Frederic Leighton - Elijah in the Wilderness; Alphonse Mucha - Rose; John Singer-Sargent - Mrs Carl Meyer and her Children; François-Hubert Drouais - Portrait de Femme; François-Hubert Drouais - Madame du Barry; Anton Raphael Mengs - Maria Luisa of Parma; Edgar Degas - The Pink Dancer; Edward Robert Hughes - Juliette Gordon Low; Gustave Jean Jaquet - Portrait of a Lady
“It’s ridiculous.” Ada sighed as she walked up and down in
front of Tommy’s desk and ranted at her brother. “I don’t mind that my best
friend like my brother, it’s the fact that they won’t admit that they like each
other so I’m stuck in the middle of this doe eyed love sick… whatever… and it
is getting on my nerves.”
SOME STRANGE CONNECTIONS BETWEEN TFP, TLD, TST, TAB & THE GREAT GAME
It happened quite accidentially that I discovered the following similarities. A little scene almost at the end of ‘The Final Problem’ started the ball rolling. Sherlock pushes open his prison room and suddenly stands in front of Musgrave Hall - the old home of the Holmes family.
The tight angles in John McTiernan’s Predator (1987) communicate so much about the closeness of the jungle, the anxiety, the desperation, the heat. The characters are out in the middle of a vast wilderness but the photography is claustrophobia in motion.