So, you’re past the “Witchcraft 101” phase, and you feel like you’ve chosen your path. Green Witchcraft. Now, labels aren’t a necessary thing, but they do help label yourself to be able to find your kin. That’s a different discussion for another time, but either way, here’s a bunch of things you can do to further your craft other than read up on it on Tumblr.com!
1. Start a garden! If you haven’t done this yet, you should! Beltane is right around the corner at the time of writing, and it is the perfect time to sow seeds outside. Some good options for beginners are: Basil, Mint, Chamomile, Lavender, Mustard, Oregano, Rosemary, Morning Glory, Moonflower, Thyme, Dahlias, Lily Of The Valley, just to name a few!
2. Go for a walk in your local forest and start a notebook on what plants you find where. I personally like pressing flowers and leaves in mine, and then writing down its botanical information, its magical and medicinal value and properties, and where it is found. You can also include illustrations, recipes, and growing information on the specific plants you find, if you were to grow them yourself.
3. Do the same for fauna! Find out which animals live near you, their symbolism, correspondences, etc… Include imagery, illustrations, lore, and other identifying information for them.
4. Visit your local wildlife reserve and learn how you can help! Whether that be learning what a certain type of bird eats, or how to preserve a certain type of beetle.
5. Meditate and attempt spirit conjuration with your plants! Rosemary and Rose tend to be good starting points. Both very feminine and sweet in my experience.
6. Take a tea-mixing class. This way you can mix your own herbal teas for different purposes, both magical and medicinal!
Okay… I don’t have a lot
of time to write this so if I’ve missed anything, if there are any huge grammatical
errors, if I’ve COMPLETELY missed the point then I’m very, very sorry! (I may write more later as I have a lot of
Here’s the deal.
This episode was basically
the writers way of telling us Oliver and Susan aren’t going to make it. Which
is why I’m so okay with it. Did chunks of it feel off? Yes. Did Oliver come
across as kind of spineless? Yes. Did Shady Snoozan come across as even more of
a selfish cow than we thought she was? Absolutely. Did we feel for Felicity?
Damn straight. Did we see everything we HATE seeing from Arrow ON Arrow? Yup…
Do you think the writers,
directors and producers don’t (etc) know we hate it?
Of course they flipping
Is episode 15 normally the
episode where we what we really don’t want to fucking see?
Would it have been better
to just be rid of SW? Oh hell yes- I’LL FREAKING DO IT!
But then, how will
Prometheus succeed in turning someone Oliver cares about against him?
Starting, I’d like to say
something about Oliver.
He’ll always do dumb shit:
I expect it now. I’d love to be rid of it. But I expect it.
In episode 15, a lot of
the time I was basically wondering when he became so needy. And by needy I
don’t mean ‘he lives and breathes SW’. I mean, he desperately wanted her to see
him as the good guy. The hero. Someone who has succeeded in securing the
affections of a woman determined to see him as a thug.
Notice how Felicity tells
him he’s a hero in this episode without prompt? Don’t you think that was a deliberate
It’s been done before;
right when he needs to hear it, there she is. Telling him. Again. SW didn’t say
it; she did.
The wonderful @almondblossomme hit the nail on the head: episode 15 was a compare and contrast
of how Felicity and Susan differ.
Just one example: SW cared
more about her job than anything else. The moment she got it back she was all
over him. Hate the bitch. Whereas Felicity has, time and time again, given up
professional standing for Oliver. I’m just going to leave that there because I
don’t need to hammer in just how much better Felicity is.
What I do want to say – to
emphasise – is how alone Felicity was.
Now I’d like to stop you before
you all go off on the rampage because, as much as I understand why, this was
also deliberate. This episode was the point where Felicity didn’t just feel
alone, she was alone. They deliberately had everyone miss this about her: Dig
who knew her better than most and Oliver who knows her best of all… even Thea.
No one saw it.
They even had Oliver come to
ask for her help with Susan.
In her head, she has
So she turns to Helix.
