This is by no means official nor confirmed by Linda Cho, however, I believe The Milford Haven Tiara may have been Cho’s inspiration behind Anya’s Act 2 tiara. This beautiful piece was created by Bolin in 1890 for Grand Duke Michael Mikhailovich who gifted it to his bride, Countess Sophie of Merenberg, granddaughter of Alexander Pushkin. Tsar Alexander III (real and fictional Anastasia’s grandfather) however would not recognize the marriage and the couple moved to Britain. The tiara was then passed down to their daughter, Nadejda Mikhailovna, who married Prince George of Battenberg and later became the Marquess of Milford Haven. The tiara passed down the family until sold, possibly to a Russian buyer.
It’s difficult to deny the visual similarities between Anya’s tiara and the one created by Bolin, I think, but here is where it gets interesting: Countess Sophie was the daughter of Prince Nikolaus Wilhelm of Nassau and Natalya Alexandrovna Pushkina. However, she was ineligible to bear her father’s title or rank due to the marriage between her parents having been considered a morganatic one. Thus, Sophie’s own marriage to the Grand Duke was considered a morganatic one and likely why it was rejected by the Tsar.
Now, Anya and Dmitry’s own difference in rank is brought up quite a few times in the show. She is still a royal by birth, despite the fact that her family is no longer ruling Russia, whereas Dmitry goes as far as describing himself as a “street rat”. Vlad tells Dmitry at the end of Act 1 that if the Dowager Empress accepts Anya as Anastasia, Dmitry will “never see her again”. Near the end of Act 2, as Dmitry prepares to leave Anya forever, he echoes this sentiment by saying, “I don’t want to be in love with someone I can’t have.” As in, he realizes that he is an ineligible match for a Grand Duchess of Russia. It’s interesting to me, however, that as Anya rejects these sentiments, she kisses Dmitry on the Pont Alexandre III. The bridge built in Tsar Alexander III’s honour. It is then implied that Anya and Dmitry elope together - entering into their own morganatic marriage.
This could all be speculation of course, but considering the history behind the Milford Haven tiara, the parallels to Anya and Dmitry’s own story, and the significance of Tsar Alexander III in both tales, I think that Anya’s costuming choices in this specific scene along with the significance of the Pont Alexandre III as a location hold more meaning than I initially realized.
The League of the Three Emperors (Dreikaiserbund) meeting at Skierniewiece, 1884. The League consisted of Emperor Alexander III of Russia, German Emperor Wilhelm I and Emperor Franz Joseph of Austria-Hungary.
Tsar Nicholas II, Emperor and Autocrat of All the Russias (1868 - 1918)
“What am I going to do? What is going to happen to me, to you, to Alix, to Mother, to all Russia?“
Nikolai Aleksandrovich Romanov was born on May 6, 1868, in the Alexander Palace in Tsarskoye Selo, south of St. Petersburg. He was the eldest son of his parents, Alexander Alexandrovich, the heir to the Russian throne, and Princess Dagmar of Denmark. Nicolas’s grandfather was the Tsar, Alexander II, known as the Liberator for emancipating Russia’s serfs in 1863. Their family, the Romanov dynasty, had ruled Russia for three hundred years. Nicholas would be the last emperor.
Unlike his soft-hearted, liberal grandfather, Nicholas’s father was a reactionary, whose conservative and religious values strongly influenced Nicholas’s beliefs. In 1891, Nicholas’s father acceded to the throne when Alexander II was murdered by an anarchist revolutionary. This murder convinced both Alexander III, and his son, against offering further reforms. Yet Nicholas’s education did not prepare him at all for his future role as Russian emperor.
Although he had a close relationship with his mother, Nicholas’s father believed his son to be silly and weak. Tsar Alexander III was a very strong ruler and saw no need to share a job with his uninterested heir. He refused to let him participate in any affairs of state; once, when Nicholas was twenty-five, a minister suggested that he be allowed to head a committee to supervise the completion of the Trans-Siberian Railway. Alexander III was incredulous. “Have you ever tried to discuss anything of consequence with him?” asked the Tsar about his son and heir. “He is still absolutely a child; he has only infantile judgements. How would he be able to become president of a committee?”
The Romanov family in 1893. From left to right: Tsarevich Nicholas, Grand Duke George, Empress Maria
Feodorovna (Princess Dagmar of Denmark), Grand Duchess Olga, Grand Duchess Xenia, Grand Duke
Michael, Tsar Alexander III seated.
