Like, Moana just did so well from a feminist perspective. Passes the Bechdel test. Literally doesn’t even mention the fact that they don’t have a romantic interest. No one questions the legitimacy of a girl training to become the next chief. All the women in her life empower her to follow her destiny. She has a more realistic physical figure. She literally battles a demon and learns advanced navigational skills which she then teaches to her entire tribe. She grabs a demi-god by the ear and tells him to fix his shit. Like, dayum. Well done Disney.
Best parts of Moana:
-no love interest
-Moana had proportions like an actual human and wasn’t sexualized
-Disney princess set to inherit is actually depicted being trained in running her society
-no dead parents!
-bechdel test pass
-respectful depiction of source material and culture
-the music oh my god!!!!!
-Maui’s 4th wall breaks
-no actual villain
-closest thing to a villain was David Bowie crab
-the chicken -only white in the cast voiced the chicken -my giant green wife
i can’t explain how little interest i have in watching tv shows or movies with very few or no female characters like i’m sure the godfather is good and all but you know what else is good? the cheetah girls and it also passes the bechdel test
Suppose, for instance, that men were only represented in literature as the lovers of women, and were never the friends of men, soldiers, thinkers, dreamers; how few parts in the plays of Shakespeare could be allotted to them; how literature would suffer! We might perhaps have most of Othello; and a good deal of Antony; but no Caesar, no Brutus, no Hamlet, no Lear, no Jaques –literature would be incredibly impoverished, as indeed literature is impoverished beyond our counting by the doors that have been shut upon women.
I convinced 6 middle aged women that professed to hate action movies to go see Mad Max: Fury Road. You know how I did it? I said “The main character is a woman and she’s not sexualized at all.” And that was it. I had a whole speech prepared and I said one sentence before they all agreed to go see it. And they LOVED it. One woman saw it twice so she could bring her teenaged daughter.
All these years, all this industry moaning about how women don’t like action movies, and all it fucking took to change their minds was “The main character is a woman and she’s not sexualized.”
- Diverse cast - Passes the Bechdel Test at least twice - Well-written Autistic character - When characters get superpowers and get healed of physical problems, screenwriters don’t “cure” Autistic character of his Austism - Perfect levels of camp / nostalgia factor - Writers nail the whole “adults aren’t on the same wavelength as us” thing in a realistic and heart-wrenching way - GO GO POWER RANGERS! - Krispy Kreme
i’m sure this has all been said before but it’s so fucking tiring to read article after article and post after post by straight (or even just non-lesbian) feminists waxing poetic about the bechdel test. like yeah, obviously it’s indicative of a massive issue w the representation of women in media and a useful tool to gauge the failings of hollywood and big time show writers or whatever
but that wasn’t what it was fucking intended for. it was never about all women, it was about the lesbian experience. it was about the overwhelming loneliness of the lesbian identity and how far removed you feel from media. i feel this every day, and i have for the last decade that i’ve been out
it’s infuriating to watch straight women talk about the bechdel test at all (“my show is different – even though they’re talking about men, the story is about their friendship. it’s like turning the bechdel test on its head”) and even MORESO when they’re fucking criticizing it (“the bechdel test isn’t the end all be all… films can still be feminist and not pass it. films that don’t pass can be even more feminist than films that do!”)
it’s like…. the name of the fucking strip has the word “dyke” in it. have you all ever considered once that the original comic wasn’t ever meant for your consumption at all? have you ever thought about the fact that alison bechdel was writing as a lesbian about her lesbian experiences and that maybe, just maybe, this isn’t some generic feminist concept but instead a description of a lesbian-specific experience?
and the thing is that the liberal feminist application of the bechdel test has been criticized for not being intersectional – which it isn’t! movies about gay men and men of color are still incredibly groundbreaking and significant to our culture even though they “fail” the bechdel test
and that is LITERALLY BECAUSE the bechdel test wasn’t ever fucking MEANT to be the Generic Feminism Test Of Diversity And Equality – it was commentary specific to the lesbian experience when engaging with media
straight feminists historically hated and excluded lesbian feminists (and many do to this day lmao) but still, as always, want to co-opt and misappropriate our writing, concepts, and experiences to suit their needs
-its on youtube and its free
-its a musical about the stoneage
-the songs are sooo good
- they remind me of disney in some places
-end game w/w ship
-multiple w/w ships in fact
-cannon non-binary char (Chorn uses it/its pronouns and its gender is never discussed)
-cannon bi/pan characters
-female dominated cast
-fucking destroys both the bechdel and mako mori tests
-just??? please do???
We all know the rules of The Bechdel Test. In recent years, fans of more feminist-friendly films have included their own character tests, like The Mako Mori Test, The Furiosa Test, The Sexy Lamp Test, the list goes on. While these are all helpful (though comical) tools feminists have used to criticize media narratives, very few of them seem to empower or apply when viewing Indigenous and Aboriginal women in media narratives / storytelling.
As a Native woman, I’ve experienced disappointment and heartache from the way Native women were represented on film, television, cartoons, and other forms of media. From stereotypical “Indian princesses” to the distressing amount of physical and sexual violence in live action period pieces, it felt that a Native woman was not a character you were meant to love and root for. She was never a character you were supposed to relate to or want to be. In almost every role she’s in, she cannot exist without being a prop for another character’s story, and if she has a “happy ending,” it’s usually in the arms of a white colonist or settler.
I’ve created the Aila Test to bring my own concerns to the table when feminists criticize media. Not only should these issues be analyzed and addressed, but content creators who write about Indigenous / Aboriginal women should consider writing characters who pass this test. We need them now, more than ever.
To pass the Aila Test, your film / animation / comic book / novel / etc, must abide by these three important rules:
1. Is she an Indigenous / Aboriginal woman who is a main character…
2. Who DOES NOT fall in love with a white man…
3. And DOES NOT end up raped or murdered at any point in the story.
Do you know characters that pass the Aila Test? Please submit them to this page!
The Bechdel Test is a popular and very simple test to judge movies on their level of representation. For a movie to pass: (1) it has to have at least two women in it, who (2) who talk to each other, about (3) something besides a man.
If you ever want to check if a film passes the test, check here. For now, under the cut are the links to movies made before 1970 that do pass. (more masterposts)
Can y’all believe that the highly touted, feminist, girl power, female led superhero show that features a cast of more women than men, that was developed for television by an openly gay women, features a female showrunner, has more than five female producers and writers, and features a cast of characters that include an openly gay special agent, an openly gay detective, a reporter, and two ceo’s features a scene in which the five female characters are together and they can’t even pass the Bechdel test????
Halt and Catch Fire is at its best in the moments in which it crafts a narrative in which women and people of color are in the spotlight, giving rise to major tech innovations as leaders.
In the world of Halt and Catch Fire, the most powerful VC is a woman, the inventor of the first search site is a teenage girl, the lead of a VC firm’s best innovation is a black woman, and the most brilliant coder is, again, a woman.
It’s beautiful to watch, and just as gripping, if not more so, than watching a couple of Bill Gates and Steve Jobs stand-ins vie for control of the nascent tech universe.
Player boy stereotype? Or something else entirely: A look into gender stereotypes and crushes
So, believe me I hear you: The worry of Lance being a flirt and being the only Latinx main character is real, valid and necessary. That is NOT what this meta is about. This meta will cover another facet of Lance: his experience with flirtation and crushing, not so much the flirting itself. I think this meta will help you see, there was more to the vlog than you might have thought at first!