FBI au where Person A is an agent and Person B works in the labs. They don’t positively interact a whole lot because of their jobs and they don’t really get along. That is until they both unknowingly sign up for the same cooking class and they now have to cook together three times a week. And they’re both a mess because work them is different than class them.



(and why there should be more content with these two, platonic or otherwise.)

Outside of the obvious fact that they’re both writers:

They put up with a lot of shit concerning what they do. Emi is to a lesser extent because of the fact that she doesn’t tell people about what she writes. Take for example, these panels:

Keep reading

ok but like…..i can’t imagine being Aloy after learning what she did inside the mountain. what her mind is going through and what she must be feeling. and then having to come out of the mountain and have all the Nora worship her after they mocked and hated her all her life. And THEN still have to listen to their ignorant words about “All-Mother” and the “Goddess” and the “Anointed”. like… having learned all this knowledge and not having one single friend to share it with except a dude you only speak through your Focus once in a while and has no care for your feelings because he’s just using you to find out more about what the hell happened to the world. and she can’t share it with anyone else anyway because these people have lived all their lives worshiping an imaginary goddess and basing their lives around it so how do you even begin to tell them what you just learned????

anonymous asked:

I would not be opposed to hearing your Lost feelings...

FRIEND I AM SO GLAD SOMEONE FEELS THIS WAY. I will take your neutrality as a cue to share my most important thoughts about Lost, with spoilers for everything:

  • I know that daddy issues and baby-having issues are the focal points of the first three seasons intentionally but god am I glad when we move past those to the equally-societally-pressing issues of time travel and the Dharma Initiative.
  • We all talk about what a terrible leader Jack is and that is totally true but when your choices are Jack and Locke I honestly think I would choose Jack, who is an equal level of fuck-up but not mesmerized by the magic of the island.
  • There’s a very careful balance of batshit that I like in my Lost. Seasons one and two are too fairly-straightforward for me; if I want to watch people fighting on an island I watch Survivor. But once the Dharma initiative comes into play and the Others are there and there’s fucking TIME TRAVEL I am delighted. But then they introduce Jacob (as an actual actor rather than as an invisible figurehead) and I’m like “This is maybe a bridge too far?”
  • Ana-Lucia’s death is an actual fucking tragedy and I am never going to be over it.
  • What was even the POINT of killing off both Boone and Shannon within half a season of each other? They’re SIBLINGS, kill one off to prompt misery in the other! I am annoyed at how uneconomical the storytelling is to off them both.
  • I feel like there are a lot more comments about Hurley’s weight than I remembered from my first watch. That’s a part of the show that has not aged well.
  • Sawyer/Juliet is everything and I am always surprised by how much a canon het ship hits me but THERE YOU GO I GUESS. I always get through seasons three and four like “Why do I not feel more for Kate/Juliet that should be my thing?” and then hey check it out season five happens MY HEART WAS SAVING ITSELF FOR THAT. Also I totally don’t care about Sawyer for three seasons to the point that his flashback episodes bore me and then in season four I’m Invested and then season five and he’s LaFleur and I’m like FUCK I GET IT NOW
  • I spend a lot of time feeling bad that Daniel Dae Kim doesn’t get more to do because I love him.
  • I want so badly to care more about Kate than I do.
  • Ben Ben Ben Ben BEN i love Ben he’s a sociopath with no redeeming value and I love that they never try to make him more than that, including when he’s a child. Like I am sure there’s a fan base saying “Some people? Murder the entire Dharma Initiative? To cope????” but the show doesn’t support that and that pleases me.
  • On that note I hope everyone has watched the Skullcrusher Mountain fanvid for Lost because it’s the best.
  • I can never tell if the show wants me to believe that everyone’s level of fuck-uppery is equal and that’s why they’re all on the island, or just that they all feel the same level of guilt and that’s why they’re all on the island, but I would really like a third option where I don’t need to rationalize how their backgrounds are equal.
  • One cool thing about having OCD is that when I’m in sessions with my therapist and talking about my issues with numbers sometimes I think about how I sound like literally everyone on the show circa s2 and crack up in the middle of what should be my focus on my mental health.
  • Here is something that has happened to me multiple times now: I see an actor and I’m like “HOLY SHIT HE LOOKS FAMILIAR WHAT DO I KNOW HIM FROM” and it turns out it’s from earlier in the series. It wasn’t a “Hey it’s that guy” situation, it was a continuity one. I am literally the worst at watching this show.
  • I really hate Desmond and I know he’s a fan favorite but his pursuit of Penny always feels more stalkerish than romantic to me.
  • Except for his relationship with Charlotte I love Daniel Faraday with all my heart. Variable > constant 4eva
  • I keep remembering all the Lost fic I wanted to write that I never wrote and feeling vaguely guilty about it but also like there’s not enough of a fandom for me to care to write it now, especially when it would mostly be crossovers.
  • I’ve never rewatched season six before (although I loved it on first watch, INCLUDING THE FINALE, FIGHT ME (but maybe not yet I haven’t rewatched it yet)), but I am really looking forward to seeing the flash-sideways again and I’m kind of ashamed of myself for feeling that way but I’m super excited about the moments when everyone remembers they know each other are and also where Juliet finally shows up.


