Woulds

reasons why that whole darn episode was amazing:

  • marlon’s fACE when faith makes a break for it is p r i c e l e s s
  • “she’s like the usain bolt of grandmas.” “who needs a wheelchair?”
  • rob being so upset that the wedding wasn’t perfect and aaron not caring because all that was important to him was that, at the end of it all, robert was his husband
  • i know i’ve said this at least six times now but i cannot even believe they got married in the damn garage they fucked for the first time in
  • also the garage is so much more significant than that? like, that’s where aaron attempted suicide, it’s where he first started to really grow up and be responsible, not to mention that’s where robert made the first attempt at even a friendship, never mind the affair
  • “remind me why i’m marrying you and your massive ego again?”
  • aaron’s little choked up, emotional giggle at the end of the “i wasn’t expecting you to do the whole ‘til death do us part’ thing” i mean the lad honestly sounds like he could cry of happiness at that moment
  • “that’s how it works, idiot” i love how this has just become their pet name
  • i really, really love how they keep coming back to the “but you know” “i know” thing
  • “i never thought i’d have this with anyone. and i never though i’d have it with you.”
  • foreheadkissforeheadkissforeheadkiss
  • all of aaron’s little smiles because aaron dingle’s happiness is my happiness
  • charity ringing the bell i love her like as much as she teases them she loves them
  • ADAM
  • the damn pink confetti
  • diane “break his heart and you’re dead” sugden is my queen
  • the “drink from the welly!” chant
  • cain, who once beat the absolute daylights out of robert, getting annoyed with him when he’s taking too long to do it
  • paddy’s “he does love you. i think anyone can see that.” he’s going to start accepting rob’s presence in aaron’s life
  • also the whole padron scene, i’m so glad they’re slowly fixing them paddy just needs to stop being so wrapped up in his damn self
  • “better go and rescue my husband”
  • just anytime they refer to each other as “husband” i mean really
  • “one’s enough, i like him conscious”
  • the way rob steadies himself on aaron after the welly idk why i like that so much i just do
  • ADELE
  • the way rob grips aaron’s face as he kisses him in front of everyone and doesn’t even care #charactergrowth
  • if you blink, you’ll miss it, but right as the camera pans over before they disappear behind chas as she walks past them you can see rob gently kiss aaron’s neck
  • the way robert presses his face into aaron’s shoulder, his lil smooshed nose, and the way they both light up when they see chas
  • faith calling rob “blondie” does she even know his damn name? anyway if they wanna make rob and faith best friends i’m here for it
  • speaking of robert’s friends, robert has friends!! even if they were just background randoms that he never actually interacted with! but where the f was bob?!
  • how peaceful aaron looks in robert’s arms
  • robert and belle interaction, that made my life
  • robert’s drunk stumble (which is mostly ryan’s post-surgery knee)
  • “oi, have you seen me husband? dead grumpy, but he doesn’t look bad in a suit.”
  • the way reality hits aaron like a freight train at the end of the ep broke my damn heart but was beautifully acted god bless u ryan and danny
  • mr. dingle and mr. sugden
  • robert knowing aaron’s not fine
  • “i don’t wanna leave ya” “i don’t want you to go”
  • aaron apologizing to robert destroyed my heart like yeah thanks i didn’t need that or anything
  • “you’ll come home to me, and we’ll never look back”
  • also, the weird cover of ‘please don’t stop the music’ playing behind them in that scene
  • and of course, that beautiful wide shot of just them in the night with some candles, clinging to each other because they’re the most important things in the world

anonymous asked:

I want everyone to call him Leopold. Pretentiously.

omg that would be amazing. like legitimately would make my year.

like just imagine real jemma going up to fitz and being like

“fitz, thank god i found you”

“fitz is my father. it’s leo”

*cue jemma’s like super shocked/offended/surprised face*

“okay, leopold”

okay but also it would make total sense for him to be called leo in this world if he’s going to be with his dad. like his dad might be called fitz, so he would have to go my leo. why must my jokes end up being meta like why

The biggest highlight of the week was seeing Tom Cavanagh reprise the role of Harry. Not that his H.R. hasn’t been a hoot, but there’s no substitute for the cranky, overbearing Wells of Earth-2. As it turned out, the best scene of the episode didn’t involve gorillas at all, but rather Harry reuniting with his doppelganger and trying to wrap his head around the fact that this goofy, brainless dork has become an indispensable member of Team Flash. Nowhere has Cavanagh’s versatility been on better display. Is it too much to ask for an all-Wells spinoff?
—  IGN [x]

sir-hyde  asked:

So if Hera and Glen switched places, as in Hera now has to hang around Al and Glen now has to hang around Fiend. What would happen?

IN THEORY: YAY.

Sorting them by the categories of “big, good-natured beastpeople” and “sharp-tongued quasi-nonbinaries" could totally work out. I’m setting this in Al and Glenn’s 90s-esque universe.

Hera, having a strong familial support system, wouldn’t be swayed by Al’s narrative that extra-human people like them don’t need to function in polite society. So instead of living on the road with her as his sidekick, he’d probably stay near her and try to hold down a steady job. Accent on “try”. The Czars and Hera’s family would get along great, but the Czars would still have to keep the serial killer stuff under wraps. So, just… lots of wholesome wrestling with giant cats.

If Glenn got stuck with Fiend, it’d be for the same reason Hera is: forced by a dark pact created long before they were born. It’s all cool though, because these two both have venomous cynicality, delusions of superiority, and a love for shit-talking perfectly good things. Imagine a muttering thundercloud with four legs.

Also Glenn would learn to dress better and adopt Fiend’s pronoun flexibility, after learning that that’s a thing you can do. (Fiend, well– Fiend doesn’t change for anybody.) Also a plus: they can ride kiddie rollercoasters together.

The most ridiculous visual comparison that comes to mind:

Things from musicals that are so perfect they are borderline erotic

When Jonathan Groff first comes in in The Bitch of Living.
Timothy Omundson’s voice in Goodnight My Friend. Also in Finally.
The third and fourth “burn"s in Burn and like Phillipa Soo’s voice all the time. Shoutout to the final "mine” too; that’s gorgeous.
Pia Douwes’s voice, and how it is somehow simultaneously smooth and pure and beautifully rough.
The harmonies at the end of Make Up Your Mind/Catch Me I’m Falling.
“Would you think so badly of me” in Sonya and Natasha.
That thing in The Bitch of Living when they are all jumping around chaotically and then suddenly are frozen singing “oh, who knoooooowwwwws?” (start at 2:40 for the full effect)
That thing Karen David does in like every song in Galavant where her voice changes pitch slightly and damn.
The way “sadness” is sung in Don’t Do Sadness.
The harmonies in Boote in Der Nacht.
Magaldi’s verse in On This Night of a Thousand Stars.
When Eva starts singing in High Flying Adored.
Natasha singing both “nothing, it was nothing, I didn’t lead him on at all” and “back in the theatre full of light” in Natasha Lost.
How syrupy and rich Jasmine Cephas Jones’ voice is in Say No to This.
That part of Seventeen when JD and Veronica are singing “seventeen” together and he’s singing higher than her.
The end of My Eyes. Vocally, and the choreography.
Everything about Sophie McShera’s voice, especially when she’s singing her parts of A Happy Ending for Us.
The slight roughness in John Gallagher Jr.’s voice.
How drowsy and sexy Idina Menzel’s voice is in As Long As You’re Mine.
Also when she sings “it well may be” in For Good. (It’s nice for different reasons of course.)
Chris Jackson’s voice in One Last Time. And in every other song.

im jaebum is one of the most beautiful specimens I’ve ever seen, period.