Now I’m thrilled with this
because Olicity’s ADULT CONVERSATION is going to happen whilst SW is kidnapped:
no shady lady to interrupt. But I’m also guessing that Felicity once again uses
her skills and connections to help Oliver in HIS life. To help him be happy or
at least that is what she’ll believe she’s doing.
He might see this; her
wanting him to be happy and he’ll wonder why SHE ISN’T. He’ll ask questions.
He’ll ask why are you doing this for me? And she’ll say some variation of: “I
just want you to be happy.”
They really are reversing
it this year between them aren’t they?
Now we’ve been informed
that SW will be held by Chase for more than 1 episode. This is to drum up the
panic of it all – though they know we couldn’t care less – but it also gives Prometheus
enough time to infect SW.
To pervert her easily
changeable perception of Oliver. There’s more than a good chance she’ll come
out of it either openly hostile towards him or wanting nothing to do with him
out of fear.
(Now, it’s almost possible
that she could be working in collaboration with Prometheus but either way
they’re making her a victim.)
They’re also making her a
loose end and a nuisance. A weak point. Unnecessary. A target, Like Billy. On
Green Arrow: look how easily you loose the people who care about you?
(like she does, ahem)
Oliver was trying so hard
to move on and his first true attempt has fallen flat on its ass, he knows it
has. But he’s fighting. He’s fighting because taught him to, he’s fighting
because she said NO. She didn’t want him to fight and it’s so much easier
beating your head against play-do than it is against steel.
THAT’S WHY HE WANTED SW TO
circumstances of HOW would have come to him later; but all he wanted right then
was to succeed.
This is all about Olicity:
if he can make it work here, maybe he can make it work there.
targeted Billy. He did this in the hopes of screwing Oliver’s life up some. But,
though this created a vacuum of guilt in Oliver, it did not turn Felicity
Now, he’s taken SW, when CONVENIENTLY
the only way to help find her rests with HELIX. With Felicity. Role reversal.
Either the writers are
being very obvious or very sneaky.
Remember Ray? Remember how
Felicity was all over keeping him safe and with her in episodes 17 and 19? She
even did PDA IN FRONT OF OLIVER.
Episode 15 of season 5 is roughly
our 17 equivalent.
Either – like Billy – SW is
going to bite it, or it’ll be the consequences of what happen to her that cause
a ripple effect afterwards on Olicity.
It caused a ripple after
Billy’s death too: Oliver and Felicity had a very real, very honest
THIS will force another
one: possibly more than one (dear God PLEASE).
I always thought that two
or three very brutal, very open talks between them would shift EVERYTHING. It
just so happens the writers had to space it out for an entire season.
This season has been one
full of ‘how to not do relationships with Oliver’. It focuses on 3 women:
Laurel (his past) Susan (his present) and Felicity (his future and always). Learn from the past and present to make way
for the future.
I still believe this; we
have been told in one way or another (by the cast, the directors, the narrative
etc) that Olicity will rise again and that their time is coming. Soon.
BE angry at this episode!
Go for it. They want you to be livid so that they can surprise, shock and awe us
all later like in season 3!
But don’t judge any later
progression or any episode following this on number 15. In fact, leave episode
15 behind at the door. It isn’t needed anymore. It’s in the past.
In season 3, after episode
15 aired, the fandom threw an absolute shit fit.
Looking back at it, it was
hilarious; we had nothing to worry about.
But at the time, it was
awful. No one wanted to see Felicity with Ray whilst Oliver lay on a dungeon
floor, while Oliver pinned. And we had to wait TWO WEEKS before episode 16
Remember episode 16? Like
the sun shining again we received these little spots of hope. She’d slept with
a man who ISN’T Oliver and yet, none of their chemistry was diminished. In
fact; it just showed us that even sex can’t get in their way.
In that relationship
Felicity and Ray fell out with each other because of the truth or lack of it. They
got back together shortly afterwards.
Felicity and Billy did the
same: I think they actually did it twice.
Now, so have Oliver and
Another deliberate tool.