Malec battle headcanon

Okay, so malec is definitely a confirmed #powercouple and I’m so down to see a scene with them fighting together. But I also think it could be amazing if in reality they weren’t the most efficient team when fighting together because they would be way more concerned with the other person’s safety than their own. Like Alec would be too busy guarding Magnus’ back to notice the attacks coming at him, and the same would be true for Magnus so it just gets confusing for the rest of them. And Jace and Izzy and others have to save their asses on the reg and they’re salty about it. I mean obviously Magnus and Alec are great fighters, but some things are more important, you know? So neither of them are that sorry when they get yelled at after missions. Nobody can stay mad at them too long either because it’s actually pretty sweet, even if it’s annoying. But eventually they decide that they need to separate them during battles because they’re too easily distracted. And Magnus and Alec aren’t happy but they agree anyway, and then after each mission we get the relieved hugs like we saw in 2x10 because they’re just so happy the other one is okay.


For the past year there’s been more and more people talking about Marcia Lucas and how important she was to Star Wars and how it’s because of her the series is what it is but

It also makes me sad because we talk about her like she’s dead but she’s still alive

After the divorce George didn’t just take Star Wars from her he took EVERYTHING from her

She won an Oscar for Best Editing for Star Wars and she hasn’t worked since the divorce.

He blacklisted her.

People she thought were her friends stopped talking to her

She dropped off the face of the planet.

Literally I wrote a little essay on her a few months ago and the only recent news about her was that there was a house in Southern California up for sale under her name

And I just think about how fucking unfair it is that this woman who made Star Wars no longer gets to be involved and the redemption arc for the new trilogy that I REALLY want is Marcia Lucas coming back to edit again.


victor was just chillin at this banquet and this guy who lost miserably shows up and starts a dance off?? this is a formal ass banquet like

and he starts this wild dance off and takes off his jacket and yurio joins in and victor is havin a good time in the background

and theN VICTOR JOINS HIM. and let me just say victor looks like he is having SO MUCH FUN. LOOK AT HOW HAPPY HE IS.

like this boring banquet turns into victor finding this adorable guy who gets drunk and starts a dance off and strips and pole dances, and they dance together and they’re already so happy and comfortable together, having so much fun. and this guy dances on him and grinds on him and tells him all about japan and where he’s from and how he should be his coach. and victor is GONE he is HEAD OVER FUCKING HEELS.

then victor after GPF he has kinda lost motivation and doesn’t know what’s next. and then this video goes viral of some guy skating his routine from GPF. AND IT’S THE ADORABLE DRUNK GUY FROM THE PARTY. so now victor is like time to take up his offer.

he shows up in his hot spring and is like time to be your coach!!!!

and then all his advances

make so much more sense. he probably just ends up thinking “he’s probably more shy when he’s sober!” but he does think that yuuri remembers it. and he’s so confident in his eros because BOY HE HAS SEEN IT.

victor wasn’t just teasing with a flirty personality. this was legitimate flirting. victor has been trying to get with yuuri this whole time.

we thought yuuri was chasing after victor, hoping for victor to notice him…. but in reality victor was chasing yuuri. he flew across the globe chasing after him. 

hold up

the TARDIS is a phone booth
but she’s also a super intelligent sentient being

was the TARDIS the first smart phone?

rogue one “everyone lives” au:
  • chirrut teaching luke about jedi lore and philosophy while baze and han roll their eyes and pound space beers in the background
  • bodhi’s face when leia awards him a medal for bravery

  • cassian and han hating each other until they are forced to tag-team in a cantina brawl

  • k-2so and r2d2 making c3po’s life hell

  • jyn joining the pathfinders under kes’s command

  • cassian and shara bey co-infiltrating imperial facilities

  • baze and chewbacca playing dejarik against one another (because everyone else was too afraid)

