petrichordiak  asked:

can i hear more about the class you hijacked? (this doesnt have to be private)

I actually got out of bed just so I could go full rant about this on my  computer, so y’all buckle up (thank you for giving me this opportunity lololol)

Okay, so this happened about a year, maybe a year and a half ago. I’m gonna go ahead and make this one public for the benefit of those that didn’t follow me back then, if that’s cool.

Let me preface this by saying that I had taken literally every one of the professor’s classes before then. Partly because they were the only anthropology style class the uni offered, and partly because halfway through the second class I realized that literally everything was the same, except the books, which we never used. Even the assignments were the same, and I had perfected a system of how to do those quickly, easily, and last-minute, lol. So it was pretty much the definition of an easy A, and the prof liked me bc I was nice, actually listened to her even though I’d heard it all before, and didn’t rat her ass out for not actually teaching what she was supposed to, lol.

I should’ve known right there.

So when there was an opportunity to take a Native Americans in North America class with her, I jumped on it. I needed the hours, I obviously knew a lot on the subject already, and it would be another easy a, if history was anything to go by. 

It became one of the most frustrating classes I have ever taken.

As always, the class started the same as the others. We started out learning about vocab and models. NBD, we’d get to specifics eventually, right?

Now there are about 16 to 18 weeks in your average semester.

By week 6 we had yet to learn anything about Native history. She’d assigned some reading about the moundbuilder’s archeological sites, but nothing about the modern day. Maybe she was just taking it slow, I thought, though I was bothered by her only talking about Natives in the past tense. But she’d told me in the first class I’d taken with her (years ago by now) that she was enrolled Native, so I didn’t call it out immediately. 

We get to week 8, halfway through the semester, she hadn’t covered anything. No mention of treaties, modern movements for civil rights, AIM (American Indian Movement), the illegal overthrow of Hawai’i, buffalo kill offs, smallpox blankets, Chicago museum’s bullshit, NAGPRA (a law protecting grave sites and demanding the return of remains to their Nation by museums and sites, if the Nation will accept them (sometimes they allow the remains to be housed by the museum bc they’re typically more secure there, but that’s very rare)) beyond how it affected archeologists, the different regions, the language families, ghost dance, the flooding of lands by companies illegally, human zoos, RESIDENTIAL SCHOOLS, THE FUCKING TRAIL OF TEARS, NOTHING.

Like your 4th grade history segment, as racist as it probably was, probably was more informative than this bitch was being, okay? And I was getting mad. Y’all know me. Native activism is a huge part of my life, and has been for years. Students were being allowed to say really racist shit unchecked. The prof wasn’t teaching jack. Misinformation was being spread, even by the prof.

It felt like even in a class dedicated to us, we didn’t matter. Our history didn’t matter. 

I was fed up.

Then, she pissed me the absolute fuck off. She proceeded to spend the rest of the class talking about South America.

Now, our Indigenous family below the equator absolutely deserve to be discussed. They have so many issues that really, really need to be boosted and respected. We do not raise their voices often enough. But this was a class specifically about North America, and her reasoning for making it otherwise was racist in so many ways.

First, she changed the curriculum outside of its scope because she was “MORE INTERESTED IN SOUTH AMERICA, AND WOULD HAVE TO DO RESEARCH TO TALK ABOUT” the issues I was publicly demanding to know when she would cover. As if her personal interest and ignorance were more important than our lives. 

(side note, it turns out she was lying about being enrolled and Native. Her white supremacist brother (not even kidding) had said that a Cherokee woman chief in Minnesota or some shit had enrolled them. I asked her if she meant Wilma Mankiller, the first modern female Cherokee chief. She said no, it was someone else, and in the late nineties, after Wilma would’ve no longer been Chief. I publicly called her out, and even another student jumped in to help, because there was no other woman Chief then, and there was no recognized Nation that far North. Her white supremacist brother had lied bc he felt othered while working near the Din’e on a job site, bc they didn’t include his racist ass, lol. So she’d lied her way into being allowed to teach a class she didn’t even know or care about. So at this point, I was fucking done with her, lol)

She also was showing us old propaganda films, and literally every group she discussed was being painted as ignorant, warlike savages by her and the materials. She even defended a man that intentionally exposed Indigenous peoples with no immunity to certain diseases to said diseases ‘just to see what would happen.’ She recommended his books, including ‘Noble Savages’ to us. I shouldn’t have to explain why that’s racist, lmao.