Regardless of what
happens, Felicity’s lack of blame on Oliver will reflect brightly on the very
real blame SW will throw at him. The
actor playing Chase has confirmed that an odd relationship will build between
him and Susan and that she may feel betrayed by Oliver.
She may come to hate that
she developed feelings for him, but be unable to act on it BECAUSE of her feelings
Felicity couldn’t be
played with – couldn’t be marred - but Susan
can. Because she’s weak. Because she isn’t fit to be Oliver’s love interest.
Because, like with Billy, she’s a tool.
We don’t care about Susan
but we DO care about Olicity and this should generate a reaction from them
Now, I didn’t see Oliver as
crapping all over his alter ego by labelling the Green Arrow a criminal. I think
it could have been done far better but I also saw it as two things: first, he
was taking on the sins and pains of others (like they do with some comic
superheroes; they make them into Jesus figures) and second, because Prometheus wanted him to do it.
And Prometheus has been
very adept so far at making Oliver go down the route he wishes him to.
The big reveal for
Prometheus was lame (maybe it’s MEANT to be) but you can’t deny the man is a
criminal mastermind. In a way, he’s more capable than any other bad guy has
been at hurting Oliver. And Oliver has no idea how close he is to loosing
We already know that Thea
and Felicity are his big ‘no-no’s’. Criminals do not touch them and live to
tell the tale.
Yet he as lost them both:
he just lost Thea (she’ll return a little later on) and Felicity – though he
doesn’t know it – is already gone.
Worse, she went away and
no one noticed.
Bear in mind that we’ve
been told by Marc G, that Oliver will end the season balanced as a hero: he’ll
be both Oliver Queen and the Green Arrow. So obviously this ‘let’s vilify my
alter ego to by us time’ moment of glory was just that: a moment. An episode to
show that Oliver Queen has evolved just as much as his alias.
Remember Talia who gave
him the outfit to wear so that he could ‘vent’ for lack of a better word, his
demons? So he could express his violence so that he could wear the mask of
Well, he doesn’t NEED it
But soon he’ll CHOOSE it.
And he’ll do it in front of an audience Star City.
And a big part of how
he’ll do that will be Felicity. There’s no way he can become this balance human
without knowing she’s right there with him, balanced too. Either he’ll step up
to guide her or her actions will push him in her direction but it will include
What I’m trying to say, is
that – in terms of Oliver and Felicity, this is the low point. I’m
Admittedly I’m hastened on
this by Stephen who answered some ‘damage control’ questions earlier. One of
the things he stated was that a lot of Oliver’s choices that people are hating
on so much are a sign that Prometheus’s plan is working. Oliver isn’t out of
the woods yet: this is a decline. The next 3 episodes will decide the fate of
SW and Oliver and either someone will die OR something very bad will happen to
Even with this crap, I can
still see a love scene guys. Pacing has always been an issue: don’t think they
won’t do it. And we know (like with 3x20) how much can change in 1 episode. But
love scene or no, I’m watching till the end and believe that we’ll see what we
The narrative STILL leads
there. If it changes then I’ll change my opinion.
(I d have a lot of OTHER thoughts
about Oliver in this episode though… Jesus)
tagging these lovely ladies (and anyone who wants to join in) to tell me if I hit a truth crumb or if I’m an idiot:
If you can, when jarring stuff you’re going to use exclusively for magick, color code it. Red for non-edible, green for edible. Is that rosemary straight from the herbs and spices cabinet from the kitchen? Label it green. Oh, that’s not culinary lavender? Label it red, you gotta remember that.
And for when you’re perusing through your jars to see what things would work best for the spell you’re whipping up, it’d be very helpful if you listed the magickal and/or medicinal properties on the back of the jars beforehand. It helps save you time for those moments in life where you have to throw together a spell and you don’t have time to flip through your BoS or Google to find a spell to cast.
putting the properties on the back has also proved to be a good studying technique. It reminds me of how one studies by use of flash cards.
