I totally haven’t just let this repeat for the last five minutes

I’m really fucking tired of people assessing a show’s value based on how long it runs. The Scottsboro Boys had a beautiful production with a stellar cast in a Broadway theater, and some people loved it and some people didn’t. Same as Wicked, same as The Pirate Queen. I don’t know why every musical should have to compete with Hairspray or The Producers. Some shows are designed to do nothing more than entertain and amuse, and some shows challenge the audience in very different ways. The incredible and unexpected success of Next To Normal might well encourage musical theater writers to explore much more difficult and emotionally challenging subjects, but it does not augur an era where those shows will be financially successful. A show like Next To Normal, or The Scottsboro Boys or Parade, is always going to be a tough sell in a commercial environment, just like Schindler’s List is harder to sell than Pirates of the Caribbean. If you loved The Scottsboro Boys, then celebrate it, revel in it, and share your love for it, but most of all, be grateful for it. I hate this insane nonsense where people who say they love theater salivate over the grosses in Variety or debate the precise number of a show’s weekly nut – all that shit seems to trivialize the theater and turn it into one more stupid commodity. I got into it because theater moves me and inspires me in ways that no other art form can. Having now written several shows that were total flops in New York, I think that whether a show runs for a long time or makes any money seems like a ridiculous way to judge its success.
—  Jason Robert Brown, December 22, 2010 (via jen tepper’s facebook)
Once I hit the ideas of alternating chronologies it seemed like the perfect way to tell the story, both because it solved the problem of the audience getting ahead, and because, on a metaphorical level, it said exactly what I wanted the show to say: these are two people who were never really in the same place at the same time"
—  Jason Robert Brown on The Last 5 Years