All of this is to say that I was VERY fed up, she (and the class) was VERY racist, and she was going down.

Then her foolish self decided to assign a massive project where we were supposed to ‘teach the class’ about a Native subject (y i k e s, esp. since the class was full of non-Natives). Since I was Fed Up, I decided to skip the usual schooling on cultural appropriation to instead teach everyone (including her) about just a smattering of the important things she hadn’t even mentioned in passing. :)

What followed was a 33 page powerpoint.

Apologies for any inaccuracies, and blanket tw for slurs, racism, death, csa, torture, child abuse, etc etc etc

(I added all the regalia pics bc they made me happy and calmed me down, which I was gonna need. I set the presentation up as “Man, I sure had trouble deciding what to make my presentation about. Should I talk about X? Y? Z? This? That? This? And so on until I reached residential schools and Reconciliation as my discussion topic.)

I hope those gifs work. If not, they should be under my “Oka Crisis” tag, or “n i fn a history” and “n i fn a protests” tags. I also had decided early to use the Nations actual names where possible.

Oh look, a quick and easy way to make people realize THIS IS WHY YOU DON’T FUCKING REFER TO US AS SLURS, and here’s how to discuss the issue without being additionally harmful.



Getting progressively angrier at this point. The class is smart enough to stay silent.

#MMIW #NoMoreStolenSisters. Please bring them home. Whatever it takes.

Stayed on this slide juuust long enough to stare each person in class down.

Oh look, we’re finally hitting my actual topic. Again, shit’s about to get very heavy. Please read only if you can. I will not be glancing over these to check them rn, bc I can’t. I’m sharing just for y’all to see, and hopefully reblog to educate people.

I honestly wept as I worked on this part. I can’t read it again.

Calling it out.

AYUP. Canadians are so nice and their government isn’t problematic at all

There are survivors that are my age, and younger.

Not letting them forget that this isn’t just in the past. It still wounds us.

It still hurts. We’re still recovering.

I included resources for them, including the prof, to actually educate themselves, since our school sure as shit wasn’t going to do it.

A handful of my sources.

Anyways. I was done. So fucking done. She (the prof) still tried to guide the class back and pretend that it was acceptable that she hadn’t taught them anything. I didn’t let her. I reminded them all that the only reason that this was Canada focused was bc they’d just had the Truth and Reconciliation reports, whereas the US government hasn’t put any effort into assembling data on their atrocities. Go figure.

Anyways, happy #Canada150 everybody :)

OK to reblog.

Native Superheroes and Avoiding Stereotypical Roles

@wordsmithkg asked:

Sorry to bother you guys, this is a bit of a weird one, but if I’m writing something and part of it features a group of Native American (specifically Navajo) superheroes, are there powers I should avoid for cliché/stereotyping reasons, or that would feel disrespectful? For example, I can’t help but feel geokinesis would be too much of a literal manifestation of the “closer to earth” stereotype. I unfortunately don’t know any Navajo, but I did find an online community I plan to ask as well

Animal. Powers. If I see one more Native shapeshifter and/or animal speaker, I feel like I’m going to scream. Trackers, too. Plant manipulators. Spiritual mediums. Archers with superhuman aim.

Basically, look up Magical Native American and if it shows up on that list, avoid unless you manage to justify it in-universe with something other than “Natives have x”. 

Geokenisis sounds fun! The thing I like about it is it sounds modern. A lot of the icky part about Natives with powers is people assuming that the powers are “ancient” and therefore detached from modern society. They rely more than they would like to admit on Noble Savage, so if you break that with either modern sounding powers and/or non-nature based things, you’re good.

The main thing about Native powers I’ve found is they rely on sixth sense/otherworldly connection, instead of having anything that’s a pseudoscientific explanation. So if you had “felt the earth’s natural heat rising and falling”, that would be one thing, but if you had “telepathic abilities focusing on dense objects such as stone or metal”, that’s another. The former is flirting with Magical Native, the latter sounds like a superhero power.