A/N: Hey! This is a silly little fic I came up with having completely fallen in love with Sashea. It’s technically part of MAPverse, but can completely be read standalone if you have never read Masquerading as Professionals before! (guess who can’t let go of things lol it’s me). Thank you so much to Dandee who checked the tricky part over for me, and of course my AQ Brits who give me life every waking moment of the day. This is a cis girl AU because I’m full of originality. Also, full disclosure- the line about the lobsters was stolen from The Thick Of It.
Summary: Shea Coulee takes the empty position for a classroom assistant at Paul Visage Primary School only to please her cousin Bob. When the teacher she’s working for turns out to be cuter than she expected, Shea starts to come up with ways to make her job a little more bearable. Sasha Velour just wishes she didn’t blush so easily.
Prompt #6 if you don’t ask her out. I’m going to do it for you + #362. “You have the most amazing eyes.”
Warnings none, pure fluff
Pairing Derek hale x reader
Y/n =your name. Y/h/s+c = your hair style and color. Y/e/c = your eye colour.
Scott was leaving school with Lydia and stiles, when his phone buzzes. It was a text.
Derek: meeting, @ the coffee shop 5pm.
Stiles looked at his best mate with frowned eyebrows, “why is he always holding meetings in the coffee shop?” asked but Scott didn’t know too. “it’s like the 4th one in two weeks” he stated.
Lydia laughed, “your both clueless” stiles looks at her pleading to know but all she says is “no, if you don’t already know I’m not telling you” “I don’t care as long as he’s buying us cakes ” Scott answered.
You was having a busy day, the morning rush was double then normal. And now it was the turn of the after work rush. You had only been working here a few week but was good you remembered faces and orders the names of cups. Your new cakes where selling like crazy.
You looked at the time waiting for the tall dark haired man who’s name you had never gotten to come in. Over the past 3 weeks Mr Green eyes as you have secretly named him, Had come in twice a day. Everyday it was no lie you had developed a small crush on the hot mysterious man.
Today was no different 4:55pm like clock work Mr Green eyes walks in walks to your counter giving you a sexy smile that makes your knees weak. “you with your friends today?” you ask knowing lately he had a group of teenagers meet him some evenings. “yes” he simply answered his voice was smooth and melting. “2 coffees and two caramel hot chocolates coming up cutie” you replied. He went a little pink but chucked every time you said it. He was infectious the bright green eyes the wide grin made you smile even more.
You watch as he sat in the table near the back. Minutes after his friends walk in.
Derek handed out the group there drinks. After talking about new training ideas stiles was curious about Derek’s new meeting place. “Why do we always come here now, not saying don’t like it but what’s wrong with the loft?” He asked blowing the hot drink in his hand.
Derek didn’t answer but instead involuntary looked over at y/n the girl behind the small cake counter. That’s when it hit stiles. “NO you have a crush on her ” he shouted a little to loud. Derek kicked him under the table.
But Derek couldn’t deny it. He walked into the shop over 3 weeks ago to get cakes for Cora. That’s when he saw y/n for the first time. The was the sun hit y/h/s+c making it shine. She was smiling busy making an order for a snotty guy. He had told her the order so fast she missed out a cup of coffee when she repeated it. The guy sighed “no its 7 coffees 4 black 2 with sugar 2 white none with sugar 1 white with sugar and cream and an ice tea stupid girl don’t you listen”
Derek was about to say something to the man when the she looked at him “look if you spoke slower I would have heard and before you start some dumb-assed attempt to mock me, remember I make the drinks and I know what one is yours don’t test me darling” her voice was threatening mixed with bitchy sass as she spoke she smiled. The man waited with his head down. Muttering.
Derek was impressed with the she handled herself, something about her made his heart beat faster “what can I get you cutie ” y/n asked him. He smiled hearing her heart quicken similar to what his had done. After that Derek found himself coming into the shop twice a day just to see her. Trying to make small talk when he saw the chance.