In neither his education nor his temperament did Nicholas show much aptitude to be emperor. He enjoyed foreign languages and history, but struggled with economics and politics. In general he preferred sport to books, when older he delighted in the military and served for a year when he was nine-teen. In 1894 he married Princess Alexandra of Hesse-Darmstadt, a German noble, with whom he had four daughters and a son, Alexei. Alexandra was an assertive woman whose personality dominated the weaker Nicholas, and she strongly reinforced his belief in autocratic rule and his resistance to democratic reforms. In contrast to his political life, Nicholas’s home life was serene. He was a wonderful family man, a devout Orthodox Christian, and devoted to his wife and children.
The same year that he married, Nicholas became the Tsar when his father died of kidney disease. The newly-crowned emperor had not expected to be thrust into the role so soon, and he panicked about running the vast Russian empire all by himself. It was the moment, he wrote, that he “had dreaded all his life.” He confessed his fears to a cousin: “Sandro, what am I going to do? What is going to happen to me, to you, to Alix, to Mother, to all Russia? I am not prepared to be Tsar. I never wanted to become one. I know nothing of the business of ruling. I have no idea of even how to talk to ministers.”
Nicholas determined to uphold the status quo as Tsar, but unfortunately evens abroad and at home forced his hand. Hoping not to be left out of the imperial scramble, Russia grew its industry in the Far East, and forced concessions from China in Manchuria. Yet Russian’s expansion provoked the Japanese, who attacked Russia’s eastern border in 1904, beginning the Russo-Japanese War. Europeans were convinced that the white Russians would easily triumph over the “yellow” Japanese, but the Japanese embarked on a series of victories ending in the total destruction of the Russian fleet at the Battle of Tshushima in 1905.
Nicholas and Alix’s engagement photo, 1894.
The defeat was a stunning humiliation for Russian prestige. At home it sparked outrage and crisis that turned to strikes and riots. In January 1905, Russian troops opened fire on demonstrators in front of the Winter Palace in St. Petersburg, killing many. Outrage turned to outright revolution, and eventually the Tsar was forced to grant concessions in a constitution, as well as establish an elected parliament, the Duma.
Despite some elements of democratic reform, Nicholas tightened his autocratic rule. Secret police crushed revolutionary elements in the cities, and voting laws prevented the election of radicals. A travel guide for foreigners published in 1914 warned against taking photos in rail stations - offenders would be arrested.
The Tsar’s most pressing crisis, however, was at home. His son and heir, the Tsarevich Alexei, had hemophilia, the scourge of interbred European royal families. Nicholas and Alexandra despaired for their child and sought any means to help him. They turned to an unlikely source, a disheveled mysticfrom Siberia named Grigori Rasputin. Rasputin’s monasticism belied his true character, that of a debauched womanizer and con-man. Russian noble society despised him, but Alexandra especially confided in him, and Rasputin strengthened her belief in Nicholas’s divine right to rule. His influence steadily eroded the trust Russian people felt for their Tsar.
Nicholas (left) with his cousin King George V of England. They are wearing German military uniforms while on a visit to Berlin. Despite their likeness, George refused to help Nicholas or offer him asylum during the Russian Revolution, fearing that he might be toppled as well.
Nicholas’s failing popularity received a boost in 1914, when Russia went to war against Germany and Austria. Although Nicholas was close to his cousin, the Kaiser (they wrote to each other as “Nicky” and “Willy”), Russians enlisted en masse and displayed loyalty and love for their royal family. Yet endless failures at the front burst newfound support for the Tsar, especially when Nicholas took over from his cousin as supreme commander in 1915, a position in which he demonstrated no talent. The unending string of military disaster was now firmly pinned on him. Worse, economic deprivations at home soon turned into crisis. Russia was deeply in debt and many were starving. Approval of the royal family soured; they were thought to be living in luxury while ordinary Russians died at the front or starved at home.
In March 1917 (February of the old Russian calendar), demonstrations in St. Petersburg (now Petrograd) again turned to revolution. This time, Nicholas had no army to turn to - the military was in a state of collapse, with many soldiers deserting to go back home and take part in the revolution. Helpless, Nicholas abdicated on March 15, 1917. He hoped to go to England for asylum, but the British government (fearing he might provoke the British left) refused his request. Five hundred years of Russian Tsardom ended with NIcholas.