Give it the same BS explanation that non-Native superheroes get. If you’re just going for “oh, they’re more ~*in tune*~” then I would have problems, but if you’re going with something that is at least trying to sound scientific, you’re much safer. Even something just like “genetic mutation allows for x” is cool.
The problems with tropes like Magical Native American or even Magical Nergo is the principle tends to stop at “because they are this ethnicity, they have these powers.” Meanwhile, if the reasoning is built into the character— ie- Black Panther has powers because he is king of Wakanda, and therefore has access to a plant that enhances ability to the point of a supersoldier— then you’re avoiding the heart of the trope which is that some skin colours just inherently have magic.

So, make it pseudoscientific, and try to avoid “spiritual” based stuff. Then, you’re good.

~ Mod Lesya

The Ones Who Walk Away From Omelas

From The Wind’s Twelve Quarters: Short Stories by Ursula Le Guin

With a clamor of bells that set the swallows soaring, the Festival of Summer came to the city Omelas, bright-towered by the sea. The rigging of the boats in harbor sparkled with flags. In the streets between houses with red roofs and painted walls, between old moss-grown gardens and under avenues of trees, past great parks and public buildings, processions moved. Some were decorous: old people in long stiff robes of mauve and grey, grave master workmen, quiet, merry women carrying their babies and chatting as they walked. In other streets the music beat faster, a shimmering of gong and tambourine, and the people went dancing, the procession was a dance. Children dodged in and out, their high calls rising like the swallows’ crossing flights, over the music and the singing. All the processions wound towards the north side of the city, where on the great water-meadow called the Green’ Fields boys and girls, naked in the bright air, with mudstained feet and ankles and long, lithe arms, exercised their restive horses before the race. The horses wore no gear at all but a halter without bit. Their manes were braided with streamers of silver, gold, and green. They flared their nostrils and pranced and boasted to one another; they were vastly excited, the horse being the only animal who has adopted our ceremonies as his own. Far off to the north and west the mountains stood up half encircling Omelas on her bay. The air of morning was so clear that the snow still crowning the Eighteen Peaks burned with white-gold fire across the miles of sunlit air, under the dark blue of the sky. There was just enough wind to make the banners that marked the racecourse snap and flutter now and then. In the silence of the broad green meadows one could hear the music winding through the city streets, farther and nearer and ever approaching, a cheerful faint sweetness of the air that from time to time trembled and gathered together and broke out into the great joyous clanging of the bells.

full text below  

Keep reading

i believe saying stuff like ‘white people invented imperialism/colonialism/genocide’ etc is not only ignorant of non-european history and reinforces the noble savage myth, but it is also highly disrespectful towards victims of crimes against humanity that weren’t committed by European powers. if you say stuff like that I won’t be able to look at you the same way

Anonymous asked:

What are some tropes, cliches, and dramatic principals we should be aware of as writers?

Well, remember that cliches are just tropes that have been used the same way over and over again. So, a lot of things that are considered to be “cliches” are actually fine in their basic trope form, but have become a cliche when presented in a very specific way.

Some Tropes Every Writer Should Know About

The Chosen One, The Humble Hero, The Love Triangle, Star-Crossed Lovers, Magic Pixie Dream Girl/Boy, The Rebel Princess, Secret Identity, The Power of Love, The Mysterious Bad Boy, The Long Lost Prince/Princess, Rags to Riches/Royalty, Murdered Loved One/Family Avenger, Band of Misfits, The Ugly Duckling

Some Cliches Every Writer Should Know About

The Chosen One Just Because, Dreams to Reveal Backstory or Foreshadowing, “The Magical Negro” and “The Noble Savage,” Women in Refrigerators, Insta-Love, Badass Female with No Other Qualities, The Nerdy Sidekick, The Convenient Concussion, the Mary Sue/Gary Stu, The Designated Hero, The Shock Value Death, Aliens Speak English, Limitless Superpowers

Dramatic Principals (and Literary Devices) Every Writer Should Know About

Chekhov’s Gun, MacGuffin, Deus ex machina, red herring, the death trap, the Sampo/Big Dumb Object

That’s all I can think of right now. You can learn more about them by Googling the terms. Watch the comments in case anyone else has some to add to the list! :)

Have a writing question? I’d love to hear from you! Prohibited questions: how to portray/describe (characters, emotions, situations), specialist knowledge questions (medical, military, mental health, etc.), asking for tropes/cliches or resources, triggering/controversial topics; broad, vague, or complicated questions. I get dozens of questions per day, many anonymous. Please don’t ask if I got your question. See master list & main site for more info!

