I feel so emotional right now

Let me tell you a little something about post concert depression…

i’m feeling it.

it’s weird since i’m the happiest i’ve been and the saddest i’ve been at the same time. i can’t listen to fall out boy because i just keep thinking “i heard them live. nothing will beat that,” or when i hear a song they played live, “i heard this song live. nothing will ever beat that.” so yeah my emotions are everywhere right now, but i know for a fact that i am not ok.

ALSO I WAS IN THE SAME ROOM AS PATRICK STUMP, PETE WENTZ, ANDY HURLEY, JOE TROHMAN, LINDA IGNARRO, AND SARAH URIE. SARAH FUCKING URIE. LINDA FUCKING INGARRO. THAT ALSO MEANS THAT BRENDON URIE (fav) AND SPENCER SMITH (fav) COULD HAVE BEEN THERE AS WELL ARE YOU FUKCIN– ARE YO FUC- ARE YOU F U C K I N G K I D D I N G M E???

afangirlforeverything  asked:

I'm not supposed to be online right now but I was thinking, if Patton is at the core of a lot of Thomas' feelings, does that mean he inhabits the anger too?

I would think so. I think that the only feelings Patton doesn’t embody are feelings of nervousness and worry. Those are Virgil’s territory.
But I think that Patton would do his best to try and not be angry. He doesn’t like feeling the negative emotions, as stated in Moving On part 2.

Emotional Consent

I’ve always been hesitant to post about this because I’m worried people will take it as a personal offense and I just want to say in advance this isn’t “@ anyone” or a callout even

I just feel like emotional consent as a concept is rarely talked about and therefore it’s often breached unknowingly (hence why I don’t never get mad at anyone specific for breaching it), and also I think it’s important I make this post. I didn’t learn what it was till I was older, and most people don’t.

Essentially “emotional consent” is a mutual understanding and willing agreement between both parties when discussing directly emotional or potentially emotionally loaded questions.

I’m going to start with examples, and I know it might feel bad at first if you recognize you do some of them (it’s okay, we all do from time to time), but please keep reading because I promise I’ll get onto alternative dialogues and solution

Here are some examples of what a breach of emotional consent can look like- not all the ways of course, but the major ones off the top of my head:

  • Venting to someone without warning or established boundaries this can look like starting a conversation by venting, or detailing graphic information seemingly out of nowhere and without effective trigger warnings. This can put people in situations where they feel like they have to respond, even if they’re not emotionally equipped, if they’re busy, or if they don’t have the spoons. Of course, usually this wasn’t the intent of the venter, but still has the same effect. FYI- this includes celebrities, social media icons, and people you admire. 
  • Talking graphically about sex, masturbation, or anything in that range without warning or established boundaries this can look like anything from sharing a funny sexual escapade with your friends, and dirty jokes, to sexual harassment and telling someone hows bad you want to fuck them despite not knowing how they feel about it. Sometimes in these scenarios, people can appear visibly comfortable in attempt to fit in and not seem prudish, or to avoid awkward confrontation. This can also be especially sensitive because this is a topic that can very easily and unexpectedly bring up traumas and insecurities along with the discomfort, and it can perpetuate rape culture.
  • Using pet-names and romantic implications, even platonically, without established consent this one was tough for me to swallow at first because I love pet names and I love using them platonically to show love. But even more, I want the people I love to feel comfortable and safe around me. Some people have deeper more negatively charged, or more intensely charged feelings around pet names than I do, and I wouldn’t want to subject them to that. Some people are also comfortable with certain pet names and not others. Also things like calling platonic meetups dates, cuddling, and platonically holding hands mean different things to different people, which is important to respect.
  • Showing people media or sending articles or news with heavy emotional content either without warning, or with the expectation of discussion part of this is about including trigger warnings, and making sure viewing triggering content is optional in spaces and interactions we have control over. Another part though, is the fact that we often expect people to have interactions and discussions with us about emotionally charged topics, including politics, crime, oppression, natural disasters, etc. without fully understanding how this can affect the other person.
  • Telling someone they’re the only person you feel comfortable telling something to, or be open with this one sucks because it usually (except in cases of abuse) comes out of genuine care and wanting to make the other person feel special. That being said, no matter how you phrase it, it can put a massive responsibility on the person that similar to my first example, can make them feel obligated to help even when they’re not in an appropriate place to. 
  • Expecting people to share personal or intimate information a lot of times we ask emotionally loaded questions because we care about and are interested in the lives of our loved ones. That being said, if we’re not careful people can really feel obligated to share information they’re not prepared to, or don’t want to process at the moment. This can look like “How’s your health been?” “How are you handling [life event]?” and “Why didn’t you tell me sooner?”

