“What is like to lose someone you love:

Losing someone for good, or for as good as you think, feels like waking up from a beautiful dream only to discover it was not, in fact, real. You have this feel all day, not just the morning. The dream was what used to be, and the shocking reality is that it’s not anymore.

It feels like those mornings when you wake up, aching and disoriented from a night of binge drinking, and reach across the bed, only to find it empty, cold. You’re alone.

It feels like how the sky looks after a storm, bleak and white. It feels like the aftermath of a storm, debris everywhere, messy and in need of repair.

It feels like 3 AM, chain-smoking cigarettes until my lungs ache, staring at the pieces of myself surrounding me, and knowing that, for the first time, I have to put myself back together. Alone. ”

—  Hannah Gordon.

Sports Illustrated Swimsuit models come to Coney Island

“Brooklyn Beach Party” a first of its kind at MCU Park on Coney Island when the Brooklyn Cyclones take on the Tri-City ValleyCats.

An array of Swimsuit models were on hand for the game including - 2014 cover model Lily Aldridge, Hannah Davis, Hannah Ferguson, Gigi Hadid, Chanel Iman, Ariel Meredith, Jess Perez and Adaora Akubilo.

The event took place as part of the Cyclones Annual Military Appreciation Night when the team distributed over 1,000 tickets to those who are serving and have served in our armed forces.

Photography by Gordon Donovan


Sports Illustrated hosts SwimCity in NYC

The area around Herald Square in New York City has become SwimCity for the next two days for the release of the 2015 Sports Illustrated Swimsuit Issue. The fan festival features live musical performances, and swimsuit models were on hand to pose for photos and sign copies of the new swimsuit issue. (Yahoo News)   

Photography by Gordon Donovan

See more photos from SwimCity and our other slideshows on Yahoo News.


“In love?” he asked.

“Why should I be in love?” It was a pretty silly answer (or, rather, question).

“Why not?” he said, and then it was time for dinner.

March 3, 1944. The Diary of Anne Frank. 

What TFIOS Means to Someone Who Was Diagnosed With Cancer

I do not have a star-crossed lover. I am no Hazel Grace Lancaster, and I have yet to meet my Augustus Waters, should he exist somewhere, out there. Quite a shock, I know. I’m 20 years-old and have not fallen in love, like almost every other 20 year-old out there. But here’s the thing: I was raised by books that made me believe this would not be the case. Hear me out.

Here’s my story: diagnosed when I was 12, surgery for a quick fix, then another, then ultimately three different kinds of chemo. All three sucked. Five years later, I was, what appeared to be, free. Three years after that, and I’m sitting here, emotionally raw, writing this without really understanding why.

I just saw The Fault in Our Stars. If you have not yet seen The Fault in Our Stars, it really is a must see. The actors are perfect, and of course that only stems from faultless writing by a talented man known as John Green. The story depicts the epic and tragic love story of Hazel Grace Lancaster and Augustus Waters. It shows that despite sickness and death, there is love, and there are infinities within a limited number of days. Hazel and Augustus found this.

Green said of TFIOS that he wanted to show cancer kids as real people — because too often we portray them as wise beyond their years or tragic. I quite like that. And he quite succeeds in creating those real people, not only real patients. There is a difference, I assure you. I both applaud John Green and aspire to be like him. He’s truly a gifted writer and beautiful human being. To be both of those is a rarity. (Someone once told me all writers are crazy. I’m not sure if I believe him, but if that be, John Green escaped that curse.)

For a long time after I got diagnosed, I anxiously awaited my Augustus Waters. Though he took many forms (usually whatever Young Adult hero I read about that week), I waited for him. I so badly wanted for a boy to come along and love me, despite my chubby face from the prednisone, thinning hair, and frequent visits to the ER. I know this makes me seem vapid, and feel free to express so in the comments, but I was young and scared and thought that to leave a mark on this world I needed to be in love with someone who would still be here when I left.

But alas, my stars did not have that fault. Though they did have many others.

Do not get me wrong here. I in no way hold this against Mr. Green. His novel is truly a wonderful portrayal of this world. Hazel and Augustus’ story inspires me, as it should you, too. The moments in the movie where they held onto each other and said the most beautiful words truly touched me. But I was more affected by the moments of pure love between Hazel and her family members. I understood those moments.

I can’t tell you what it feels like to awake from surgery to your father’s eyes glistening with tears. I still haven’t quite found the words for that. I had never seen him cry before.

I can’t explain how badly it hurts when you walk in on your mother researching cures that surely don’t exist, otherwise the doctors would have found them by now. She’s an accountant and had no idea where to begin, but she’d already begun anyways.

I hate remembering how my sisters looked at me while I shivered in a hospital bed and begged for more blankets, but the fever needed to break, and I watched them break along with it.

I’m not saying this as a pity to myself. I am alive, and I can’t express what that means to me. I’m saying this as a thank you to them. Thank you, thank you, thank you.

There comes a moment in every patient’s life where they think, “this is it. I’m going to die. And I’m okay with dying now.” Whether or not death is imminent at that point, it doesn’t matter. I had that moment, and I believed them to be clarity. But the true moments of clarity were the ones where I sat at the dinner table, listening to my sisters laugh and watching my parents roll their eyes. My moments of clarity were when I was grocery shopping with my mother and realized how much I would miss picking out what we’d eat for dinner that night. My moments of clarity were my dad telling me to clean my room, because I was still there to have a room.

In these moments, I was overwhelmed with the burning intensity I had to live. Because the thought of them sitting at a dinner table and not laughing, because I was gone, was excruciating. The thought of my mother not having the energy to go grocery shopping incapacitated me. The thought of my room being a spotless shrine made me gasp for air.

What was worse, the thought that I’d miss out on them scared me to my core.

I had to stay. I had to. Please.

You see, the fault in my stars was that I saw the beauty and wanted the poetry of an expected and embraced death, yet when I truly looked it in the face, I suddenly had so much more to cling onto than I had originally thought. I had so much more to keep living for.

This is my fault.

I am so thankful for the fault in my stars. It’s a good life.

(found here: http://thoughtcatalog.com/hannah-gordon/2014/06/what-the-fault-in-our-stars-means-to-someone-who-was-diagnosed-with-cancer/) 

Have I told you guys about my collective? I can’t remember, I think I have unofficially. Anyway myself and my two best friends; misshannahgordon and cholart have started a collective. Find film, TV, music and fashion based work as well as features from other artists, ourselves and things of interest both collaborative and individual. We are open to questions and encourage you to embrace your creativity. 

Here we are