Vincent Herbert


Fast Forward To 10:20 & Then Start …

That Was Soooo Cuteee & Sweet Of Him, Aaaaah I’m Such A Cornball Lol :’)


Tamar’s giving us that “Hot Sugar.”


On this day in music history: July 13, 1993 - “Toni Braxton”, the debut album by Toni Braxton is released. Produced by Babyface, L.A. Reid, Daryl Simmons, Vassal Benford, Bo & McArthur, Toni Braxton, Vincent Herbert,  Ernesto Phillips and Tim & Ted, it is recorded at Studio LaCoCo, Doppler Studios, Bosstown Recording Studios in Atlanta, GA, Elumba Studios in Hollywood, CA, Encore Studios in Burbank, CA, Summa Studios in Los Angeles, CA, Central Studios in Bladensburg, MD and Newark Sound Studios in Newark, NJ from May 1992 - May 1993. Raised in a large strict religious family in the suburbs of Washington D.C., Toni Braxton grows up singing her local church choir, but aspires to sing secular music. Blessed with a distinctive, rich and sensual contralto voice, it won’t take long for the young singer to be noticed. The course of her future changes when she is overheard singing to herself while pumping gas at a station in Servern, MD. Bill Pettaway, Jr., the man who hears Toni singing, is a member of a band called Numarx (“Girl You Know It’s True”) and has ties to the music business. Through Pettaway, Toni and her sisters are signed to Arista in 1989, releasing the single “Good Love” in 1990. The single is a failure, but is heard by L.A. Reid and Babyface who are interested in signing Toni as a solo artist to their Arista distributed label LaFace Records. Initially hesitant to leave her sisters behind, they give her their blessing when they realize this is their older sisters’ opportunity to become successful. L.A. and Babyface first have Toni record “Love Should Have Brought You Home” (#2 R&B, #33 Pop) and “Give U My Heart” (duet with Babyface) (#2 R&B, #29 Pop) for the soundtrack of the Eddie Murphy comedy “Boomrang”. Both songs are major hits, thrusting Braxton into the spotlight and generating buzz for her first solo album. Spending an entire year in the studio with L.A. and Face and a number of other producers, Toni Braxton’s debut album is an immediate smash. Led by the single “Another Sad Love Song” (2 R&B, #7 Pop), it spins off a total of six singles also including “Breathe Again” (#4 R&B, #3 Pop) and “You Mean The World To Me” (#3 R&B, #7 Pop). The huge success of her debut quickly establishes Toni as one of the top female vocalists of the decade, selling over ten million copies worldwide. The album is nominated for four Grammy Awards, winning three including Best New Artist in 1994, and Best R&B Female Vocal Performance in both 1994 and 1995. “Toni Braxton” spends three weeks at number one (non-consecutive) on the Billboard R&B album chart, two weeks at number one (non-consecutive) on the Top 200, and is certified 5x Platinum in the US by the RIAA.

Earth 2: World’s End #13 - “Burden” (2014)

written by Daniel H. Wilson, Marguerite Bennett & Mike Johnson
art by Tyler Kirkham, Jack Herbert, Vincente Cifuentes, Jorge Jimenez, Robson Rocha, Guillermo Ortego, Stephen Segovia, & Jason Paz

Earth 2: World's End #13 - "Burden" (2014)
pencil by Scott McDaniel, Tyler Kirkham, Jack Herbert, Jorge Jiménez, Robson Rocha, & Stephen Segovia / ink by Tyler Kirkham, Vicente Cifuentes, Jorge Jiménez, Guillermo Ortego, & Jason Paz / color by Andrew Dalhouse

Kate with famous actors/actresses she never worked with:

Chico Marx, Greer Garson

Clark Gable

Kathryn Grayson, Tallulah Bankhead and Helen Hayes

Lana Turner

Judy Garland, Lena Horne

Lauren Bacall, Marlene Dietrich

Gene Kelly


Happy 18th Birthday “One In A Million”. Aaliyah released her 2nd album August 27th 1996. The album was recorded from August 1995 to July 1996 with a variety of producers including Timbaland, Missy Elliott, Carl-So-Lowe, J. Dibbs, Jermaine Dupri, Kay Gee, Vincent Herbert, Rodney Jerkins, Craig King, Darren Lighty, Darryl Simmons. The album featured several guest vocalists, including Missy Elliott, Timbaland, Treach, Slick Rick and Tank.


Per Wiki: One in a Million received general critical acclaim from music critics, who complimented its “depth” compared to that of her debut album and Aaliyah’s vocal performances, with some critics calling it “smoother, more seductive, and stronger than before” and praised the “luxurious melodies and dreamy harmonies”. Other critics called the album “one of the most influential R&B albums of the ‘90s”, and it has been recognized by writers and music critics as redefining the genre coming into the late 1990s and solidifying Aaliyah’s position as a key figure in R&B music. The album was ranked number 90 on Rolling Stone’s 100 greatest albums of the 1990s. It was also listed as one of 33 hip hop/R&B albums in Rolling Stone’s “Essential Recordings of the '90s”.