“if you like her ask her out” Scott told Derek. He gave him a glare like he’d just said the worst thing ever. Lydia got up to get the refills as stiles and Scott talked Derek into asking the girl out.
Lydia came back with the tray of paper cups each one y/n had written each name. When they looked on Derek’s his name wasn’t there it was labeled ’ Mr green eyes ’ Derek smiled at the words. Thinking he never told her his name when she first took the order for the pack.
“coffee for Lydia hot chocolates Scott and stiles” she repeated slow as she wrote on the cups “and the other coffee” y/n had asked. Derek took the cup drinking out of it “that’s mine I don’t need my name one it” winking as he said it.
Stiles voice brought Derek out of his memory / daydream. “Derek…. if you don’t ask her out. I’m going to do it for you stiles said. "stop being a sourwolf” Derek froze as he heard a heartbeat behind him and a fimilar sent. Y/n was stood behind him.
“what’s a sour wolf? and what’s he gotta do” she asked. Derek clenched his jaw, looking at stiles ready to kill him. “sour wolf is a nickname for Derek” stiles explains to you. Laughing you take the empty cups. They teens all looked wide eyed at Derek to encourage him to say something. Lydia rolled her eyes “speaking of nicknames why do you label his cup Mr Green eyes” she asked y/n
You looked deep into Derek’s eyes answering her question but talking to Derek, know you knee his name making a mental note to give stiles extra chocolate and cream next time. “You have the most amazing eyes.” you said then face the rest of the group I didn’t know his name so he became Mr Green eyes” you smirk walking away.
Derek jumped out his seat grabbing your arm “y/n would you like to go out one day maybe for a cof” Derek stopped himself thinking a girl who works in a coffee shop wouldn’t want a date in a coffee shop “for something to eat.. Erm with me” he shyly said rubbing the back of his neck.
Your face went flushed “it’s a date” you smile back “yes a date definitely” he said back before going back to his table to face a overly excited stiles and giddy Lydia “sour wolf is in love” they said. Derek just smiled knowing they was right.
Pool Parties, Booze, and Kids: A Short Story in Domesticity
Summary: After an invitation from one of Phil’s old Uni friends turns out to be a pool party for his 4 year old son, the topic of kids comes up. And neither of them are really afraid to hold back.
Genre: Domestic fluff
Word Count: 4k
A/N: This idea just kind of came up after a pool party I went to (are pool parties even a thing in the uk idek). Set some time in the summer of 2014, based on the assumption the book/tour was already an idea in their head. First fic so comments are majorly appreciated?? Anyways, hope you enjoy :’)
The summer that year seemed to be exceptionally – and unbearably – hot.
And Phil was not passing up a chance at a pool.
“Phil.” Dan leaned on Phil’s doorway, arms crossed and eyebrows strung up. “I don’t exactly want to go to this ‘party’. Who is it even for anyways?”
Phil sat on the carpet next to his bed and groped through his dresser, searching for the swimming trunks that hadn’t seen the light of day in god knows when. “I told you it’s for an old school friend.” He was too focused on finding them to focus much on Dan’s whining.
I’M JUST A PARASITE WASTING YOUR TIME: The Dookie Era
Dookie, Green Day’s first major label record, was released on February 1, 1994. To give you an idea of the music landscape at the time, this was two months before Kurt Cobain killed himself. The early ‘90s was a bizarre time in the American music industry, when the bands with the highest sales were the kind of acts you would usually find on college radio, from Nirvana to ‘softer’ bands like the Counting Crows and back again. Even the cultural juggernaut that was Friends would reference U2 and Hootie and the Blowfish, not the kind of pop idols who ruled the airwaves in the ‘80s, and who we’ve once again come to expect to be ubiquitous.
This combination of an “alternative” ethos with mass popularity is an extremely difficult tightrope for any artist to act, and often ends in one kind of implosion or another, whether it be of career or personal life. Green Day is one of the few bands I can think of who have managed it successfully, and they’ve done it by ignoring what other people say about them and doing what they wanted to do, a pattern first set with Dookie and still holding.