  • luke and bodhi bonding over flying junkers

  • jyn telling leia about the time she met bail organa

  • lando introducing chirrut to gambling on bespin (”oh, did i win again” “you have to be cheating” “all is as the force wills it”)

  • chirrut and baze helping leia with her grief over alderaan

  • k-2so also being accepted as a deity among the ewoks (the devil)

  • the members of rogue one watching the destruction of the death star from the med bay

#magnus bane #the high warlock of brooklyn #looking after the shadow world #without needing to be asked #protecting everyone from drug dealers #people who are banned from his territory #this is the leader the downworlders deserve #the one most shadowhunters don’t even realise is there

Ok but I’ve been binge watching the Narnia movies again, after not having seen them for a long ass time, and now, being a little older and (hopefully) a little more mature than I was when I first saw them, I always feel physically sick when I see the Pevensies being children after The Lion, The Witch and The Wardrobe because they just aren’t anymore and I can’t even begin to imagine what it must be like, to grow up as kings and queens, respected and important, and full of duty, only to go back to being 8 years old (in Lucy’s case).

They didn’t remember England, or the wardrobe, or their old lives, they were Narnians and they were pushed back, not only into a world that was bound to make them miserable, but also into bodies that couldn’t reflect what they’d been through.

Just imagine Peter, waking up in the morning, not remembering that he isn’t the Magnificent anymore, imagine him subconsciously reaching for something to trim his beard, only to remember that it isn’t there anymore, to expect old battle wounds to hurt until he realises that they can’t because he doesn’t have them.

Or Edmund, who left England a stubborn selfish little boy who only wanted his mummy back, and came back the Just, the redeemed traitor, the diplomat, the man, having to resort to being ten years old and probably not even allowed to peek at a newspaper because he’s just a child after all. He plays chess, incredibly well, he doesn’t mock his siblings anymore and all the friends he knew when he was still a boy are either irritated at his behaviour or too childish, too selfish for somebody who knows very well just what selfishness can do, who has a part of the White Witch in him, always.

Susan forgets, we all know that. She must’ve lain awake at night, remembering just what it felt like to cover pain and viciousness and gore with a smile and a blush, remembering being the Gentle, but never in war. She must’ve cried for all the lost years, for all that she learnt and that she can never forget, for all that she has accomplished, that will bring her nothing in this world that doesn’t feel like hers. So she sits down in front of a mirror, talks herself out of believing, telling herself that it wasn’t real, that it was just a dream, that this Narnia her siblings talk about is nothing but a game.
The truth is too terrifying, to devastating to face.

Lucy, little Lucy, who grew up under Mr Tumnus’ smiles and Aslan’s approving gaze, who was loved by all, who did learn how to rule, how to negotiate but who never forgot just what it means to be a queen of Narnia, this girl who matured into a woman, who had a woman’s mind and body and a queen’s grace, she who they called the Valiant, the lion’s daughter, she shrank into herself, into a child, younger than even her siblings. She remembers, clearest of them all, she is the only one who still knows Mr Tumnus’ face, still knows Aslan, but she is just a girl, a pretty little thing who will never be the queen she was, who will never be the woman she was because queenship forms a person in ways no schools can.

They must’ve been devastated when they tumbled to the floor, short and small, and there’s a war they have no control over and Lucy is small, Edmund is skinny, so skinny and Peter and Susan have lost their glow and they’ve changed, they’ve changed so much. (The first time, somebody calls them by just their names, they feel invalidated and small. And offended. They’re kings and queens, they’ve earned their titles and now they have to sit in a dim room filled with children and listen to teachers, have to allow themselves to be insignificant and nothing more than what they were when Lucy first stepped into Narnia - frightened children in the middle of a war they wish was never there in the first place)

In the MBMBAM Seeso Q&A tonight, the brothers talked about how the structure of the show ended up being what it is partially because all the things that they “couldn’t do” because of social anxiety. Like, they couldn’t do man-on-the-street stuff, they couldn’t talk to a ton of strangers, they couldn’t play pranks on people, etc. And the structure of the show ends up feeling very genuine and fun because of those limits? They’re not forcing themselves to do (neurotypical) things they’re not as good at, and in the meantime, working around that stuff begets new ways of doing things. So, like, neurodiverse representation is obviously important because it’s important to be able to see that aspect of yourself in the media you love, but it’s also important because it gives us new structures and kinds of media, and that’s just so exciting to me