I had the mental image of Percy, Cass and Vex being invited to parties hosted by other nobility and just, standing in the corner judging everyone like fucking Mean Girls. 

It’s sort of their Thing. 

Everyone knows it, but like, you can’t NOT invite the Whitestone nobility to your party. So you just have to suffer through these three young impeccably dressed nobles silently yet savagely judging you throughout. 

What do Natives Want to See Ourselves In?

@impassiverevelation asked:

I really liked that post about what kind of stories different people want to see themselves in. But I was wondering what kind of stories Native Americans want to see of themselves?

Short answer: Everything.

Long answer!

Something that isn’t built on the backs of Noble Savage or Magical Native American. I would love to see more stories where there’s everything about the culture pulled, and it genuinely feels like a specific nation, especially in fantasy.

Like, I get it’s easy to cast us as nature protectors. In a sense, it’s necessary, because “stewardship of the land” is part of being Native. But I get really tired of picking up a story that’s Native coded and all I see is “the land is in danger and these special magic users are the ones to save it.”

All magic ends up being either soul-healing or nature based, and can we have something that doesn’t feel like shamanism or just those tropes? Can’t we have a different conflict? Something maybe based on our own legends?

Also, less racism narratives would be very nice. Very very very nice. They’re important, but it gets exhausting to only read struggle narratives.

I’m a fantasy individual. I love high fantasy. But I’d love to see more Natives everywhere— pre-contact narratives that don’t include a single white person; romances that aren’t “strong man loves you” or overly sexualized; urban Natives reconciling all they left behind and all they can build again; horror novels on our terms, where the monster isn’t just a cannibal wendigo; sci fi where we’re in space (maybe making sure none of our activities invade other planets like white people invaded ours).

But, really, everything Native coded I read falls under the camp of either:

  • Horror monster (see: nearly every use of the wendigo by white people in the past century…)
  • Special magic users who are just more in tune with nature/souls

  • Something about racism/colonialism

I’d really like more.

If you want to see what other mods want, check out the Writing with Colour Wishlist.

~Mod Lesya

         CONCEPT SERIES - 7/?: Hood Futurism

White supremacy paints the future in such a grim light. They imagine humanity as an extension of themselves – pure and clean. White. Everything is pale and modern. The world is chrome and cold. Religion is dead. Culture is dead. They imagine themselves being watched over by some evil force. Worst case scenario, a rugged white man with chin stubble and a dead wife will lead a ragtag team of black and brown bodies to death. Best case? It’s a white girl and the noble savages worship the ground she walks on. 

This future does not exist. This future is a product of the hyperactive white imagination. This future is the wet dream of every white supremacist who has ever imagine a world with black people. 

                          Real or not real?

What’s real and what’s true is a future full of black bodies. Forget every sci-fi film. Forget every sad dystopia written by misogynistic and racist white men. Focus your attention on the reality of a black future.

Meet us in the year 3000. We will be there, creating the culture and slang that used to be so gleefully stolen from us. The future will not belong to white people. The future will feature hood girls with hologram hoop earrings and acrylics that extend and change color with a touch of button. The future will feature rap and hip-hop infused with syntho-beats that really do remind you of the Old 90′s. The future will feature neon and disco style, big fro’s and the resurgence of classic R&B.

Since  you’re already here with us, why not stop and see that our future is hopeful? We are alive and we will stay that way. Quit the masturbatory visions you have of dead black bodies piling up so a white hero can feel something. Our future is full of smiling brown faces and black babies who live without fear. Our future is brownstones outfitted with modern touches but still repping that classic Brooklyn stoop. Our future is flying cars and trips to space stations. 

The truth about the future is that no matter how hard you try to kill us, no matter how hard you try to erase us from your media, is that we will be there, Black and bold as ever.

