We’ve got a super-soldier, a giant girl, a robot from the 30th century, a
Skrull/Kree super-soldier, Billy (who, yeah, is kind of lame, but can
cast spells), an Olympic class archer and martial artist, and… me.
guys i’m honestly surprised that tumblr isn’t just all over young avengers like ?????? there are badass characters, healthy and adorable relationships (both platonic and romantic), diversity, awesome representation what’s not to like?!
While I’ve never discounted Louis’ leadership in 1D, it’s become obvious I haven’t fully appreciated his importance. The unmistakable 1D sound is not 1/5 or ¼ due to Louis - without his insistence and persistence there would likely not be a distinct 1D sound at all. It’s not exactly shocking news that pretty much the entire One Direction team (outside of the lads themselves) never had an inkling of them surviving beyond five years. Ironically, it’s not the lads who’ve become bitter, or dried up has-beens, so much as those who tried to force them into that flash-in-the-pan, boy-band mold. I don’t doubt that Harry understands the music business, but Louis recognized where the band could prosper (long term) and pushed in that direction.
I saw something really special in the boys X-Factor covers, but that wasn’t enough to give them a career. The boys were charming and good looking - their musical performances felt so earnest - they immediately connected with their target audience. Savan gave them a great start in the business - the first two albums were huge hits with the boy-band audience. The boys themselves were a huge hit too - their personalities even more than their looks (that point being largely overlooked by HQ.) The popularity of early 1D (much as it is today) was two-fold: Fans loved the music and they loved the boys individually and as a group. (It’s not so much what they are - good looking, talented boys as who they are as people.)
I had long wondered who was behind the arrangements of their X-Factor covers. Now it seems clear that Savan had a big hand in them. To a large extent, he did a brilliant job with the boys, but he certainly could have afforded to give Louis and Niall a little chance to shine vocally. Unfortunately, he wrote them off as “passengers” from the very beginning.
When Midnight Memories dropped the boys became young men. The album is a bit all over the place, but their talent shines through. They proved they could carry their audience into new sounds. They could tackle diverse styles of music convincingly while always maintaining a certain One Direction flavor. Two things would have happened if Louis hadn’t forced the issue of more creative control: The lads would have become less and less earnest and convincing in their performance of the same old boy-band fare. The fan base would not have expanded, but gradually withered away as young teen girls grew into more mature sounds. The lads wanted more than the tried and true middling sameness of the music they were expected to produce. They wanted something of their own - their story - their art.
Louis and Liam created the 1D sound we know today. I dearly love Harry and his writing, but Louis is the architect and Liam his lieutenant (writing the bulk of the last three albums.) I’m sure all five lads wanted to move in a new direction musically, but I can’t imagine any of them had the sheer moxie - the utter temerity and audacity that Louis had to pull it off. We know Harry has given other groups advice on sticking together against all the forces that would try to pull them apart. No one knows this lesson better than the lads of One Direction. The other lads had to be absolutely stalwart in support of Louis’ rebellion to make it work. He marshaled his brothers (and his lover) into a crack fighting team. I’m convinced Syco was left with two choices: Give the lads substantially more creative control or say goodbye to a band that was earning billions. Given the hubris of Simon and the blindness of Savan (to the fact that these weren’t just five pretty faces anymore) I’m sure it had to be a drastic ultimatum.
They were just five naive, rambunctious, creative boys with massive, undeveloped talent. With the right leadership, they had the potential dominate the music world. Did that leadership come from management, label, or writers? No. That desperately needed leadership came from the one who was supposedly the “least talented” of all.
So I just noticed. In Iron Man 3, Tony Stark teamed up with a little kid named Harley Keener, who acted as a not-so-subtle parallel to young Tony. In Ant-Man, we are being introduced to Cassie Lang (albeit little kid version).
Conclusion: This is all a really long build-up to a Young Avengers spin-off. Just have Harley say his real name is Nathaniel, have the Scarlet Witch and Vision become a couple to introduce Wiccan and Speed, have Hawkeye’s daughter legally change her name to Kate Bishop, get Hulkling and Patriot in there somehow, and boom.
Plus points if you bring back the little kid who played young Loki to play Kid Loki.
This was one of my big projects for my graduating year, picking pages from an old Ultimates script to make finished pages. In the original it’s the Cap, Iron Man, and Thor against Magneto, but we were aloud to change it up so I did the YA against Doom instead. They’re a bit old now, but I thought it’d be fun to put them up :)