Massapequa

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Friends TOW In Massapequa (2002) | SNL sketch “Brazilian Bar” (2006)

“Click”

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LOST RABBIT SIGNAL BOOST! MASSAPEQUA, NY!!! 

Hey everyone! My very good friend Kristen lost her beloved pet rabbit recently. He’s a friendly puff-ball named Leopard. If any of my followers from Long Island NY, specifically Massapequa or surrounding areas, have any information, please contact my buddy on Facebook! 

[Transcript: A picture of a facebook post by Kristen Schmelzle that reads, “Hey Facebook, I’ve lost my Rabbit Leopard on the 18th and was curious if anyone had seen him. He’s a grey and white Dutch and was last seen on the corner of Forest ave and Linden Street. He’s super friendly so its possible someone thought he was lost and scooped him from my yard. If you have any info please contact me through facebook!”] 

[Image description: Pictured are four images of a white and grey rabbit. His front half is white with grey around his eyes and on his ears. His rump and back legs are totally grey, save for little white socks on his back feet. He is a Dutch Rabbit and noticeably large.]  

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here’s a little video i found that’s a tribute to our wonderful town!

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On this day in music history: June 7, 1982 - “Built For Speed”, the US debut album by the Stray Cats is released. Produced Dave Edmunds, Hein Hoven and The Stray Cats, it is recorded at Eden Studios, Jam Studios in London and AIR Studios in Montserrat, W.I. from Early - Late 1981. The first American album by the Massapequa, LI, NY rockabilly trio is a compilation that features six tracks from their self-titled UK debut and five tracks from their second UK album “Gonna Ball”. Heavily influenced by 1950’s rockabilly music pioneers like Eddie Cochran, Carl Perkins, Bill Haley & His Comets, and Gene Vincent, the band garner a solid following playing bars and clubs in their native Long Island, NY and New York City punk venues like CBGB’s and Max’s Kansas City. They get their big break when they move to England in 1980, and they meet musician Dave Edmunds (“I Hear You Knocking”). They are quickly signed by Arista Records in the UK and land a spot as the opening act for The Rolling Stones. EMI-America Records in the US sign them and release “Speed”. “Stray Cat Strut” (#3 Pop) is initially released as the first single a few weeks after the album in July of 1982. Top 40 radio programmers unsure of what to make of the band, greet the record with indifference. The Stray Cats fortunes turn around when “Rock This Town” (#9 Pop) is issued in September. Accompanied by a memorable video clip, MTV begins airing it, and radio soon catches on, with the single hitting the top ten before Christmas. “Strut” is then re-released the same month, entering the chart the week of Christmas, rocketing up the chart and into the top five by the end of February 1983. The albums sales propelled by the two singles are very strong, but is unable to grab the top spot on the pop album chart, held off by Men At Work’s “Business As Usual” and then Michael Jackson’s “Thriller”. Out of print on vinyl in the US since 1989, it is reissued as a 180 gram LP as part of the “From The Capitol Vaults” reissue series in 2008. “Built For Speed” spends fifteen weeks at number two on the Billboard Top 200, and is certified 2x Platinum in the US by the RIAA.

New York’s first comprehensive slave code, adopted in 1702, underscored the association of slavery with black skin by banning the enslavement of Indians and defining indentured servitude as a condition for whites only. It granted masters nearly unlimited powers of correction, set up special tribunals to try slaves accused of crimes, and authorized a Common Whipper for the city. Subsequent enactments by either the legislature or Common Council confirmed that slavery was heritable through the female line, prohibited more than three slaves gathering together at a time (twelve for funerals), restricted the movement of slaves after nightfall, banned slaves from selling food or other goods in the streets (a practice known as “huckstering”), and eliminated conversion to Christianity as grounds for manumission. Innkeepers couldn’t sell liquor to slaves, and severe penalties were decreed for whites who helped slaves break the law or failed to take appropriate action when they did. In 1738 Elizabeth Martin was “Reputed a Common Whore as with Negro Slaves as to others and a great Disturber of the Peace.” Declared a “very Low Notorious Wicked Woman,” she was ordered out of city. When she refused to go, she received thirty-one lashes and was chased out.
It proved next to impossible to enforce such laws. Slaves moved about the city almost at will in the course of their work and were often unsupervised by their masters for extended periods of time, even at night. Despite the profusion of statutes, therefore, municipal authorities were inundated year after year with demands to stop slaves from illegally congregating, brawling, breaking curfew, playing in the streets on Sundays, and drinking at “bawdy houses” whose white proprietors were suspected of keeping prostitutes and fencing stolen goods. Their brazen defiance of whites was notorious. In 1696 Mayor William Merritt ordered a group of noisy slaves to disperse and got punched in the face; half a dozen years later Governor Cornbury expressed alarm at the “great insolency” of slaves in the city. Everybody complained about runaways, especially as it became known that fugitives could find refuge with the Seneca, Onondaga, and other Indian tribes to the north, or the Montauks, Shinnecocks, Massapequas, and others of eastern Long Island.
—  [great insolency 2k17]