I have no inspiration lately

I have been going through a bit of an inspiration drought lately, so I was thinking if any of you have any idea you’d like to share with me (asoiaf, history, period drama - anything, really), I’d be grateful to listen! I don’t want to call them requests because I can’t make any promise I’ll make them (honestly, I have like six unfinished sets in my drafts right now, I’m a mess), but I thought this might help getting any sort of inspiration back? 

(From your resident sap, an unbelievably fluffy piece from an unbelievably fluffy conversation with the unbelievably lovely @eggos-and-promises)

El lies awake for hours, watching her ceiling fan spin around and around before finally reaching for the supercomm on her nightstand and turning it to Mike’s channel. She swallows nervously as the static crackles. It’s not a nightmare she’s waking him up for…but she HAS to say SOMETHING.
“Mike?” she whispers into the speaker.
Almost instantaneously, he responds.
“El?”
She can hear the sleep heavy in his voice and her stomach twists with guilt.
“I’m sorry I woke you up.”
“Nonono, El, it’s all right. You didn’t wake me up,” he says through an unsuccessfully stifled yawn. “What did you need? Are you okay?”
Is she okay? Of course. She’s talking to him. That’s why she called. That’s why she was lying awake for all those hours.
That’s why all of a sudden, she doesn’t know what to say.
“El?”
“Yes,” she squeezes her eyes shut and shakes her head. “I’m okay.” She thought she’d finally figured out how to say it. But now the worries are back, the worries that tell her maybe she shouldn’t. That it’s silly. That it’s not something she SHOULD say, that it’s only for people like Joyce and Hopper and Nancy and Jonathan.
The static crackles. “Are you sure?” Concern now tinges Mike’s voice and she can picture his face with the tiny frown he always wears when he’s worrying. She never likes him to worry, but something about it makes her heart feel funny, like it’s expanding. She feels that way around Joyce and Hopper and Jonathan and Will whenever they tell her they love her and whenever she tells them she loves them too. But she also feels like that around Mike. Whenever she is around him. Or even when she just thinks about him. And she feels dizzy. Or as if she is wearing all of her jackets at once, even if she’s only in her pajamas.  
Is that still love? It’s what she’s been thinking about all night: she likes being around him. He makes her happy. Isn’t that love? She’s decided she has to tell him, before all the words slip away from her again.
“I’m sure,” she finally responds.
He sighs, relieved. “Okay, good.”
She hears the smile in his voice and her heart expands again. So she takes a deep breath.
“I love you, Mike.”
Silence.
And more silence.
And more silence.
Oh no.
She’d been wrong. She shouldn’t have said anything. Words never came out the right way for her, and now they’d come out all wrong again. A lump grows in her throat as she realizes she doesn’t even know what else to say, even to try and fix it. The silence just pounds in her ears, making her eyes water.
She is just about to put the supercomm back on the nightstand and crawl deep under the covers where she will never have to talk to anyone again when the supercomm crackles back to life.
“I love you, too, El!”
His voice sounds strange, higher and faster and like he’s whispering and yelling at the same time, but it’s MIKE’S VOICE saying THOSE WORDS and that makes her happier than anything.
(If only she had known that the only reason he hadn’t answered right away had been because he’d fallen off his bed in shock and lain motionless on the floor, staring in disbelief at the ceiling. Had she known that, she might have been spared those awful minutes of sadness and worry and doubt.)

The next morning is Saturday and Hopper drops El off at Mike’s house as usual for breakfast. Mike answers the door and before she can say a word, he pulls her into the tightest hug he’s ever given her, one that she tries to return just as tightly.
Mrs. Wheeler pokes her head around the corner to tell them the pancakes are ready, and they break apart (although their hands remain clasped), and the smile on Mike’s face is so big, El’s already huge smile only gets bigger.
When it’s time to go home, and she’s putting on her jacket by the door, Mike suddenly jumps and pulls her away by the hand he’s been holding all day, saying she’s forgotten something in the basement.
When they get there, Mike takes her other hand, takes a deep breath and says in a rush,
“IloveyouEl, IknowIsaiditlastnightbutIwantedtotellyouinperson, too.”
And even though she’s only put on one jacket, it might as well be four. She smiles down at their intertwined hands and then back up at his red smiling face.
“I love you, too.”
They both let out a breath they didn’t know they’d been holding that turns into giggles and then into another tight hug.
They run back up the stairs and to the front door, where both of them have the same idea: to quickly kiss the other on the cheek. Neither of them make it because as El turns around and Mike leans in, their lips meet instead and they spring back, surprised (though definitely not unhappy, if their grins and rosy cheeks are any indicator).
There’s the dizzy feeling again and she’s sure that’s why the only soft words that come out of her mouth are “A kiss.”
Mike’s grin only becomes more sheepish and he glances down at the floor. El turns to leave, and as she steps outside, she whispers one last, “Love you, Mike,” before shutting the door gently behind her.
(Which means that she doesn’t see Mike calmly walk upstairs to his bedroom, where he collapses on the bed and muffles his disbelieving jubilant squeaks into his pillow.)
When Hopper sees her ear-to-ear smile and rosy cheeks, all he asks is, “Huh, good day, kid?”
“Very good,” she says with a giddy nod as she feels her heart expand for the millionth time that day. She knows it won’t be the last.

‘Cause they say home is where your heart is set in stone
Is where you go when you’re alone
Is where you go to rest your bones
It’s not just where you lay your head
It’s not just where you make your bed
As long as we’re together, does it matter where we go?

Voltron Week Day 3: Home/Family

I like the idea of Keith growing up in a culture based on war and hate, eventually coming to find love and safety with team Voltron. His family. :’)

(Please don’t tag with any ships. Thank you.)

4

there’s nothing I can do

i’m helpless without you

Okay, I’m writing this in honor of the super sexy dream I had last night and because RSJ is making the PERFECT face for this! Btw sorry I’ve been MIA-can’t say that I’ll be posting a lot, but when I scrolled through this spoke to me (but also sorry if it’s shit).

As Y/N rolled over and stretched long in their bed. Rich had a smirk on his face as he watched her wake up.

“So, you were dreaming about me again huh?” He winked at Y/N.

“Huh?” She yawned, slowly processing what he’d said. 

“You were groaning and had an awfully big smile on your face. I’m just guessing, but I was the star of that dream wasn’t I?”

Y/N chuckled as she replayed the dream she’d just had. “Uh, no, no you weren’t babe. Sorry.”

“Really? Who was then?!”

“Ha ha, uh, it was uh John Stamos.”

Rich shot a confused look at her. “Seriously?!”

“Yep, seriously.” She started to get up. “Hey! Don’t look at me like that! I don’t know why I had a dream about him either!”

Rich just sat on the edge of the bed dumbfounded.

“Not that I’m complaining…”Y/N mumbled under her breath as she headed for the shower.

“What?!”

“Nothing!” Y/N laughed as she turned on the water.

“I bet I’m better.” He stated as he leaned on the door of the bathroom.

Y/N quirked her eyebrow. “Are you seriously jealous of a dream?!” When he didn’t answer she gave a quick smirk. “Wanna prove it?”

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