Favorite Summer Albums of 2017

summer is almost over ;-; but these 10 albums made this summer v special for me and i highly recommend all of them :)

10. Aminé - Good For You

I’m not a big fan of Aminé but this album proved that he’s not a one hit wonder and has a LOT of potential. the album is very colorful, at times it sounds like the band fun. made a rap album tbh. also i personally care a lot about album covers and they actually affect the way i judge & listen to music, and this cover art is absolutely one of my favorite album covers of the year as it perfectly visualizes how the music sounds.

9. Haim -  Something to Tell You

ok maybe this album is not as strong as their first album but it’s the most “dream-girl-californian” type album that I’ve heard in a very long time, it’s like a soundtrack for all these tumblr blogs dedicated to highly stylized pictures of California and California girls and it’s amazing.

8. Calvin Harris - Funk Wav Bounces Vol. 1

honestly, i never expected to like this album as much as i do but it’s like literally the definitive American summer album. and like it’s like one of those albums that no matter how much they tried to fuck it up, they couldn’t make it any less good than it is with the list of artists that are featured on it. i mean Frank Ocean on the first fucking track?? and then the rest of the album being equally good? double amazing! “Faking It” is one of my fav song of the year despite the fact that i almost threw my headphone the moment i head Lil Yachty screech at the very end of it to compliment Kehlani, smh.

7. Brockhampton - Saturation

Kevin Abstract is amazing. American Boyfriend is an amazing album and Saturation is like Brockhampton’s take on that album and beyond. extremely fresh sounding, the rapping of every member is unique and exciting, the band knows their audience and so their lyrics resonate extremely well in a genuine way which makes the album very relatable for people in their late teenage years/early 20s.

6. Mura Masa - MURA MASA

the cover art is great but clearly a rip off of The Life of Pablo. but that doesn’t change the fact that Mura Masa is consistently amazing. despite releasing half of the album before the official release, the non singles - particularly “Who Is It Gonna B” , “Nothing Else!” and “Messy Love” - are phenomenal and it has such a London sound, and he even described the album as a love letter to London. every time I hear it, it makes me wanna move to London <3

5. Queens of the Stone Age - Villains

okay i can’t really judge this yet because i only listened to the shit quality leak, but MAN, even with that shit quality, this album fucking RIPS. less accessible and more experimental than “…Like Clockwork” and heavier too. lyrically and conceptually, though, it sounds like it comes from the same headspace that resulted in “…Like Clockwork” but this album to me is like a very epic epilogue to the previous album. “Villains of Circumstance” is a masterpiece and a strong contender for the best closing track of any album this year.

4. Vince Staples - Big Fish Theory

i’ve talked about this album before but the more rap albums i heard these past few months, the more amazing this album became for me. i mean just go listen to Mike Will Made-It’s new album (or any other generic trap album from 2017) and Big Fish Theory back to back, and the difference in production and atmosphere says it all.

3. Tyler, the Creator - Flower Boy

i’ve also talked about this album before but this album this summer is what Blonde was last summer for me. it’s Tyler’s most defining work, and it only makes me excited to see how he will follow it up.

2. Lorde - Melodrama

this masterpiece soundtracked a lot of my sad & happy summer afternoons and nights. every time I listen to it, it reminds me what’s like to be 20 years old, and “Supercut” is the ultimate Lorde song ever tbh; amazing dance beat + intensely emotional lyrics. and that applies for most of Melodrama, every single emotion and feeling that Lorde expresses is actually felt.

1. Arcade Fire - Everything Now

believe it or not, in 2017, it’s unusual to like Arcade Fire. I’m still trying to figure out if the disappointment that this album brought to fans and critics is as a result of power of our absurdly high expectations, or the marketing campaign that pissed a lot of fans and critics off. either way, what matters for me is that I loved both the album promotion and the album itself. this is the best summer album (and potentially my favorite album) of 2017 for various reasons. for me a great album is an album that creates a world that makes me feel like I’m living in it for the duration that it has, and if it’s great enough, it makes me wanna live in that world forever (no matter how good or bad that world is). Arcade Fire are masters of teasing and promotion, and through a genius marketing strategy, they created a world for this album before it came out and after listening to the album few times after my initial disappointment with the singles, everything about it just made sense. the great irony about it is that despite its ridiculously complex and seemingly confusing promotion, the album itself is extremely direct and heartfelt. yes, the songs are extremely well produced and multi-layered, but what makes it amazing is just how personal it is. even in a song as colorful as “Everything Now”, there are some really dark lyrics. “Peter Pan” is about reaching an age when you start losing your parents (Win wrote it after realizing his dad is sick). “Put Your Money on Me” is a song where Win directly references his religious family and the dissatisfaction of his mother at his wedding, since Regine is apparently not of their faith. “Creature Comfort” and “Good God Damn” are both about a suicidal person (Win’s close friend) and why life is always better, even at its worst. and finally, “We Don’t Deserve Love”, an amazing heartbreaker about the simple concept that no matter how much we rely on people of higher status, whether our parents or religious figures, for love and connection, love and connection are inside us right from the start without us even realizing it sometimes. i think this album is the one that makes the most sense to me along with Father John Misty’s “Pure Comedy” - as both albums talk about the absurdity of our modern lives, yet in the end, both albums conclude with the statement that love is what matters the most at any stage of our life.

Lo sappiamo entrambi che le notti sono fatte per dire cose che il giorno dopo non diresti.
—  Artic Monkeys