Portland Monthly

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Report from Portland’s Tiny House Hotel

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It’s been just over a year since the country’s first-ever tiny house hotel opened its even tinier doors on NE 11th Ave. We asked owners Kol Peterson and Deb Delman to fill us in on what’s new at Caravan, plans for the future, and some of the best moments since its opening.” – Brooke Sahni for Portland Monthly

Continue reading about Checking in with Portland’s Tiny House Hotel at Portland Monthly.

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Gregory Gourdet.

May I start off by saying: this feature shoot is a perfect example of matching Photographer with Concept. When Mike Novak (AD Portland Monthly) first approached me with the subject matter and concept for this shoot I was thrilled. Greg is the highly energetic, deliciously talented Chef de Cuisine at Departure, the restaurant atop the Nines hotel in downtown Portland. He’s an ex-partyboy turned Paleo/fitness freak with a great sense of style and humor. We shot for roughly 4 hours in studio and he kept his energy up the entire time. With the help of his best-friend/roommate/stylist, Tia Vanich, we managed to keep Gregory looking sharp throughout the whole shoot. The final images reflected his charming personality and sense of humor, along with his good-looks and sense of style. If you live in Portland (or are just traveling thru), do yourself a favor and stop by Departure for their incredible rooftop happy hour with the best view in the city.  

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Downtown Witch illustration by Matty Newton

An editorial illustration for the October 2013 issue of Portland Monthly. The article introduces local Portland priestess, Pomegranate Doyle. Inspired by Hanna-Barbera’s opening credits to the TV classic, Bewitched.  Art Direction by Michael Novak.

*Unfortunately, in error the final illustration above did not make print and an earlier concept sketch was printed. The correction will be made on the magazine’s website, and I am happy to present the final illustration here.

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Went on a trip to Bagby Hot Springs, which are located in the Mount Hood National Forest about 67 miles southeast of Portland, Oregon.

We used the larger tub to soak up lava minerals from the water and it was refreshing and relaxing. It took about 15 buckets of the cold spring water to cool off the hot springs water as well. 

Fun Fact: The cold water is drinkable. 

Photos by www.jasondesomer.com

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Fit City. 

I had the absolute pleasure of shooting my favorite feature to date for the January 2013 issue of Portland Monthly. Five locations over three days. Rocking climbing, cross-fit, and crazy tilt-cycling just to name a few of the adventures we went on. Pick up a copy of Portland Monthly for the whole scoop, researched and written by my friend Rachel Ritchie. On newsstands now!

Art director: Kate Madden

Photo assist: Ashley Anderson

“The Perfect Party” Illustrations by Matty Newton.

I am happy to announce that I will be illustrating The Perfect Party” in the beautifully redesigned Portland Monthly. “The Perfect Party” is a monthly guest list of celebrities, politicians, and local newsmakers. Art Direction by Michael Novak.

The January 2014 issue is on newsstands now. Check out the digital version at pdxmonthly.com.

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Kelly Williams Brown.

Another gem of a talent I had the opportunity to shoot for May’s issue of Portland Monthly. Aside from being a total sweetheart and badass writer, she also works as a copywriter for advertising agency Leopold Ketel. Here’s a small intro from the Long Story Short feature on Ms. Brown, as told to editor Rachel Ritchie:

In April 2011, while working as a columnist at the Statesman Journal in Salem, Kelly Williams Brown came up with the kernel of a book idea: a beginner’s guide to adulthood, from writing condolence cards to buying a used car. This month, Grand Central Publishing will release Adulting: How to Become a Grown-Up in 468 Easy(ish) Steps. Her companion blog has already racked up more than 100,000 dedicated followers. A TV adaptation is in the works with J.J. Abram’s fames production company, Bad Robot. And along the way, she even conquered her fear of bleach.

The Green Reaper

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(Opening spread: February 2014 issue of Portland Monthly.)

Death is difficult. Death is sad. Death is certain. So how do you tell the story of a woman who is doing everything she can to alleviate the stress and stigmas associated with this seemingly inevitable, difficult sadness?