so now the more pleasant part! What can it look like to prioritize emotional consent instead- these correspond in order of initial bullets

  • Starting vague and asking if it’s okay an example dialogue could be “I’m feeling crappy about [blank] are you up to listen to me talk about it?” I also love to add “or should I try [alternative coping method/talking to someone else right now?]” to the end of that if I have one so the other person knows if they say no I have something to turn to. Another example could be “Would it be alright for me to vent right now? FYI it may include mentions of [possible triggers] so if you’re not up for it right now I understand?” or simply “Are you comfortable with me talking about [blank?]”. Also talking to a celebrity or idol “You really helped me with [blank]. I don’t know if you’re comfortable with detail so I won’t elaborate, but I really appreciate it.” or “You really helped me with [blank.] [An explanation about what specifically helped or inspired you in more detail rather than graphic description of the event.]”
  • Again! You can just ask example dialogue can include “Can I mention something about my sex life?” “I have a joke but it’s dirty so I want to make sure thats okay with you” “Can I say something nsfw?” “Is everyone here okay with sex mentions?” 
  • Asking still works! Example dialogue can be “Thanks [petname] (are you okay with me using that or would you rather I don’t)” “Are you okay being called [petname]?” “Are you comfortable with [intimate platonic act]?” “Do you want to [intimate platonic act]?” “I’d like to [intimate platonic act] if you’d be okay with that”
  • Ask/Warn ahead of time or clarify you don’t need response example dialogue “I want to process [news event] but I know it’s heavy so I wanted to ask first” “Jsyk this article contains [possible triggers] so don’t read it if you think it’d be harmful to you]” “Can I ask your opinion on [charged topic]. If you’d rather not, I understand” “[thought or link to article] FYI no need to respond. I just wanted to share.]”
  • Show you’re appreciation in other ways using phrases that show appreciation but don’t implicate responsibility like “Thanks for being here for me whenever you’re able to” “I really appreciate being able to talk about this with you” “It means a lot to me that I can feel so comfortable and open with you” “Being able to talk about this with you has been really helpful for me and I’m really glad I was ables to.”
  • Asking with an easy out or optional response examples include “Hey, I know you’re dealing with as lot and grieving right now so I absolutely don’t need a response, but I wanted to remind you if you need support in any way I’m available and have time right now.” “Do you want to talk about [emotionally charged life event] or would you rather talk about something else right now?” “I know it’s hard to talk about these things and I understand if you can’t, but I want to remind you that when you can and want to I’m available and won’t judge you.” “Would venting be helpful or draining right now?” “What’s the best way I can support you, or are you not sure right now?”

Sorry this became a long ass post but I thought it was important. I should also add that the exception of course is therapists and counselors, crisis hotlines, or other people trained and already prepared to cope with these things. but besides that- try and emo responsibly. 

BTS Explain Concepts Behind ‘Love Yourself: Her’ Album: 'This Is the Beginning of Our Chapter Two’

Mere hours before the release of BTS'Love Yourself: Her, the album’s significance wasn’t lost on the group’s leader, Rap Monster.

“It’s really a huge, big step for us,” the 23-year-old rapper/songwriter/producer told Billboard during a phone call from Seoul. “Of course, every member is so excited about the album. We’ve been just practicing until now, day and night, to show these new songs and perfected performances. I left a message on our fan cafe, the other day, after we finished that 'this EP will mark the turning point of BTS’ and even though the wait felt really long with this album – I think it was the huge event, the BBMAs, were in May – so much has happened.”

