Refashioning

Alternatives for 25 overused words in writing

1. Interesting- note worthy; thought-provoking; fascinating; attracting; appealing; attention-grabbing; captivating; gripping; invigorating; engrossing; engaging; electrifying.  

2. Beautiful- striking; stunning; magnificent; lovely; charming; gorgeous; radiant; dazzling.

3. Good- acceptable, wonderful, exceptional; positive; brilliant; first-rate; notable; stellar; favorable; superb; marvellous; prime.

4. Bad- awful; lousy; poor; unacceptable; crummy; dreadful; rough; inferior; substandard; atrocious; appalling; dreadful; defective.

5. Look- glance; fixate; observe; stare; gaze; peer; scan; watch; study; browse; eye; glimpse; review; inspect.

6. Nice- lovely; superior; pleasant; satisfying; delightful; likeable; agreeable; correct; adequate; swell; fair; okay; approved.

7. Very- extremely; exceedingly; exceptionally; immensely; tremendously; abundantly; particularly; remarkably.

8. Fine- satisfactory; worthy; respectable; exquisite; suitable; well; imposing; decent; admirable; praise-worthy; decent.

9. Happy- cheerful; delighted; pleased; content; amused; thrilled; elated; thrilled; ecstatic; on cloud 9. 

10. Really- genuinely; truly; honestly; actually; undoubtedly; certainly; remarkably; incredibly; downright; unquestionably; extremely.

11. Sad- miserable; gloomy; devastated; down at heard; distraught; distressed; dispirited; sorrowful; downcast; feeling blue; desolate.

12. Big- massive; huge; giant; gigantic; enormous; large; colossal; immense; bulky; tremendous; hefty; sizable; extensive; great; substantial. 

13. Shocked- taken aback; lost for words; flabbergasted; staggered; outraged; astonished; astounded; stunned; speechless; appalled.

14. Small- tiny; petite; mini; miniature; microscopic; minuscule; compact; pocket-sized; cramped; puny; undersized; limited; meager; modest; minute; pint-sized. 

15. Angry- irate; enraged; touchy; cross; resentful; indignant; infuriated; wound-up; worked-up; seething; raging; heated; bitter; bad-tempered; offended; frustrated. 

16. Know- understand; comprehend; realize; learn; perceive; recognize; grasp; sense.

17. Change- alter; transform; replace; diversify; adjust; adapt; modify; remodel; vary; evolve; transfigure; redesign; refashion; advance; transition; shift; adjustment.

18. Old- aged; ancient; matured; elderly; senior; veteran; decrepit; seasoned; venerable; past one’s prime; doddering; senile.

19. Think- ponder; reflect; conceive; imagine; contemplate; consider; determine; realize; visualize; guess/assume; conclude; envision. 

20. Funny- comical; ludicrous; amusing; droll; entertaining; absurd; hilarious; silly; whimsical; hysterical; joking; witty; facetious; slapstick; side-splitting; knee-slapping.

21. Go- move; proceed; advance; progress; travel; walk; journey; depart; exit; flee; make one’s way; clear out; get underway.

22. Give- grant; donate; hand-out; present; provide; deliver; hand over; offer; award; bestow; supply with; contribute to; send; entrust.

23. Get- acquire; obtain; receive; gain; earn; gather; collect; buy; purchase; attain; score; secure; take possession of; grab.

24. Easy- effortless; simple; clear; smooth; straightforward; uncomplicated; painless; accessible; apparent; basic; plain; child’s play; facile; elementary; cinch. 

25. Fast- agile; brisk; rapid; nimble; swift; accelerated; fleeting; high-speed; active; dashing; winged; hurried; turbo. 

Remake yourself.

It hurts, and it’s bloody, and sometimes that blood isn’t metaphorical. You have to face things about yourself you didn’t want to face and admit the lies you had comforted yourself with were the most vicious lies of them all, and you’re going to wonder why you haven’t just settled the matter once and for all.

Do it anyway.

The mold you have been forced to fit into never fitted you, never fitted anyone, and was created for the sole reason for making you comfortable for other people but never for you to be comfortable for yourself.

Once you break the mold, what you refashion yourself into will fit your self a little better, but it won’t be perfect. You won’t be this “new self” forever, but it will allow you to see a little more clear, and to speak a little more loud, and to be a little more what you are comfortable being.

You will remake yourself often.

Each time you take a hammer to the form, it will be because you found another lie you can’t live with anymore, or you found another leech you won’t tolerate anymore, or you realize that even though you’re a little better than before, you need to keep working at yourself if you are going to survive.

You will survive.

After a few iterations of this, you’ll look back and not recognize yourself. You’ll see who you were in the distant past and realize that is not the person you are now, and the person you are now is not likely to be the person you will become this time next year.

