Olivia Mary de Havilland (July 1, 1916) Happy 99th birthday, Olivia! I felt Gone with the Wind would last five years, and it’s lasted over 70, and into a new millennium. There is a special place in my heart for that film and Melanie. She was a remarkable character - a loving person, and because of that she was a happy person. And Scarlett, of course, was not.
Olivia Mary de Havilland (born 1 July 1916) is a British American film and stage actress. She won the Academy Award for Best Actress in 1946 and 1949. She is the elder sister of actress Joan Fontaine. The sisters are among the last surviving leading ladies from Hollywood of the 1930s.
She’s one of actress your time alive. Now she’s going to do 96 years.
Happy 99th #birthday #OliviadeHavilland!
Olivia Mary de Havilland (born July 1, 1916) is a British American actress. Born in Tokyo to English parents, de Havilland and her younger sister, actress Joan Fontaine, moved to California in 1919. She performed as Melanie Hamilton in Gone with the Wind (1939) and in eight co-starring roles opposite Errol Flynn, including The Adventures of Robin Hood (1938), Dodge City (1939), Santa Fe Trail (1940), and They Died with Their Boots On (1941). She is one of the last living actors/actresses from the Golden Age of Hollywood. As of 2015 aged 99, she is the oldest living actor who has won an Academy Award, and the last surviving actor of the major players from the film Gone With the Wind.
De Havilland won the Academy Award for Best Actress for her performances in To Each His Own (1946) and The Heiress (1949); de Havilland and sister Fontaine are the only siblings to have won lead acting Academy Awards. She also received the National Board of Review Award, the New York Film Critics Circle Award, the Italian National Syndicate of Film Journalists Silver Ribbon, and the Venice Film Festival Volpi Cup for her performance in The Snake Pit (1948). She was awarded the Golden Globe Award for her performance in The Heiress in 1950 and for Anastasia: The Mystery of Anna in 1987. In 1960, she was honored with a star on the Hollywood Walk of Fame for her work in films. In 2008, she was presented with the National Medal of Arts by President George W. Bush. #HollywoodCiak
#JoanFontaine #Oscars #GoneWiththeWind #ToEachHisOwn #TheHeiress #TheAdventuresofRobinHood #DodgeCity #TheSnakePit #legend #Hollywood #GoldenAge #happybirthday #followme
"NORTH AND SOUTH: BOOK II" (1986) - Episode Two "July 1861 - August 1862" Commentary
“NORTH AND SOUTH: BOOK II” (1986) - EPISODE TWO “July 1861 - August 1862” Commentary
Episode Two began with the aftermath of Bull Run. It also featured Brett Main Hazard and Semiramis’ journey to South Carolina, Orry Main’s wedding to his widowed neighbor Madeline LaMotte, and Elkhannah Bent and Ashton Main Huntoon’s smuggling operations. I wish I could be objective about this particular episode, but I cannot. I dislike it too much. It is one of the main reasons why I have so much difficulty with “NORTH AND SOUTH: BOOK II” in the first place.
My main beef with this episode centered around the plot line that featured Brett and Semiramis’ journey south to Mont Royal, following the Bull Run battle. First of all, I believe that this particular plot line was badly written. Brett and Semiramis should not have had any difficulties getting past Union lines, since nearly the entire Union Army had fled to Washington in disarray, following the battle. Second, once they had reached Richmond and delivered the message about Clarissa Main’s injury, they could have accompanied Orry back to South Carolina. They would have arrived at Mont Royal in late July or early August 1861, instead of November 1861. And why did it take them so long to reach South Carolina in the first place? Surely, the two could have traveled by train. The Union Army had not began destroying Southern railroad tracks during the summer of 1861. And one last question – why on earth was a message sent to Brett in Washington D.C. in the first place? An accommodating neighbor of the Mains or a local doctor could have sent the message about Clarissa to Orry in Richmond. It would have been a lot easier. And quicker. Talk about bad writing!
I have a few other qualms about Episode Two. I find it odd that Justin La Motte never suffered any legal repercussions for his attack upon Mont Royal in Episode One. Nor did Orry Main encountered any repercussions for La Motte’s death, when he rescued Madeline from her venal husband. And could someone please explain Orry’s war duties to Jefferson Davies and the Confederacy? It is bad enough that he managed to procure such a high position within the Confederate Army, considering his previous military history. But what exactly was his duty? Was he the main quartermaster for the Confederate Army? Was he involved in investigating war profiteers? Or was he some unrealistic jack-of-all-trade? In fact, I have the same complaint about George Hazard’s position with the Union Army. Like Orry, his previous military history was very limited. Yet, he managed to become a military aide to President Lincoln and serve other duties for the Army - duties that seemed to be very varied. I was especially shocked to find George attending one of Lincoln’s Cabinet meetings. Really? Are they serious? This is incredibly sloppy writing. Both Charles Main and his fellow officer Lieutenant Ambrose Pell continue to unnecessarily cart around their swords, during their duties as scouts. And I still see no signs of enlisted men under their command. Episode Two also featured a moment when President Lincoln announced his “Emancipation Proclamation” to his cabinet … and George Hazard. I realize this should have been a profound moment, but the pretentious dialogue left me feeling cold.
However, there were some good moments in this episode. George and Orry had a bittersweet reunion inside a barn, while both were traveling to their respective capitals. Charles visited the widowed Augusta Barclay’s farm after being injured by Union cavalry. Stanley and Isobel Hazard scheme to profit from the war and make enough money to take over Hazard Iron. And in one brief scene, Congressman Greene had an embarrassed reaction to a wounded soldier that did David Odgen Stiers’ skills proud as an actor. Of all of these scenes, the one that really impressed me proved to be the one that featured Stanley and Isabel’s scheming. For me, this was a step up from their narrative in John Jakes’ 1984 novel. The reason I was so impressed by these scenes was due to the first-rate performances from the cast.
Aside from the Stanley and Isabel story arc, I feel that the rest of the scenes benefited from the cast’s excellent acting. This was especially apparent by James Read and Patrick Swayze’s performances in the scene that featured George and Orry’s reunion, and also the performances by Lewis Smith, Kate McNeill and first-time actor John Nixon. Both Philip Casnoff and Terri Garber continued to amazing heat in their portrayals of Elkhannah Bent and Ashton Main Huntoon. Kurtwood Smith gave an intense and fascinating portrayal of Billy Hazard’s commander Hiram Burdan. And Whip Hubley, an actor I have never been that particularly impressed with, gave an interesting performance as Billy’s regimental rival, Lieutenant Stephen Kent.
Kevin Connor continued to handle his actors with skill. And the miniseries’ photography by Jacques R. Marquette continued to strike me as colorful, but not particularly impressive. But there is one aspect of this production that continued to really impress me was Robert Fletcher’s costume designs - especially for the women. Below are examples of his work in this episode:
But if I must be brutally frank, Episode Two featured some of the worst writing in this miniseries, and probably in the entire trilogy. No amount of excellent performances or dazzling costume designs could improve my opinion or save what proved to be an otherwise dull episode.