The wait has been particularly anticipated for for the band’s famously passionate fan base, known as Army, who have been waiting for new tracks from Rap Monster, Jimin, Suga, J-Hope, Jin, V and Jungkook band after voting them Top Social Artist at the 2017 Billboard Music Awards over fellow pop juggernauts Justin Bieber, Ariana Grande, Selena Gomez and Shawn Mendes.

Since then, the BTS guys have landed distribution deals with Amazon and U.S.-based The Orchard (“We believe the physical album, still, really counts and it’s really important to connect with our fans around the world,” Rap Monster said) and hung out with worldwide chart-toppers like Major Lazer, Halsey, Charli XCX(“Maybe it’s just my sixth sense, but I think maybe we will be collaborating with even more interesting artists,” he added); even snagging The Chainsmokers to produce a beat for Love Yourself: Her.

One listen to the tightly produced record – which looks likely to make a big splash on the Billboard 200 next week – and the passion is palpable from the intense lead single “DNA,” the societal commentary in “Go Go,” among multiple lyrics and moments that feel ripped from the members’ personal journals. There’s also loads of passion in Rap Monster’s voice talking about these new songs as he sees and envisions the larger picture and message for his band’s latest batch of forward-thinking EDM, hip-hop and pop tracks. Read on for Billboard’s deeper analysis of Love Yourself: Her with Rap Monster.

Let’s start right from the beginning with “Serendipity.” Why was this the right song to choose as the intro and kick off the era?

When I wrote the lyrics, melodies and the first themes of “Serendipity,” I tried to come up with some rare things you find in life, something very special, like the calico, three-striped cat; things that have extraordinary meanings in people’s lives. I wanted to share this moment.

I was reading the lyrics are gender neutral, which I think is really powerful. Was that a conscious decision?

The lyrics were based on rare and special things in life. So, I thought, those feelings transcend genders, cultures and barriers between people.

We always put out the “Intro” just before releasing our single, so the intro is taking the role of telling the concept of this album. But “Serendipity” was actually the right song to share the feelings of our single, “DNA.” The title is about how our DNA is connected in the universe, I think that was the right feel for this album.

Let’s talk about “DNA.” How does this single continue and progress the story of BTS?

When we’re talking about our title tracks, “DNA” is about the expression of a young, passionate love. The lyrics are like, “The two of us our connected fatefully from the start, our DNA was just the one thing.” At the same time, “DNA” is taking BTS to new ground. We tried to apply new grammar and perspectives – if you listen to the song, you’ll understand what I’m trying to say – it’s very different from our previous music, technically and musically. I believe it’s going to be the starting point of a second chapter of our career; the beginning of our Chapter Two.

“Best of Me” is really impressive. It sounds like The Chainsmokers, but it also sounds like BTS. You didn’t lose yourself which isn’t easy when collaborating with new artists. What was that process like?

I love that track! We met them at BBMAs, we were so lucky. Actually, they invited us to their concert just the other day – they had a huge concert in Korea and we sang “Closer” together. For “Best of Me,” they gave us several tracks and samples months ago, we and our producers picked one sample, like, “Okay, this is fit for our next album.” So we worked on it, we sent it to them, we asked them what they think of the track we developed and got their opinions. And we made it! I’m so excited for it. [Laughs]

Your albums always have deeper social and society commentaries. Let’s talk about some of the topics with this release. “Go Go” instantly comes to mind.

“Go Go” is a trendy song, but it’s about how our young generation are living their lives with low expectations and standards so people are upset with reality; they have little hope and there’s so much economic hardship. We wanted to say something about it and emphasize to the world that it’s not their choice, but brutal reality that forces people to live and spend as if there’s no future.

