Day 29: Favorite Piece from the Show’s Soundtrack?
Alan Rodi is a God among men.
I say that on a nearly daily basis, but it cannot be overstated. To make a podcast is human, to be Alan Rodi is divine.
What I love about Alan (aside how how incisively smart he is, how he’s always one step ahead of me, and how searingly talented the bastard is) is how much his work teaches you about and informs the situations on the show. This music is not window-dressing. It does not just amplify. It defines, it builds upwards. Needless to say, it’s taught me a lot about what the show is and isn’t.
Never more so than with this track. Eiffel and Hera, which Alan just presented as a variation on Doug Eiffel’s theme, immediately spoke to me on a visceral level, and it asserted itself as the tonal key to those two characters. Ever since Cataracts and Hurricanoes, their relationship has largely been what this song has guided me into understanding it is. It really is the sound of Eiffel and Hera, and the growing, shaky, unstable family that’s appearing around them.
Rolling Stone //“Audrie and Daisy” doc featuring songs by Russian Circles
Russian Circles contributed music from their album “Memorial” for a Netflix Documentary “Audrie and Daisy” about two teenage girls who were sexually assaulted. Read the full article about the 2016 Sundance Film Festival selection HERE via Rolling Stone.
For too long, sharks have been portrayed and perceived as the menacing, lurking creatures in the deep. Contrary to popular belief, we are much more of a threat to them than they are to us.
Researchers have found that the ominous music that often accompanies even documentary footage of them has inspired excessive fear about sharks.
In an experiment at UC San Diego, participants watched footage of sharks. Some scenes featured uplifting music, and others had a more daunting score.
The effect was what you might expect. Viewers saw sharks as intimidating creatures when they they also heard ominous music.
But with uplifting music (or none at all), viewers had a more positive impression of sharks.
This is problematic because rarely do we see shark footage without the ominous music, and the negativeportrayals of sharks may be hindering conservation efforts.
“We know from prior research that conservation progress for sharks is sluggish compared to marine mammals and that this slow response may be due in part to the societal marginalization of sharks,” says study co-author Elizabeth Keenan.
After all, in the words of Senegalese conservationist Baba Diou, “we will conserve only what we love.”
And while they’re still not exactly a furry, cuddly rabbit, consider this: you’re more likely to be struck by lightening than fall prey to a fatal shark attack.
…im leave it here …enjoy
“House Of The Rising Sun” — The Animals
“You Don’t Own Me” — Lesley Gore
“Sympathy For The Devil”— The Rolling Stones
“Standing In The Rain” — Action Bronson, Mark Ronson and Dan Auerbach
“Super Freak”— Rick James
“Purple Lamborghini” — Skrillex and Rick Ross
“Dirty Deeds Done Dirt Cheap” — AC/DC
“Slippin’ Into Darkness” — War
“Fortunate Son”— Creedence Clearwater Revival
“Black Skinhead”— Kanye West
“Gangsta” — Kehlani
“Over Here” — Rae Sremmurd feat. Bobo Swae
“Know Better” — Kevin Gates
“Paranoid” — Black Sabbath
“Seven Nation Army” — The White Stripes
“Spirit In The Sky” — Norman Greenbaum
“Come Baby Come”— K7
“I’d Rather Go Blind” — Etta James
“Symphony No. 3, Op. 36 “Symphony of Sorrowful Songs”: III. Lento – Cantabile semplice” — Henryk Górecki
“Bohemian Rhapsody” — Queen
“Heathens” — twenty one pilots
“Sucker For Pain” — Lil Wayne, Wiz Khalifa & Imagine Dragons with Logic and Ty Dolla $ign (Feat. X
This is the first of two new videos today. Watch this one first.
Off the top of your head, could you sing the theme from Star Wars? How about James Bond? Or Harry Potter? But here’s the kicker: can you sing any theme from a Marvel film? Despite 13 films and 10 billion dollars at the box office, the Marvel Cinematic Universe lacks a distinctive musical identity or approach. So let’s try to answer the question: what is missing from Marvel music?