Self expression is a mirror we make to see our souls. If we cannot express ourselves, we lose sight of who we are. Fear stutters our self expression. Fear of failing, fear of being wrong. Fear of not being enough. The thorn of self criticism, sharpened with comparison, lodges in the side of our creativity, and the unique poetry we are stops singing. But there is no wrong way to be you. Practise non-violence towards yourself by letting go of comparison. Cultivate kindness wherever you meet doubts and fears. Acceptance draws the thorn out: acceptance of our unique perfection, of all the threads—the light and dark, mismatched colours and frayed ends—that weave together to make us so. With acceptance comes love, and love kisses the wound closed.
…I was born in 1990 and I was sort of raised in America when it was a cult of self-expression, and I was just taught, you know, express myself and have things to say and everyone will care about them. And I think everyone was taught that and must of us found out that no one gives a shit what we think. So we flock to performers by the thousands ‘cause we’re the few that found an audience, and then I’m supposed to get up here and say “follow your dreams,” as if this was a meritocracy? It is not, okay? I had a privileged life and I got lucky and I’m unhappy. They say it’s…it’s like…the ‘me’ generation. It’s not. The arrogance is taught or it was cultivated. It’s self-conscious. That’s what it is, it’s conscious of self. Social media is just the market’s answer to a generation that demanded to perform, so the market said: “here, perform everything, to each other, all the time for no other reason.” It’s prison, it’s horrific. It’s performer and audience melded together. What do we want more than to lie in bed at the end of the day and just watch our lives as a satisfied audience member? I know very little about anything, but I do know this that if you can live your life without an audience, you should do it.
As a performance artist, Charlie Ford has presented drawing installations throughout London, as well as Sweden, Australia and the Czech Republic. He has just finished up a week long exhibition at Arts Depot in London, an interactive drawing installation in which he completed seven drawings throughout the week opening the space up to observers to come and draw in the gallery. Keep up with his work here.
Using movement improvisation, I have also begun to question how motion can be prepared or devised and transcend into the creation of a drawing.
I have presented open installations and exhibitions, which invite observers to come and see my work, but simultaneously see me working; my process is something I want to share. I draw physically, and explore what this means to me.