Stories Don't End

Maybe I wanted to draw some younger Keith and Lance getting to know each other, maybe I just wanted to draw Keith in a band shirt.

8

LGBT + happy ending

Jumin’s route is so disconnected from the main plot, but the implications for it are interesting.

  • V actually comes to the party in this route.
  • He promises to tell Seven everything and looks like he’ll keep his word.
  • The Valentine’s Day DLC shows that he took pictures at Jumin and MC’s wedding, meaning he’s alive.
  • He can also see well enough to take the photographs in the DLC, when in Jumin’s main ending he can barely see out of his left eye.

Jumin being part of the Deep Story never made any sense to me, considering you barely learn anything and don’t unlock a single secret. But while Saeran and Rika are never mentioned and nothing is resolved on-screen, it almost feels like Jumin’s route is an AU where V comes clean and lives and gets the surgery. 

Just let me have this.

  • <p> <b>Logan:</b> hey, babe. I got you some cookies.<p/><b>Patton:</b> oh thank you. you're so sweet!<p/><b>Logan:</b> anytime.<p/><b>Patton:</b> these are good! mm where'd you buy this?<p/><b>Logan:</b> I confiscated them from my students.<p/><b>Patton:</b> you...you what.<p/><b>Logan:</b> took them from my students. yeah.<p/><b>Patton:</b> Lo. We talked about this. You can't keep taking stuff from your students.<p/><b>Logan:</b> uh. I can. and I will.-- Hey, Anxiety. I got you some headphones.<p/><b>Anxiety:</b> nice.<p/></p>
3

So this is love, so this is what makes life divine…

After episode 22 my undying love for Favaro faltered a bit but meh, AmiraBahamut is back in town and i’m overjoyed :”)

6

happy holidays, mysme fandom!

5

“I’m sorry. You shouldn't— No one should ever have to go through that…You were just a kid.”
“We both were.”
“Are…are you okay?”
“I don’t know. I don’t know if I should say anymore, I shouldn’t…I-I…I should go. I have to go. I can’t…I can’t.”
“Santi?”

5

“Only the right name gives beings and things their reality.
A wrong name makes everything unreal. That’s what lies do.”

T H E   N E V E R E N D I N G   S T O R Y
bts movie au

taehyung as moonchild
jungkook as atreyu

a-crafty-lass  asked:

Got any new OC art? Yours are all so neat!

Oh MY GOODNESS DO I

Okay, I am really amazed and honored that you asked about art for my ocs. Like, it seriously baffles me that you remember that I even have any consider I don’t ever post about them. But yes, I doodle them all the time. And you’ve given me a reason to share! That middle pick is all the ones I’ve already shared just combined. 

Thank you so much for this. I really appreciate it!!

Mariana Trench

Prompt: Three times Michael has lied to either Gavin or Ryan for the wrong reasons, and one time he did it for the right ones. (GTA mavinwood)

For Olivia - thank you so much for all your support <3 <3

1.

Michael’s in too deep before he even knows it.

It starts in a club the night after their first successful heist as a full crew, a motley assortment of bounty hunters, hit men and vagabonds that Ramsey pulled together from fucking Craigslist, beggars with big dreams who all have just a touch of eccentricity to them. Enough to make things work.

It’s the most fun he’s had in years. He’s known these men seventy-two hours but they feel as close as family already.

Well, maybe not quite like family, because the three of them have wandered away from the rest of the group to sit together at a booth close to the dance floor, and if they were family he wouldn’t be noticing how nice Ryan’s lips look as he lifts his glass to drink, or how the colourful lights flicker across Gavin’s skin so prettily, how good they look sitting side by side - Gavin latched himself to Ryan early on, like a little golden bird perched on the back of a huge dark-haired wolf - now their shoulders brush, they’re sat so close, and Gavin’s fingers trail across Ryan’s wrist to get his attention. Michael can’t stop thinking about how well he’d fit between the two of them.

Keep reading

Tell me again it’s not canon.

It’s in the music.

True Love, Tallahassee, Regina’s Price. Cues and keys and crescendos, intertwined, layered again and again, pinned to scenes with the creator’s approval. Operation Mongoose? A TL motif. Going Home? A TL motif. Sacrifices, magic, teamwork? A TL motif.

It’s in the wardrobe.

Red and grey and black and back again. Plaid–confusion, discontent. Deep blue–loneliness, searching for family. Shared clothing, further intertwined. Parallels and callbacks to past couples, inciting conscious and subconscious connections. Why do they share this look instead of them or them?

It’s in the scenery.

Gallant knights with golden hair all in white abreast upright steeds. Splashes of color reflecting mood. Mirrors reflecting each other. Seals and symbols–the Tallahassee and Storybrooke, the dreamcatchers™, mirrors. All mirrors. Unicorn mobiles linked to unicorn hearts. A black unicorn, an unused mobile–innocence lost, never gained? White horses, black swans.

It’s in the camera direction. It’s in the editing.

Iconic shots, tricky angles, cued reactions–focus on her, not on him–which mean something. Rom-com zooms, reflections capturing both, pans guiding our attention to the thoughts behind the dialogue. Everything means something.

And the text. Hell yes, it’s in the text.

The magic to transcend realms. Unstoppable. Unbeatable. Wholehearted understanding, from one to the other. Mirrored storylines and struggles. Intertwined fates–both share a True Love already, after all. Longing glances, jealous quips, situations that require the one to save the other, then the other to save the one. Ultimate sacrifice. All canon. “I saved you, now save me.” “With you, I always know.” “I know you.” They’re stronger together than apart, time and time again.

Yes, it’s in subtext. It’s in innuendo and acting choices, it’s in interpretation and suggestion.

But when it’s built into the very foundation of the show–the Savior meets the Evil Queen–it’s not delusional. It’s not unintentional.

Either the wardrobe department, the music department, the prop department, the actors, and the editors are all going rogue…or someone told them to put it in the music, the wardrobe, the scenery, the camera direction, the subtext, and the text.

Tell me again Swan Queen isn’t canon.

The writers knew Nina was leaving TVD early season 6, if they really wanted to build Stelena to be endgame they could’ve done it when Elena got Alaric to compel her memories away and Damon was trapped in the prison world (while simultaneously building Bamon. 😒). So that interview where they said that Stelena could’ve been endgame but wasn’t because Nina left sounds like bullshit to me and I don’t believe it for a minute. Don’t blame the actress for your bad writing and planning.