But in Korea, “YOLO” has become a big key word for young people because we don’t have money and it’s really hard to get a chance to earn a lot of money. I think society has a lot of problems for young people. Young people spend their money on claw crane machines at arcades and they spend like $30 on trying to win these dolls. And then it’s like, “Oh! I spent all my money…shit. But I don’t regret.” That’s the biggest luxury for Korea’s young people: collecting accessories, cosmetics, that’s what they think is a luxury. It’s “YOLO” because it’s like, “I’m gonna buy all this! I’m gonna buy all this food and I’m going to eat it! I’m going to do it!” I think it’s sad because it’s all we can. “Go Go” is just saying, “Okay, just do it, we won’t regret it. Just spend several bucks on the machine and eat the food!” But at the same time, the song is very easily to sing along to so I think many people will like that song, especially if they find the deeper meaning.

Of course, I have to ask about making a skit interlude out of your BBMAs acceptance speech.

You need to hear “Mic Drop” because the skit was my speech at BBMAs –  because that was a big moment for our history – and then we put “Mic Drop” next to that because it’s like a flex – like, “Okay, we’re done. We don’t need to give a shit about anything.” That was the right skit and follow-up song for this album.

The last song, “Outro: Her” really spoke to me. It almost reads like a diary.

Ha! [Laughs]

After talking with you, it feels like it recaps the whole album and is really introspective.

I think that was the fastest work I did for this album. I wrote the verse in 20 minutes; it just came, very truthfully, from the bottom of my heart. I thought it was the right outro for this album because it is really a range of emotions – I’m saying I met this person that I really love, this person is the love of my life right now, I’m saying that I was confused and I was looking for love and this world is complex. But I think it’s you so, “I call you 'her,’ 'cause you’re my tear.” “I think you’re the start and the end of me.” That’s what I’m saying: You’re my wonder, but you’re also my answers. You’re my “her,” but you’re still the “tear.”

The hook is saying that love is not all about the happiness, it’s just not just about the joy, it’s not just about delight. If you want to love a person, you should know that there are tears and there can even be hatred inside of it. I think a love really includes all of that. That’s what I was trying to say. It’s complex.

And if fans are so lucky to own the physical album, they’ll hear two hidden tracks at the very. Why keep them secretive?

I think they’re hidden because you have to be a real fan of BTS to understand them. Otherwise, you won’t. Otherwise, you’d like be, “Why are they feeling so confused about things? They’re good?!? They’re No. 1 somewhere, they have so much stuff, why are they worried?” People always talk about that. But if you are true fan of BTS and you buy the album and you listen to the hidden track – if you are an Army and we spent time together from 2013, 2014 – they could understand. It’s kind of more special, more closer, to our true hearts.

© Jeff Benjamin @ Billboard

I love reading fanfiction. Why? It’s because I learned to be much more sensitive about other people. I address them by not judging their tastes, personalities, sexuality, gender, color or anything else. I can give them their privacies and learned how to step back if they feel uncomfortable. I can already hear statements that are just so wrong but seemed to be normal to the majority. I can tell a person’s emotion and how we should properly deal with them. I can now see if a person is toxic in a relationship. I can love people with genuinity and can give comfort to them without feeling insecure or unsure. I can give confidence to myself and encourage others to do the same. I can now say the right words (whenever I can).

I’m not perfect and I still do make mistakes, but I can definitely say that fanfiction made me into a better person.

Fanfiction writers (and writers in general), thank you.

first off, jaemin’s health is absolutely the most important thing, and i’m so glad sm isn’t putting him at risk of further injury. but i’m just……my heart is so sad for this poor boy and how he must be feeling. since his injury, he’s missed:

1) the first major awards show of his career
2) the first year-end shows of his career
3) all the v lives/videos from the end of november til now
4) the fan interactions the rest of the group has had (christmas fanboard, new years greetings, etc)
5) HIS GROUP RECEIVING THEIR FIRST AWARD

and now his group is making their first comeback without him…….i can’t even imagine how overwhelmingly disappointing and frustrating and painful this has been for jaemin, watching his group do all these things without him, i am so crushed for my child i just

yes im posting about this again

- allura finally decides to just “ah, quiznak” and sits keith down to brush his hair and the mice braid it and put little flowers in it (“you’re a fairy prince now, keith!”) and she listens to him ramble on about lance this and lance that and allura i am. so gay.

