Gerhard

6

Dr. Manhattan on Mars by Dave Gibbons & Gerhard.

From the owner:
“This Gerhard Project was been a long time in the making. A couple years back, I started thinking about the artists I would want to pair with Gerhard to create a masterpiece.  Dave Gibbons was one that was at the top of the list.  I used to have 3 Watchmen pages, but traded them over the years as each wasn’t the page I really wanted to own.  So, why not create my own ultimate Watchmen piece?  

Although getting a Watchmen commission done by Dave Gibbons was at the top of MY list, let’s just say, those who have tried may know that getting a Gibbons Watchmen commission isn’t quite the easiest thing. So, I set my sights small… and I mean real small.  My goal was to get Gibbons to draw a little Dr. Manhattan on the biggest piece of paper that I could find.  That way, it wouldn’t be so painful for him and would leave a lot of room for Gerhard to work.

To fill the space, I envisioned Gerhard drawing a giant Mars landscape.  I had always loved the moonscapes that he drew for Cerebus, so why not tackle Mars? 

Well, after 2 years of talking about it, the opportunity finally came last San Diego to start this creation.  Thanks to Mr. Joeseph Melchior, Mr. Gibbons was kind enough to draw my little Dr. Manhattan figure on the giant sheet of paper that I then rolled up and proceeded to carry around the convention.

Then, off the Canada… It sat there for awhile as a little thing called my wedding took priority.  Gerhard was kind enough to finish my wedding invitations before embarking on this monster of a piece. 

As we started talking about design, the design needed something more than just the Martian landscape to balance it.  The crystal palace/space ship was the obvious choice.  In the first iteration, we had it positioned in the ground, but there seemed to be too much open space so I had Gerhard raise it up off the ground. 

But being Gerhard, he didn’t simply copy a shot of the ship from the Graphic Novel; he created his own model of the ship so he could figure out what it would look like when it changed position.  Being symmetrical, he figured out one side…. and then copied it to the other.

Gerhard worked up the piece… first all the little lines to create the B&W and then he added color.  So, without further ado…  Manhattan on Mars!”

I pursue no objectives, no system, no tendency; I have no program, no style, no direction. I have no time for specialized concerns, working themes or variations that lead to mastery. I steer clear of definitions. I don’t know what I want. I am inconsistent, noncommittal, passive; I like the indefinite, the boundless; I like continual uncertainty.
— 

Gerhard Richter

Winsor McCay a vaudville villain who ain’t give a flyin’ fuck who ain’t feelin’ him. 

I wrote about Little Nemo: Dream Another Dream.