Here are the new dances I animated for season 4 of Teen Titans GO! Which just aired on Cartoon Network. Let me know which one is your favorite and be sure to follow me on Instagram at https://www.instagram.com/hayk_art/
So I’ve been overwhelmed by the black panther comicon appearance and I’ve been dwelling on how revolutionary the black panther movie is going to be, what it’s going to mean to countless people when this movie comes out and how long we still have to go, So I decided to put this short photoset together to illustrate exactly how big of a deal it is and how it is bigger than one person.
it’s so bittersweet because when I was younger (especially growing up where I did, a black kid in Finland) I really wished I had more access to imagery and media that reflected who I was because it would have made my life radically different for the better and I wouldn’t be at 26 (STILL) doing damage control but on the flipside, I’m so in awe of all of the beautiful talent in 2016 that younger black kids are able to see and be inspired by.
I think I was like 4 years old when I conciously picked up race and color via watching Disney’s “Aladdin” and I noticed how Jafar, the evil royal guards etc the villains were more ethnic looking or a shade darker than the “good” characters.
it’s insidious because you’re seeing something but at age 4, you don’t have the comprehension skill or knowledge to break it down and see it for what it is (Colorism, Societal bias against black people which is rooted in centuries of white supremacist doctrine, society associates things that are dark/darker colors with evil, danger, ugliness, dirt etc) and reject it.
so you pick it up and see it on a surface level and you think to yourself “well darker must mean ugly, criminal and less human”…then what happens when you look at yourself in the mirror and find out that you are black?
and guess what? if a 4 year old black kid can pick that up and internalize that about him/her/themselves….then a white kid can sponge up the same language and imagery that dehumanizes black people too (subconciously/conciously)…what happens when when these people grow up? become teachers, doctors, law enforcement etc? what kind of impact is that going to have?
I’m going off on a tangent and that’s just one personal example but society does that on a global grand scale and it is largely unchecked.
but honestly though,look at the photoset and think about how many talented people out there that we love and respect….who would NOT have achieved the things they did if it wasn’t for another person before them inspiring them to reach their goals and acting as trail blazers when it seemed as though it was impossible….then think about the flipside and how many people, with all the potential in the world, never lived to become great because they were met with more images dehumanizing them than ones uplifting them…this is why the fight for HONEST representation is important and it continues.
Happy New Year to you all! I hope you have a great new year filled with love, friendship and all the good things that life brings. 2016 was the best year yet for the page, thank you so much for your continued support old and new followers alike! And remember I’m always happy to receive messages with suggestions for things you’d like to see on the page, so let me know!
Clyde Stubblefield, the funk drummer whose work with James Brown made him one of the most sampled musicians in history, died Saturday morning in Madison, Wisc., his publicist confirmed. Stubblefield was 73; his publicist did not provide a cause of death.
For most of his career, Stubblefield was better known in sound than in name. He joined James Brown’s backing band in 1965, one of countless musicians on an ever-rotating roster. As he told NPR in 2015, the ensemble seemed to have more than enough drummers already when he showed up to audition. “I went on stage and there was five drum sets up there,” he explained. “And I’m going, ‘Wow, what do you need me for?’”
Still, his recordings with Brown managed to rise above the competition: Songs like “Cold Sweat,” “Say It Loud — I’m Black And I’m Proud” and “Mother Popcorn” are now revered as a gold standard for funk drumming. A generation later, he would have an even bigger impact on hip-hop, as the pattern he’d played on 1970’s “Funky Drummer” proved irresistible to producers. The track’s distinctive break, a sixteenth beat punctuated by deft, delicate snare hits, has been sampled on hundreds of songs. [Read More]