- he does the same for her and tries to braid her (freakishly long holy shit) hair,, of course with the mice’s help and she just goes on and on about shay (“she’s so strong but gentle i would trust the mice with her”)

- “do you need help with picking out a dress?” “from you? oh honey no”

- TRAINING TOGETHER

- she completely wipes the floor with him

- “allura please i need a breather” “WOULD ZARKON GIVE YOU A BREATHER???!!?”

- “hey, the stars sure are beautiful tonight”

“yes, indeed”

“you know who else is beautiful?”

“shay” “lance”

- “keith i want to knock him all the way to the next deca-phoeb too but this is a diplomatic meeting so please put your sword away”

- “allura”

“hm?”

“im feeling extra gay right now”

“oh same”

i have so many feelings about these gayliens

2

Based on @midnightstarlightwrites‘s super cute ladrien ficlet because HNNNNNNNNG //clutches heart//

Also happy 2 years of ML. There are honestly just not enough words in the English language to express how much this show will always mean to me. There are so many important people in my life that I would never even have met if not for ML, and I’m beyond grateful to every one of them for being my friends, and to the creators of the show for making that possible. //throws emotions at you guys//

Ai Yazawa End-of-Book Notes 1-21

So at the end of every volume of NANA, Ai Yazawa has a brief paragraph about the manga or just some introspection about her life. They give great insight into the series and I think only a few are found on the scans of NANA online, so I thought I’d share them all!

Volume 1

The creator, Ai Yazawa, told us, “I created this story so that it could be enjoyed as a stand-alone and, at the same time, have a complete ending that could be connected to an ongoing series.  I hope you’ll look forward to the future of the two Nanas!”

Volume 2

A note from Ai Yazawa: “I had thought that if the two Nanas met each other, they would probably be constantly fighting, but they seem oddly friendly.  What’s up with that?!  It’s one of me (not so) seven wonders (ha-ha).”

Volume 3

Since childhood, the artists I’ve looked up to haven’t been writers and illustrators, but mostly musicians.  Music provides me the most emotional effect and excitement.  If there was no music, I don’t think my creative juices would boil.  Music is that important to my life.

- Ai Yazawa

Volume 4

I realized one day that there are hit songs with the same names as the main female characters, NANA, JUNKO, and SACHIKO (the kanji for JUNKO is different, though).  It’s not that big a deal, but I sometimes just hum the melodies longingly.

- Ai Yazawa

Volume 5

In the initial drafts, Nana’s band was a rockabilly band like the Stray Cats.  But due to various circumstances, I didn’t keep it that way.  But if they were rockabilly, Ren, Nobu and Shin would have had pompadours.  And Yasu too?

- Ai Yazawa

Volume 6

When I was a child, I used to take piano lessons.  Even after I stopped taking lessons, I bought sheet music I liked and continued playing.  I’ve had my hands full for several years now, but one of these days I’d like to learn how to play jazz piano, which I’ve wanted to do for years now.

- Ai Yazawa

Volume 7

I had an opportunity to interview a group of professional musicians.  I showered them with questions, but they answered willingly, and it was very helpful.  I was having problems balancing the fictional world of manga-like simplicity and gorgeousness with a sense of reality.  But I realized again that what’s important is the humanity of the characters.

- Ai Yazawa

Volume 8

When I was in high school, there was a cool girl in my class who was a lone wolf.  I was really into a foreign New Romantic-type band then, and when she asked me one day, “Do you want to go to their concert together?” I was overwhelmed.  My heart fluttered more than when I was with my boyfriend (☺).  Have you had a Hachiko experience like that?  - Ai Yazawa

Keep reading

Wonder Woman was the superhero movie we all deserved. There will never be a moment more iconic than Diana Prince rising from the trenches and storming No Mans Land like the motherfucking queen she is.

Originally posted by cohvenant

4

So… I took a bit of an ‘unannounced vacation’ for a few weeks while I tried to regain my sanity but everything’s cool now and I’m going to get back to drawing responses.

