before you judge Abby for being a human being who loves. Who chose someone else over her family. Just like John did, just like Emori did, and just like Bellamy would if he were there.

I find it kinda hilarious that people would even consider Bellamy was looking anywhere but at Clarke on this scene

Look, cinematography is relatively simple for the audience, when they want it to be. Sure, there are a lot of hidden symbolism and references, but those are related mostly to hints. Things that will reveal themselves later anyway.

And, most of the time, symbolism happens when something ELSE is happening on the scene, something that will divert the public’s attention. - Which isn’t the case on this scene and on most scenes where no one is speaking, or when the camera turns to some other character for too long.

But on ALL  scenes, at all times when you’re watching anything on TV, the non-speak scenes are meant to be something every casual viewer can understand. The non-speak scenes are scenes that should be “speaking” for themselves. Otherwise, the tv show or the movie is just not communicating right.

It’s as simple as this: Clarke is talking to Abby

Camera moves to Kane

Kane and Camera move to Bellamy

Now, on tv shows and movies the camera moves to whatever they want you to see - anything that is NOT on the camera, they don’t need you to see. They choose YOUR focus. And this time, they choose Kane and Bellamy. Since Kane and Bellamy are not talking, it’s fairly obvious the change in camera does not mean a change in the subject. Since nothing else showed on camera , or rather, on focus, it’s also fairly obvious the only thing we have to see here are Clarke and Abby talking - Kane and Bellamy listening.

Simple cinematography wasn’t made for mathematicians, or people with inpecable memory, it is not testing if you can tell the angle of Bellamy is looking at and figure out whether it’s Octavia or Clarke, or if you remember that Octavia was even there, cause that’s not natural for a viewer. The scenes are happening, the action is happening, no viewer will stop to think about where Bellamy is loooking at - the camera already showed us, it’s no rocket science. If they wanted us to think Bellamy was looking at anywhere else but Clarke and Abby, they would have showed us.

And, no, not like this:

(the only reference that Octavia was there btw, and I - a very NON casual viewer- could barely remember Octavia was there with them)

but like this:

It’s simple, easy and obvious. They always  focus on what they want us to see the most.

(or do you think the most important part of that scene was Bellamy looking at Bryan and Miller? If not then you must realize that saying Bellamy was looking at Octavia on 4x01 is the same comparison or even worse cause she wasn’t even speaking on that scene, or relating to it at all)

And as much we all love to make deep analysis, and connect dots few people can see, most part of the show is made so most part of the people can understand. 

The foreground plot speaks to the audience - whether they are fandom experts or just a soccer mom who likes this show that airs at wednesday nights.

Some scenes are as obvious as they are, let them be. Your first feeling when you watched it is probably the right one because that’s the feeling they wanted to convey without having to spell it out for us.

headcanon where Kane’s been secretly watering the ark’s little tree he planted out in the forest. Hoping one day it grows tall and strong, and big enough for him and Abby to be married under. And he has this dorky speech to Abby about how he’d watered all this time; it’d given him hope. And the way it had blossomed had reminded him of them. And on the day Abby says sweet things to him about how proud Vera would be. Raven and Clarke put pretty flowers in Abby’s hair. And they find her a dress from the old clothes in Mount Weather, and Kane a nice blazer. And everyone comes out to celebrate - and let their guards down just this once, to see Kane and Abby married under the ark’s tree.

andromedasstars  asked:

Hi, I was wondering if you had any headcanons for Abby and Neil? I mean everyone knows that boy needs good loving parental figures and as Wymack pretty much has 'team-dad' covered...

I’VE THOUGHT A LOT ABOUT THIS OK NEIL NEEDS A GENTLE MOTHERING SOUL (this entire thing is cheesy but I’m a sucker for that shit so here we go)

  • neil knows mothers as hard and punishing and tough love
  • he recognizes his mother’s brand of love because he grew up around her
  • he recognizes being beaten for a wrong move because he needs to be safe
  • he recognizes love as caring for him even if its harsh and cold
  • its why he doesnt need to be told “i love you” by andrew and why he doesnt need to say it back
  • he knows love as protection with angry words and fists
  • and later he knows love as andrews hand on his neck and a rough pat on the back after a game
  • he doesnt recognize love as soft words and gentle hands, so maybe thats why he doesnt recognize abbys actions towards him

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ablogthatishenceforthmine  asked:

One thing about the scene in 4x11 when Bellamy tells Abby he won't let anything happen to Clarke: Abby doesn't even ask for his reassurance that Clarke won't get hurt. Like after Jaha telling Abby that opening the door would endanger Clarke, Bellamy unprompted tells her he won't let anything happen to Clarke. Abby didn't ask for that reaasurance b/c she already knows. She has no doubt in her mind that Bellamy wont' anything to happen to Clarke. And I just love that. She didn't even have to ask.

I’d like to direct your attention to the following:

Paige knows whats up. 

