Spent a bit of time in and around London at the weekend which I don’t get chance to do much since adopting Arty from Battersea Dogs Home. So I made the effort to refill the inspiration reservoir and made a bee-line for 2 exhibitions that went on to blow my tiny mind.

After a pleasant stroll through Hyde Park complete with occasional leaf kicking and squirrel chasing, I arrived at the Serpentine Sackler Gallery for ‘Come and See’ - the latest exhibition from the infamous Chapman Brothers.

More nazi infested visions of Hell that are on a scale so huge that you cant help but be in awe of the amount of detail and work that must have gone into these immense models. Every single square inch seemed to have something going on. 

The introduction of dinosaurs just added an extra level of madness that tipped my childhood excitement over the edge, forcing me to seek out the toilet before continuing.

The gallery was full of these chaps, adding yet another level of unease.

As well as the incredible model work, there was a series of sinister organic like pencil drawings and oil paintings of pretty folk. 

The scale and atmosphere of the work in this show totally floored me. Immersing yourself within the huge model scenes you could almost smell the shit and filth and the sounds of shouting and screaming was constant within my head. You can always rely on the Chapman Brothers to drag you kicking into the darkness, a reason they’ll always be up there for me in terms of inspiration.

The following day was the Candice Tripp and Giles Walker show 'I’m Never Shopping Here Again’. I’ve focused mainly on Candice’s work to keep me from rambling too much. Similar to the Chapman exhibition, lots of immersive scenes in both 3D and on canvas that weren’t as savage as the Chapman’s visions of Hell, but still dark and haunting in their own way.

Beautifully created animatronic characters moved and whirred into life from dark corners.

And Candice’s Sally Dolls seem to scuttle from room to room, tiny sinister voyeurs watching the strange scenes play out through gaps in their fingers or busy creating mischief of their own whilst your back is turned.

I didn’t have my 'proper’ camera with me at this one so I couldn’t get any decent photos of the full canvas in the low light of the space but the beauty is in the detail. Candice paints sinister woodland scenes always inhabited by masked children either up to no good, leaving the scene after being up to no good, or shamefully ignoring some no-goodness being played out by fellow masked tribe members.

Like beautiful yet dark fairy tales, the oil paintings have such strong narratives running through them and the scenes are painted and inked with a lovely precision as Candice weaves her stories and leaves you to come to your own conclusions as to what the shit is going on. And it’s usually not very nice whatever it is. They always make me think of Guillermo Del Toro films when I look at them, even more so since buying and reading his Cabinet of Curiosities book that treats you to a peak inside his infamous notebooks. I’ll probably do a proper post on this later as it’s a beauty of a book.

So one thing I’ve taken from both exhibitions is that my work - especially my most recent paper work - doesn’t have as much narrative as I’d personally like. And I’m really drawn to these works that have such detailed and intriguing scenes and environments that just draw you in and capture your imagination. Definitely something to think about with my own work for the year ahead. 

I’d really recommend checking both of these shows out if you can. You can get full info on both by clicking the links below.

Chapman Brothers - Come and See.

Candice Tripp and Giles Walker - I’m Never Shopping Here Again.


Celebrating the new scent collaboration from Comme des Garçons, Tracey Emin, and London’s Serpentine Galleries

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Jake and Dinos Chapman: Come and See at Serpentine Sackler Gallery ★★

The Serpentine Gallery has staged an exhibition of work by the Chapman Brothers to put their new Sackler Gallery firmly on the map. Featuring new material alongside past collections, the show contains some highly original pieces. Overall though, it feels like it’s trying too hard to be shocking, and the results are rather mixed.

The overcrowded nature of this exhibition stifles the individual pieces by forcing them to compete for attention. Putting Ku Klux Klansmen in rainbow socks and Birkenstocks is a great way of poking fun at the vile organisation, but endlessly repeating the concept throughout the exhibition makes it look like they’d run out of ideas. Similarly, the 83 framed illustrations tightly mounted together are one of several examples where the exhibition feels like a lesson in quantity over quality. 

It’s free and worth a look, particularly if you’re passing through Hyde Park, but probably not worth a special trip. Also, while some of the images are unsettling to grown-ups, it’s really not as bad for kids as you might think. 

All images © Hugo Glendinning or The Chapman Brothers 


Hyper-realistic Sculptures by Duane Hanson

The Serpentine Gallery presents the work of late American sculptor Duane Hanson in his first survey show in London since 1997. Throughout his forty-year career, Hanson created lifelike sculptures portraying working-class Americans and overlooked members of society. Reminiscent of the Pop Art movement of the time, his sculptures transform the banalities and trivialities of everyday life into iconographic material. The exhibition at the Serpentine Sackler Gallery presents key works from the artist’s oeuvre. (via Serpentine Galleries)

To enjoy more of his artistic background, click here

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