3

[Image: Three gifs from AfterTrek. Sonequa Martin-Green and Michelle Yeoh sit side by side. In the first gif, they applaud. In the second gif, Michelle wags her finger and Sonequa makes a face. In the third gif, they hug.]

BTS Explain Concepts Behind 'Love Yourself: Her' Album: 'This Is the Beginning of Our Chapter Two'

From the meaning of “Go Go” to why the band needed to flex their win at BBMAs, BTS’ Rap Monster explains it all.

Mere hours before the release of BTS’ Love Yourself: Her, the album’s significance wasn’t lost on the group’s leader, Rap Monster.“It’s really a huge, big step for us,” the 23-year-old rapper/songwriter/producer told Billboard during a phone call from Seoul. “Of course, every member is so excited about the album. We’ve been just practicing until now, day and night, to show these new songs and perfected performances. I left a message on our fan cafe, the other day, after we finished that ‘this EP will mark the turning point of BTS’ and even though the wait felt really long with this album – I think it was the huge event, the BBMAs, were in May – so much has happened."The wait has been particularly anticipated for for the band’s famously passionate fan base, known as Army, who have been waiting for new tracks from Rap Monster, Jimin, Suga, J-Hope, Jin, V and Jungkook band after voting them Top Social Artist at the 2017 Billboard Music Awards over fellow pop juggernauts Justin Bieber, Ariana Grande, Selena Gomez and Shawn Mendes.


How BTS’ BBMA Win Proves K-Pop Can Compete & Thrive on a Global Scale

Since then, the BTS guys have landed distribution deals with Amazon and U.S.-based The Orchard ("We believe the physical album, still, really counts and it’s really important to connect with our fans around the world,” Rap Monster said) and hung out with worldwide chart-toppers like Major Lazer, Halsey, Charli XCX(“Maybe it’s just my sixth sense, but I think maybe we will be collaborating with even more interesting artists,” he added); even snagging The Chainsmokers to produce a beat for Love Yourself: Her.One listen to the tightly produced record – which looks likely to make a big splash on the Billboard 200 next week – and the passion is palpable from the intense lead single “DNA,” the societal commentary in “Go Go,” among multiple lyrics and moments that feel ripped from the members’ personal journals. There’s also loads of passion in Rap Monster’s voice talking about these new songs as he sees and envisions the larger picture and message for his band’s latest batch of forward-thinking EDM, hip-hop and pop tracks. Read on for Billboard’s deeper analysis of Love Yourself: Her with Rap Monster.

Q: Let’s start right from the beginning with “Serendipity.” Why was this the right song to choose as the intro and kick off the era?

When I wrote the lyrics, melodies and the first themes of “Serendipity,” I tried to come up with some rare things you find in life, something very special, like the calico, three-striped cat; things that have extraordinary meanings in people’s lives. I wanted to share this moment.

Q: I was reading the lyrics are gender neutral, which I think is really powerful. Was that a conscious decision?

The lyrics were based on rare and special things in life. So, I thought, those feelings transcend genders, cultures and barriers between people.We always put out the “Intro” just before releasing our single, so the intro is taking the role of telling the concept of this album. But “Serendipity” was actually the right song to share the feelings of our single, “DNA.” The title is about how our DNA is connected in the universe, I think that was the right feel for this album.

Q: Let’s talk about “DNA.” How does this single continue and progress the story of BTS?

When we’re talking about our title tracks, “DNA” is about the expression of a young, passionate love. The lyrics are like, “The two of us our connected fatefully from the start, our DNA was just the one thing.” At the same time, “DNA” is taking BTS to new ground. We tried to apply new grammar and perspectives – if you listen to the song, you’ll understand what I’m trying to say – it’s very different from our previous music, technically and musically. I believe it’s going to be the starting point of a second chapter of our career; the beginning of our Chapter Two.

Q: “Best of Me” is really impressive. It sounds like The Chainsmokers, but it also sounds like BTS. You didn’t lose yourself which isn’t easy when collaborating with new artists. What was that process like?

