TO DIE FOR THESE PEOPLE

7

Black Sails + some of the LGBT tropes they (re)invented

If you haven’t watched this show yet, you’ve really been missing out.

5

(*´∀`*)ゞ  theyre so fun to draw aahhh 
some more human!zircon ~~ 

when a shem show up and tells you the only way to cure your illness is to join his stupid shem club and leave your clan forever

(pt. 2)

8

dom sherwood and his little huge crush on matthew daddario, +bonus:

“Hey folks, get excited we’re making a Heathers tv show!”


“We’re also adding diversity to the cast!! The 3 main antagonists will now be portrayed as a black lesbian, a gender-queer non binary person, and a fat girl!”


“But dont worry the main girl is still a pretty, thin, white girl!”


Kirishima’s the first one to rush at All Might’s side after USJ:

Kirishima was the first to suggest to go and rescue Bakugo:

Kirishima basically took a bullet for Amajiki:

Kirishima threw himself between Rappa and Fat to buy Fat more time:

2

this is gospel // panic! at the disco

friend: how’re you doing?

me internally: BOB THE DRAG QUEEN HAD ONE OF IF NOT THE BEST RUN ON DRAG RACE IVE EVEN SEEN. SHE DEMOLISHED THE COMPETITION AND THE ONLY TIME SHE LANDED IN THE BOTTOM WAS THE CHALLENGE WHERE EVERYONE BUT THE CLEAR BOTTOM DERRICK BARRY DID AMAZING AND EVEN THEN SHE GAVE AN AMAZING HILARIOUS LIP SYNC. SHE WAS BASICALLY THE ONLY QUEEN WHO DID WELL IN SNATCH GAME AND HER PERFORMANCE IN RUCO’S EMPIRE DESERVES AN EMMY. SHE IS ONE OF THE BEST WINNERS DRAG RACE HAS PRODUCED, IS AN ACTIVIST, HAD A FUCKING GREAT STANDUP SPECIAL ON TV, AND DESERVES WAY MORE PRAISE THAN SHE GETS. BOB THE DRAG QUEEN IS BEAUTIFUL AND DESERVES TO GET MORE RECOGNITION GOD DAMMIT-

me actually: oh, you know. I’m alright

Sweater galore!
Which one do you like? 

The homoerotic subtext between Holmes and Watson is SO BLATANT and KEY to their dynamic that it alone is the reason every single crime-fighting duo since ends up overly no-homoing to try to make up for how gay it is (Bad Boys, Point Break, Lethal Weapon) or keeping the subtext vague enough that everyone Could Be Bi (House, Hot Fuzz, Torchwood) or genderswapping and giving into the latent romance subplot so your two leads can make out (X-Files, Fringe, Castle).