If you would go out of your way to argue how easy it is for capital to automate away jobs when labor costs become too high, then you should probably know that you’re giving all kinds of credibility to those of us who advocate fully-automated luxury communism. I mean, think about it: you’re arguing that so much of human labor ISN’T NECESSARY because said jobs can be done by machines, and yet you STILL want the bulk of humanity to pointlessly scrape by laboring for the capitalist class, receiving meager wages to buy the shit they helped generate in the first place. The above billboard is a THREAT. Let’s not mince words – that billboard is bourgeois propaganda designed to turn the working class against each other and against the broader goals of resource democratization. “If you fight for a basic livable wage, just know that you’re easily replaceable, peon!”

This is what leftists mean when they say that capitalism is an economic system filled to the brim with tensions and contradictions; it’s also what they mean when they say that capitalism inevitably produces its own gravediggers. Automation is one of those gravediggers, and it’s a major one at that. As more and more jobs become automated in the coming decades, the working class will face widespread dispossession, ramping up revolutionary class consciousness in the process. At that point, capitalism will either focus on generating more superfluous jobs for people to work or set about instituting a universal basic income – regardless, the point is to keep enough scraps flowing downward so that people don’t call for a broader system change. In this way, capitalism’s ruling class can maintain control over the wealth-producing means of production and imperialist capital accumulation can continue unrestrained.

For these reasons, “more jobs” and universal basic incomes are not enough. We need to democratize the broader social infrastructure and eliminate the profit system. If you recognize how possible it is to automate away human labor, then you should defenestrate yourself out of the Overton Window and use some political imagination – cut out the unnecessary jobs, automate all the labor you can, produce for human need rather than elite profit, and you end up with drastically reduced working hours and bountiful leisure time. This is the essence of fully-automated luxury communism – the natural conclusion of the conditions that capitalism set in motion.

Be wary of automation in the present climate, but always trace it back to the class struggle. Robots taking our jobs SHOULD be cause for celebration; why should we treat these potential liberators as harbingers of dispossession? Technological advancements are pushing us exponentially towards a de facto post-scarcity world, where everyone’s needs can be comfortably met alongside their desires for community and leisure and entertainment, and yet we’re held back by Empire’s insistence on keeping the means of production hoarded under the command of a superfluous ruling class. As long as we are divided into capitalists and workers, humanity will never know full liberation.

9

CONSUME the Republicans. A collection of all of the Republicans from my pop art series, CONSUME inspired by John Carpenter’s They Live.

This is your God

Some of you may know this already, but only realised today that these pieces of paper Seungri throws around in BigBang’s SOBER MV are a clear reference to John Carpenter’s movie They Live.

They Live is an American satirical science fiction action horror film released in 1988. The story is set in LA. The main character, John Nada, finds a box of sunglasses and keep one pair before hiding the box. When he puts the sunglasses, he discovers a black & white world revealing advertising and media actually hide subliminal messages (source: Wikipedia).

Nada sees through the sunglasses that most of wealthy people are actually aliens with skeleton face (gosh, those aliens are so creepy).

And now, about the reference in SOBER MV, it is actually what money looks like in the black & white world: pieces of paper with “THIS IS YOUR GOD” on it.

In SOBER MV, we can see that BigBang are in two worlds: a green natural environment, in which Seungri throws bank notes, and an empty white world, in which bank notes are substituted by the pieces of paper with “THIS IS YOUR GOD” on it.

Voilà, that’s pretty much what I noticed, I’m too lazy to make a deeper analysis. This is for those who didn’t know.