And that’s okay.

That’s how you will survive.

It’s okay if you can’t stand who you are right now. Because that is the launching point. That is the clearing of the work table and the gathering of the tools. This is how you start: Identify what you want to change and start breaking the mold off of it.

It will hurt and it will be bloody and your personal connections will change and you will lose friends and “friends” and that’s okay.

As long as you are doing this for you, that’s okay.

(Ice cream helps.)

youtube

4 WAYS TO UPSIZE T-SHIRTS! by coolirpa

Link: https://youtu.be/D0j40NcDgnQ

one of the things i love about bluesey is that, in many ways, it’s an inter-class love story that actually deals with all the difficult, problematic and uncomfortable shit that most rich/poor relationships depicted in the media just glosses over or dismisses. maggie actually unpicks and really explores the deeply unromantic nature of a class divide: everything from the place they live, the schools they attend, the clothes they can afford/choose to wear, their modes of transportation, the food they eat, their accents, their vernacular, their body language, their habits, their hair styles, their ambitions, their values, their entire worldview – is filtered through the lens of class (and gender as well, but that’s a whole meta in itself). and most importantly, the meeting of these cultures isn’t harmonious. maggie is always at pains to point out how there is a dollar-sign gulf between blue and gansey.

maggie tackles, head on, the clash between them, the different things they represent. blue is in a constant and eternal struggle with herself, being subconsciously attracted to (and resentful of) the things that are pointed signifiers of his affluence and privileged upbringing (loving the things that mark him as other; hating that he represents her life as governed by a pre-ordained fate). blue spends most of the raven cycle at war with her feelings over gansey and they are never really resolved. they don’t overcome these, really: you can’t do away with your childhood and completely refashion your identity. maggie poses the question: are these two characters who could ever really be brought on a level with one another? there is not, i feel, a resounding yes to that question. it’s true love, yes, but it’s also a lot of other things. and i really, really admire maggie for not taking the idealistic turn. she tries for verisimilitude in a way i’m not sure all writers do, and i think maggie should get more credit for that tbh. 

youtube

DIY Turn Old Shirt Into Skirt by  Venezia Lowis

Link: https://youtu.be/ieDjPig7WoU

youtube

Thrifted Transformations | DIY Cape Blazer by coolirpa

Link: https://youtu.be/wnQ6mzq4ZCg

Meta: Down in the Muck - Mr Ketch, Dean and Masculine Hunting Identities

In the past eleven seasons, SPN has mainly depicted American hunters as blue-collar workers with a very traditional view of masculinity. John Winchester with his giant machete, his penis truck and his Playboys was a perfect embodiment of said hunting culture. The British Men of Letters differ radically from this concept both in terms of socioeconomic status and in their sense of masculinity.

When Mick approaches Wally in First Blood, the latter tells him, “You can take your offer and you can shove it up your ass. I’m sure it won’t be too painful,  what with those soft hands of yours, right?“ The homophobic and misogynist implications here are obvious - Wally deems Mick too “effeminate”.

Mr Ketch is a slightly different case than Mick. In the latest episode, we see him actively try to refashion himself as an “American style” hunter in order to recruit Dean. Something which despite his own assessment really doesn’t go down to well.

Keep reading

youtube

Thrift Haul + Quick Fixes by coolirpa

Link: https://youtu.be/iC19ohho4Qs

tahramis  asked:

any DIYs for rompers?

DIY Rompers

DIY Romper

DIY Sleepwear Romper

DIY Romper from Men’s Shirt

DIY Romper


sew-much-to-do: a visual collection of sewing tutorials/patterns, knitting, diy, crafts, recipes, etc.

If you enjoy my blog and would like to support me further, my Amazon Wish List is available here!

ficlet: aggression

dealanexmachina said: 

“trini has a very aggressive way of fighting” - Talk to me about Trini being tiny, being Latina, being a woman, being a not straight child of her traditionalist parents, and just *different* - and how that manifests in her fighting style. Tell me about how she pours all of her feelings into her fights, and because that’s what happens when someone like Trini suddenly becomes strong enough to crush a boulder with her tiny fist. Then tell me how it compares to Kimberly’s fight style, how it's lifts and assists and support like cheerleading would have taught her, but also bending and dodging because that’s how she’s learned to navigate the pressures of her parents and being one of the popular kids in school. How Kimberly’s sense of self is rooted in fear of one’s power and her journey to realize just how much power she wields and how much damage she can inflict or support and protection she can give is paralleled in both sides of her life. Talk to me about how as Rangers, Trini is all aggression, and Kimberly is all feints and dodges, but as teenagers, in the halls of high school, it’s flipped. Because Trini is the one who blends in the shadows while Kimberly engages in public shows and confrontation. Talk to me about what happened to that cut scene with Trini in front of the locker that had hateful language written all over it, and what they do now. Talk to me about how their fighting styles end up complimenting each other because for the first time, they’re depending on each other. How dodges and parries work in tandem with forceful attacks and blunt force that doesn’t back down. Talk to me about their fight styles start to bleed into each other as they learn from each other, inside of training and outside as they learn to stand up for each other and themselves. Talk to me about all the fighting metaphors and styles for Trini and Kimberly, please.

