Monty Python and the Holy Grail is the greatest comedy in the world and let me tell you why

From literally the very first credit to the last credit, the movie is throwing a joke at you.

And you know what?

I can’t think off a single joke that’s offensive.

Except maybe to mooses.

There’s a few inappropriate jokes here or there (especially when you meet Zoot) and the jokes aren’t going to be for everyone.

But not once do they try to make a joke that’s racist, homophobic, ableist, sexist, etc. The only thing that comes close to offensive are the jokes about an effeminate prince and even then, you’re not necessarily laughing at him so much as you’re laughing at the people’s reactions. 

Other than that, almost every single one of the jokes in the movie depend on silliness.

The coconut scene, the Black Knight scene, the Knights Who Say “Ni”, the opening credits, the rabbit, the transitions, the Knights of the Round Table song, the bridge questions, the goddamn ending which is the single greatest ending in cinematic history!

These are just some of the dozens of famous scenes which rely on nothing more than pure and utter silliness!

And it’s wonderful!

There’s a reason that this movie has a 97% rating on Rotten Tomatoes! The jokes are genuinely hilarious! The quotes are memorable! The movie came out forty years ago and people are still quoting it!

And I keep thinking about how so much humor today is derived from pain and offending someone. So many people are complaining whenever their jokes are booed for being offensive. So many shows like Family Guy and some internet celebrities are trying to excuse their horrid behaviors by saying that you can’t have comedy without tragedy. 

Yes you can!

A forty-year-old movie that still holds up today proves that!

I mean, anyone who’s been following me for awhile knows that I’ll constantly bring up things like Looney Tunes, Animaniacs, etc. Because I’m a huge fan of nonsensical, silly, looney, zaniness. It produces some of the best, non-offensive, timeless comedy. And Monty Python and the Holy Grail nailed it!

2

Still from Monty Python and the Holy Grail
UK (1975)
[Source]

Coconut cup
England (c. 1470 - 1500 with later additions)
Silver-gilt, coconut, chrysoprase
[Source]

Kathleen Kennedy writes for the Mary Sue:

Forty years old this year, the coconut sketch in Monty Python and the Holy Grail may be one of the most iconic opening scenes in film history. The pillar of chivalry, Arthur, King of the Britons, appears riding an imaginary horse like a child on a playground. His faithful servant, Patsy, accompanies him, banging two coconut halves together to make the sound of the horse’s hooves. Arthur and Patsy are very, very serious about their quest. They are the only ones who are.

The whole scene concentrates on those coconuts. The put-upon straight-man of the film, Arthur, gamely tries to explain the existence of coconuts in medieval England (“they could have been carried”). The grail remains all but forgotten as the guards on the castle walls uproariously tear down his explanations. (“Are you suggesting that coconuts migrate?”)… Audiences are left in stitches and thoroughly convinced of the impossibility of coconuts existing in medieval England.

Except medieval England was lousy with coconuts. No, really, and Monty Python may well have known it.

They’re Oxbridge men, after all, and several Oxford and Cambridge colleges still preserve coconuts given to them in the fifteenth century. Here’s a fifteenth-century coconut cup that came to Oxford more recently. While parts of it were added more recently, the original elements are medieval. This is the only medieval English coconut cup currently displayed online, and it shows how the shell was strapped into a goblet form using a harness of silver or gold. The English continued to make coconut cups after the medieval period—in the sixteenth century, seventeenth century, and beyond. They were numerous enough that by the fifteenth century, individual households might boast several coconut cups. One humble esquire highlighted the prestige of these cups when he willed his coconut cup to his heir in tail male, just like the Bennett estate in Pride and Prejudice or the Crawley estate in Downton Abbey.

But why make luxurious golden goblets out of coconuts? And how did they get to medieval England anyway, if swallows didn’t carry them?

In the Middle Ages, coconut palms were not yet as widespread as they are today. Coconuts grew in their native Maldives, in India, and perhaps parts of western Africa and the Middle East. (They were also growing in western Central America, but had gotten there on their own, crossing the pacific like small, tasty boats without a swallow in sight.) Coconuts formed a regular part of commerce across the Indian Ocean from Roman times, and this trade appears to have continued with little disruption straight through the ancient and medieval periods. Given England’s Roman history, it isn’t impossible that Life of Brian-era English might also have had access to coconuts. These coconuts weren’t transported all that way to be made into cups, however. They were imported as medicine.

Beginning regularly once again in the fourteenth and fifteenth centuries, medicinal coconuts arrived in England. This time, they were packed on Venetian galleys along with luxuries from silks to sugar, and next to exotic pets like monkeys and parrots. In turn, the Venetians got the coconuts from Alexandria and from the same trade networks that the coconuts had been part of for millennia. 

They were not called coconuts, either. The name “coconut” derives from the Portuguese and dates to the sixteenth and seventeenth centuries-after the medieval period. In the Middle Ages, Europe knew the coconut as the “Nut of India” or “Great Nut.” It was the great, big whopping nut that was transported all the way from India—the only nut large enough to make into a drinking cup.