This past summer, I was contacted by my friends at Portland Monthly magazine to photograph the very photogenic, Oregon native and small-town funeral director Elizabeth Fournier for a feature highlighting her views on death and the after-death care industry. Those views? Simple things like compassion, environmental sensitivity and affordability. Views that, as of late, seem to be catching on. Any avid fan of HBO’s Six Feet Under knows the contrast between small, family-owned funeral homes and their larger, “upselling” corporate competitors. Recently, with the rising popularity of internet personalities like Caitlin Doughty’s “Ask a Mortician” webisodes, it’s becoming obvious that we, as a culture, are tired of just burying our feelings about death.

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(Clockwise from upper left: Mike and Kate constructing the set. A lighter moment with Kate. Laura adjusting our mourning gnomes. Click for bigger. © William Anthony)


Gallows humor:
Humor in the face of or about very unpleasant, serious, or painful circumstances.


I am a fan of the above. Whether dry wit or crying from laughter, it’s always better than the alternative. So when Portland Monthly Art Directors Mike Novak and Kate Madden began talking about this shoot, it was obvious we wanted some lightness on this unavoidably dark subject. The idea of “green burials,” one of Fournier’s specialties,  immediately came to mind. The idea of taking the care of the deceased back home to the family–away from strangers with latex gloves and embalming fluid–rose to the top. We also knew we wanted the opening portrait to be a subtle, but striking visual metaphor that conveyed all the aspects of this emotionally complex subject. The supporting vignette images throughout the feature would also make us smile and relax the creases that inevitably form on one’s forehead while reading a story about burying grandma.

To take the DIY aspect of this story to new heights, or depths in this case, the decision was made to build a small, simple elevated set whereby we could have more control as opposed to just digging a fresh earthen grave. On a slightly overcast, but warm summer day we all three set out to build a hole in the ground. Not as easy as you might think. Mike brought in a segment of fence, Kate affixed sod to plywood. My assistant Laura and I set up lights all while fending off Monkey, Kate’s energetic Boston Terrier who insisted on participating. (I mean, c'mon! We were digging a HOLE in the ground! He had some expertise!)

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(Me, resurrecting. Click for bigger. © William Anthony)

The following day Fournier arrived in her best black. (And leopard print gardening boots as backup props.) Immediately I understood why this woman was such an appropriate diplomat for the dead. The camera loved her and she loved it back. (See her web site for all her broadcast and publishing extracurricular activities…) Fun and animated, she was as invested in this shoot as we were. We shot various scenarios over the next hour or so. With shovel–and without. With lawn flamingos–and without. Smiles–and solemn. I even hopped in the grave for a few frames for some of that gallows humor. It was, dare I say, fun? Here is where one realizes Fournier’s strength; she’s an easy-going, caring, warm personality who cares as much for the living as the dearly departed.

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(Laura and Mike on set. Click for bigger. © William Anthony)

Technical Stuff

We lit this entire portrait with four lights. Two Profoto Pro-7b heads and two Profoto 600R monolights. Key was the boomed shoot-thru umbrella over the subject to give her the spotlight she deserves. The soft umbrella light matched the diffuse light from the white, overcast skies. To minimize the shadows and also fill some of the low-key parts of her black dress, we used a medium softbox just out of frame to the left of camera and Profoto 5-foot reflector with a monolight just below the elevated camera; which was about 6 ft off the ground attached to a fiberglass ladder with a Bogen Magic Arm and tethered to a laptop. We also used a Pro-7b head with a warming gel and grid on a floor stand in the grave itself to add some texture to the soil. The umbrella and boom was removed digitally in post-production along with some grass smoothing and fence extending.

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Credits

Client: Portland Monthly Magazine
Art Direction/props/set: Mike Novak and Kate Madden
Portland Monthly feature writer: Nancy Rommelmann
Photo Assistant: Laura Jennings
Subject/Hair/Make-up: Elizabeth Fournier

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