They shouldn’t match up. Anger vs. fear. Punch vs. dodge. Running at the problem vs. running full-tilt away. They shouldn’t make a solid pair.

Keep reading

[Miraculous Ladybug]: Never Make Deals with Mermaids

a.k.a. Gabie’s Obligatory Mermaid/Pirate AU feat. Adrienette!

inspired bc i wanted a mermaid au where mermaids were badass, bloodthirsty, and had a certified license to kill. it was supposed to be a one-shot, but let’s ignore that bit for now.

i know that there are a million and one pirate/mermaid au’s but i’d appreciate some likes/reblogs/comments if you happen to read on! :) at the rate this is going, this is gonna be a beast of a fic. 

[Next: Chapter 2]

Link to Archive of Our Own: [AO3]

Title: Never Make Deals with Mermaids

Summary: The only reason Adrien came up with such an elaborate trap for a mermaid was to sell her on the market, rake in some gold, and get a new ship to help him carry out some business. Simple as that.

The plan wasn’t for this mermaid to attack his crew, hold him at sword point, and steal his maps for some ridiculous mission involving magical stones, egomaniacal pirates, and a plot to stop the end of the world.

This beautifully dangerous creature was certainly going to be the end of him.


Chapter 1: Capturing a Mermaid


“Adrien, let me be the first to say that I still think this is a ridiculously stupid idea.”

Adrien pulled the flask out of his coat and pulled the cork out with his teeth. “Aw, come on, Nino. Where’s your sense of adventure?”

“My sense of adventure is perfectly intact, thank you very much,” Nino frowned. “So is my sense of self preservation. This is a suicide mission, you idiot!”

“It’s only a suicide mission if I screw it up. And for your information, I’ve thought this out meticulously. It’ll work. Besides, I know you’re secretly hoping that we pull this off. You know how much we need the money.”

Nino sighed as Adrien shed his captain’s hat and his coat and draped them in Nino’s arms. “There are other ways to fund a journey to the Eastern Seas, you know. It doesn’t have to include chasing after a fairytale.”

“It’s not a fairytale,” Adrien insisted, unbuttoning his shirt and throwing it over Nino’s head. “I’ve done my research. Went to a library and everything.”

“Yeah! You did research! Based on the drunken ramblings of past sailors! That hardly counts. You’re putting your life on the line for this.“

“You worry too much, buddy. I’ve got this under control.” Adrien turned around to the rest of his crew and held up the knife he kept strapped to his thigh. “Alright gentlemen, listen up! There are rumors of mermaids in this part of the sea, so we’ve got one chance to do this right.” He pointed the knife at Kim. “Are the nets ready?”

Keep reading

There steals over us… a wild longing that our eyelids might open some morning upon a world that had been refashioned anew in the darkness for our pleasure, a world in which things would have fresh shapes and colors, and be changed, or have other secrets, a world in which the past would have little or no place, or survive, at any rate, in no conscious form of obligation or regret, the remembrance even of joy having its bitterness, and the memories of pleasure their pain.
—  Oscar Wilde, from ‘The Picture of Dorian Gray’
Simple Sewing: Shkirt Edition

This “Shkirt” (aka skirt from shirt) is super easy and quick to make for beginners and is a great casual piece that matches almost any top.

- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -

Materials:

Elastic

Sewing Machine

XL Button up Shirt (bigger the better)

I got this thin, denim, ladies XL shirt complete with shoulder pads from value village for 5 bucks.

First, cut off the bottom of the shirt to the desired length of your skirt plus an inch. Keep in mind the sides may be shorter depending on the shape of the shirt.

Then, to create the waistband, fold and iron ¼ inch of fabric all the way around. Next fold it another inch and iron. This will create the spot for your elastic. Make sure that your folded part is wider than your elastic.

Sew along the fold (where the pins are in the pic with elastic) but leaving at least an inch of it un-sewn for inserting the elastic.

Measure a piece of elastic so it is snug to your waist and insert it making sure both ends are sticking out when you are done. Then sew both the ends of elastic together, let them slip into the waistband and sew the gap closed. (Ignore my switch in elastic. I opted mid-shkirt to switch for a stronger one)

You are finished! The amount of ruffles you have will depend on how big your shirt was. I choose to wear a bodycon skirt under mine as it is quite see-through.