“When I say the greatest athlete in a generation, I mean the greatest in any sport. Sorry, LeBron. Sorry, Tiger. Sorry, Derek. For fifteen years, over two generations of tennis, Williams has been a spectacular and constant yet oddly uncherished national treasure. She is wealthy and famous, but it seems that she should be more famous, the most famous. Anyone who likes sports should love Williams’s dazzling combination of talent, persistence, style, unpredictability, poise, and outsized, heart-on-her-sleeve flaws. 

But not everyone loves her. Part of this is owing to the duelling -isms of American prejudice, sexism, and racism…. 

…But it’s not enough to say that Williams would be more uniformly adored if she were a white woman, or a man. Instead, the failure to fully appreciate her importance is perhaps evidence of our inability to appreciate the stubbornly unfamiliar narrative arc of her career. Williams is underloved because, at times, she has been unlovable and, in the end, mostly unrepentant about it—something that might be admired as iconoclastic in a male athlete, but rarely endears women to a wide audience…. 

[Recently,] after a disappointing showing in the three previous Grand Slam tournaments, Williams said that she adopted a new way of thinking about the game, to put less pressure on herself by appreciating what she had already accomplished. ‘That’s the beauty of my career,’ she said before the Open. ‘I don’t need to do anything at all. Everything I do from this day forward is a bonus. Actually, from yesterday. It doesn’t matter. Everything for me is just extra.’ This is surely wisdom, but it is also a form of sports sacrilege. I don’t have anything to prove; I have been great—so great, in fact, that at this point winning doesn’t even matter.” 

Excerpted from an article by Ian Crouch for New Yorker Magazine

Photograph by Darron Cummings/AP

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The Records of Achievement Award is an annual tribute given by the @archivesfoundation to individuals whose work has cultivated a broader national awareness of the history and identity of the United States through the use of original records. Through their work, recipients educate, enrich, and inspire a deeper appreciation of our country, its ideals and its aspirations. Previous recipients of the Foundation’s awards include: Taylor Branch, Tom Brokaw, Ken Burns, the late John Hope Franklin, Robert Edsel, Annette Gordon-Reed, Brian Lamb and C-SPAN, Jacqueline Badger Mars, David McCullough, James McPherson, David M. Rubenstein, and Steven Spielberg.

One of the most talked about plays in American theater today, “Hamilton” has garnered tremendous commercial success, as well as significant critical acclaim for its historic content. Through the compelling story of Alexander Hamilton’s life and death, the musical combines Mr. Chernow’s biographical content with hip-hop lyrics and staging by Mr. Miranda and Mr. Kail, bringing the past to life in an accessible and immersive experience for audiences.

what a national treasure [x x x x x]

  • What she says:I'm fine.
  • What she means:I can't believe they never made a National Treasure 3. They completely set up for it by having Ben Gates look at page 47 of the President's Book. Am I never going to find out what page 47 says? It is rumored that it was supposed to be about the Fountain of Youth, but we can never be sure. Why would they set up for a third movie and then just never make it? How could they do this to their dedicated audience? It has been eight years since the second movie came out and this still haunts me.

Do you have anecdotes about your time filming National Treasure?

SEAN BEAN: There was one where I went back to Nic Cage’s house, and we’d had a few drinks, we were playing pool and he accidentally knocked over his prehistoric cave bear skull and smashed it. And he was really upset about it, and the next day went and buried it in a field. (via Reddit AMA)