             Black lives matter in the future too, you know.

liberal feminists love to use indigenous culture, intersex people, and women from 3rd world counties to illustrate their “points” but never actually listen to what people from these groups have to say. they are constantly speaking over them or for them, but if they listened they’d find out they are in fact, wrong. women all over the world face sex based oppression and we need to listen to their views and their stories. intersex people have very unique experiences and we should listen to their views and stop lumping them in with trans and gnc people. saying native cultures have no knowledge of sex and using identities like two-spirit to support white people’s experiences is colonialist, infantilizing, and upholds many aspects of the noble savage archetype. liberal feminists claim to be inclusive, but constantly step on these groups and many more just to prove their self-serving points.

aladyinblue  asked:

Can I ask for book recs? You've said before your reading is seasonal (which I find fascinating as it had never occurred to me it could be) and I'm quite curious to see what are summer reads for you. For most people summer reads are light and a no brainer, yet you said Brideshead revisited is meant to be read on summer. So, please, enlighten me because I wanna jump in the wagon of seasonal reading.

I’d be delighted!!!! Yes please let’s spread my eccentricities around the populace!

So for starters, not every book has a season, and some books belong to seasons for different reasons than others. Brideshead Revisited, for instance, would be a summer book for the same reason that one of the songs from Adrian Johnson’s score for the 2008 film is called ‘Always Summer’ — it’s to do with mood and theme and thoughts and the best season for feeling certain feelings.

A much clearer selection process is simply where the thing takes place. It’s environment matching — if it’s warm outside, I want to be reading things where the characters are also someplace warm. But interestingly, often the settings seem to sorta self-select for books that also match onto my ~seasonal mood~ pretty well! Fall books end up having a sort of classic quality, a combination of a good old fashioned haunting and that back-to-school feeling of a crisp October day. Spring, it turns out, is lyrical and shifting, books with a blossoming, intricate manner of storytelling. Winter we haven’t done yet — ask me again in winter! — and summer… summer might be flying and mirage.

Summer Reads

Category 1: The Only Way We Can Talk About The War Is With Magical Realism (one of my favorite genres of all time)

The English Patient - Ondaatje, Michael
If you are only familiar with this as the movie with Ralph Fiennes, let me change your world: there was a novel first, and holy heck is it a whole other and wondrous thing. This is one of my very, very favorite books. It is GORGEOUS. It is strange. There’s layered narration, unreliable narration, skips in time and place, but the novel is anchored in its characters, who form something of a contemplative quartet: a Canadian Army nurse, her mysterious and badly burned patient, a Sikh British army sapper, and a thief named Caravaggio, all sheltering together in an abandoned Italian villa during the last months of WWII.

Corelli’s Mandolin - de Bernières, Louis
This was a typically flawless recommendation from Mr. Dorman, my high school English teacher who shows up on this blog from time to time. It takes place on a Greek island during WWII, and is just rich in history and personalities and feeling. It’s transporting — brilliantly written, so funny, and I think I might have cried for about 50 pages near the end. It also has a quartet of fabulous characters: the oddball doctor who is trying to write a history of the island, his bright and educated daughter, the charming musician Captain Corelli, and an Italian soldier named Carlo who is like an Ancient Greek tragedy brought to life.

Catch-22 - Heller, Joseph
Honestly has anything in literature ever been as good as what Heller did with Snowden. Can anything even touch that. Merely for that piece alone this would probably be the greatest novel ever written. Listen, Catch-22 is a masterpiece. It will harrow you to the bone, it will make you wail in anguished frustration, and it will make you laugh and laugh and laugh, unto the ending of the world. Most simply it is about a squadron of Army pilots trying to survive WWII. More broadly it is about trauma and humanity. Oh and our main character is a Middle-Eastern American, and here are the very first lines of the novel, also one of the true greats of our time: “It was love at first sight. The first time Yossarian saw the chaplain he fell madly in love with him.”

Category 2: Memoirs of Pilots Flying Over Deserts During the Golden Age of Aviation

Wind, Sand and Stars - de Saint-Exupéry, Antoine
Yes, this is the memoir of the author of A Little Prince, a real life aviator who flew mail across the African Sahara and South American Andes. He tells stories about flying and friendship and muses on life, and it is all just breakingly beautiful. A sample line: “When I opened my eyes I saw nothing but the pool of night sky, for I was lying on my back with out-stretched arms, face to face with that hatchery of stars.”