Awkward Attraction (Part 3)

Pairing: Roan / Reader

Warnings: Sick, Fluff, Angsty (slightly maybe), swearing (Minimal promise) 

AN: They’re getting closer guys!!! They’re totally getting closer. Anyway since i’ve been sick myself the past week this was definitely how i would have gotten better alot quicker. 
I’m enjoying these little one shots, and will be continuing to post them as a bit of light relief between trying to write ‘Thief’ ‘Surivial’ and also getting out a final chapter of ‘My Saviour’ 

Part 1 for Awkward Attraction 
Part 2 for Awkward Attraction  

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So maybe the stunt with the plates and attacking the cook hadn’t been your best idea ever but you were just having so much fun winding up King Roan with all the tiny pranks and trouble you were creating.

Abby had long since given up trying to stop you, probably fed up of the persistent arguments and unchanging outcomes. Meaning you were free to bother the king to your hearts content.

Roan got the most adorably perplexed look on his face every time he saw you now. Just waiting to learn of the newest craziest stunt you had pulled.

Today though there would be no pranks, no stunts or tricks to drive him mad. As it was you could barely manage to keep your eyes open never mind lift your head from the pillow. You weren’t often afflicted with illness, unfortunately though when it hit, it hit you hard. Knocking you flat on your back for days, and not in the enjoyable way.

You hadn’t heard your door open and would have jumped if you’d had the energy when Roan’s face appeared above your own.

“It was too quiet. Now I know why?”

“Why?” you croaked, concern coming to his face at the sound of your voice.

“Because you’re still in bed. Why are you still in bed?”

“I think I might be dying”

Roan reached out and laid a hand on your forehead where your skin felt as hot as a weapon forging furnace even though your skin was tinged with green and you were shivering.

“You aren’t dying”

“How can you know that?” you demanded as he got up to go over to the water bowl in your room wetting a cloth. “Since when did you become a doctor?”

“You have flu Y/N not some deadly disease that’s about to finish you off” he snorted “mores the pity” Roan carefully put the cloth on your head as you scowled at him. Trying to cool down your skin.

“It feels fairly like I’m going to die”

“Would you like me to fetch Abby?” he trailed the cloth down to your neck and upper chest but wouldn’t go any further. “I’m sure she can confirm my untrained diagnosis”

“No” you grumped, upset but not willing to admit it that he had stopped moving that cloth any further down your burning up body. “She’ll just want to prod and poke at me” anyhow you knew Roan was right and you did just have the flu. You just liked complaining. “Could you please pass me that water glass?”

Roan smirked “Look at that she knows how to say please”

You felt like growling at him and his sudden nailing of sarcasm. He did however reach over and get the glass of water from the table by the bed. Slipping his hand under your head to lift you up slightly so you could take a sip of water.

The water soothed your raw throat but your head appreciated being put back down on the pillow.

“Are you really ok?” he asked you, concern tinging his voice.

You’d closed your eyes when he’d laid your head back down but managed to open them once more, focusing on Roan’s face. “You mean apart from the mammoth headache, razor blades in my throat and general nausea? Sure I’m doing just great”

“Good to know flu doesn’t affect your sarcasm”

“Roan please I’m too tired to do this right now”

His eyes flew open in shock “Roan?”

Shit. You’d used his name. Too tired to focus on what you were actually saying. You were also too sick to really care though, you’d think of something dreadful to do to him when you were well again.

“Sure, Roan”

He actually smiled, properly smiled as he reached out and gently pushed tendrils of hair out of your sweaty face. If you’d been well you’d probably be concern about how your stomach flopped around at the touch of his fingers to your face. As it was you had the wonderful excuse of flu to hang those fluttering’s on.

“Just sleep Y/N”

“I don’t take orders from you Roan”

Laughing he got up heading for the doors to your room once more. “Whatever you say Y/N. Just stay in bed”

You really would have tried to do the opposite of what he’d told you if you had any energy whatsoever. You hated thinking that he had gotten the last word in your seemingly never ending game of wits. However, as it was you were barely managing to win against sleep as it was. You definitely weren’t getting out of this bed anytime soon.

So surrendering with what little grace you had left you closed your eyes letting sleep take you under.

They say that the mother of Wanheda is not a warrior but a healer. They say that she has won countless battles but never taken a life. They say she led her people to the ground from their home in the sky, that she sent her daughter before them to guide the way. They say her own people have tried to kill her many times and failed. They say she cannot die. They say she has the power to bring a man back from death; Abby Griffin kom Skaikru, the Commander of Life.


Marcus waited to radio Abby until they were sure. Until it was certain that the shelter was structurally sound, and most importantly, radiation-proof.

And it was.

It was massive, too. Underground tunnels and halls and dozens of private rooms. Fresh water from a well dug deep into the earth. Even power from solar panels.

They wouldn’t just survive - they might even be comfortable.

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