Dookie was recorded in three weeks but remixed twice before the band was happy with it. It’s a major label debut after a surprise hit of a previous album, and it’s named after the diarrhea the band suffered from frequently on tour due to eating bad food (it was in fact originally going to be called Liquid Dookie, but apparently that was “too gross”). Songs on the album touch on everything from anxiety and panic disorders to masturbation to mass murder to plain old boredom. It’s not an easy album by any stretch, despite the bouncy pop melodies that might fool a casual listener into thinking otherwise, and it’s certainly not the coasting-on-success a rising band like Green Day could have easily taken. Instead, it’s an album that really is good enough to merit all the success it’s had.
The album artwork encapsulates these contradictions: it’s a rendering of Telegraph Avenue in Berkeley, with bombs dropping on it and an explosion at center. Billie Joe explains it like this:
I wanted the artwork to look really different. I wanted it to represent the East Bay and where we come from, because there’s a lot of artists in the East Bay scene that are just as important as the music. So we talked to Richie Bucher. He did a 7-inch cover for this band called Raooul that I really liked. He’s also been playing in bands in the East Bay for years. There’s pieces of us buried on the album cover. There’s one guy with his camera up in the air taking a picture with a beard. He took pictures of bands every weekend at Gilman’s. (VH1)
The band also re-recorded “Welcome to Paradise,” an homage to a punk squatters’ home in Oakland that they lived in before the release of Kerplunk. They recorded the music video for their smash hit “When I Come Around” in different neighbourhoods of San Francisco and the Bay Area, all while local zines called them “sell-outs” and many members of the band’s previous scene turned their backs on them, with Gilman Street even adding Green Day to their list of bands that were blacklisted from the venue (a list that, as I understand it, primarily exists to maintain Gilman’s rules and keep those who break them out). Billie Joe apparently snuck in one night after the release of Dookie only to find a death threat against him graffitied on the wall. About five years later, he would tell Spin, “I couldn’t go back to the punk scene, whether we were the biggest success in the world or the biggest failure. The only thing I could do was get on my bike and go forward.”
And going forward in their own style is what the band has done since, but first they gave us Dookie, a masterpiece of an album named after literal shit.
On this day in music history: May 8, 1970 - “Let It Be”, the twelfth studio album by The Beatles is released. Produced by George Martin and Phil Spector, it is recorded at EMI and Apple Studios and Twickenham Film Studios in London from February 1968, January – February 1969, January and March – April 1970. The Beatles final album (of new material) is culled mostly from the January 1969 sessions for the aborted Get Back album and film documenting their dissolution and eventual break up. Its original intent is to feature the band playing together in the studio live, with minimal overdubbing and post production. However, things go astray as tensions between The Beatles come to a head during the sessions, leading to George Harrison temporarily walking out. Eventually, the project is completed over a year after the initial recording takes place. Producer Phil Spector is brought in sort through the hundreds of hours of tapes, editing, remixing and overdubbing to compile a cohesive and polished album. It spins off two singles including “The Long And Winding Road” and the title track (both #1 Pop). In the UK and Canada, the album is originally issued as a lavish box set with a large one hundred sixty page paperback book (titled “Get Back”) featuring still photographs of the band taken by photographer Ethan Russell. The boxed edition is not issued in the US (due to cost concerns), and is released in a gatefold jacket with United Artists having the rights to distribute it, though Capitol Records actually contracted to press the record. Original copies are issued with a red Apple label instead of the standard green label, and carry a United Artists catalog number. The album goes out of print in US for three years before Capitol Records acquires the rights to the album (as well the soundtrack to “A Hard Day’s Night”) from United Artists in 1979. The Capitol pressing reissues the album in a single pocket sleeve with a poster inserted into the jacket. First released on CD in 1987, the album is remastered and reissued in 2009, with a 180 gram vinyl LP being released in 2012. “Let It Be” spends four weeks at number one on the Billboard Top 200, and is certified 4x Platinum in the US by the RIAA.