West With the Night - Markham, Beryl
I have extolled the virtues of BERYL MARKHAM and her fabulous memoirs before — those facts stand. I will add though, for both her and de Saint-Exupéry, that while they have such sincere fondness and respect for their African friends and colleagues, they do occasionally write about them in a way that feels out-dated and out-of-touch. There is an air of the “noble savage” in some of their stories, which is a hoary old problem that often plagued well-meaning white writers of their time. So, a heads up for that.

Category 3: The Americans

The Great Gatsby - Fitzgerald, F. Scott
If you have not reread The Great Gatsby since high school, I can sincerely recommend doing so, and in the height of summer if possible. Quoting myself from my Baz Luhrmann 4th of July last year, Gatsby is the great American daydream: fabulously indulgent, ironic, biting, somehow gaudy and gauzy at once, hilarious, inadvertent, morbid, and hiding at its core an embarrassing sentimentality, which it will try to drown in champagne and pools as soon as you’ve seen it. 

The Talented Mr. Ripley - Highsmith, Patricia
This is probably the wellntruly equivalent of a vacation read, if your vacation is in Italy and the shadows cast by the sun are a touch too dark and something about the way the condensation traces paths down your Campari & soda feels unaccountable sinister, and you’re cool with it.

A Good Man Is Hard To Find (short story collection) - O’Connor, Flannery
Southern Gothic time, little ones! You’ve seen the “[blank] gothic” posts on this website before, and here’s what 99% of them miss: not just what is dark and twisted in the environment, but what is dark and twisted in the hearts of the people. Southern Gothic is social commentary, and Southern Gothic is fucked up, and the undisputed queen of the genre is Flannery O’Connor. These are stories that will stay with you long after you’ve retreated from their dusty, sweltering heat.

Slouching Towards Bethlehem - Didion, Joan
We’re breaking into journalism here with a collection of essays by the inimitable — although god knows we all try — Joan Didion. If you are at all interested in California, or the 1960s, or the craft of writing, you can do no better than Joan Didion. Joan Didion! I just want to repeat her name like an hosanna. Here you can read her on the Santa Ana right now.

anonymous asked:

As a historian whose Masters Thesis is on frontier warfare between Native Americans and settlers in Post-Revolution 18th century America: the 'noble savage' myth is utter bullshit. I could tell you so many historical accounts of Native raids and attacks that more resemble horror stories. And also the 'concepts of personal property and money are a white/colonial/enslaving invention' thing is so inaccurate I almost laugh whenever I see it.

Possible references to ‘The Ones Who Walk away From the Omelas’ in the BTS ‘Spring Day’ teaser

Since I know a big part of you have never read ‘The Ones Who Walk away From the Omelas’ (by Ursula K. Le Guin), I wrote a small summary of things I noticed were quite directly referencing the book. All quotations are from TOWWAFTO (that’s a mouthful).

With a clamor of bells that set the swallows soaring, the Festival of Summer came to the city Omelas, bright-towered by the sea. The ringing of the boats in harbor sparkled with flags. […] I incline to think that people from towns up and down the coast have been coming to to Omelas during the last days before the Festival on very fast little trains and double-decked trams, and that the trains station of Omelas is actually the handsomest building in town, though plainer than the magnificent Farmers’ Market.”

Setting: a beautiful town by the sea. A summer festival that people come to attend from other towns. 

Keep reading

Anon submitted:

*genitals mention tw, rape mention tw, sex mention tw*

I am an Asian cis-WOC who has a lot of frustration with the asexual community.

I’ve written about this elsewhere, but I really need white people – asexual and allosexual – to stop saying that “POC sexual attraction/behavior isn’t privileged" as a way to invalidate asexuals. This implies that asexual POC are thus privileged over allosexual POC, which is very insulting to us. Yes, POC may be judged more harshly for sexualized behavior – for example, Miley Cyrus and Lena Dunham are praised as “feminist” but Beyonce is criticized for being “too sexy” – and everyone should be aware they’re not falling into that trap.

However, hypersexualization and fetishization of POC is driven by racism, not about our sexual attraction or behavior. My features – olive skin, thick dark hair, full lips – are usually portrayed in popular culture as sexy or sensual, not pretty or beautiful or cute. Before I knew I was ace, I had intense self-loathing, particularly for sexualized body parts such as thighs and skin. I still struggle with body hatred because I don’t feel sexual but look that way.