I love that track! We met them at BBMAs, we were so lucky. Actually, they invited us to their concert just the other day – they had a huge concert in Korea and we sang “Closer” together. For “Best of Me,” they gave us several tracks and samples months ago, we and our producers picked one sample, like, “Okay, this is fit for our next album.” So we worked on it, we sent it to them, we asked them what they think of the track we developed and got their opinions. And we made it! I’m so excited for it. [Laughs]

Q: Your albums always have deeper social and society commentaries. Let’s talk about some of the topics with this release. “Go Go” instantly comes to mind.

“Go Go” is a trendy song, but it’s about how our young generation are living their lives with low expectations and standards so people are upset with reality; they have little hope and there’s so much economic hardship. We wanted to say something about it and emphasize to the world that it’s not their choice, but brutal reality that forces people to live and spend as if there’s no future. But in Korea, “YOLO” has become a big key word for young people because we don’t have money and it’s really hard to get a chance to earn a lot of money. I think society has a lot of problems for young people. Young people spend their money on claw crane machines at arcades and they spend like $30 on trying to win these dolls. And then it’s like, “Oh! I spent all my money…shit. But I don’t regret.” That’s the biggest luxury for Korea’s young people: collecting accessories, cosmetics, that’s what they think is a luxury. It’s “YOLO” because it’s like, “I’m gonna buy allthis! I’m gonna buy all this food and I’m going to eat it! I’m going to do it!” I think it’s sad because it’s all we can. “Go Go” is just saying, “Okay, just do it, we won’t regret it. Just spend several bucks on the machine and eat the food!” But at the same time, the song is very easily to sing along to so I think many people will like that song, especially if they find the deeper meaning.

Q: Of course, I have to ask about making a skit interlude out of your BBMAs acceptance speech.

You need to hear “Mic Drop” because the skit was my speech at BBMAs –  because that was a big moment for our history – and then we put “Mic Drop” next to that because it’s like a flex – like, “Okay, we’re done. We don’t need to give a shit about anything.” That was the right skit and follow-up song for this album.

The last song, “Outro: Her” really spoke to me. It almost reads like a diary.

Ha! [Laughs]

Q: After talking with you, it feels like it recaps the whole album and is really introspective.

I think that was the fastest work I did for this album. I wrote the verse in 20 minutes; it just came, very truthfully, from the bottom of my heart. I thought it was the right outro for this album because it is really a range of emotions – I’m saying I met this person that I really love, this person is the love of my life right now, I’m saying that I was confused and I was looking for love and this world is complex. But I think it’s you so, “I call you 'her,’ 'cause you’re my tear.” “I think you’re the start and the end of me.” That’s what I’m saying: You’re my wonder, but you’re also my answers. You’re my “her,” but you’re still the “tear.”

The hook is saying that love is not all about the happiness, it’s just not just about the joy, it’s not just about delight. If you want to love a person, you should know that there are tears and there can even be hatred inside of it. I think a love really includes all of that. That’s what I was trying to say. It’s complex.

Q: And if fans are so lucky to own the physical album, they’ll hear two hidden tracks at the very. Why keep them secretive?

I think they’re hidden because you have to be a real fan of BTS to understand them. Otherwise, you won’t. Otherwise, you’d like be, “Why are they feeling so confused about things? They’re good?!? They’re No. 1 somewhere, they have so much stuff, why are they worried?” People always talk about that. But if you are true fan of BTS and you buy the album and you listen to the hidden track – if you are an Army and we spent time together from 2013, 2014 – they could understand. It’s kind of more special, more closer, to our true hearts.

Source.

I have a feeling this scene will cause the big fight in 2x13 because maggie hates Valentine’s Day and it looks like alex is surprising her at her apartment. Maybe they’ll argue and maggie will walk out, only to realise the mistake she made which leads her to surprising alex at the end of the episode with the dress scene.

4

Just Kwak ARON behind the scenes of a ( photoshoot ) via ↠ 10ASIA

Hey everyone, I want to talk about something I’ve been thinking about a lot lately.

