There’s a reason we’ve got hearts and brains—we’re supposed to listen to them both. A good man follows his heart, but a wise man follows his heart without ignoring his brain. Finding the right balance is one of the hardest parts of life.
Rebecca Sugar QnA- Volume 1 Finale of the SU Podcast
- long post about Rebecca answering fan questions - info from the podcast episode “Leading the Way- Rebecca and Steven Sugar”
If Rebecca were a gem, she’d be under Blue or Pink Diamond’s
The gem placements of the main characters relate to who they
are - Pearl (head)- way too inside her head,
intellectual - Amethyst (chest)- passionate, impulsive,
speaks from the heart all the time - Garnet (hands)- “hands-on”, active,
For every new gem, [the crew] evaluates who they are based
on where their gem is placed
Amethyst’s favorite soda is Apple Seedra (?)
Flourite’s design was inspired by the caterpillar in Alice
in Wonderland and Grandmother Willow
Pearl’s favorite color is pink
Rebecca loves pineapples on pizza
Rebecca’s favorite job to do in animation is storyboarding (if
it is a board-driven show)
Rebecca’s favorite arc in One Piece is the Sogeking Usopp
vs. Luffy fight/arc, Usopp is her favorite character
Pumpkin doesn’t need to eat but he does sleep
When asked if Steven Universe is canonically just a cartoon
and if so, if Sardonyx is aware of this, Rebecca replied, “Sardonyx is self-aware.
I think Steven Universe is canonically just a cartoon in the canon of real life but within the show, it’s reality.
But Sardonyx has this transcendent mind. I think of Sardonyx a little like Psycho
Mantis (…) from Metal Gear. She can see outside of what’s going on y’know and
that’s something that I feel like Garnet can see beyond the moment into the
future and not just into the future but also all of these possible futures so
Sardonyx is sort of on this other level where she has that ability but Pearl’s
also in there so it’s also obnoxious.”
The theory about Garnet’s glasses changing the ratio of red
or blue depending on if Ruby or Sapphire’s personality is dominant at the time
is NOT TRUE. Garnet isn’t piloted by two people, she is her own person.
The zircons are poofed, not shattered. “They are certainly
not not in trouble, but they’re not
The people in the SU Universe have a different relationship
towards stories about superheroes due to the gem war
On references of the zircons’ designs: Paul Villeco showed
Rebecca history about a night club in Paris called Le Monocle, the monocle as this iconic lesbian fashion statement. Other
inspirations include: What’s the Truth about Mother Goose, Jughead and Film
The Unfamiliar Familiar is a reference to ‘His Dark Materials’
When asked if gems who have their gem over their eye have
any sight impairments, Rebecca said, “I think it could affect their depth
perception but I don’t know if gems necessarily function the way humans do. I
think, if anything, they might even have some sort of enhanced sight (…) like,
your gem placement I think has a lot do, like I said, with you as a person. And
even Eyeball, I mean, was sort of scrutinizing everything. Then I suppose also
other senses could be heightened but that’s very human. I think gems—gems are
different. They work a little differently.” McKenzie: “So does that mean Jasper has a really good sense of smell?” Rebecca: “Oh, that I don’t know. Maybe not. I mean that was sort of just a
simple—like hard-nosed thought as a way a person could be.”
It is possible for a non-fusion gem to have the same
gem-type as a fusion (e.g. a Garnet that is just one gem) It would look
Rebecca would like to have an OK K.O. crossover.
Back when OK K.O. was called Lakewood Plaza
Turbo, Rebecca and Ian hoped that to have a crossover called Stewood Plaven
Turbiverse, resulting in mushing the 2 shows together. Characters would include
Mr. Gar-net (Garnet & Mr. Gars), K-ven (Steven & K.O.), Penid (Pearl &
Enid), and Radethyst (Amethyst & Radecles)
feel free to add on to this post if I missed any information!
Okay so I’m so excited for William Joyce’s next Guardians of Childhood Book that I was inspired by his picture book this page specifically down here *points down*
to make the image at the top. Now if you know some stuff about it you would know who is on the other cliff, and if not I’m gonna let you guys guess. There’s a whole story on why, but I’m gonna save that for later.
Mother Goose. Ravel originally wrote the work as a piano duet suite for Cyprian Godebski’s daughters. Unlike his other “impressionist” works, Ravel is more explicit with the different scenes he is trying to evoke through the music, perhaps for the benefit and wonder of the children he wrote it for. Later, he transcribed it for orchestra, and this five movement suite became the most popularly heard form. He’d later revise the work again and turn it into a full ballet. Each movement is based on a different fairy tale by different French authors. The opening pavane for the sleeping beauty is reminiscent of his earlier pavane for a dead princess. Funny how the poetry of comparing “sleeping” and “death” fits here, because both pieces have similar syntax. The next is based off of a French variation of Little Tom Thumb, about a tiny boy and his adventures in our world, except for him it is the world of giants. In the orchestral suite there are bird calls in the delicate melody. Empress of the Pagodas is a reference to The Green Serpent, and it makes use of the pentatonic scale to emphasize the Chinese setting. The Conversation between the Beauty and the Beast is an intimate swaying number that makes me think of Satie’s Gymnopedies from a few decades before. Beast’s part of the dialogue is a low growl, more sinister than he intends. The Fairy Garden is the only part of the suite that doesn’t have a clear reference or inspiration. In the ballet, it’s used as the ending of Sleeping Beauty’s story, where she wakes up in a garden surrounded by fairies. If we take that interpretation, it makes this suite feel like a closed loop, showing the “dead” princes coming to “life” in this magical world of fairies and wonder that all of these tales exist in.
1. Pavane de la Belle au bois dormant [after Charles Perrault]
2. Petit Poucet [after Charles Perrault]
3. Laideronnette, impératrice des pagodes [after Madame d’Aulnoy
4. Les entretiens de la belle et de la bête [after Jeanne-Marie Leprince de Beaumont]