A shaky liberal-socialist Provisional Government was set up to replace the monarchy, but the war continued to go badly. Nicholas went into house arrest in the Urals with his family. His situation worsened in the fall of 1917, when a radical communist party, the Bolsheviks, ousted the Provisional Government. Civil war began in Russia between the Bolshevik “Reds” and the “Whites”, a complex mix of warlords and political parties who opposed the Bolsheviks.
The Russian royals played no role in the Civil War, but the Bolsheviks feared that the Tsar and his family could become a symbol for the White armies to rally around. Nicholas, Alexandra, and their children were transported to a house in Yekaterinburg for safe-keeping, but in the summer of 1918 the war was going poorly for the Reds and the Czech Legion, a unit of the White army, was rapidly advancing towards Yekaterinburg.
Nicholas in captivity at Tsarskoye Selo. This is one of the last photos taken in his life.
On the night of July 16-17, as the Czechs neared, Bolshevik leader Vladimir Lenin ordered the execution of the royal family. What actually happened is still shrouded in some state secrecy, but what is known is that a truckload of local Bolsheviks and foreign soldiers entered the house and ordered the ex-Tsar and his family to the basement. The Empress asked for chairs for her and thirteen-year-old Alexei to sit upon. The Red commander brought in two chairs, and then informed the stunned Tsar that he had been condemned to death. “What? What?” asked the Tsar. The executioners brought out revolvers and began shooting the family. The four daughters, between twenty-two and seven-teen years old, had been hiding some of their jewels in their clothes which deflected the bullets. The Bolshevik shooters stabbed them with bayonets and shot them in their heads, and stabbed to death their maid, who had shielded herself with a pillow full of jewels.
The executioners burnt, dismembered, and buried the bodies. In 1976 a team of investigators found their grave, but did not release the information until the collapse of the Soviet Union. Rumors had long abounded that one of the daughters, seven-teen year-old Anastasia, had survived and escaped the massacre, which were put to rest. In 2000 the Russian Orthodox Church canonized the family as saints; today the place where they were buried is the site of a church.
this day in 1881, the Russian Tsar Alexander II was assassinated in St.
Petersburg aged 62. He had ascended to the Russian throne in 1855 after
the death of his father Tsar Nicholas I during the Crimean War. Decades before the Bolshevik communist revolution would successfully
overthrow the Russian monarchy under Alexander’s grandson Nicholas II,
there was already a significant anti-tsarist movement in Russia. While
Alexander had initiated some liberal and modernising reforms - including
the abolition of serfdom in 1861 and the expansion of the nation’s
railroads - he had brutally repressed political dissidents. In 1879, a
group called the People’s Will was organised and began their attempts to
violently overthrow the Tsar. After waging a prolonged campaign in
which they assassinated government officials and made attempts on the
Tsar’s life, the movement was finally successful in killing Alexander in
1881. The Tsar was killed in St. Petersburg after two bombs were thrown
at his carriage by Nikolai Rysakov and Ignacy Hryniewiecki, who were
members of the People’s Will. He was succeeded by his son Tsar Alexander
III, who punished the people and group behind his father’s
assassination. In 1883, work began on the Church of the Savior on
Blood, which was built on the spot of Alexander’s assassination and
dedicated to his memory.
“Amid the smoke and snowy fog, I heard His Majesty’s weak voice cry, ‘Help!’ Gathering
what strength I had, I jumped up and rushed to the emperor. His Majesty
was half-lying, half-sitting, leaning on his right arm. Thinking he was
merely wounded heavily, I tried to lift him but the
czar’s legs were shattered, and the blood poured out of them“ - Police chief Dvorzhitsky’s account of the assassination
Wedding of Grand Duchess Xenia Alexandrovna to Grand Duke Alexander Mikhailovich, 1894. Xenia was the elder of two daughters of Tsar Alexander III, who can be also seen in the image, standing alongside his wife Empress Maria Fyodorovna, their youngest child Grand Duchess Olga Alexandrovna, Tsesarevich Nicholas Alexandrovich and Queen Olga of Greece, formerly also Russian Grand Duchess.
In 1885, Tsar Alexander III commissioned the House of Fabergé to make an Easter egg as a gift for his wife, the Empress Maria Fedorovna. Its “shell” is enamelled on gold to represent a normal hen’s egg. This pulls apart to reveal a gold yolk, which in turn opens to produce a gold chicken that also opens to reveal a replica of the Imperial Crown from which a miniature ruby egg was suspended. Although the Crown and the miniature egg have been lost, the rest of the Hen Egg as it is known is now in the collection of Victor Vekselberg.