a bit of difference

Why are we not discussing these things about today’s G/M/S&G/M/S/More? Link saying to Rhett that he wants him to feel some emotions, any emotions, and continuing to say things like that throughout the episode. All of the flirting. The bit in G/M/S/More where Link mentioned Mexico and Rhett gave him an odd look before quickly making it about the prunes, Then stumbling over what he was saying about prunes being delivered to Link’s room, which included a room number that Link then said “Don’t give out my room number, I’m still there” and then Rhett said “That was my room number” and they just kinda...got quite and someone (stevie I believe) made a snickering/laughing sound before they started talking about the gummy again. and the bit about “Make us agree on something (their guess for the gummies) our relationship depends on it”
  • Pfannee: And remember, you have to kiss whoever the bottle lands on.
  • Crope: *spins bottle, landing on Tibbet*
  • Shenshen: Oh, if that happens you just kiss the person on your left.
  • Crope: What!?
  • Galinda, on Crope's left: You can't just change the rules!

tfw ur trying to write plot but ur brain only provides you with out-of-sequence snippets built on vague ideas and an endless number of potential outcomes that develop and branch out unnaturally over an unspecified timespan

i love how in FL cannibalism is for the most part only hinted at like ‘ohhh they have such ‘’’’’terrible table manners’’’’’’’’ if you know what i mean’ and the player character has to put in a good bit of effort to even interact with cannibals, much less eat human flesh. 

and then in sunless sea its like ‘whoops im out of supplies better eat my crew haha’ 

This is by far the project I’ve spent the most time on

Jefferson was actually v soft-spoken. He didn’t like speaking in front of crowds, but when he did, no one could ever hear him and by the end of his speech no one even knew what he said. THEN you look at Daveed Diggs,,

Originally posted by alexander-hamiltunes

You know, I keep seeing posts talking about what a horrible liar Kara is. But the fact of the matter is Kara is probably one of the best liars I’ve ever seen on TV.

But wait. The entirety of National City knows Kara’s Supergirl, you may be thinking. How can she be a good liar? But that’s the thing—her secret isn’t that Kara Danvers is Supergirl.

Kara’s only been Supergirl for the past year or so. But still, she’s been lying for well over a decade about who she is—and successfully. The thing about Clark—and they’ve addressed this in season 1—is he may as well be human. They’ve talked about this with Astra, and then they’ve shown this Myriad. Because in Clark’s head, he’s not Kryptonian. His powers make him stand apart, but when he solar flares, his most likely thought process is I’m human now. To Kara, it would be I’m now powerless. And there is a difference. Krypton is much more technologically advanced, yes, but that is not the only difference between Earth and Krypton.

I cannot emphasize enough Kara is not human. Kara’s alienness isn’t contingent upon her abilities—superpowers or no superpowers, she’s always Kryptonian.

And sure, plenty of people probably have figured out that Kara is Supergirl—but that’s pretty much it. What people know about Kara’s past is that she’s Superman’s cousin, and that’s it. And clearly, Kara is younger than Superman—most people aren’t going to think “yup. She was probably put in suspended animation in some way.” I mean the conspiracy theorists might, but not really the overwhelming people on Earth. (listen. You gotta draw a line somewhere)

Most people are going to think ‘Occam’s Razor’—that Kara’s mom, or dad, or both, got off Krypton at the same time as Superman, and a decade later had Kara, and that there’s a very good chance that Supergirl is half human, or at the very least born on Earth and raised as a human. It’s what’s logical, isn’t it? The simplest answer is usually the correct one.

But she’s not. English isn’t her first language, and she grew up with a very different culture, undergone a host of different experiences that most humans couldn’t even imagine. Hell, she wasn’t even born the same way—Clark was the first natural Kryptonian birth in years. That means Kara was not. Kara was born via the Codex—really, if James was surprised at the depths of Kara’s anger over losing Krypton (back in season 1—you know, where Kara got to have more than 3 emotions), or how surprised he was to find out what Kara’s family crest really meant, how surprised would they be at everything she’d decide to just stop hiding?

Because Kara is so very good at hiding. Kara Danvers is real, yeah, but it’s someone she had to build. One of the very subtle, but telling moments happened in the first episode of season two, when Kara and Clark were getting off the elevator, and Clark had a clumsy moment where he ran into someone and knocked all their things to the ground. After he apologized and helped the person pick up their things, Kara asked him “wow, you really have the whole clumsy thing down, don’t you?” “Oh no, that was real.” Key word here is thing. As in, I have a routine I go through to distract people and to seem harmless. And this is just the tip of the iceberg, of routines and acts Kara must go through to make herself seem human. Kara Danvers is real, but part of that identity is a persona she constantly embodies–clumsy, absentminded, horrible at math and science, cute but not drop dead gorgeous, a bit quirky always happy, harmless, invisible, human.

And so it’s not surprising that all of these people are figuring out her identity, but that’s not really what Kara’s held close to her chest, not like Clark. Kara’s anger and loss and just general alienness–that is her secret. This is what she’d confide, this is what she’d have to truly trust someone to reveal. This is what the culmination of trust would look like, trust in Cat or Lena or Maggie (or hell even Barry, who sure knows Kara is an alien but. He doesn’t really seem to grasp the implications of that–oh i didn’t realize Kara got mad).

For 10 years, Kara kept herself hidden, keep herself secret. But Kara’s secret isn’t that she’s Supergirl, a human with powers. Kara’s secret is that she is angry and mad and hurting. But most of all, Kara’s secret is that she is not human.

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BTS | The Ones Who Walk Away from Omelas : A Short Story

So I just saw [this post] on my dash and wanted to add on but the post was already super long so. Here are some things I’ve learned from about a decade of martial arts (both practicing, competing, and teaching) that might be useful for writers:

  • If your character practices martial arts at a school, know that every school will teach that particular style a little differently. 
  • If your character doesn’t have flexibility/doesn’t stretch. they. will. hurt. themself. trying. to. kick. Even if it’s just waist-high. People who aren’t used to fighting will pull something.
  • People who have been training for a long time will have stronger hands/feet. 
  • Grappling is dirty work. You’re on the ground, you’re grabbing what you can, it’s not as hot as you might think it is.  
  • Holds/grappling/etc. are ingrained reactions. If someone grabs your wrist, reacting immediately is something that is a trained reaction. Same with throwing someone over your shoulder. The steps are practiced again and again and again until they’re gut reactions. 
  • Building off that: even if you’ve trained with a million of these drills, real life is always a little different. You have to be ready to improvise.
  • For the love of all that is holy, karate is not a universal name for martial arts. There are usually modern/sport and traditional versions of martial arts. In my experience, bits and pieces from others will mix together. (for example, I learned a lot of aikido and judo learning self-defense in taekwondo)
  • The effectiveness of the way your character fights can depend a lot on where and how they learned how to fight.
  • This may not be important for writing fight scenes in general, but just as a side note: martial arts have philosophies. If your character is trained in a particular MA, make sure to do research on that philosophy. It might be important to your characterization. 
  • Getting hit hurts. Unless you’ve been fighting for a while and are used to getting hit, you’re gonna be shocked. 
  • The most strategic person is going to lose at least 80% of their thought-process when fighting. The RDJ Sherlock Holmes fight scenes? Where he thinks everything out? Nah man. A lot of fighting is muscle memory & practiced combos. 

dozing off.