POC bodies, NOT BEHAVIOR, are sexualized and fetishized. Stereotypes about genital size inform stereotypes of black men as hypermasculine and Asian men as effeminate. Even a wealthy, middle aged, married black woman like Michelle Obama has inappropriate media attention paid to her rear end. Asian fetishists are fascinated by rumors that Asian women have sideways vaginas or that we’re “tighter” than other women. Some people even refer to our skin color in food terms. Even when fetishization is not so blatantly anatomical, there are stereotypes about Latinx and Middle Eastern people as “naturally sensual” or Native American and indigenous people as “noble savages,” their bodies providing playgrounds for fulfillment of white sexual fantasies. This has nothing to do with our sexuality, whatever it may be, and everything to do with our race.

White aces, how would you like your race to be a popular porn category, or to have cis-het men associate your race with massage parlors, mail-order brides, and foreign sex tours?*

White people need to understand that asexual POC do not get a free pass out of sexualization and also need to stop exploiting racism to silence or bash aces - some of whom are POC(!)

Lastly, I want to address the rhetoric around sex favorability. I want white aces to think about WOC when they discuss sex favorability, compromise, and “aces can have sex too!!!!!” It is not ok to promote asexual sexual availability without also promoting asexual sexual agency.

Too often allosexuals hear “aces can have sex too!!!!” and assume that since we don’t feel sexual attraction (one definition), sex doesn’t mean anything to us, and therefore we’ll eagerly comply with their desires. I have seen them happily suggest that sex means about as much to us as eating pie, or that we do it as a chore to keep our allosexual partners happy. (Fine if you do, but this doesn’t apply to most asexuals – I suspect that most sex-enjoying asexuals enjoy it only under certain circumstances, and many of us don’t care for it at all.)

WOC are already hypersexualized, denied sexual agency due to our race and gender, and may be sought out for specifically sexual reasons (it’s harder to spot than you think, racial fetishists may deny it, or not be upfront/obvious). We don’t need another reason for people to assume our sexual availability. If the asexual community really wants to support aces of color, particularly ace WOC,** we need stop the unqualified “aces can have sex” line and instead insist that asexuals have the right to completely opt out of sex (as most of us will) or to freely choose to have it on our own terms.

*White people, now is not the time to call me “wh*rephobic” or SWERF. My problem here is not with women in the sex industry (or mail order brides for that matter), but men associating Asian women with sexual availability. This happens with other WOC too. It is racist because 1.) it generalizes about an entire racial group of women, and 2.) WOC and women from non-Western countries are overrepresented in the sex industry due to the socioeconomic effects of institutionalized racism, colonialism and exploitation. Given that men, including johns, commit the overwhelming majority of physical and sexual violence against sex workers, and that many think it’s ok to coerce or mistreat sex workers (example, assuming exotic dancers will also offer sex or sexually assaulting them), I don’t think it’s “wh*rephobic” for me to fear for my safety if a cis-het male stranger assumes I’m a sex worker.

**This is applicable to other aces, not just POC.

anonymous asked:

ya need to shut the fuck up with this noble savage bullshit. sit ya ass down

Noble savage bullshit…oh you mean “I am a big flaming terf and hate that indigenous people have gender expressions different from the binary and I can’t force them to abandon part of their culture”

With a sprinkle of “I hate being called out as a racist for not respecting indigenous people and their heritage. I cling so much to the idea of clear cut male and female that I am imitating the hated patriarchy I try to overthrow. But don’t you dare to tell me that!”

How I know I have hurt your white fake-feminist feelings?

Because if an indigenous person would have problems with anything here on the blog they would not hide behind anon.
You as a white racist might think that non-white people are all angry savages who delight in anon hate and ‘sit ya ass down’..

But that is something I have seen mostly white people do. So no, hiding behind anon does not make me believe you are a person who has any right to talk about non-white genders and their expression.

You don’t have any right to speak as an individual when indigenous people have said “Terfs and  white people in general, keep your hands off of our heritage”

Must give you a horrible itch to know terfs can’t force their views on everyone, have a splendid day.