As members of the online writing community, we’re surrounded daily and constantly by the accomplishments of other writers. This is for the most part fantastic. We get to support each other, and I love seeing that a writer I follow has finished their book, published a story, that their funny writing meme is going viral, or even small things like that they wrote a chapter, or paragraph, or even sentence they love. I love seeing the fanart, the words of support, the friendships, the memes. Oh, the memes. I really do love this community and all it has done and has the possibility to do for aspiring writers.

However, when you’re in a community, there’s an inherent pressure that comes along with that, and that is the pressure to be productive. I feel this is especially strong in the writing community because so much of what we talk about is productivity. How to improve it, the importance of it, the importance of self-discipline, and ambition, and pushing yourself to reach your goals. 

It’s lovely to see your friends and people you follow having success, but it also plants that worry in your mind: Am I dropping the ball? Am I not working hard enough? Am I a total fraud and failure because I binged a show on netflix instead of writing for the past week? Do I ever deserve success?

In this community, we talk about productivity a lot. We talk about how you should push yourself through a bout of writers block rather than letting it hold you back, how you shouldn’t let self doubt grab hold of your ankle and keep you from stepping towards your goals, how with a well planned outline and set of goals you can power through that draft in no time. 

And that’s great. I love being productive. I love helping other people be productive. I love it that we’re a community of people who loves to create, and it makes me feel great to be creating.

However, I want to introduce a new mantra to this community, one that I feel needs to co-exist with all the mantras about productivity, and that is be kind to yourself.

So yes, you’re not feeling too motivated right now and you didn’t write for a week. It’s okay. 

So yes, you’re experiencing writers block, and no, you didn’t make an outline, but that’s okay. That’s just your process. It’s okay to work how you like to work even if most writers say it’s a bad idea.

So yes, you don’t like what you wrote, and even though you know you can fix it while you’re editing, it’s okay to feel discouraged right now. Allow yourself to have emotional reactions to your work. 

So yes, you fell behind on your goals, didn’t finish that book, fell out of love with the idea and abandoned it, didn’t win NaNoWriMo, and haven’t written in two weeks. It’s okay. You’re not a machine. 

So yes, you’re discouraged. That’s normal. You’re not a failure because you can’t meet the standard of productivity we’ve created in this community because here’s the thing, few can. I can’t consistently or for long periods of time, I burn out. That’s normal.

This whole productivity-obsessed, if-you’re-not-pushing-yourself-to-reach-your-goals-in-every-way-possible-you’re-not-doing-your-dreams-justice, step-up-your-game mindset is not healthy for a lot of people. 

The standard this community is setting is ridiculously high for most people within it to reach–many of who are young, new writers, just trying to explore the craft and learn, and yet are being met with this immense pressure in order to be taken seriously, and many of who are students, have jobs, have other reasons why they can’t be writing machines, or are simply new writers who aren’t ready to produce at that output yet. We shouldn’t be creating this communal pressure to create create create or you’re not good enough. 

Allow yourself to take breaks.

Allow yourself to pants a project if you want.

Allow yourself to have emotional ups and downs in relation to your art because that is normal.

Be kind to yourself. You’re not a failure. 

Can we just take a moment…

Keith was ready to sacrifice himself!!!

I feel like Keith himself thinks that he’s not good enough; he is constantly training to improve himself.Keith told us that he was never a good leader, and he wanted to leave to go with the Blade of Marmora. So not only did he believe that he was a horrible leader, but a horrible paladin, in a sense, as well. Shiro (possibly fake Shiro) always fought Keith on his decisions as leader, yet when Keith decided to leave, there was little to no fight, and I don’t think that sent the best message to him.

Hell, he got reprimanded on the first episode for saving a teammate, so he might believe he’s not a good Blades member either. Right now Keith might feel like he doesn’t know what his point in life really is, other than be with the Blade and see where it leads him.

So, does that mean that Keith’s possible sacrifice was because of some deeper emotions and conveying a message?? Or was it because in war the life of many outweighes the life of one soldier ??

I just want answers ✨